It’s ME, It’s WE, it’s TEMPEST
Rookie K-Pop group TEMPEST discusses their debut A storm’s brewing at Yuehua Entertainment and K-Pop septet TEMPEST is…
Keep your eyes on LUMINOUS
Rookie K-Pop Group LUMINOUS talk about their first comeback “All eyes down (advance)” K-pop quartet LUMINOUS shine bright…
Netflix and Chappelle can’t play harmless
Whether they like it or not, media has always been influential In 2021, it feels strange to still…
“That Girl”: capitalism’s new cheerleader
The nefarious new inspiration porn “That Girl” wakes up at 6 a.m. for her morning exercise of choice,…
When fashion and music meet queerbaiting
Why I’m critical of Harry Styles’ fashion At 27-years-old, British singer Harry Styles is already a universally recognized…
Sia’s new movie is dangerous and offensive
Why activists are calling Sia’s Music ableist Australian vocal powerhouse Sia’s directorial debut Music has finally been released,…
The ethics of altering your photos
Are you part of the problem? It’s no secret that it’s easier than ever to alter your photos.…
Is this the end of the Grammys?
This year’s nominations reveal an industry struggling to reflect the pulse of contemporary music. Whenever award show nominations…
Once A Tree says ignorance is bliss in Fool’s Paradise
We sat down with Once A Tree to discuss their backstory, making music while in love, and the…
An analysis of J.K. Rowling’s transphobia
How J.K. Rowling weaponizes white femininity against trans people In a year of general tragedy, disappointment, and chaos…
What BTS’s “Dynamite” says about the American Music Industry
Will the success of these global superstars help bring change to a fundamentally xenophobic industry? After seven years…