Categories
Arts Arts and Culture Community Student Life

This week’s opportunities for fine arts students

Looking to start building up your CV? Check out these upcoming opportunities for emerging artists, including callouts, job listings, networking events and more!

Discover

Éric Lamontagne’s “The nature of silent things” is currently on view at Art Mûr (5826, rue St-Hubert), and will be ongoing until Feb. 24. Lamontagne’s careful interventions into the surface of his landscape paintings raise some interesting questions regarding the nature of a painting as a mutable object.

OBORO gallery is currently showing “Disobedient Matter” as part of the second edition of Af-flux, Biennale transnationale noire. The group show was curated by Olivier Marboeuf and will be installed until March 16.

On Saturday, Feb. 17, the McCord Stewart museum will be hosting a fashion show, co-curated by Armando Perla, chief curator at the Textile Museum of Canada, and Jason Baerg, multidisciplinary Métis artist and Indigenous futurist, titled “kisewâtisiw myootootow—S/he is Mercifully.” The show will take place throughout the museum’s galleries and will highlight and celebrate Indigenous creativity. Tickets are only $5 for students and free for members of Indigenous communities! 

Open Calls

The Mile End’s Gallery Diagonale is inviting curators, artists and theorists to submit their work for the gallery’s 2025-2026 programming. They are particularly interested in projects concerned with fibres. Submissions will be open until Feb. 29. Learn more about their guidelines on their website here

C Magazine has issued an invitation for its readers to submit 100-400-word letters to the editor in response to their most recent publication, issue 156 “CRAFT.” Letters that are selected will be published in the next issue coming out in the spring, and will earn a $100 honorarium. Send your letters to pitch@cmagazine.com by Feb. 25.

The call for applications for the Summer 2024 Concordia Undergraduate Student Research Awards (CUSRA) has been announced! The award, worth $8,120 for 15 weeks of full-time research, is meant to provide students with the opportunity to spend their summer working on a project supervised by a full-time faculty member. The deadline to submit your application materials is Feb. 26, and you can find more information here.

Opportunities at The Concordian!

Want to see your artwork featured in the paper? Submit to the Concordian Arts & Culture section! Our artist spotlight series provides a space for Concordia’s fine arts students to showcase their recent artwork. Send your poetry, photography, digital art, films, or documentation of physical works or performances along with a brief biography (100 words) and an artist’s statement (250 words) to artsculture@theconcordian.com for a chance to be featured in print! 

Are you a graphic designer or illustrator? We are looking for artists to create original illustrations to accompany our creative writing submissions. If you are interested in illustrating poetry, prose, short fiction and creative nonfiction, please submit up to five examples of your work to artsculture@theconcordian.com to be considered for assignments.

Email our Arts & Culture Editor Emma Bell for more information at artsculture@theconcordian.com

Categories
Opinions

Writing is not a job, it’s a way of life

On a cold, autumnal weekend, I curled up on my couch, hot chocolate in hand, ready to watch Eat, Pray, Love. Based on Elizabeth Gilbert’s bestseller, it’s the story of Gilbert herself – played by Julia Roberts – in a borderline existential crisis, unhappy in her marriage, unsatisfied with her personal life, struggling to find herself. Ultimately, she buys three tickets to Italy, India, and Bali to get a new perspective.

Personally, I have always been a fan of the “Eat” part of this movie. Watching Roberts down all the carbs Italy had to offer is all the spiritual journey I need in my life.

However, in that first part of her quest for self-discovery, there is a scene that has always bothered me. A simple detail that may have gone unnoticed by most.

Roberts’ character is having lunch with some friends when they start brainstorming words to describe the various cities they’ve been to.

“Stockholm?”  “Conform.”

“New York?” “Ambition, or sut.”

“Rome?” “SEX!”

Then one of her friends asks her what she believed to be her word. After a few musings, she confidently states, “my word is writer.”

“Yeah, but that’s what you do,” her friend tells her. “It isn’t what you are.”

Liz quietly chews her food and ponders that thought, while I got ready to hurl my mug at the TV screen. If I were Elizabeth Gilbert, as soon as he had uttered those words, I would have put down my fork, stared straight into his eyes, and said:

“Have you ever woken up from a restless night because thoughts were being translated into words, and you just had to get them out? A feeling so strong that the need to find a pen and paper seemed paramount? The words escaping you; your hand moving so fast that your writing would be unintelligible to anyone but yourself? Have you ever felt a lump form in your throat, and nothing could appease it t, but to bleed on paper? Have you ever been in a place so captivating that you just had to describe it down to every single detail, because pictures could never express how it made you feel? Has a thought ever crossed you, and made you reach for your bag, cursing to yourself when you realize you’ve forgotten your notebook at home? Have you ever smiled at the simple sound of how a word made you feel? Until you’ve felt the pain of not being able to pour your words on paper, until you’ve laid your soul bare between the pages of your notebooks; until you’ve felt the magic in your fingertips as you type or write your words, you don’t get to tell me writing is just a job. You don’t get to tell me it doesn’t consume every fibre of my being. Because you don’t question an athlete’s love for a sport. You don’t put in question a musician’s passion, or a painter’s consuming art. So why do you question a writer’s?”

 

Graphic by Victoria Blair

Categories
Opinions

Professional persona vs. public persona

Why we must keep a distance between our private and professional side

Recently, Twitter struck again with a post that resulted in the end of someone’s career. In August, a woman tweeted: “Everyone shut the f*ck up I got accepted for a NASA internship.” A man named Homer Hickam tweeted back: “Language.” To which the woman responded: “Suck my dick and balls I’m working for NASA.”

Hickam replied with a simple statement revealing his identity as a member of the National Space Council that oversees NASA. As quickly as it started, the woman’s heated tweet got her fired from her intern position, according to Buzzfeed News.

Inevitably, the entire exchange as well as its outcome caused a fair amount of backlash online. Some people defended Hickam’s choice to end her internship before it even began. Others, however, went so far as to attack Hickam’s “white-man privilege” for firing a woman because she didn’t mind her language.

Eventually, it was discovered that Hickam was not involved in the decision to fire the woman. Hickam explained that he only replied to her tweet as a warning because he feared she would lose her job if NASA officials saw the tweet.

This brings us to the topic of the day: Should there really be a difference between a person’s personal and professional persona? In my opinion, there should be. Biases and opinions tend to scare some people off and affect how they view others. In this case, excessive swearing smeared a woman’s professional persona. Had she made sure to keep her personal persona, one where she is the master of her own words, different from her professional one, she would not have suffered such consequences.

Ideally, nothing should faze an employer’s view of their employees besides how they deliver the work asked of them. If someone’s competence is not affected by their opinions or, in this case, excessive swearing, why should they be punished for it? However, oftentimes, that is not the case. Too often, employers cannot get past certain values or habits their employees have.

Social media is a dangerous place to venture, and while people may think the World Wide Web is synonymous with freedom of expression, it definitely isn’t. Once a person chooses to use your public persona against you, there is little you can do about it. There is little you can do about how certain people will choose to hurt you and get away with it.

In a perfect world devoid of limitations and social norms, people would not worry about such things. They would be trusted in the professional world despite opinions they have or their way of life. Unfortunately, in our world, people are held accountable for what they choose to show to the public, and not without reason.

Human beings are biased creatures, whether we like to admit it or not. Once we see a person act a certain way, we cannot control the need to put that person into a box or stereotype. At times, that can get harmful. For example, an Islamophobic employer will inevitably let his negative bias affect his choice in hiring a Muslim individual, regardless of the person’s professional abilities.

In my opinion, this is rigid and counterproductive. Excessive stereotypes derail people from possible life opportunities, especially on a professional level. For instance, when one hears a person excessively swearing, one might think they are not professional and borderline disrespectful. Nonetheless, this is the reality of our ever-evolving world, and while some constraints might seem unfair, others––such as keeping certain things private––are deemed necessary.

In the case of the woman on Twitter, she not only swore excessively, but directed her language toward an important person in her field of work—a person she obviously did not know to be of such importance until he corrected her. Hence why it is better to be safe than sorry when it comes to such stories. Ideally, one should not fear their private lives affecting their professional life, because  the profession should only be defined with the work you put into it.

Graphic by Ana Bilokin

Exit mobile version