Categories
Opinions

Public school teachers have go above and beyond

Work-to-rule tactics mean teachers are only working the hours they’re paid for

Teachers from Royal West Academy held a “mark-in” in downtown Montreal on Oct. 17 in hopes of gaining recognition for all the work they do outside of the classroom. They sat on the steps of Place-des-Arts, demonstrating in opposition to austerity measures being taken by the Quebec government.

Graphic by Charlotte Bracho.

The sentiment over the last couple of months has been that the government, which is offering the teachers a two-year salary freeze followed by a one per cent salary increase over three years, is ignoring the so-called “invisible work” done by public school teachers.

My message to them: your work is anything but invisible.

It’s visible in the student who conquered stage fright to perform in the school musical. It’s visible in the preteen who proudly announced to his parents that his marks are improving in math class. It’s visible in the student who decided to join their friends on the rugby team and fell in love with a sport for the first time. It’s visible in the countless alumni who have excelled and taken on leadership roles in their communities.

I was the second of four children in my family to attend Royal West. Between the years of 2005 and 2020, there will have been at least one member of my family wearing burgundy and blue at any given time.

The invisible contribution of the school’s teachers—in the form extracurricular activities, one-on-one meetings and well-devised lesson plans—has made me into the person who I am today: someone who is conscious of their environment and their ability to play an active role in shaping it. I don’t know who thought it was a good idea to let a 15-year-old direct a play, but those afternoons trying to organize a group of 12 and 13 year olds in the middle of a hallway were instrumental in my personal development.

I can see now, however, that as the teachers strike for the compensation they truly deserve, students are missing out.

“We aren’t taking something away. We just aren’t doing what we were doing for free,” said James Dufault, an English and drama teacher, speaking to CTV on the day of the mark-in. This is the same man who I remember, on a fall afternoon, instructing a room full of students how to preserve tomatoes, filling jars that would then be donated to a local food shelter.

My younger siblings, who are in grades seven and 10, don’t come home with stories like that anymore. Rather, my little sister confesses to me that she is struggling in math but can’t go see her teacher for help over lunch period. My younger brother isn’t going to get to help coach the bantam hockey team, as he hoped to do. The school that they attend is not the school that I know and love.

Katharine Cukier, my homeroom teacher for the the majority of my time at Royal West, penned a piece for the Montreal Gazette a month ago about the Work-to-Rule measures that the teachers are taking. In her letter, she explains exactly what is wrong with the expectation that teachers can complete all of their work, from preparing lesson plans to correcting papers, in 32 hours.

Cukier also noted the biggest issue with the stance that the government is taking is much greater than withholding adequate compensation for the work being done. “What will happen to the bottom half of our society who are going to struggle to learn or struggle with the frustration of an overburdened teacher in a dysfunctional regular classrooms?” she wrote.

This strike is not about a group of civil servants asking for a pay raise. It’s a matter of facing the reality of our public school system: that special needs students, who Cukier stated make up 15 per cent of the public school student body, and students from impoverished families will fall between the cracks.

An increase in resources is beyond necessary. Let’s start with those who stand at the front of the classroom, day in and day out.

Categories
Arts

Changing architecture, one can of paint at a time

Los Angeles-based duo reflects on the architect’s creative role and exhibit space design

The line that separates art and architecture was blurred during the latest instalment of the Displaying Architecture lecture series at the Canadian Centre for Architecture on Thursday night.

Neimark and Atwood theorize on how the model interacts with its exhibit space. Photo by Kelsey Litwin.

During the talk, Anna Neimark and Andrew Atwood—the duo behind the Los Angeles-based architecture firm First Office—explored the concept of a model on display as an exhibit and an architectural exhibit as a theoretical model for something that has yet to be constructed. While presenting a handful of examples of their work, they raised the question of what the architect’s creative role should be when designing exhibit spaces.

Their focus on the way visitors interact with their work and their inexplicable fascination with shades of white paint seemed more fitting of painters than architects. Neimark and Atwood insisted, however, that they do not see themselves as such. Instead, as Neimark said, they look at “the capacity of architecture to contain things artfully.”

Their portfolio—which consists mainly of crisp, white, open spaces—reimagines how architects combine project and practice. Neimark said that as models become “a display of evidence,” the practice of architecture is scaled down, forcing a type of thought that is not taught in schools. In doing so, as architects they are brought further into the construction side of the process—even if it is on a much smaller level, they said.

One example, as the team recalled, was the model for a gallery space they designed, entitled Paranormal Panorama. They used six different shades of white paint to project a landscape onto all four walls of the space, incorporating the room’s existing features—such as electrical outlets and doors—as “characters.” They found that, when constructing the model, the one material that could not be brought down to scale was the paint. This posed a different set of challenges as they highlighted the aforementioned characters.

In another project, …and Pedestals, the white paint became evidence of something else entirely. Layers were created as areas of the gallery space were taped off and painted over. By removing the tape during the last weeks of the exhibit, lines documenting the space’s history were revealed in the slight differences in shades and tones. After the removal of the three pedestals that had occupied the room, visitors were treated to a completely different experience. “It’s about reading something when there is nothing there to read,” said the online description.

This is the type of contradiction that Atwood and Neiman noted repeatedly in their exploration of exhibits as models. The nature of one’s reflection changes when the exhibited piece is right in front of them, said the architects. Sometimes, creating distance by removing the piece allows greater room for thought.

As the architects added, a visitor’s ability to touch and experience a model, whether it is a maquette or a full-sized door frame that the visitor can walk through, will alter their relationship with it. Although a scaled-down representation of space allows for careful observation of details that otherwise might have been overlooked, as the pair agreed during the lecture, “nothing ever happens in these spaces.”

A model that is “too big for a pedestal, but too small for the space,” on the other hand—such as the duo’s “Duchamp Door”—has the ability to encourage a more intimate form of reflection as the viewer can interact with it. However, if haphazardly placed, it could be overlooked as a simple architectural feature of the space rather than an object that can stand on its own.

In playing with those boundaries, Neimark and Atwood have fostered a great understanding of how art fits into real spaces, changing the visitor’s experience with one can of white paint at a time.

 

If you’re interested in the Canadian Centre for Architecture, you may want to visit The Other Architect, an exhibit that will run there from Oct. 28 to April 10. The exhibit focuses on positioning architecture as a field of intellectual research.

Categories
Student Life

Start your autumn by falling into yoga

Improve your flexibility on a hidden courtyard terrasse with Yoga Vieux Montreal

As we enter the season where we layer our clothes before stepping out the door, you might think the season for outdoor workouts is over. The team behind Yoga Vieux Montreal politely disagrees.

Montrealers can still enjoy a nice workout on a terrasse as the fall begins. Photo by Kelsey Litwin.

In collaboration with Restaurant L’Autre Version, the new studio aims to get Montrealers out and moving before the cold sets in with their Fall Into Yoga series. Throughout the month of October, the hidden courtyard terrace behind the Old Montreal restaurant will become an oasis for those seeking a little movement. In a session open to the media on Sept. 29, The Concordian got a taste of the intimate yoga class that included a vegetarian lunch.

A vegetarian meal is offered after the sessions for all participants. Photo by Kelsey Litwin.

While the humidity resembled the atmosphere of a typical hot yoga class as opposed to a refreshing fall day, the private, vine-covered courtyard definitely was not the setting you would expect for a yoga class. Nor was it what you would expect from an urban yoga practice. It falls somewhere in between that warm-toned mirrored room that has a hint of incense in the air and the bustling city park with yoga mats set up haphazardly on the grass.

It was only when you looked up and noticed the distinct restaurant-style patio umbrellas that you’d remember there were diners enjoying their lunch on the other side of the terrace.

The half-hour Vinyasa Flow is a beginner-friendly introduction to the world of yoga, perfect for those who are intimidated by a room full of a Lululemon-clad yogis. Yoga director Tanya Dawe made all feel welcome and comfortable. Her experience came across as she made her way around the mats, providing corrections as the group moved through different postures.

She quickly addressed the inherent distractions of practicing outdoors with a tale of six-inch centipedes crawling over mats during a class in Hawaii. “Luckily, we don’t have those here,” she laughed.

Participants get to enjoy refreshing cider after a nice workout. Photo by Kelsey Litwin.

While centipedes might not make an appearance on your mat, dirt certainly will. You’d be impressed with how quickly a yoga mat can attract little flecks of dirt on a cement surface. This might be something to keep in mind before dressing yourself in your favourite workout gear, which Dawe spoke of in passing as we enjoyed our lunch. “It can be more casual,” she said. “You don’t need to be wearing tights.” The goal is to make individuals of all skill levels feel comfortable, no matter if this is your workout for the week or a quick physical activity fix during your lunch break.

As we rolled out of the final resting pose of savasana, it seemed as though we had barely touched the surface of a typical yoga practice. Dawe exclaimed, “this was the shortest class ever!” Just long enough to feel your muscles begin to warm and open up, the group agreed that this short and sweet class was a great afternoon pick-me-up. Participants are treated to a gourmet vegetarian meal with cider included in the price of the class. A definite ‘treat yo self.’

For information on the Fall Into Yoga series, visit yogavieuxmontreal.com.

Categories
Student Life

Striking out cancer one event at a time

A Concordia JMSB student raises over $75,000 for St. Mary’s Hospital Foundation

It’s pretty common to find a wide-eyed 15-year-old with great aspirations. It is relatively uncommon, however, to find a teenager who puts themselves on the path to achieving it.

StrikeOut Cancer founder Anthony Pacella. Photo by Kelsey Litwin.

Anthony Pacella has proven to be the exception.

The now 20-year-old JMSB student has spent the last five years making a name for his non-profit organization, StrikeOut Cancer.

StrikeOut Cancer aims to raise funds for cancer research, facilities and treatment equipment through community events. You might remember hearing about the organization’s annual Bowl-A-Thon. Within five years, the family-oriented event, which usually draws crowds of several hundred people, has helped Pacella raise over $75,000 for Montreal’s St. Mary’s Hospital Foundation.

For Pacella, family has always been at the heart of it all. His mother was diagnosed with stage four lung cancer in August of 2010. The news came as a shock to Pacella. At 52 years old, Mary Melillo Pacella was incredibly young for such a severe diagnosis. According to the American Cancer Society, the average age of individuals diagnosed with lung cancer is about 70. Even more surprisingly, she had never smoked. “It was the first time that we’d heard of someone who had never smoked … developing lung cancer,” Pacella said.

Lung cancer affects a large portion of the Canadian population. It accounts for 14 per cent of all new cancer cases, according to the Canadian Cancer Society. Based on the society’s statistics from 2015, about 57 individuals will die from lung cancer each day in Canada.

For Pacella, his mother’s diagnosis was a call to action. He immediately began organizing a fundraiser in partnership with St. Mary’s, where his mother was being treated. While her battle with the disease was short, Pacella’s motivation did not falter following his mother’s passing. A short three months after her death, Pacella’s first event was underway.

With five years of fundraising under his belt, Pacella is looking into something bigger. On Nov. 7, StrikeOut Cancer will host their first gala, with all proceeds going toward the Make-A-Wish Foundation. He hopes that this event will further his mission of bringing cancer awareness to the public. He said he is “also trying to advocate that young individuals can make a difference.”

The St. Mary’s Hospital Foundation guided Pacella as he began building the framework for his own organization at the age of 15. With their assistance, he was able to watch his vision come to fruition and then contribute back in an extremely meaningful way. The mentorship that they provided enabled him to reimagine his future.

“I want to live my life in my mom’s honour and I am working to building a non-profit organization,” he said.

Pacella plans to combine the knowledge that he’ll gain during his time as a management student with his passion for social awareness. In five years, he said he hopes to have a well-established letterhead as a government-accredited, non-profit organization.

“I see myself building experiences,” he said. Overall, he hopes that he inspires more young adults to get involved and support a cause that means a lot to them.

For more information on StrikeOut Cancer and their upcoming gala, visit their Facebook page.

https://www.facebook.com/StrikeOut-Cancer-534907863189791/timeline/

Categories
Student Life

Break-free from stress in an alternate world

Montreal escape games will have you immersed in another universe

Has the first week of school already got you down? Are course outlines causing the stress to start building up?

Me too, buddy. Me too.

Photo from Echappe-Toi Montréal.

There is no need to fret just yet. There is an answer to your premature prayers: being locked in a room with five friends and just an hour to escape.

Well, sort of…

Since the fall of 2014, Escape Room game centres have been popping up in every corner of Montreal. The idea is to challenge players by placing them in a locked room, forcing them to use their wits and the limited resources provided to them to escape within the time limit.

Each centre offers their own spin on the concept, providing the players with their choice of claustrophobic scenario. Whether they’re in the Pyramids of Giza in Egypt or a local hockey locker room, players are presented with a scenario that traps them until they complete the puzzles that will unlock the door.

When Échappe-Toi Montréal opened its doors in October 2014, the entrepreneurs behind Montreal’s first immersive Escape Room game saw the opportunity to use the popular concept for corporate team-building.

“It’s a different way of doing things,” said Arturo Rivero, an Échappe-Toi spokesperson. The skills that are exercised during the games, such as leadership, communication and problem solving, can be directly transferred into business settings, making it extremely attractive to HR departments. “That’s why we have such a big [corporate] clientele.”

These training opportunities aren’t limited to corporate bigshots hoping to improve the cohesiveness of their team. Rivero specified that the skills that an individual can pick up in such a situation can be beneficial to just about anyone. “The skills are there, and sometimes people don’t know it.”

Rivero continued to explain that the opportunity to be completely immersed in a challenging situation forces us to put on our thinking caps and get our creative juices flowing, encouraging us to think outside of the box—both in the game and out. “This is an experience that, if you want to or not, will take your mind off of whatever you’re thinking [about],” he said. “You have to concentrate.”

This is why Échappe-Toi advertises their games as a way of learning to manage stress. “It happens all across the board,” Rivero said. “You’re doing your job and you get so focused that it makes it hard for you to concentrate on something else.” By encouraging critical thinking, problem solving and interpersonal communication, Escape Room games might even show you a new way to tackle a problem that you’ve been facing. “Sometimes,” continued

Rivero, “you get so focused that it’s hard to think of a new answer, a new way of doing things.”

Next time you look at that to-do list and are feeling a little overwhelmed, it might be time to consider something other than a yoga class to blow off some steam. After all, as Rivero said, “we’re all up for a challenge every once and awhile.”

Categories
Opinions

The Schrodinger’s cat of genetic mutation

One woman’s family struggles with the BRCA1 mutation gene

Angelina Jolie announced that she had undergone a procedure to have her ovaries and fallopian tubes removed in an essay published in The New York Times on March 24. This report hits incredibly close to home as Jolie and I are in the same boat—minus the fame, fortune and six kids.

Categories
Arts

Pop, colour & splash at Montreal’s Museum of Fine Arts

The curator of Warhol Mania explains that pop art attracts new faces

A private collection of Andy Warhol prints on display at Montreal’s Museum of Fine Arts has succeeded in attracting a new demographic.

The exhibit strays from what has been presented at the museum in the last year. In the 2014 season, museum-goers were treated to retrospectives and views of distant lands. From Van Gogh to Kandinsky looked at impressionism, expressionism and everything in between, while Peter Doig’s collection of paintings transported viewers to his adopted home of Trinidad.

The MMFA’s Warhol Mania exhibit showcases both the artist’s early editorial and more well-known work. Photo by Lindsay Richardson..

Warhol Mania is a shift that has brought a new generation to the typically classic museum. The collection of graphic design work was curated by art collector Paul Maréchal.

If ever anyone could be called a Warhol aficionado, it would be Maréchal, without a doubt. He has penned three books about Warhol’s work and donated 51 pieces to the Museum of Fine Arts for this exhibit. His passion for the graphic designer’s work might be surpassed only by his passion for sharing it.

Maréchal, who confessed that he could speak endlessly about Warhol, is not new to dealing with museums. Pleased with the reception that the exhibit has had to date, he remarked how great it has been to work with the Montreal Museum of Fine Arts. “Having only one lender makes it easier to coordinate,” he said.

As a result, two halls on the third floor of the museum are decorated with some of Warhol’s most recognizable pieces, from a hot pink Perrier bottle, to an illustration of Michael Jackson’s TIME cover, to a bright red poster for the 20th Montreux Jazz Festival.

“Unlike works of art, which are created to be contemplated, an advertising poster must deliver its message in a matter of seconds, making an immediate impact on the passerby, the person in the street,” says the museum’s website.

This is the most striking difference between Warhol Mania and previous shows at the Montreal Museum of Fine Arts. Warhol “broke down the boundaries between graphics and the fine arts by using both to their mutual benefit,” as a description in the exhibit hall elaborates.

In breaking down this boundary, Warhol’s work gains an unprecedented reach. Maréchal agreed that the poster format makes the art more accessible to the public than traditional media. It is, without question, easier to digest than some of Warhol’s other work. Maréchal cited Warhol’s 1964 work Empire as an example. Warhol’s eight-hour-long silent film of the Empire State Building might not have been as eagerly embraced by the general public.

Maréchal continued to explain that in the early 1950s, Warhol’s fine art pieces could have been found in cafes, or other galleries that sold the work of unknown artists, but that he truly found his fame in the pages of magazines.

The exhibit highlights the fine line that Warhol drew between commercial and fine art by placing original prints next to copies of the ads from magazines. Most notable is Warhol’s rendition of a bottle of Absolut Vodka. A large poster of the iconic ad allows the viewer to appreciate the artistic detail, while smaller reproductions give a new perspective on advertising.

It is this unique perspective that draws a younger generation to the exhibit. While Doig’s large paintings demonstrate great skill, the subject matter is less accessible. Warhol’s posters were designed to be eye-catching, no matter the subject. Jeans, celebrities, and sparkling water are ever-present, which allows them to resonate with today’s audience.

“It has been extremely popular amongst young people,” Maréchal said of the exhibit. “The attendance has been quite high.” It’s this popularity that has encouraged organizers to extend the exhibit for an extra two weeks, until Sunday March 29. It is free for attendees under 30.

Categories
Opinions

Quebec sending mixed signals on affordable housing

Those with lower incomes lack affordability and accessibility

Montreal seemed one step closer to creating widespread affordable housing when Mayor Denis Coderre introduced his action plan to combat homelessness in September 2014. The optimism continued into December when the provincial government added $4.6 million to the annual budget for their homelessness action plan, with a particular focus on a Housing First approach.

The approach, as described in Canada’s Economic Action Plan, “involves first giving people who are homeless a place to live, and then providing the necessary supports (e.g. for mental illness) to help them stabilize their lives and recover as best as possible.” Their webpage goes on to say that this approach “has been proven to be an effective way to reduce homelessness.”

However, just two months after the provincial government announced their commitment the action plan they revealed that they would not be renewing funding for another government sponsored affordable housing project, AccèsLogis.

AccèsLogis is a program that helps fund new affordable housing projects around the city and is administered by the Société d’habitation du Québec (SHQ). A statement on their website reads that the program, “aims to promote the construction and maintenance of social and community housing for households with low to moderate incomes.”

Although the SHQ has promised to aid AccèsLogis in finding other sources of funding, there is an undeniable feeling that government support is faltering. While it is true that the province of Quebec and the city of Montreal have many issues to tackle on an economic level, social housing is not one we can afford to give up on.

First, it is necessary to understand what affordable housing means. “The conventional measure [of housing affordability] is to use 30 per cent of income,” says Nick Revington, a graduate student in Concordia University’s Department of Geography, Urban and Environment studies. “If you’re spending more than that, your housing is unaffordable or you’re in a situation of affordability stress and that’s problematic for a number of reasons.”

Revington is currently studying the accessibility of affordable housing in the rental markets of Vancouver and Montreal, with a focus on lower income households. Although he is just completing the primary analysis of his findings, he can tell, “lower levels of income are where the problem is more serious.” Seeing as that is the case, there is no question that subsidized housing is crucial in keeping housing accessible to the entire population.

“The main [issue] being that a household might be spending more than 30 per cent of their income on housing but their income is so high that they still have enough income to pay for it and everything else that they need,” Revington continued. “Whereas on the other hand, a household might be spending less than 30 per cent of their income on housing but their income is so low that they might not be able to pay for their basic necessities.”

Thankfully, Montreal does have a track record of maintaining successful social housing complexes—such as Habitations Jeanne-Mance, a facility that has been running since 1959 in downtown Montreal. Despite what many may say, this is a credit to how well the provincial and municipal governments have worked together on such issues in the past.

“Montreal has been fairly successful, with the collaboration of the provincial and the federal government,” says Mario Polèse, Canada Research Chair in Urban and Regional Studies. He cited the work done on social housing as a specific example of success. “Especially if you compare what we’ve done here with [cities] like Paris or New York, where social housing has turned into ghettos. We, with some exceptions,” he continued, “have managed not to do that. It’s been done intelligently. So we can be pretty proud of that.”

Polèse says we must thank the planners who designed social housing in the city for that pride. “We tended to disperse [social housing complexes] around the city in fairly small units, which was exactly the right thing to do,” he explained.

However, the number of low-income households is growing, as the unemployment rate is current floating around 8.1 per cent, according to Statistics Canada. That number, roughly estimated, comes out to a few hundred thousand people in Montreal. If unemployment continues to grow, affordable housing will become even more necessary. A push for more housing is inevitable. Instead of just asking, “Can the city of Montreal afford it?” we will also be forced to ask, “Where can we put it?”

Gentrification is not a new topic in Montreal. As neighborhoods become trendier and “more fashionable to live in,” as Revington puts it, there is more of a struggle to find affordable housing in those areas. “There is a certain interest in maintaining the character of a neighbourhood,” said Revington, “and excluding a certain “others,” including those who require subsidised housing.”

This pushes affordable housing away from the traditionally more expensive city center. As that is done, even more problems arise with access to public transit. “If the only affordable housing is in areas that are not serviced by public transit,” explained Revington, “then you’re either dependent on a car, so you’re adding a major expense, or you’re simply cut off in a sense that you can’t access things or it takes you too long to access them.”

As Montreal is a city that has over 200,000 students, it’s important to remember that low-income households often include students. It is not uncommon to hear of students being mistreated by landlords, like being forced to pay illegal deposits or having their rent increased during their lease. Student residences are also limited in the number of students that they can accept on a yearly basis, often being limited to first year students, and can cost you a pretty penny.

This then leaves students in trouble when it comes to look for a place to leave. As Revington says, “The greater your income, the more choices you have … the greater resources you have to spend time looking.”

There is a proposed student-housing co-op at Concordia that will be funded by the Concordia Student Union with help from the Chantier de l’économie sociale. Unfortunately, there isn’t much reason to get excited just yet: it still has to pass a referendum vote and would only hold 100 to 150 beds once built.

It’s also important to note that it—like other social housing complexes—would rely on government funding. With the government apparently flip-flopping in the last few months, it is difficult to understand what their commitment really means.

Categories
Arts

Sara in the Bathroom makes a splash online

Budding Concordian YouTubers discuss self-expression and comedic therapy

With ambitions as great as their sense of humour, an impulsive jump into a web series seemed to be an excellent decision for Sara Jardak and Elie Joe. These two are the forces behind the Montreal-based YouTube channel Sara In The Bathroom, and while it’s just in the early stages, it’s safe to say that great things are on their way.

Jardak, who is a second-year communications student at Concordia, wanted to start a blog as a means of self-expression. Joe, who was well aware of Jardak’s fear of public speaking, saw an opportunity for something more. As a former student at the Mel Hoppenhiem School of Cinema, he pushed Jardak to tackle two birds with one stone.

“I kind of bullied her because at first she didn’t want to do it,” he joked. “She was shy.”

Jardak was hesitant to begin, but warmed to the idea with convincing. “I’m really anxious when I have to speak in front of a crowd, so he told me to practice in front of a camera,” she said.

And that is exactly what they did. One night, Jardak and Joe set up a camera in the bathroom. She sat in the bathtub wearing a princess dress, and spoke about what she dubbed a “mid-twenties crisis”: the ever-relatable feeling that you’re life isn’t quite moving in the direction that it should.

Why the bathroom? “My aunt was sleeping at my house that night and we didn’t want to wake her up so we decided to shoot in the bathroom. From then on, we were Sara in the Bathroom,” Joe explained.

The creative process for the team is typically a story written by Jardak that’s “inspired by something true,” which Joe then turns into a screenplay while adding comedic elements. “He makes a parody of it,” says Jardak.

Don’t be mistaken though. Jardak can certainly hold her own with the comedy.

“Sara is really funny,” Joe clarified. “We’re a good team.”

Photo by Keith Race.

This contributes to the episodic nature of Sara In The Bathroom. As each video is inspired by a one-off experience, the characters tend to differ depending on the subject matter. This allows them to play around a bit more and experiment with comedic styles.

Joe, a self-professed “comic whore,” says his favourite comedian changes on a weekly basis. This constant exposure to new styles influences his writing as he develops his voice. “We’re inspired by everything around us,” he says.

Jardak’s influence stems from a variety of comedians including Mindy Kaling and Seth Rogen, just to name a few. When it comes to her favourite YouTubers, her preferences are towards skit-based vloggers with a style very similar to her own, such as Lilly Singh, most commonly known by her handle IISuperwomanII.

A channel that deserves special mention is Broad City, starring Abbi Jacobson and Ilana Glazer. “It’s my favourite show right now,” said Jardak. “It’s really inspiring too. They were a web series and now they’re [becoming] more official.” The show, which began on YouTube in 2009, was picked up by Comedy Central in 2014 and is entering it’s second season, with Amy Poehler as one of the executive producers. “It’s path I’d like to take,” she continued.

This is just a taste of the aspirations of Jardak and Joe. The two are constantly writing and hope to become more consistent with video uploads as their channel grows. Fan engagement, such as comments and likes, mean a lot to them. They see that as indicator of success and believe that it can lead to a growth in subscribers as they produce more content. However, that certainly does not mean they’re only in it for the fame.

“It’s like therapy,” explained Joe. “You just say everything you have to say and then it’s [no longer] a big deal,” continued Jardak.  “People are going through the same thing, they’re going to be compassionate, they’re going to give you advice and it really helps.”

Though public speaking is still a cause of anxiety for her, she insists that “practicing in front of a camera helps a lot.”

Joe sees YouTube as a creative outlet without any restrictions and unlimited reach. “You don’t have to go through the hassle of sending your script to production, waiting on them, [having them] say no. You can put it out there,” he said. “We’re free to do whatever we want to do. … Even if you’re solo in your house, you can reach millions of people,” he continued.

Exit mobile version