Marbré is ready to take over the city’s electronic music scene
At the end of a corridor, mimicking the atmosphere of the Paris catacombs, lasers are skimming through the room, creating an atmosphere blending visuals and sound draped in blue light. While Jean, also known under his stage name Salem, is behind the turntables for his first set, other members of Marbré are getting ready to take over the set until 3 a.m.
But before becoming a music collective, these young men were primarily a group of friends. Hector, Jean, Pierre, Benjamin, Jules, Simons, Lucas, Ezer, and Nico, who wish to remain anonymous as part of their collective image, all share a passion for electronic music that pushed them to form Marbré in September of 2019.
The eight McGill students created Marbré with the main goal being to democratize all aspects of electronic music through their passion for mixing. “We are on a large spectrum of electronic music; listening to different styles,” said Jean, who is in charge of communications. “We can give the people a taste of all the other genres that exist.”
“That’s what we are trying to do in our sets, to transfer from techno, to tech-house, to deep-house,” said Lucas, the graphic designer of the collective. “To gather as many genres as possible.” They demystify what is happening behind the turntables and shed light on the creative process behind DJing.
The collective found a frenetic audience at both of their house-style shows that promises them a bright future. “We have to learn how to control the energy we get as this project begins,” said Nico, one of Marbré’s DJs. “The hype that we got from the night at the Belmont was not expected.”
Yet, the success of their performances does not seem to trouble the members of Marbré. “We need to stay in contact with reality, keep our feet on the ground, our hands on the plates,” said Lucas, with a laugh.
On Jan. 23 at the Velvet-Auberge St-Gabriel, Marbré had their first show as La Marbre, the name used to distinguish their techno performances. “The idea was to develop something that was more tech,” said Hector. “To continue the big house events that everyone loves but also to develop a more techno branch—something deeper.”
La Marbre will also allow them to incorporate visuals and VJing, starting with the lasers at the Velvet, which is more adapted to techno music.
Electronic music has a whole community, mostly based on SoundCloud, who come together to “dig” and share their favourite tracks. Artists dig tracks that they intend to analyze up to the last beat to use them during their performances.
“Mixing is about knowing your tracks,” said Pierre, another of the group’s DJs. “You have to listen to a track again and again to know what comes next. If you had cut the treble when a voice comes in, you’re fucked!”
According to all the members of the collective, this aspect of DJing is crucial to a set: they all talk about their hours of digging to find the “gem,” as they call it.
“Groups like Chasse et Pêche, Kizi Garden and Turning Point paved the way for us,” Pierre said. “Here in Montreal, we can really do whatever we want. There is a saturation in larger markets that makes it more professional.” The scene allows them to express their diverse style and have complete freedom in their sets.
Their upcoming performance on Feb.13 will be the next chapter of La Marbre at the Velvet, further exploring the darker musical side of the collective.
Photo courtesy of Ezer Berdugo