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ARTiculate: On virginity and “vaginal knitting’”

Graphic by Jenny Kwan

Like it or not, there is no getting away from sexual and graphic images these days. They are present in films, television programs, and have been increasingly prominent lately in magazines and music videos.

But, why?

Yes, sex alone is sexy. But surely this is not enough reason for graphic portrayals of it to be found in the media. So, unless HBO gives me a good reason for its ubiquitous presence in all of its shows — like say, adding value or meaning to the scene or moving forward a story — I am not convinced of its need to be there.

Peppering an otherwise fantastic narrative with highly-stylized graphic shots of sex and merkin-adorned genitals is much like adding whipped cream atop a venti double caramel macchiato — it’s gratuitous.

Let’s look at infamous photographer and Hollywood sleaze-bag du jour, Terry Richardson. His “art” nowadays mainly consists of photographing underage models in risqué poses — even joining in the photograph, conducting various acrobatic sexual acts with models and actresses.

But what is the message here? That Richardson is an agile lover? It’s okay if you want to take pornographic pictures, but let’s not pretend they are art. These photographs are intended to cause more shock to the public than awe.

I’m not a prude, however, I can appreciate sex and explicit imagery if they, like any other element of the art production process (dialogue, colour choice, set design, etc.), contribute to the message being delivered.

Australian artist, Casey Jenkins, made headlines last year when her video performance entitled “Casting Off My Womb” made its way to YouTube. The 28-day performance is of Jenkins, as headlines called it, “vaginal knitting” — she inserted a skein of wool into her vagina everyday, knitting continuously until a menstrual cycle was complete.

While shocking, the message here is simple: it’s about being comfortable in your own skin, and dispelling negative assumptions about the vulva and needless fears about a woman’s period.

If you watch the video, be warned that it’s not-safe-for-work, as Jenkins is understandably naked from the waist down, and there is footage of the final product hung proudly and smeared with blood. Though explicit, this is the kind of graphic art I can get behind.

Another shocking and unique performance that was scheduled to take place earlier this year, is Clayton Pettet’s “Art School Stole My Virginity.” The 19-year-old was aware that he was among the last of his peers to have sex, and became preoccupied with the notion of virginity. The performance would take place in a studio gallery, with an audience of about 100, and would consist of Pettet having protected sex for the first time. Pettet’s goal is to address the pressures one feels about virginity head on, and demystify the experience for others.

Due to an arrest for using graffiti to advertise for his show, Pettet’s performance has been put on hold for now, but the artist remains undeterred about completing his work.

“I want them to take away the complete fucking destruction of virginity. Like all of my art, I want to change people’s perceptions,” said Pettet in an interview with The Daily Beast.

Though their unconventional performances have, and will continue to, outrage many people, Jenkins’ and Pettet’s messages are pretty clear — and thought-provoking at that. What are yours, HBO?

 

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Believe … and you shall receive

Justin Bieber wants you to believe, to accept his side of the story and to let him take us along this journey with him.

Press photo

The musical-documentary Believe is directed by Jon M. Chu, the undeniable talent behind great works such as G.I. Joe: Retaliation, Step Up 2: The Streets, and the previous Bieber documentary, Never Say Never. It is no surprise then that he was picked for this sequel. Believe is a visual masterpiece, and Chu is intimately acquainted with Bieber, having worked on the musical tour of the same name.

It’s simple: Bieber, his manager Scooter Braun, his mentor Usher, and the rest of the crew really just want you to believe. Believe in him, and this young man can continue his dream of making music.

And sure, while Bieber may struggle at times, his family and friends are always there to keep him grounded and remind him that pants are meant to cover a certain area of the body — not expose it.

From screaming back at paparazzi to urinating in a bucket in public, Bieber left little of himself behind. The documentary is a response to the highly publicized outrageous moments that have captured the attention of many in the past year.

We get an inside look at Bieber’s creative side, from the moment he sits down to write a song to the recording process with his crew.

We also get to see the kinds of relationships he has with his fans. For instance, Avalanna Routh. Bieber cultivated a friendship with the six-year-old cancer patient, nicknamed “Mrs. Bieber,” and spent many hours with her as well as inviting her to one of his concerts. The news of her death left Bieber mournful, leading him to dedicate his song, “One Less Lonely Girl” to her memory while images of her were displayed during one of his performances.

That’s not to say that Believe is not a an attempt at correcting Bieber’s public image — because it is. The documentary is a way for his fans to shift their focus towards his music and human side, rather than his scandalous personal life. And while potential for growing facial hair is doubtful, there is potential for this young artist to grow and evolve into a fully developed artist.

And if he falls off the rails once more, I’m sure Chu is ready for a third documentary.

Although Believe was well-directed, it may nevertheless be wise to wait for the DVD to come out, unless of course you are a true Belieber.

 

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Out, yet still unheard in Cameroon

Transporting us to a place where homosexuality is considered one of the worst crimes a human being can commit, Born This Way immerses us in the struggles of Cameroon’s underground LGBT community.

Born This Way exposes the private lives of gay Cameroonians, and their not so private trials. Press photo

Directed and produced by Shaun Kadlec and Deb Tullmann, Born This Way is a documentary about the sometimes literal trials many homosexuals have to go through in Cameroon, where it’s considered a crime by law for anyone to sexually engage with a person of the same gender. Indeed, the documentary shows us that to even ‘look’ gay (in manner of dress or behaviour) is enough to be imprisoned for up to five years.

These discriminatory laws reflect the positions of a society where many consider homosexuality a misguidance, a product of religionless upbringing, or a case of demonic possession.

The documentary follows the lives of multiple queer Cameroonians, paying particular attention to Gertrude and Cédric, two youths coming to terms with not only who they are, but where they are as well.

Cédric talks about Lady Gaga and mentions his love and admiration for her, finding solace in such songs as “Born This Way.” He gets through the day confident in how personally acceptable it is for him to be different, how each and every one of us should embrace these differences, and how they would help make the world a better place. Yet even his optimism is diminished when the focus shifts to the realities of Cameroonian discrimination.

“You can’t be out in Cameroon. Eventually the law will get you,” he says at one point.

Cédric’s story is one of survival, illustrating how difficult it can be for a homosexual to live where there is a constant fear of attack or imprisonment, simply because you are different.

Experiencing similar anxieties, Gertrude, who is deeply religious, takes us along on her personal journey in which she reveals her sexual orientation to a Catholic nun who had raised her since childhood, and anticipates a condemnatory reaction.

Not all is bleak however, thanks to local human rights organizations and the tenacious Alice Nkom, a renowned Cameroonian lawyer who has dedicated her life to fight for gay rights, and continues to take a stand for equality.

“You know, I’m just like a mother. When you have two kids that are different, one of them is vulnerable, you have to take care, you have to love him, you have to help him. And this is what I’m doing,” Nkom says.

Concealing cameras and flouting the law themselves, the filmmakers manage to capture the realities of gay life in Cameroonian society. The personal testimonies presented throughout the film are both extraordinarily heartbreaking and remarkably enlightening, giving insight to not only how Cameroon’s LGBT community is coping with the prejudice, but by showing the viewpoints and convictions of those against it, all the while giving the documentary much warmth as it still manages to include tender conversations between couples, filmed amidst candlelight.

Born This Way premieres in Quebec as part of Cinema Politica at 7 p.m on Oct. 21, D.B. Clarke Theatre – 1455 de Maisonneuve W. The event is in collaboration with Festival de Films Massimadi Montréal.

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The angst and woes of contemporary love

If you love the film adaptation of (500) Days of Summer by Scott Neustadter and feel like you need to see more dysfunctional relationships, then A Collection of Failed Love Stories will deliver by bringing you not one, but several stories that are awkward and anxious, yet charming in calibre.

Press photo for A Collection of Failed Love Stories.

Concordia film production student, Terry Chiu, writer and director of the film, forges a connection with the audience by showcasing real human behaviour in different everyday situations with his short film.

Peppered with humour, the tales touch on various aspects of love and explores the failures of it, revealing truths that anyone with a heart can identify with.

Shot in Montreal, the film takes advantage of the city’s gorgeous spaces and picturesque skylines. With the familiarity of the settings, and perhaps some of the faces on the street, the viewer can immediately see themselves and their own stories in the film.

In one of the narratives, we witness a moment of love at first sight, an occurrence that can afflict anyone at anytime. The audience is presented with a portrait of a character who lacks courage to talk to the object of his sudden infatuation, tortured as he misses the opportunity, and left with nothing but the angst of ‘what if’ plastered in his mind. In yet another story, a boy meets a girl. They fall in love, which, appropriate to the film’s title, leads to heartbreak.

The theme of failure in love is a thread that is weaved through the film, creating a sort of collective perspective from the characters as they love and fall out of love, taking a faraway stand from that of many ‘80s films. As the narrator tells us, “life isn’t like in the movies… life is so empty. Movies are superficial representations of reality. They are portraits of what we wish would happen in real life.” Gone are the days where movies like Say Anything try to convince us that falling in love can easily be achieved by the use of a boombox.

With the coupling of the heartbroken crooning and a melancholy soundtrack, the audience observes how the characters are still remembering their failed love stories and how it has affected them. This short film compels an understanding of how arduous love can be, the struggle it is for someone to move on, and how heartbreak is a universal theme from which no one is safe.

A Collection of Failed Love Stories will be screened on Saturday, Sept. 21 at 9 p.m. at Le Cagibi, 5490 St. Laurent Blvd. Admission is $7. For more information please visit, facebook.com/acollectionoffailedlovestories

 

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Remembering the queen of crime

Murder on the Orient Express (1974)

To commemorate the work of Agatha Christie, one of the most celebrated mystery writers ever, Cinema du Parc will be showcasing two movie versions of the famous British novelist’s work until Aug. 30. This special screening comes just three weeks before what would have been Christie’s 122nd birthday on Sept. 15. Having written more than 80 novels and created two of the most well known literary heroes of her decade, this is a well-deserved celebration.

The movies selected by Cinema du Parc are “Ten Little Indians” directed by George Pollock (1965) and “Murder on the Orient Express” directed by Sidney Lumet (1974). Both are categorized as important movies that should be shown to every generation, says Cinema du Parc director of communications, Beatrice Flynn. Not only is the work of Agatha Christie praised through these two movies, but the work of Pollock and Lumet is exemplified, as Flynn maintains that these two films are the best adaptations ever made of Christie’s work.

Ten Little Indians: Pollock invites you into his take on Agatha Christie’s novel And Then There Were None which originally shared the same title as the film adaptation but was changed to the more politically correct choice later on. In the book, ten strangers with a criminal past are invited to a secluded house on an island where it seems they will finally get what they deserve. The movie title comes from the title of the poem Ten little Indians, each line of which dictates the destructive fate of the next guest as carried out by an unknown executioner.

Murder on the Orient Express: When a well-known but notoriously hated banker is murdered on the Orient Express, it is up to famed detective Hercule Poirot to solve the case. The list of suspects is extensive, including every passenger on the stalled train, some of whom have not been shy when expressing their distaste for the victim. The movie also features Ingrid Bergman who won the Academy Award for Best Supporting Actress for her portrayal of Greta. Murder on the Orient Express is a true whodunit that will keep you thoroughly entertained and on the edge of your seat.

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We need to talk about Kevin

Ed Piskor’s graphic novel Wizzywig comes out this July and is available for pre-order on Amazon.

To hack or not to hack, that is the question.

In Ed Piskor’s Wizzywig, it all starts when main character Kevin Phenicle tries to cheat his way out of paying bus fare. This leads to Kevin becoming a computer hacker and eventually a convicted felon. Throughout the story, readers get to see Kevin transition from a timid, bullied schoolboy to an over-confident person on the verge of spending his life in jail.

In the graphic novel, the author uses a colour drawing for the cover, but the rest is in black and white. This gives the impression of holding a photo album in your hands. The drawings in Wizzywig tend to be realistic, as they help depict the life of Kevin, without exaggerating too much on detailing. What is most noticeable, however, is that Kevin’s eyes are completely white, they do not have pupils, unlike the other characters in the book.

As part of Kevin’s probation, after he is caught, he is asked to put everything hacking related aside. His new life without the use of technology leaves Kevin no choice but to simply adapt. What is so great about this story is that anyone can relate to it, there are no boundaries set to Wizzywig, everyone can have their own interpretation of the story, which is why it makes it such an interesting graphic novel to read.

These different ways of how people see Kevin, make us rethink the vision we once had of him. Can we truly call Kevin a criminal? Or can we say that he is talented in his own way? Those questions are left to be answered by the reader.

Wizzywig is rumoured to be based on the real life story of Kevin Mitnick, a professional hacker who was arrested by the FBI in 1995. Though Piskor never confirms this, the fact that they share the same name and are both professional hackers is something that should not be left unsaid. Also some panels displaying the words ‘Free Kevin’ may refer to the movement made in the 90’s, which petitioned to give Mitnick a chance to prove his innocence with a trial.

Regarding the novel’s unique title, Piskor said on Twitter: “I like the term ‘What you see is what you get.’ No bullshit. Kind of indicative of how hackers live. No apologies.”

Wizzywig demonstrates how life can be complex while surprising us when we least expect it. We may have a lot of challenges and obstacles coming our way, some brought on by ourselves in the same way Kevin brought misfortune on himself. We learn from our mistakes and Kevin is a great example of that, proving that you may need to fall at one point in your life in order to get back up on your feet.

For more comics visit www.wizzywigcomics.com.

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