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Opinions

Access denied: It’s not us McGill, it’s you

The people in the ivory towers over at McGill University must think they are pretty special. According to an article published Jan. 19 by The McGill Daily, McGill’s administration is seeking a motion to be exempt from answering access to information requests filed by select student journalists.

Publically-funded, government-run institutions are required by Canadian Law to release documents like reports, budgeting information and much more. McGill has no right to pick and choose which requests to honour and which to reject.

Now, student journalists who are using this resource as it was meant to be used are being targeted for allegedly overloading McGill with “systematic” requests in “retaliation” against the university. What’s more, not only have 14 respondents been named in the motion filed with the Commission d’accès à l’information, it goes on to claim that The Daily and The Link have been abusing the system, perhaps for some nefarious purposes of their own.

If we weren’t up in arms about that, imagine our reaction to the news that The Concordian is also being named as a source which provides evidence to support the university’s case.

Contrary to whatever the authors of the motion believe, The Concordian has never indicated in any way that ATI requests were being made “as a retaliation measure against McGill in the aftermath of the 2011-2012 student protests.”

The very idea that the university is requesting the right to deny legal ATIs filed by certain individuals and accept others is astonishing.

What’s laughable about this whole situation is that if, and this is a big if, the motion is allowed and the people and organizations mentioned are no longer allowed to make requests, what stops anyone from filing under a different name or having the request filed for them?

How dare the university even consider putting journalists in a position where they have to intentionally misrepresent themselves in order to gain the same access to documents that any person off the street is entitled to?

Without a doubt, McGill is behaving like a spoiled child and we only wish to offer our most sincere condolences to the public relations department. This is a vastly unfair move by the university, it’s illogical and based primarily off of conspiracy theories.

From here, it looks like McGill is scrambling for any excuse to avoid releasing sensitive documents they would rather not see made public.

And what of the university’s claims that the amount of requests received are straining their “limited resources?” If McGill can’t logistically handle the incoming ATIs, fine. We accept that this type of paperwork takes time and money. So hire another person to do the work. We’ve seen your landscaping, McGill, we’re pretty sure you can afford it.

Categories
Music

Quickspins

Chief Keef – Finally Rich (2012; Interscope)

Lyricism is an aspect of rap that purists would rank the most essential in terms of a rapper’s talent. Chief Keef is no purist. He also has no shortage of talent.
Throughout Finally Rich, Keef rarely supplies anything that would qualify as technical rap skills. What he does possess, however, is undeniable energy, personality and tunefulness. On opening track “Love Sosa”, Keef delivers a simple, repetitive, but extremely infectious melody – the first of many to grace Finally Rich’s 15 tracks.
These mantra-style hooks range from the Future-channeling autotuned gurgles of “Citgo,’ to the absurdly simplistic “Laughing To The Bank” (with a chorus that literally incorporates a hearty “HA HA HA”). Much of the production is left with in-house beatmaker Young Chop, who is as much responsible for this winning formula as Keef himself.
Like it or not, Keef has made an effective and rewarding album with next to no lyrical ability in the classical sense.

Trial Track: “Love Sosa”
Rating: 7/10

– Trevor Smith

Girls’ Generation – I Got A Boy (2013; S.M. Entertainment)

I Got A Boy is the latest release from iconic K-Pop group Girls’ Generation, also known as SNSD.Widely notorious for their syrupy sweet-sounding breakout single “Gee” in 2009, the group’s fourth studio album has gone beyond the boundaries of pop by experimenting with various music genres.
The album has 10 tracks, yielding a magical blend of sweet voices syncing harmoniously with a catchy beat that leaves you hooked. Some of the album’s notable songs include “Express 999,” which has a nostalgic, upbeat ‘80s/’90s sound. “Dancing Queen” – not to be confused for ABBA’s – rings a bell for many music junkies. It borrows a beat from Duffy’s “Mercy.”
The one to pay attention to is “I Got A Boy.” Sporting a strong layer of hip-hop, you’ll find yourself humming subconsciously when you listen to the catchy chorus. I Got A Boy – both the album and single itself – are definitive ear candy.

Trial Track: “I Got A Boy”
Rating: 7 /10

– Saturn de los Angeles

 

Dropkick Murphys – Signed and Sealed in Blood (2013; Born & Bred Records)

Dropkick Murphys, the Celtic punk band from Quincy, Massachusetts, has released their eighth studio record, entitled Signed and Sealed in Blood.
Produced by Ted Hutt (famous for his work with SideOneDummy Records’ artists Flogging Molly and Gaslight Anthem), the album was released on the bands vanity label, Born and Bred, on Jan. 8.
If you are Dropkick fan, you’ll love this record, most likely because they haven’t tried to fix a working formula – a formula comprised of fast-paced punk guitar, bass and drums, coupled with lyrical drinking anthems, growling vocals and a set of bagpipes to boot.
The album is under 41 minutes in length, providing an excellent collection of Irish-fueled goodness. While the lack of innovation does show in the band’s latest effort (they feature AC/DC-like musical composition), it’s hard to argue with music this energetic and entertaining.
Crack open a beer and sing-along!

Trial Track: Rose Tattoo
Rating: 8 / 10

– A.J. Cordeiro

Categories
Opinions

Editorial: Accountability is worth fighting for

After a slew of missteps, Concordia has finally done something proactive to address the problems within the Concordia China Student Recruitment Partner Program. It shouldn’t be news to anyone who reads the papers or listens to the water cooler talk that allegations of mistreatment were flooding in from international students against CCSRPP director and head of Orchard Consultants Ltd., Peter Low.

If indeed this name is not familiar by now, we’ll summarize by telling you that Low was accused of misrepresenting services at Concordia and improperly transferring and managing student funds. While these claims remain informal and unsubstantiated, we’re pretty sure it’s safe to say these issues stem from more than a simple miscommunication as the university would have us believe.

In announcing this week that Concordia will be ending its relationship with Orchard Consultants Ltd. and seeking proposals from new recruitment agencies, the sky ahead begins to look a little clearer. It seems obvious to us that a company who is accused of taking advantage of vulnerable students coming to study in Canada is not one which this university, or any for that matter, should be associated with. Perhaps it took Concordia a while to come to this conclusion, but they did come to it and that is what’s important.

While part of us wishes Orchard would be investigated for their alleged crimes and left out to dry by the higher ups, we are faced with the sad reality that this is not likely to occur.

Then again, is it really enough that Low, if he is in fact guilty of the things we’ve heard, get out of this one scott free? Yes, his company will lose the business of Concordia and it may suffer financially for it, but what of his personal situation? Will he be made to apologize or repent in any way for the damage and hurt that the students coming forward feel he has caused them? Probably not.

So what can we do about it? Who will lead the charge to bring justice where there is none? Key members of the Concordia Student Union executive have made a point of taking these concerns seriously and doing their best to follow-up, but the organization as a whole is nowhere near the level of strength and competence needed to chase the answers. The university administration is not offering any more explanation about Orchard or Low and the man himself isn’t about to come forward and confess.

For the time being it looks as though the smoke has cleared and Concordia’s recruitment problems are on the mend. The only questions that remain are: how do we ensure that this type of violation doesn’t happen again? Who will hold the responsible parties accountable? How do we as concerned citizens keep students safe when no one seems to be willing to drop everything to pursue the truth?

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Opinions

Happy New Year, Concordia

For some, New Years resolutions have become synonymous with failed gym memberships and two-week-long self-improvement kicks, but we like to view this time of year more as an opportunity to kick the old habits and move on.

When it comes to Concordia, old habits die hard and sometimes come back to haunt future generations for years. With a fresh face at the helm and a new cycle of students filing through the hallowed halls year after year, there’s really no reason why the university can’t start improving its image. The old girl has waited long enough and may she rise like a phoenix from the ashes. Or at least, when it comes to scandal, may the powers that be finally realize that in this case less is indeed more.

From the cramped Concordia Student Union offices to the spacious upper floor board rooms in the GM building, we want to see change on the horizon. We aren’t asking for a miracle, simply offering some friendly advice that Concordia should take this opportunity to lay low and keep its proverbial nose to the grindstone.

New Years is not a clean slate maker by any means, but it does come with a certain inclination for reflection and re-evaluation. Changes need to be made, attitudes adjusted and dated ways of management tossed aside. Out with the old, in with the new.

The point of all this, we suppose, is to say that there is hope for Concordia yet. Institutional change like the kind we hope to see does not happen overnight nor does it happen as a result of some silly resolution made at 12:01 a.m. after ingesting one too many glasses of cheap champagne. Change like that happens because everyone wants it to and everyone works for it.

Universities are undergoing a period of uncertainty and believe it or not, times are changing. The way people think about post-secondary education is changing. There is a movement towards new, youthful innovations and transparency where before there was facade. This is the right time for things to get better and that will absolutely require effort on the part of every group and individual who is part of this community.

Students and faculty cannot have a pride in an institution which they feel is untrustworthy or out of control, and the perception and reception of Concordia’s public image will not improve unless those fears are put to rest.

In the university community, people like to toss around terms like “good faith” and that is exactly what is needed in this instance. A university is not a business, it is a place of learning. There may be an awful lot of men in suits and books to balance, but that does not change the core nature of what a university is and what it ought to be.

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Music

Music in the News

Tunes on ice

In what is surely one of the most peculiar yet apt combinations of subject and medium, Swedish indie band Shout Out Louds have released their newest single, “Blue Ice,” on a 7” record made entirely of the titular substance. To clarify, it’s more of a DIY project than an actual record, as the only way to get one of these records is to get your hands on one of ten “ice boxes” given out to select fans. According to the instructional video included with the press release: “In order to be the first to hear ‘Shout Out Louds’ first track from their forthcoming album, [those who got a box] were required to make a record, out of ice.” The “ice boxes” include nothing more than a mold for the record and a bottle of water, which, when left in the freezer for 6 hours, combine to make a very scratchy sounding recording. The song itself, their first single in three years, is about “fading devotion” according to the press video, and it will be available on their next album in less-prone-to-melting mp3, CD and vinyl formats early next year. Those of you interested in ruining your record players can enter to win one of the kits by sending an email to shoutoutlouds@gmail.com with your postal code.

 

Just a matter of time before they settled them

The Black Keys obviously have no problem with their music appearing in ads for anything from Molson beer to Zales’ diamonds…as long as you pay them, that is. Home Depot and Pizza Hut both presumably found this out the hard way last week after the duo’s copyright infringement lawsuits against the companies were settled out of court for undisclosed amounts. The group alleged that “significant portions” of their song “Gold on the Ceiling” had been used by a Pizza Hut ad to sell ‘cheesy bites’ pizza, whereas Home Depot had used “Lonely Boy”, a single off the band’s latest album, El Camino, to sell Ryobi brand power tools. Both claims were filed back in June, when the band’s lawyers claimed the appropriation of the band’s music was “a brazen and improper effort to capitalize on plaintiffs’ hard-earned success.” Formal dismissals of the lawsuits are expected to be filed sometime in Jan. 2013.

 

Unfinished Clothing No. 1

When John Lennon married Yoko Ono back in 1969, she gave him a series of sketches for clothing inspired by Lennon’s body. Now, for some reason, Ono has turned those sketches into a full-fledged clothing line, entitled ‘Fashions for Men: 1969-2012’. The clothing line includes such mind-boggling items as bottomless pants, a mesh shirt with no shoulders, pants with a hand imprint on the crotch and a 400 bell bra for men. “I was inspired to create ‘Fashions for Men,’ amazed at how my man was looking so great. I felt it was a pity if we could not make clothes emphasizing his very sexy bod,” said Ono of her creations. “So, I made this whole series with love for his hot bod and gave it to him as a wedding present. You can imagine how he went wild and fell in love with me even more.” Each piece has limited run of 52 items and the whole lineup can be seen and purchased at clothing retailer Opening Ceremony’s website. (openingceremony.us)

 

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Opinions

Say cheese, candidates… or should we say councillors

The Concordia Student Union byelections have come and gone and in the wake of it, we can’t help but feel that students really couldn’t care less.

A grand total of 465 Concordia students voted in the blessed event which took place Nov. 27 to 29. Needless to say, the turnout wasn’t ideal. Six candidates were elected from Arts and Science of the seven who ran, three from John Molson School of Business and zero from Fine Arts.

While council has now bulked up some in numbers, the complete lack of interest showed by the majority of the undergraduate student population is really disheartening. There were a number of problems with this round of byelections, namely the fact that it was not advertised nearly enough and the information out there wasn’t much to go on.

While candidate posters could be seen on bulletin boards around campus, it’s hard to believe the CSU put much effort into getting students out to vote. The one candidate who didn’t make the cut lost by three votes. We imagine he’s feeling pretty short-changed right now.

Besides the polling itself we worry about the lack of information available to students about the people they were electing. Seeing someone’s face on a poster and seeing their name on a ballot is not a good enough reason for them to be chosen as the right person for the job. In fact, it makes for decisions based on all the wrong reasons.

Voting for someone purely based on their attractiveness, or the heritage of their last name, or their gender or the glossiness of their poster is not okay. This isn’t the kind of behaviour that should be encouraged or allowed in a society full of disengaged voters. And yet, what other information was given to us?

Where were we supposed to read about their platforms and goals, who they were as people and what they wanted to accomplish on council? Where was the candidate debate or speeches put on by the CSU for students’ benefit? If the CSU has the attitude that students don’t care about elections and won’t vote anyway, then yeah, no one is going to vote.

If people who actually care about student politics can’t even find information about the candidates, how are students with a passing interest supposed to? The CSU has more power than one might think and the sad truth is that there were likely hundreds if not thousands of students who didn’t even know elections were happening last week.

What can be done about this, you ask? We offer no magical solution, but if the union which is supposed to represent students is content to be composed of people who get voted in based on their looks or the catchiness of their name then we have a bigger problem than poor voter turnout. But hey, we’ll have the most attractive student union in town.

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Sports

Athletes of the month for November

Men’s basketball – Evens Laroche

Concordia men’s basketball team finished the month of November wins three wins and two losses, leaving them in second place in the RSEQ conference behind McGill. Accustomed to being at the top of the league, the team already equalled its loss total from last year in league play. Fifth-year forward Evens Laroche, however, continued his stellar play from last season. In five games this season, Laroche is averaging 14.2 points, 7.6 rebounds and 30.2 minutes per game. He leads the team in steals with 14.

 

Women’s basketball – Kaylah Barrett

The women’s basketball team is off to a great start this season. After finishing last year with eight wins and eight losses, the Stingers have already equalled half of their wins from last year. Concordia leads the RSEQ conference with four wins and one loss. Kaylah Barrett leads her team with an average of 15.2 points per game, scoring 21 points on two occasions. She’s second on the team with an average of 5.8 rebounds and 1.8 steals per game. The Brampton, Ont. native has been named PJ’s Pub Athletes of the Week by the athletics department twice in the month.

 

Men’s hockey – Etienne Archambault

The men’s hockey team continued to struggle during the month of November. In nine games, the team won twice, lost five and lost in overtime twice. It’s been a busy month for the squad as they’ve had to play back-to-back games every weekend and had to travel to Kingston, Toronto, Waterloo and Ottawa.

After three goals in October, Etienne Archambault remained consistent, notching three more goals in November. With two assists during the month, he has five points in seven games this month. The second-year forward leads the team with six goals, 12 points and 43 penalty minutes.

 

Women’s hockey – Emilie Bocchia

Despite another month where the Stingers women’s hockey team only managed to secure one victory, the team is definitely headed in the right direction come 2013. One of the players who stood out this past month has been fourth-year winger Emilie Bocchia, who amassed two goals along with three helpers in her team’s seven games. She also added the deciding goal in the 2-1 shootout victory over Carleton on Nov. 16.

– David S. Landsman, Concordian staff writer

 

Men’s rugby – Kim Haze Vuong

The men’s rugby team played three games during the month. They reached the finals in the RSEQ conference. After securing first-place in the league with a 39-7 victory against Bishop’s on the final day of the season, Concordia were matched up against Sherbrooke in the semi-finals. The Stingers cruised to the finals and had a chance to defeat rivals McGill at home for the RSEQ championship.

Kim Haze Vuong featured prominently in the Bishop’s and Sherbrooke games. Against the Gaiters, the first-year Montreal native scored a try and followed it up with two more against the Vert et Or.

 

Women’s rugby – Bianca Farella

After an RSEQ championship victory at the end of October, the women’s rugby team represented Quebec in the CIS nationals held in Antigonish, N.S. from Nov. 1 to 4. The maroon and gold played three games, two in the group stage and one for the bronze medal. Concordia won one and lost two, claiming fourth place overall.

Bianca Farella was named ‘Player of the Game’ in two of the three games. She had two tries in the first game against Queen’s and two tries against the Alberta Pandas in the bronze medal game. Following the tournament, Farella was named Canadian Interuniversity Sport ‘Rookie of the Year’ and an all-Canadian.

Categories
Music

Quickspins

Tim Hecker & Daniel Lopatin – Instrumental Tourist (2012; Software Records)

Instrumental Tourist is a collaboration between two of North America’s best-known drone musicians: Montreal’s Tim Hecker and Daniel Lopatin (Oneohtrix Point Never). Quoted as being “a divorce from any idea or concept,” this album seems to rely too heavily on improvisation, causing the songs to sound more like a senseless jam session without atmosphere rather than showcasing the strengths of these musicians. Hecker’s best work is strongly conceptual, whereas Lopatin seems more interested in relying on the gimmick of his vintage synthesizers than creating something significant.

Songs like “GSM I” and “Intrusions” sound like a synthesized massacre, while “GRM Blue II,” though speckled with what seems to be an angry dial-up modem, has something of a free-jazz cool to it. Much like a tourist, Instrumental Tourist seems to only skim the surface of its full potential.

 

Trial track: “GRM Blue II”

Rating: 6/10

 

-Paul Traunero

 

Rihanna – Unapologetic (2012; Def Jam)

After dropping Unapologetic, Rihanna is unrecognizable next to her innocent 16-year-old self that stepped onto the music scene in 2005. The R&B/pop superstar’s “good girl gone bad” persona continues to evolve, evident just by looking at the racy album cover.

Unapologetic starts strong, but then comes “Numb” featuring Eminem. Unlike the pair’s previous collaborative success, “Love the Way You Lie”, this one misses the mark. Chris Brown lends his vocals to “Nobody’s Business”, which also fails to impress, but seems to confirm reconciliation after their 2009 debacle.

The hard-hitting confident Barbadian beauty shows vulnerability in emotional ballads “Stay,” “What Now” and lead single “Diamonds,” a refreshing change from the up-tempo beats. Finally, what’s a Rihanna album without a little reggae? On “No Love Allowed” Rihanna doesn’t hold back her strong Bajan accent, proudly reflecting her Caribbean roots. Yet again, Rihanna has released an album that will no doubt land her many more number-ones.

 

Trial track: “Loveeeeeee Song” (feat. Future)

Rating: 7/10

 

– Sabrina Curiale

 

Bjork – Bastards (2012; One Little Indian)

Bastards comes one year after Bjork released the world’s first ever ‘app album’, Biophilia. The inspirational and technical process of music-making drove her last album, but her newly released material itself has made a comeback as this album’s focal point. Bastards is Bjork’s third remix album. Though the majority of its songs were originally released on Biophilia, Bastards has a very fresh feel and stands independently as an album.

Each song is remixed by different artists giving their own take on Bjork’s inimitable sound. Fans of Bjork will be pleased with the wealth of melancholic vocals propelled forward by dynamic and compelling synth. The album’s sound as a whole covers a wide dynamic range; from echoey and ephemeral melodies to hard, driving beats, this album has plenty of depth to it and will deliver beyond the first listen.

Trial track: “Sacrifice” (Death Grips remix)

Rating: 7.5/10

– Keith Race

 

Ke$ha – Warrior (2012; RCA)

Ke$ha has been described by her label’s producer, Dr. Luke, as “irreverent and sassy.” Her debut album Animal sold over 13 million copies, and her second album, Warrior, hit shelves on Dec. 4. Warrior is the second chapter of that infamous, autotuned voice and those electro-pop beats that defined her first hit album. This time she has added a special genre in the mix — rock.

Ke$ha coupled electronica with rock ‘n roll for the majority of her songs. “Gold Trans Am”, “Dirty Love” featuring the legendary Iggy Pop, “Die Young” and “Out Alive” embody her edge and rebelliousness. Surprisingly, Warrior is also big on slow songs, as seen in “Thinking of You” and “Love into the Light”. Her decision to try something new demonstrates maturity and a boost of musical confidence since her debut.

Trial track: “Die Young”

Rating: 7.5/10

 

-Krystina Scenna

Categories
Opinions

It’s not over till the fat lady sings

Over a year has gone by since the historic day that truly kicked off the student movement in Montreal: Nov. 10, 2011. The remarkable display of social engagement from the youth seen throughout this past year has really made an impact not only on policy, but on the way many people think about our demographic.

Students did not accomplish the toppling of a government and the reformation of policy all on their own. The tuition hike would never have been repealed without the support of Quebec citizens who marched alongside us, who donated to our cause and who turned out to vote in the election.

For many, the fight is over. But walking through the streets of downtown Nov. 22, that’s certainly not what it looked like. On that day many students and supporters marched in solidarity for the global accessible education movement.

Right now tuition is frozen, the provincial government has come through on its promises and students appear to be relieved and to some extent, proud that their efforts have paid off. Despite the victories achieved so far, we are quite concerned about the prospect of tuition fees increasing for out-of-province and international students.

The government has already stated that this is an option and McGill University hasn’t bothered to refund these students in question because they expect an increase. It’s no secret that out-of-province students pay a hefty sum for tuition, but milking them for more money after all that’s happened doesn’t sit right with us.

If and when these increases come, who will be there to stand up for these students? If the student movement has indeed begun to die down, will this increase sneak by unnoticed? Do officials think that since students who aren’t from here are so used to paying more, they won’t complain when they get slapped with additional fees? Out-of-province students are still students and being treated differently because of status is unjust and unfair.

Quebec has been criticized in the past for creating an unwelcoming environment for newcomers. Raising tuition for this demographic alone will only contribute to the feeling that non-residents are “outsiders.” Is that really the impression Quebec should be giving in this day and age?

We think not. Non-Quebec residents already pay more than everyone else. When the provincial government froze tuition, no one said anything about it possibly being a selective freeze. Quebec residents weren’t the only ones fighting the hike last year and they shouldn’t be the only ones to reap from the movement’s success.

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Opinions

Keeping it in the family: CUTV style

Is Concordia University Television under attack? Probably not. Does it need a new leader to guide the organization out of this mess? Definitely.

A little bit of context: Employees of CUTV have been quitting left and right, locks were changed on the office doors, the organization’s finances have been frozen by the university, scathing open letters have been exchanged and only one person currently sits on the Board of Directors, leaving the organization in a tight spot legally.

Basically, it’s been a rough couple of months for CUTV.

What CUTV should have done: for starters, there should have been more communication between members, staff and the people running the show. If the station was falling apart, the directors and the management should have addressed it much earlier. There is honestly no excuse for this level of confusion and blame-gaming.

This whole situation was made worse now that the Board of Directors has only one remaining member. This shows a clear lack of forethought and organization now that no new directors can be appointed, there are no bylaws to work off of and no one seems to be aware of what to do next.

What CUTV is doing wrong: from what we’ve been hearing, it sounds like everyone involved could use a bit of an attitude adjustment. People quitting en masse because of “tensions” at the station indicate to us that those underlying problems were not so subtle after all. The amount of infighting and name-calling we’ve been privy to of late is really childish. This is a university and some of the people involved in this mess are too old to be acting like they don’t know when to keep their mouths shut and their personal vendettas in check.

The solution: clean it up and clean it out. Some of the key players in this unravelling saga have been at Concordia for nearly a decade and we wonder if some fresh blood might be just the thing CUTV needs to stay afloat. While there is something to be said for the benefits of institutional memory, those benefits are vastly outweighed by the problems facing CUTV right now. As far as we can tell, the station is not under attack from the outside; it’s collapsing all by itself.

Now is the perfect time for a complete overhaul of CUTV. If the organization has been plagued by negativity and mismanagement, then it’s time for the veterans to step aside and see what a new generation of students can accomplish.

Categories
Music

Streams of the week – The latest discoveries to quench our earbuds

 Marqaux Loper

Contributor

 

“Counting” – Autre Ne Veut – Anxiety 

Brooklyn electro artist Arthur Ashin, a.k.a. Autre Ne Veut, announced the 2013 release of his next album, Anxiety, with the YouTube debut of its first single. In “Counting,” the 30-year-old Hampshire College grad explores R&B, pop and soul-melodic grooves about death, anxiety and heartbreak. In a recent interview with Pitchfork magazine, Ashin struggled to define his sound’s genre.

“People who’ve heard the album say, ‘This is so R&B’, but people who actually listen to R&B are not going to feel like this is a real R&B record,” said Ashin. “I like the idea of being able to fuck with expectations […] I’m not afraid to sing about sex, but it’s more about the anxieties and frustrations of trying to relate to other people in this world.”

 

“Play The Drums For Me” – Nicolas Jaar 

One of house music’s most hyped current artists, Nicolas Jaar, released his latest track on Nov. 14. The 21-year-old Chilean-American producer who started making electronic music in 2004 attends Brown University and studies comparative literature. At the age of 17, he made his debut on Wolf + Lamb records and he now has his own label, The Clown & Sunset imprint.

In “Play The Drums For Me,” his use of a steady ethereal beat with a sampled reading of a 13th century Sufi mystic prayer creates a lofty and deep house atmosphere. It is full of anti-religious speech, so Jaar is definitely trying to provoke. This metaphysical track definitely falls in line with his previous work.

 

“Edie’s Dream” – SUUNS – Images Du Futur

SUUNS are releasing their newest album Images Du Futur, recorded during the winter and spring of 2012 right here in Montreal in March 2013 through Secretly Canadian, an independent record label based in Bloomington, Ind. The young Canadian band recorded the album during the turmoil of the student protest. On Nov. 14, the band debuted the album’s first single “Edie’s Dream” conveying a mellow indie-rock idealistic vibe.

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Opinions

Tweets of the Week

Couples forming in Hollywood is often enormous news. The only bigger headline is when they break up. Justin Bieber and Selena Gomez have officially broken up, and here’s what the Twitter world had to say to comfort their broken hearts.

 

 

 

 

 

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