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Arts

Art Matters coming to a gallery near you

One of the paintings Evan Stanfield will be showing in The New Abstraction.

The Art Matters Festival is the first and only non-profit, student-run festival in North America. It enters a new decade this year as it presents its most professional edition yet.

Showcasing works in galleries across Montreal for more than two weeks is a lot of work, but the 11th edition of Art Matters wants its viewers to look beyond just the art. “All of the shows this year will really question our notions and our understandings of what art is and what it can do,” co-producer Stephanie Laoun explained.

According to festival co-producer Helen Adilia Arceyut-Frixione, this year the festival aims at achieving global greatness. “We want to expand and eventually include collaborations with other universities. There’s a whole world outside Concordia and we want to bridge some of those connections.” Other universities have started taking notice of their work and Art Matters has created great relationships with many galleries.

What started out as a 25th anniversary show for the Fine Arts department has become one of the biggest celebrations of student art in the world. This year, a tight 123-page retrospective publication was created featuring works, quotes, and reactions from the last 10 years.

With 400 artist applications from students in Fine Arts and every other program, cutting the talent down to 200 wasn’t easy. “We feel we have the best of the best this year,” explained Arceyut-Frixione. “If an artist’s work wasn’t chosen, it doesn’t mean it wasn’t good enough, it just didn’t fit a certain theme,” she said. With 16 different shows planned for this year, there wasn’t enough room for every artist’s sculpture or painting.

painting by Annie Burgess

Carla Sifoni, a curator for the show The New Abstraction: The Rebirth of Abstract Painting in Contemporary Art, explained that painting has become underrated. “You will be absorbed by the movements and colour,” Sifoni explained. “Visitors will experience a variety of feelings induced by this sublime element,” explained co-curator Eliana Stratica.

Evan Stanfield, a fine arts student originally from Vancouver, was accepted as part of The New Abstraction. Stanfield’s pieces are acrylic paintings of found vintage fabrics. Colourful and large in size, “it’s difficult to tell what’s been painted, and what the fabric is” in his paintings, he explained.

Laoun mentioned that this is the first professional experience for many of the artists. “These emerging artists are the big artists of tomorrow,” she said. This is the case for first-time participant fine arts student Annie Burgess. While Stanfield’s paintings are calculated, Burgess’s are not. “My artwork is very spontaneous. It’s reflective of the process and pleasure of the act of painting,” Burgess said.

Beyond the hard work is the partying. This year, a special Nuit Blanche event took place shortly before the launch party in order to make this 11th edition a memorable one. The official launch party takes place March 4 at l’Espace Reunion. A live concert with five bands, two DJ sets and free alcohol is enough to get anyone into the art scene.

painting by Annie Burgess

If paintings are not your thing, don’t worry. From theatre acts and music to dance and experimental works, the festival has something for everyone. Not only does the art challenge the viewer, but the spaces where it will be displayed have been chosen to compliment the message of the works. As Arceyut-Frixione explained, “there is something about seeing art first hand. [You’re] close enough to touch it, and you know you can’t.”

Art Matters runs from March 1 to 19 in venues such as Articule, Les Territoires and Eastern Bloc. The launch party takes place March 4 at l’Espace Reunion, 6600 Hutchinson St. Student tickets are $5 and are on sale in the FOFA atrium in the EV March 1 and 2. For more info, check out www.artmattersfestival.com.

 

Categories
Arts

Montreal rolls out the green carpet for environmentalist film makers

In Seeking the Current, film makers Nicolas Boisclair and Alexis de Gheldere take a canoe trip down the Romaine river with two environmentalists to document the ecosystem.

This award season, you don’t have to be green with envy of those in Los Angeles getting in on all the action. If you prefer the green carpet over the infamous red one, there’s something a little closer to home.

2011 marks the third edition of the Montreal Film Festival on the Environment, which showcases both homegrown and international cinematic talent on a variety of issues dealing with the environment, including sustainable development and ecology. Modern times mean modern concerns, and this year’s focus will be “Water: Challenge of The Century.”

Clean water has become somewhat of a luxury as nearly one-third of the world’s population lacks what North Americans take for granted. “Our seas, lakes and rivers are weighed down by a process of urbanization and industrialization that has run amok. How can we preserve this life-giving resource in the 21st century?” reads the website for the festival’s venue, Cinema du Parc.

Roger Rashi, organizer and co-founder of the FFEM, said he looks forward to new features this year. “Showing a great fiction film, Even the Rain, on the opening night of the festival has me very excited,” he said. “It is a new departure for us as we hope to mix in more fiction films in the festival’s program in coming years.”

The Spanish drama is a retelling of Bolivian protests in 2000 over government plans to privatize their water supply. The film straddles both this year’s theme, the life-sustaining liquid known as water, as well its side-focus on issues facing Latin America.

In that vein, Peruvian mining expose The Devil Operation and Waste Land, about recycling pickers at the world’s biggest garbage dump in Brazil, are also screening.

Rashi thinks that holding the FFEM makes sense for Montreal. “There are great environmental films being produced around the world and there are some great environmental festivals in Paris, Torino, Toronto, Washington, so why not in Montreal?” But according to him, what makes this particular festival so unique is how “we focus not on jury selection and prizes but on exchange with the public through panel discussions and Q & A sessions.”

A discussion will accompany the highlight of the 2011 FFEM, Quebec vedette Roy Dupuis’s Chercher le Courant’s. Debuting in English as Seeking the Current, Dupuis’s acclaimed documentary looks at the effects of Hydro-Québec, as well as the government’s negligence when it comes to alternative renewable resources. “This movie has had great critical and commercial success, a rare feat for a documentary, especially if it takes on Hydro-Québec,” affirmed Rashi, who labelled the organization “a sacred cow.”

In addition to film screenings, there will be a series of conferences covering different topics, including one with Dupuis. The green carpet doesn’t bring with it glitz and glamour, but it does promises Montrealers grit and grand debate.

The third FFEM will take place March 4 to the 10 at Cinéma du Parc. For more information, check out www.cinemaduparc.com.

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