Amidst a long-spanning controversy over his support of Donald Trump, bold wrongful claims about slavery being a choice, and simply releasing sub-par music (I’m looking at you “I Love It”), Kanye West is back with Jesus is King, an album born from West’s embrace of Christianity.
Fleetwood Mac is the ultimate symbol of an intense, deep and heartbreaking relationship told through music. From their early beginnings with British Blues in the 60s, to their careless and hardrocking tracks in the late 90s, they have showed us how inseparable music and the turbulent excitement of love are.
D Smoke has delivered an EP filled with mature, introspective songwriting over soulful, jazz-infused instrumentals. He uses the project’s short run time to paint a picture of what life is like in Inglewood, through various perspectives.
The album opens with the tone-setting titular track "Inglewood High", a short, one-verse introduction that tells Smoke’s story – that of a young man who avoided gang life by pursuing a teaching position at his local high school.
Admittedly, the tracks fall flat upon the first listen but do get catchier over time. Many of the tracks have quick tempos that push G-Eazy out of his element, probably for the worse.
Spotify’s measurement of loyalty was the number of streams divided by the number of listeners, and under this criteria, the streaming platform is telling us that metal fans mostly listen to metal music. While this comes as no surprise to me, I had a question of my own: which fanbase is most loyal to their favourite artists?
The Corona really felt like a theatre last Wednesday, as Tegan and Sara brought their Hey, I'm Just Like You tour to the city. They had set up chairs on the ground and had ushers in the alleys directing everyone to their purchased seats, already hinting this would not be your typical concert.
There’s sweet innocence to be found in Rex Orange County’s latest album, Pony. The project basks in simplicity and it wouldn’t be a stretch to compare him to Ed Sheeran, albeit a much more endearing version of him.
Statute of Limitations embodies the signature boom-bap sound of 90s east coast hip hop, without sounding dated or relying on nostalgia as a crutch. Benny and DZA feel at home over these masterfully-produced instrumentals, going back and forth and bringing the best out of each other on every track.
Claudio is known for being very in-touch with her fans, both online and onstage. This was especially conclusive when she took a few minutes to discuss the meaning behind her masterpiece, Truth Is, and what led to the creation of the cover art for the album.
Charli demonstrates a perfect balance of upbeat futuristic pop, filled with clicks and digital manipulations in both her lively party tracks as well as her slower songs detailing heartbreak, confusion and loneliness. The latter makes up most of her new album, which she performed almost in its entirety that night.
The show’s purpose was to raise money for the Montreal-based band to pay for studio time to fund their forthcoming album, Loserland. Po Lazarus opted to play the project in its entirety, offering the small group of fans a promising first-look at the ambitious multi-genre project, set for release at some point in the spring of 2020.