Categories
Arts

Drugs alter your brain and Daniel Plante’s canvas

Substances looks to translate experiences caused by psychoactive drugs into art

Twenty abstract spray paintings each representing a different psychoactive substance hang loosely by thin chains on the walls of a 19th-century building known as the Montreal Arts Centre. The scientific names and molecular structures of every drug imaginable—from caffeine to codeine—are featured as part of an exhibition called Substances.

The exhibition explores psychoactive substances, how they’re made and different ways they affect people. Photo by Marie-Pierre Savard.

Daniel Plante is the mastermind behind the exhibition, which he began brainstorming in October 2015. One month later, he delved deep into research and started reading tirelessly about these existing psychoactive substances, how they are made and the different ways in which they affect people.

“I read many recollections of people who have used certain substances and mixed it in with my own experiences,” said Plante.

The interrelation of science, art, emotion and experience is made clear in Plante’s works through his use of a multitude of colours, patterns and lines. At the centre of every painting is the biochemical makeup of the substance it portrays. Spray painted on top of these molecular sketches is a mishmash of colours representing Plante’s own interpretation of the substance in question.

At the centre of every painting is the biochemical makeup of the substance it portrays, spraypaint on top represents Plante’s interpretation. Photo by Marie-Pierre Savard.

Each painting was done with non-acidic spray paint on a 160 gsm—grams per square metre—paper. Plante applied upward-going drips to emphasize the stimulating effects of some substances and downward-going ones to emphasize the depressing effects of others, such as alcohol. Masking and stamping methods were also used to demonstrate the schematics of organic chemistry.

The colours and emotions poured into the paintings vary, considering that they differ from substance to substance. The painting that depicts cocaine, for instance, is black with short staccato lines of fluorescent red resembling open cuts on skin. To many it gives off a very melancholic and angry vibe. This, however, is Plante’s interpretation of someone else’s experience of the substance. At the other end of the spectrum, the rainbow-like appeal of his LSD portrayal, stamped with white blotches of paint coming across as spotlights, brings a sense of whimsy and nonchalance to the exhibition.

Plante’s work represents an interrelation of science, art, emotion and experience. Photo by Marie-Pierre Savard.

“Reality just is and you experience it in one way or another,” said Plante while discussing the experiences that these many substances have produced for him.

Plante hopes to make onlookers realize that we are all fundamentally biochemical beings who have different perceptions of the objects and people we see in front of us. According to him, most of our experiences are highly influenced by psychoactive substances. Coffee is a common example of a substance people use as a stimulant to go about their everyday lives without feeling fatigued.

“People complimented me and said it was beautiful,” said Plante. “Beauty is good but it’s only one aspect of the exhibition. Meaning is another aspect and when beauty and meaning go hand in hand that’s when I’ve accomplished something.”

Plante’s love of spray painting began after he graduated from ÉTS in mechanical engineering and would use copies of his brother’s CV to spray paint on.

He now develops products and is a co-founder of Artrasta, an annual live painting event that was first held in October 2015.

 

Don’t worry, you still have time to see Substances—the exhibition runs until April 8 at the Montreal Arts Centre.

 

Categories
Music Quickspins

Rihanna – ANTI

Rihanna – ANTI (Westbury Road/Roc Nation, 2016)

Rihanna decides to march to the beat of her own drum for her eighth studio album ANTI. The Barbadian musician steers away from her club music past and puts out a more genuine and timeless record. Her tracks are a brilliantly crafted melange of reggae, dancehall, R&B and pop; Vulture has even classified her album as “industrial dancehall.” She flaunts a soulful side of her vocals in “Love on the Brain,” a jazzy song that takes us back in time to evoke the classic jazz vocalists Ella Fitzgerald and Etta James. A dub-style R&B track about the dark side of fame titled “Consideration” speaks to an unidentified “you” about her struggle to flourish as an artist in the music industry. RiRi proves to be a more well-rounded and mature artist this time around.

 

Trial track: “Consideration”

8/10

Categories
Student Life

How has your cell phone use affected you?

A recent event highlighted how technology has hindered and helped our relationships

It’s inevitable that technology plays an integral and consequential role in our daily lives. It’s also inevitable that nearly every young adult who owns a digital device has and is experiencing a love/hate relationship with it.

Graphic by Florence Yee.

Tieja Thomas is a researcher and educator who did her doctoral research on how socio-political phenomena such as hate, violence and oppression unfold in online environments. During a talk organized by Concordia’s Office of Community Engagement at La Petite Cuillère on Thursday, she admitted to her unhealthy dependency on technology.

“I’m not entirely comfortable with this dependency I have on technology. I worry about how screens affect my sleep, how social media affects my relationships and how an inundation of information affects my attention span,” said Thomas.

For Thomas, impatience is the unfortunate side effect of owning and constantly using technological devices.

“I have a tendency to think that all technology should just work,” said Thomas. “That every screen is a touch screen and there should be no lag time.”

Some audience members argued that technology enables us to be patient at times when we have to wait in a long line or a waiting room. In instances like these, digital devices act as pacifiers. They calm us down from the anxiety and uneasiness we get from staring at a wall, or even other human beings. They bring us into another more individualistic, highly customized world.

“Technology has supported, in very real ways, some of my most fulfilling relationships,” said Thomas. “I receive pictures of my nieces almost daily via text, WhatsApp, email, or audio video clips and Skype calls. It’s so exciting to see them grow even though I’m very far from them.”

Thomas also met her partner on an online dating site and wonders if they would have ever crossed paths in a different era where dating technology was not at their fingertips.

In contrast, the talk also highlighted how this dependency on technology has had a negative impact on keeping deep, real-life relationships.

According to research conducted by Thomas, people nowadays say they have two real friends whereas 15 years ago people said they had four real friends. The plethora of information we  consume on our devices has been said to negatively impact our real life exchanges as it has made us more distracted than ever.

Additionally, online platforms (such as Facebook, Twitter and YouTube) that have become so embedded in our social lives they have facilitated the creation of many online communities. Many have sparked social movements discussing important and timely socio-political issues. However, Thomas is concerned with whether online movements are actually making a difference. “Social media can facilitate this armchair activism, ‘click-tivism’,” she said. “If someone posts something about a social injustice and you like it, is that doing enough?”

Whether the effects of digital technology are beneficial or detrimental to users, it’s undeniable that digital devices have had a significant impact in our non-virtual lives.

 

Categories
Arts

Success for Kafein’s first Poetry Night of the year

Safe space allows up-and-coming artists a chance to share their work

The cozy, narrow basement of Kafein, a café-bar located at 1429 Bishop Street, was jam-packed as spectators gleefully anticipated performances of several student poets from Concordia University.

Graphic by Charlotte Bracho.

Video footage of David Bowie during his Ziggy Stardust years was projected onto a black overhead screen and played on loop throughout the evening as a way to commemorate the late avant-garde rock star. Contemporary-style photographs hung from thin metal wires in front of a rustic stone wall lined with candles, which enhanced the café-bar’s homey vibe.  

Nine performers read their poems in front of a massive crowd on Jan. 12 at Poetry Night, a bi-weekly event geared toward creating a safe space for creative minds to disseminate their poetry. The creativity and humour that each of them displayed were enough to keep the listeners engaged and entertained for over two hours. The readers presented unique approaches to timely and compelling topics such as existentialism, veganism, gender and social stereotypes, love and more.

“We have so many people who are first-time performers and have only written poetry in the security of their bedrooms, so we bring this very comfortable vibe,” said Ariana Molly, the host of Poetry Night.  

Molly, who is also the social media manager, events coordinator and art show coordinator at Kafein, kept the evening going with her energetic nature and support for the performers.

“I feel so blessed to be able to offer a space where I can confidently say that everyone is going to be quiet and respectful. We don’t tolerate transphobia, sexism, ageism, ableism, none of that,” said Molly.

Since she started Poetry Night two and a half years ago, Molly has given hundreds of people a chance to share their poetic talent with the public. The event has attained an international reach that has gone above and beyond what Molly’s expectations were when she first started out.

“We’ve had [performers] from all over the world, people from New York, Australia, friends of friends, elderly people,” she said.

Molly has always had an affinity for writing as she attended an arts high school. Although currently being enrolled in the photography program at Concordia has put her love for writing on hold, she firmly believes that Poetry Night has helped her reconnect with that passion. Her career at Kafein began when she answered to a job posting on Craigslist, and after getting hired as an event host she immediately began to organize Poetry Night.

In addition to the many job titles she currently holds, Molly also works closely with Metatron, a local publishing house which frequently publishes poets heard at Poetry Night on its website.

Additionally, a cut of the donations collected during the night will go to all poets. “If people are paid in any capacity for their art and their labour of love, it’s so rewarding,” said Molly. “It gives a different value and dynamic to that feeling of performing and bearing it all for a group of people,” she added.  

 

Catch the next Poetry Night at Kafein Bar (1429 Bishop St.) on Tuesday, Jan. 26.

Categories
Arts

Aamer Rahman keeps them rolling in the aisles

The Truth Hurts proved a highly entertaining and political night of comedy

If you enjoy the rawness and unapologetic nature of political comedy, then Aamer Rahman’s free comedy show The Truth Hurts is the stand-up for you.

Terrorism and racism are touchy subjects, and joking about them can spark heated argument among people.

Surprisingly, the audience at the comedy show was ecstatic, and quite pleased, to hear a man of Bangladeshi origin, who spent most of his life in Australia, shining the spotlight on racist white people and cracking jokes about some of the most controversial topics. He seems to be a spinoff of Russell Peters in that respect.

“Tonight I will be making jokes about terrorism, but I’m completely opposed to it,” Rahman clarified.

While his subject matter may be risque, it is clear that Rahman’s intentions are aimed at raising awareness and poking fun at racial prejudices.

For instance, the infamous Boston Marathon bombing that occurred last spring was soon to be transformed into comic relief.

“I didn’t care how many people died, I didn’t care how many people got injured,” Rahman said. “I had one thought in my mind the entire time: whoever finds out who did this, please be white!”

All jokes aside, there is certainly more to Rahman’s comedy than just a series of witty jokes and laughter. Rahman educated his viewers on the gravity of current social-political issues in the Middle East and in Australia.

“The Australian government recently changed the law to make it easier to publish [a] hate speech,” he said.

Naturally, most audience members shook their heads in disbelief. Some even shouted hate at the prime minister of Australia, Tony Abbott.

Rahman soon lightened the mood by recounting a moment when he and his cousin from Bangladesh went to a heavy metal concert.

“These people looked like Orcs from Lord of the Rings,” he said.

He added that they saw a woman in a black sleeveless dress with a tattoo of a portrait of Adolf Hitler on her arm. “ I felt at that moment time stopped and that tattoo of Adolf Hitler locked eyes with me and said ‘have a nice night’.”

This was followed by loud laughter and a standing ovation.

Rahman’s career in comedy began by accident. “My friend Nazeem started doing comedy at an open mic competition and I just copied him,” he said.

He always took interest in political protests as a law student at Monash University, and the comedy prompted him to express these issues to a larger audience.

“I used to be involved in a lot of different types of activism so when I started doing comedy I just started talking about those things.”

Rahman is currently finishing up his North American tour of The Truth Hurts and will be doing another one next year.

For more information, you can follow him on Facebook and Twitter @aamer_rahman.

Categories
Opinions

Lifting the division and creating a safe, shared space

Everybody wants to feel a sense of acceptance and validation in any setting they are in, especially when it comes to exercising in a gym.

Concordia’s Le Gym and Le Centre are close-to-home examples of gyms where males and females of all body types can go to lead healthy and active lifestyles, and do so in a safe and welcoming environment.

Graphic by Jennifer Kwan

Gyms are a safe haven for many. However, when the gym’s space is being managed in an unfair and biased manner to please one demographic, there is definitely an issue.

In a recent Vancouver Sun article about a downtown Vancouver gym eliminating its women-only section, Karen Tankard, a longtime member of the Steve Nash Fitness World Sports Club, disagreed with the gym’s intentions.

“They have advertised a women’s-only section, they have sold memberships and now to start eliminating them, I think they have some explaining to do,” Tankard told The Vancouver Sun.

She also mentioned that the monopolization of gym equipment and the uncomfortable stares men would give women are the main reasons behind having a women-only section.

Spokesperson for Steve Nash Fitness, Colleen Kirk, explained the reasoning behind eliminating the women-only section.

“As part of our mission to provide the best fitness experience possible, we listen to feedback from our members and strive to constantly evolve our fitness facilities. The member base of this club has asked for a more open and inclusive training area that is gender neutral,” Kirk said, according to The Vancouver Sun.

The more respect people have for others at the gym, regardless of gender, makes for a healthier and more positive environment to workout in. The unity of genders is a positive factor to be exposed to in the gym because it enables people to do something that is vital to society: co-exist. After all, humans are social beings, therefore it is our innate need to exist in harmony with one another. It’s all about learning how to share space respectfully.

In another case, Peter Lloyd, writer for The Daily Mail, wrote an article back in April about suing his local gym, The Kentish Town Sports Centre, in London. He disagreed with the fact that men were banned during certain hours in the day to make women comfortable while exercising.

“Forcing men — whether 70-year-old pensioners or 13-year-old boys who attend with their mothers — to leave a room because of their gender, rather than their behaviour, is degrading,” Lloyd said in his Daily Mail online piece.

I can empathize with women who are uncomfortable about exercising in front of men. If inappropriate behaviour is an issue, a gym’s administration should act accordingly and remedy the situation. However, it is unacceptable to not allow someone in at certain times during the day. To omit one gender from a public space solely because their presence and their presence alone is making people feel uncomfortable is immoral and discriminatory. It also impedes on a person’s fitness goals and limits their time of being active.

In the case of the Kentish Town Sports Centre, the men who signed up paid the same rate that the women did, so why should men be allotted less hours? This is an example of what occurs when we start sectioning off a public space that is meant to be shared.

Back at Concordia, Catherine Ferriter, a monitor at Le Gym, encourages students to ask for help on bettering the various techniques in order to make working out safer and efficient. What follows is a space of dedicated people who are eager to workout and teach each other instead of worrying about who is staring at them.

If each person focuses on their workout, and is respectful in doing so, they will be disciplined enough to block out any distractions around them in order to make their time at the gym worthwhile.

Categories
Music

Quickspins – New music from Nov. 19, 2013

M.I.A – Matangi (N.E.E.T Recordings; 2013)

Matangi is the fourth studio album by English-Sri Lankan rapper M.I.A. and is an inconsistent mess that’s actually pretty satisfying. “Karmageddon” starts the album off with a bass-heavy sound that kind of lugs its way through the title track, an incoherent dribble of beats upon which is laid a pretty fierce South-Asian influence. “Warriors” is where the album drops the experimental shenanigans and really kicks into first gear with a sleek set of sounds and a trance-inducing chorus.

“Come Walk With Me” is the closest thing to a mainstream pop song the album has to offer — and it works. A heavy contrast is conveyed in “Bad Girl,” a straight-shot anthem for badass women.

It definitely takes a few listens to get into the Sri-Lankan influenced bits, but the bass-heavy tracks and quasi-pop single save the album. This is definitely a purchase only longtime M.I.A. fans should consider making.

Trial Track: “Y.A.L.A”

Rating: 6.5/10

-Alex Melki

Jhené Aiko – Sail Out (Def Jam; 2013)

Jhené Aiko has soul. And if you have yet to hear her voice, it’s time to get on it. Dropping her seven-song EP Sail Out, ., the beautiful Los Angeles native proves she has mad talent. Writing each one of the tracks herself, she approaches every line with a ‘no-holds-barred attitude.’ From getting too faded and losing all control, to her brother’s recent death, to making love in the afternoon, and calling out guys of the past; you feel every word of her powerful, sultry verses.

Not only are the lyrics gripping and undeniably genuine, her sensual tone is dreamy. With each song, Jhené gives us a glimpse into her highs and lows through vivid, emotional accounts of her reality. While the first four songs feature Vince Staples, Childish Gambino, Kendrick Lamar and Ab-Soul, Jhené grabs her listener’s attention in its entirety for the last three tracks. “There’s no place quite like here, there’s no better time than now,” and right now, it’s Jhené’s time.

Trial Track: “The Worst”

Rating: 9.5/10

-Sabrina Curiale

 

Lady Gaga – ARTPOP (Streamline, Interscope Records; 2013)

Lady Gaga has once again given us an electro-pop drenched album but this time with a hint of space rock and rap: the perfect recipe. Although most of the tracks on this record are strictly for the dance floor, Gaga manages to incorporate some fast-paced rock beats into her songs “Manicure” and “Fashion!” and reserves two other songs of hers, “Jewels N’ Drugs” and “Do What U Want,” for the rap and R&B listeners out there. Gaga flaunts her strong operatic voice in “Dope,” a heartfelt ballad about love and drug addiction.

This leaves us with 10 pop-electronica filled songs like “G.U.Y.” and of course her famous hit singles “Applause” and “Aura” that exposes her as a true pop artist. ARTPOP is the vehicle that lets her enter different genres, or worlds, of music; if you have never listened to Gaga before, you can start now.

Trial track: “Dope”

Rating: 8/10

-Krystina Scenna

Tennis – Small Sound EP (Communion Records; 2013)

This five-track EP hails a sea of change for the Denver-based husband-and-wife duo, Tennis. Not only did the group change producers, enlisting the aid of Richard Swift (The Shins, Foxygen), they have also left Mississippi record label Fat Possum for London-based Communion Records.

The shift seems to have added a layer of depth and maturity to the indie-pop duo. Vocalist Alaina Moore stated that the new material is “a bit darker overall, maybe a little weird,” a stark contrast to the band’s sugary-sweet debut, Cape Dory, and a natural progression from their sophomore release, Young & Old.

If Small Sound EP is a sample of what’s to come for Tennis, we can expect a decidedly higher production value, with a soulful Motown-inspired sound, building on the duo’s established pop formula.

Trail Track: “Timothy”

Rating: 8/10

– Paul Traunero

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