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Student Life

Venture through the Wyoming wilderness

Firewatch is an indie game that takes adventure and dialogue to the next level

Firewatch, a game that is essentially a hiking simulator, will go down as one of the most engaging experiences in gaming this year.

Graphic by Thom Bell.

Set in the summer of 1989 in the Wyoming wilderness, the player controls Henry, a newly hired forest fire lookout who takes the job as a means of escape from his life back home.

The game plays in first-person, with Henry assigned to menial tasks around the forest, using a compass to get around as well as a map that he scribbles notes on as the game progresses.

Henry’s only source of human contact is with another ranger, Delilah, via a walkie-talkie. The player can choose responses to his invisible comrade. As Henry receives missions through the static, he and Delilah cultivate a friendship through what is Firewatch’s biggest strength, its dialogue.

Immersive is a word that gets tossed around all too often in gaming, but playing through this game, my whole conscience went into choosing what to say next. The game lets you comment on set pieces and various objects in the world, to elicit a radio response from Delilah in a neighbouring watchtower. I found myself calling out every rock and twig to hear the two main characters converse in what turned into some hilarious moments, some dramatic interludes and some surprisingly profound banter.

The main story is short. If you’re like me, you will finish it in an afternoon, not once wanting to put the controller down because the game is near-perfectly paced. Every time I got an instruction to check out a gang of campers on the other side of the forest, for example, I never got bored on the way to my destination. During the trek, I was either enjoying the characters chit-chat or getting alerts about scary things happening in the Wyoming forest.

Without spoiling anything, the way the game blends serene with extreme makes for a plot that varies in mood. For instance, after running for my life, I was content to relax in the forest twilight. The landscapes are gorgeous as well, with an almost cel-shaded look. The mood of the scene changes with the vibrant colour palette. The sound design is poignant as well, with every crunch of a leaf or bounce of a rock putting you deeper and deeper into Henry’s shoes. Although the game isn’t doing anything graphically or sonically intricate, the game itself is still captivating.

This game is an adventure for the average Joe. Amidst AAA blockbuster action titles, Firewatch excels with not much more than relatable, nuanced characters and engaging dialogue, making more of an impact through its commentary on trust and relationships than its point-and-click gameplay. The game gains speed at the perfect pace and the story is a hell of a ride.

The game ends rather abruptly, which will leave some players disappointed, but in avoidance of spoilers, the ending does its job of answering the questions that need to be answered. If you’re looking for a gripping ‘choose your own adventure’ story disguised as a videogame, check out Firewatch.

Firewatch is available on Windows, Mac, Linux and PS4.

Categories
Music

The sultry, moody beauty of Wet

Sensual and instrumentally seductive, Wet is breaking onto the R&B scene with their sights set on the mainstream.

The trio consists of lead vocalist and songwriter Kelly Zutrau, as well as producers and multi-instrumentalists Joe Valle and Marty Sulkow. The three met in college in New York City, became friends and were briefly in a folk band called Beauty Feast in 2007, which was comprised of seven members. In 2013, Wet dropped their debut, self-titled EP with indie label Neon Gold, the label responsible in some part for the success and exposure of acts like Gotye, Passion Pit and Ellie Goulding. The project was well-received by critics and gained Wet a hefty New York following; “I Don’t Wanna Be Your Girl,” the lead track from the project, currently sits at 17 million plays on Spotify.

With their elegant brand of atmospheric, breathy R&B, Wet are already making the rounds.

Now Wet is out with their debut studio album under Columbia Records, Don’t You. If you’ve never heard Wet, their sound is a sort of dreamy R&B that never forgets its pop and electronic influences. Dark, sweeping synths create an atmospheric background for Zutrau’s sugary vocals. On Don’t You, the trio have their sound down to a formula; the album is so cohesive and consistent that some listeners might find it repetitive. Kelly Zutrau’s lyrics are deceptively dead-simple and very accessible, with a focus on her melancholic view of relationships. “Happy in your arms/Twist until we fall apart/I feel like no one loves me, loves me.” These lines from the second to last track, “Body,” sum up the type of feelings that make up Don’t You. The distant lyrics but optimistic tone makes Wet quintessential breakup music.

All the songs that comprise Don’t You focus on broken relationships save for the fourth track, “Weak,” but you wouldn’t know it from listening. Though the song isn’t sonically or tonally different, lyrically it focuses on a positive feeling of love or at least an infatuated one. Overall the album never strays from its beaten trail, but that trail is no less familiar, relatable and intoxicatingly immersive.

Wet’s Don’t You is out now on Columbia Records (Album Artwork).

The release of Don’t You has been no small event in music either. Wet made their late night debut on The Tonight Show with Jimmy Fallon and their new album was recently released and welcomed with open arms. Wet has been playing shows consistently to a devoted New York following but they are finally breaching the mainstream, kicking off the album’s release with a North American and European tour.

The band played Le Ritz PDB on Feb. 2, performing to a packed house. The most striking element of Wet’s live performance is how similar it sounds to their recorded material. Zutrau’s voice is really as airy and whimsical as is showcased on their album. In addition to this, the backing instrumentation was entirely electronic with the exception of some live drums. The band’s stage presence was rather understated, with very little communication with the crowd. The show felt more like a spectacle than an interactive experience. While this fits their moody, distant sonic aesthetic, the vibe in the room was more that of a listening party for Don’t You than a concert. Though it’s unlikely skeptics left the show newborn fans, going in a Wet buff was a resoundingly satisfying experience.

This kind of epitomizes what Wet is about; they are methodical, focused and unapologetic with their sound. The trio creates concise, emotionally evocative music that can hold its own among some of the heavy-hitters in alternative R&B today.

 

Categories
Music Quickspins

Pusha T – King Push – Darkest Before Dawn: The Prelude

 (GOOD Music/Def Jam, 2015)

On King Push – Darkest Before Dawn: The Prelude, a star-studded cast of producers create a polished and fascinating sound, with Pusha T’s vocals keeping the project cohesive and engaging. From Boy-1da’s hypnotic and deep “M.F.T.R.” to Timbaland’s bizarrely sparse yet clean “Got ‘Em Covered,” the album, a prequel to the upcoming King Push, maintains a thick sonic darkness and bleakness throughout. Lyrically, Pusha T is consistently tight with subject matter ranging from the rap game to the drug game, all rife with memorable punchlines and similes. Lines like “I’m the L. Ron Hubbard of the cupboard” will have you consistently scrunching up your face and nodding with the beat. If this is just a prelude of things to come, we can expect big things from King Push.

Trial Track: “M.F.T.R.”

8/10

Categories
Music Quickspins

MED, Blu & Madlib – Bad Neighbor

MED, Blu & Madlib – Bad Neighbor (Bang Ya Head Ent.; 2015)

Madlib reliably brings out the best of his obscure samples on Bad Neighbor, a fifteen-track collaborative project. While the resulting instrumentals are intriguing and groovy, the album is unfortunately plagued by a muddy vocal mix that makes many of its lyrics hard to decipher. Both MED and Blu are known to be lyrically consistent and verbose and Bad Neighbor is no exception; both rappers deliver on flows, peppering verses with lines that leave you inclined to rewind. The many features on this project, from newcomers like recent Dr. Dre recruit Anderson Paak to Madlib’s right-hand man MF DOOM, add perspective and flavour to the package and make it feel like more than a simple collaboration. Though it’s not about to turn heads like the best of Madlib’s catalogue, Bad Neighbor is a solid addition overall.

7/10

Trial Track: “Finer Things”

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