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Arts

Get ready to think pink!

Press photo for WISTA’s Legally Blonde: The Musical

Get ready Montreal because Elle Woods is coming to Lindsay Place Theatre. Running for two weekends, the West Island Student Theatre Association presents Legally Blonde: The Musical.

WISTA works with students between the ages of 17-29 who share a passion for musical theatre. The group started off with some very small productions and then worked their way up to bigger productions every year. Although her role as voice and musical director is demanding and a full-time job, Joy Kertland divides her time between other jobs and activities as well.“I’m just like the students, I have some experience, I have a passion, but I also have other things that I do,” she said.

WISTA’s current production, Legally Blonde: The Musical, was adapted from the 2001 movie and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin, and book by Heather Hach. Originally premiering on Broadway in 2007, the show tells the story of sparkly and spunky sorority girl, Elle Woods, who goes from majoring in fashion to pursuing the love of her life all the way to Harvard Law school. Soon, however, Elle discovers that Harvard is not the means for the fairytale ending she envisioned with former boyfriend Warner Huntington III and instead realizes that she has much more to offer the world than a pretty face and blonde hair.

Putting on two musicals a year is not an easy task. Legally Blonde, which opened Feb. 1, puts the spotlight on Katja Teixeira, who according to Kertland, is the perfect Elle Woods.

The pursuit of the perfect Ms. Woods started during the initial stages of the 40-week production. The auditions didn’t last long because they knew exactly what they were looking for since “the person needed to be excited and bubbly naturally,” according to Kertland.

The popular Broadway musical is very demanding and so is the role of the main character. Elle Woods is always on stage and has some very challenging songs. Finding someone who had all that personality as well as handle the singing was challenging. Towards the end of the auditions, Kertland says they just knew who was fit for the role and who was not.

The musical premiered last Friday, with a matinee and evening performance on Feb. 2. The play will run for three more shows, Friday, Feb. 8 and a matinee and evening performance on Saturday, Feb. 9.

Next up for WISTA is The Music Man coming March 21. Kertland says they have a busy year ahead and they are always in need of volunteers.

“We’re always looking for volunteers in terms of the technical side; coaches and choreography, even carpenters to build the set,” she explains. “We need everybody, we could use help.”

For more information on the show and volunteering visit wista.ca

With files from Amanda L. Shore

Categories
Opinions

Nightclubs need to step up their safety

Image via Flickr

The amount of tears shed in Brazil this week is immeasurable. Last Sunday, more than 230 people died in a fire that took place in the nightclub Kiss, located in Santa Maria, Brazil.

The fire started at around 2:30 a.m. during a band’s pyrotechnics show, in which one of the flames touched the ceiling that, according to investigation, was made out of cardboard and acoustic material, causing the fire to spread rapidly.

Many things were said about what went on in the nightclub during those moments of desperation. People tried to run to the emergency exit, but it was poorly indicated. Many others rushed into one of the restrooms hoping for safety. Others found the exit, but were being stopped by security who, not aware of the intensity of the fire, were asking people to pay their bills first. The fire extinguishers were expired, and the nightclub owners recently admitted that they did not have the permit from the fire department.

While looking at the tragedy through newspaper covers, pictures of the families who were torn apart, and names of the victims, this becomes very real, and even more so because it’s an everyday lifestyle to most adolescents.

Gleisson Balen is a student at the Federal University of Santa Maria, here at Concordia on exchange.

“I kept thinking I could’ve been one of the victims of this tragedy,” he said. “I feel powerless, being so far away prevents me from helping anyone in my community, the only thing I can do is pray.”

Ask yourself how many times you walked into a nightclub and looked for the emergency exits, or if the documentation was up to date. It would surely be good to check, but people go to nightclubs to escape, to have fun, and definitely not to worry about the possibility of death.

In 2001, over a 100 people were injured and six were killed during a concert in Minas Gerais, Brazil. The fire started when a cascade of fireworks met the ceiling made out of styrofoam. Once again, it was proved that the venue was not able to meet with the fire department’s requirements; the extinguishers were expired, and there weren’t enough well indicated emergency exits.

In 2003, 96 people died in a nightclub in Rhode Island. The fire also started because of the handling of fireworks inside the nightclub. The walls and ceiling were made out of an acoustic foam that was highly inflammable. The story repeats itself, with not enough emergency exits and an overcrowded venue.

However, after the tragedy took place in Rhode Island, many actions were taken towards the owners, co-owners and the event organizers. State laws towards inspection of nightclubs were also changed.

Last but not least, yet another incident took place in Buenos Aires, Argentina in 2004. More than 190 people were killed and 1,400 were injured in the nightclub. The fire started with the use of pyrotechnics, with flames hitting the acoustic material and the venue soon enveloped in fire. The emergency exits were few and blocked by people who didn’t make it. Nonetheless, the people and the families involved ran after their rights, and the consequences towards those responsible were a fair price to pay.

It all comes down to the “it’ll never happen to us” mentality, until it does. And when it does, no one wants to take responsibility for the mess. In Brazil, bars and nightclubs are being inspected and families and friends of those affected are going to the streets and saying what needs to be said. On Monday, 35,000 people came out to the streets to honour those who had their lives taken. During the same week, over 300 people protested in favour of justice and change.

“Now all the nightclubs in Brazil are being rigorously inspected, many will be closed down,” Balen says. “This will probably last about a year or two, afterwards the profit will prevail.”

The tragedy here is not only the lives that were lost, but also the fact that tragedies like this have to happen in order to get things done. These are wake-up calls and the country’s government needs to stop hitting the snooze button.

Categories
Arts

The two sides of Alfred Hitchcock

Promotional image for Sacha Gervasi’s biopic Hitchcock.

Complete with “Hitchcock blondes” and the famous Psycho shower scene, the biopic Hitchcock premiered Nov. 30 at Cineplex Odeon Forum, allowing moviegoers a glimpse at the life of the mastermind behind the 1960 cult classic.

Directed by Sacha Gervasi, Hitchcock begins with an unrecognizable Anthony Hopkins as the master of suspense, and Helen Mirren as his wife and right hand, Alma Reville. The film takes the audience behind the scenes of the film Psycho, but also shows the influence Alma had on Hitchcock during that turbulent time.

Based on the book by Stephen Rebello, Alfred Hitchcock and the Making of Psycho, the movie begins after Hitchcock receives some bad reviews about his film North by Northwest. Frustrated, Hitchcock feels that drastic change is required to convince the critics that he hasn’t lost his touch.

When a newspaper publishes the story of murderer and body snatcher, Ed Gein, Hitchcock is inspired. Hitch, as he liked to be called, develops a small obsession with the bloody story and decides to turn it into a movie. However, Paramount decided they wouldn’t finance the movie so Hitchcock, as a headstrong artist, decided that he would make the movie regardless. He mortgaged his house and started production on Psycho.

While the making of his greatest movie is one of the main points of the picture, his relationship with his wife is also in focus. It is portrayed in a way that is not distracting, but complements the film as a whole, unifying the biography of Hitchcock.

Alma was Hitchcock’s friend and counselor and much more than just a wife. However, they had a sexless marriage and thus Hitchcock became obsessed with his consistently blonde leading ladies—since referred to as “Hitchcock blondes”. In the meantime, Alma spent her time with writer Whitfield Cook, which caused Hitchcock a great deal of jealousy. Despite their far-from-perfect marriage, their relationship is admirable because of the amount of support and companionship they continued to show each other in spite of infidelity.

The remake of the classic shower scene with Janet Leigh was beautifully played by Scarlett Johansson. Considering that it is one of the most famous scenes in movie history, the expectations were high. Johansson’s acting throughout the film was not spectacular—never being quite believable, but that scene in particular was a piece of art.

Hitchcock is easy on the eyes; Jeff Cronenweth’s cinematography is just right, using the perfect amount of suspense in each take, the right amount of light and the camera’s velocity when approaching the subject. The photography was never boring or dull. The editing is also at its best; each scene flows naturally to the other.

The movie gives the audience a shallow yet elegant depiction of Hitchcock’s life as the infamous director of Psycho and as a husband who argues with his wife, has insecurities and snores at night.

Categories
Arts

From the headlines to the stage

Promotional photo for Alyson Grant’s Trench Patterns

In a dramatized fashion, Trench Patterns explores the psychological state of a female soldier after her return from Afghanistan.

Winner of Infinithéâtre’s 2011 Write-On-Q! playwriting competition and chosen as one of the six plays from over 400 submissions for the Fall 2012 Festival of Staged Readings at Chicago’s Artemisia Theatre, Trench Patterns premieres on Oct. 25 at Bain St-Michel.

Alyson Grant’s poetic play features Jacqueline, a wounded combat officer who after being wounded in a mission in Afghanistan, returns home, haunted by the violent events she witnessed there. She finds consolation in ghostlike visitations from her great-grandfather, Jacques, a French Montrealer who was executed during World War I. As she dives into his world, she also moves closer to her own.

Alyson Grant teaches at Dawson College. Press photo.

“I would like [the viewers] to feel they’ve been somewhere unsettling, but that they’ve been given a road out of it,” Grant says.

Grant started writing the play after sensing a “coverage fatigue” towards the topic. “We’re participating in a war and it’s our responsibility to be aware of what is going on and what we’re engaged [in].” Her research focused on Canada’s role in Afghanistan, Post Traumatic Stress Disorder, and the events of World War One.

Grant’s characters, Jacqueline and Jacques, were formed out of her research. “They were just living [in my mind] for a while, not yet knowing where [they] would go play-wise, but just letting them be there was fun,” she says. After morning hikes and long writing sessions in a remote area of Ireland, she finished her first play, and now that opening night is just a few days away she says she’s “excited, nervous – but in a good way – and thrilled.”

Guy Sprung, Infinithéâtre’s artistic director as well as the director of the play, explains the play as a “moving piece of writing about an issue front and centre in the Canadian psyche.” According to him, Trench Patterns incites the audience by presenting challenging questions such as, “Is there such thing as a ‘just’ war and a ‘good’ soldier?”

The role of Jacqueline is played by Patricia Summersett. On stage with her are talented Diana Fajrajsl, Zach Fraser and James Soares-Correia, appearing in his first professional role since being a regular performer in Theatre Ste. Catherine’s Sunday Night Improv.

Trench Patterns opens on Oct. 25 at Bain St-Michel. For more information visit infinitheatre.com

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