Despite being a collaborative album, this most certainly did not feel like one
After only five months since his more house-oriented project Honestly, Nevermind, Drake is back for more with Her Loss. On this new one, Drizzy is teaming up with Atlanta rapper 21 Savage for their new collaborative effort.
After seeing massive success with previous cooperations in the past, such as “Knife Talk,” and Jimmy Cooks,” both becoming some of Drake’s biggest hits of the 2020s, it was only natural for the two MCs to unite for a whole album as they are now used to creating fireworks together.
To classify Her Loss as a joint effort between Drake and 21 Savage would feel like a crime, as it feels very much more like a Drake album featuring his sidekick 21 Savage than an equal partnership between the two. In fact, Drake accounts for 66 per cent of all words said on the record, while 21 Savage raps 26 per cent of them. The other 8 per cent is from guest appearances, such as Travis Scott on the excellent “Pussy & Millions.” Drake also has four songs alone on the album compared to 21 Savage, who only has one.
Despite not being labelled properly, this is definitely an improvement on Drake’s last two records. He sounds way more cutthroat than he usually does and even though 21 Savage isn’t on the album as much as I would have wanted, he’s still helping Drake bring out his more aggressive side with the help of some more ominous trap beat selection. Drake even goes in with some reckless disses, calling out Megan Thee Stallion, Soulja Boy, and Serena Williams’ husband, Alexis Ohanian.
Her Loss contains a lot of fun moments, and you can definitely feel their chemistry. Songs such as the opener “Rich Flex” with its various beat switches, the ruthless “On BS,” and “Broke Boys” with its phenomenal second half are all infectious yet very hard-hitting.
Regardless, it does have some misses, like the way-too-long “Hours In Silence,” the uneventful “Spin Bout U,” and the forgettable “Jumbotron Shit Poppin.” Oh, and don’t get me started on “Circo Loco,” which is another instance of an older hit being sampled to gain more traction. This time, it’s “One More Time” by Daft Punk that is victim of this awful trend.
Drake also has a couple of corny one-liners, like on the closer “I Guess It’s Fuck Me,” where he says “If bein’ real was a crime, I’d be doin’ life,” like come on man. But honestly, he might be one of the only artists that can get away with saying things like that. He makes up for it with “Middle of the Ocean,” which is another classic laid-back Drake cut that sees him get in his bag over a beautiful instrumental.
Yes it’s not perfect, and yes it’s a shame that 21 Savage isn’t on the album as much, but overall, Her Loss is one of the more fun Drake records to have come out in a hot minute.
Trial track: Middle of the Ocean