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Opinions

Pandaplomacy is a sign of good things to come

Graphic by Jennifer Kwan

Who are they? They’re Er Shun and Da Mao, and you’ve undoubtedly heard about them by now. The two giant pandas recently touched down in Canada to much fanfare and celebration courtesy of the Chinese government for five year stays at both the Calgary and Toronto zoos. How are they important to Canadian-Chinese relations?

The two are destined to attract hoards of visitors and paying customers — that’s why we forked out over $1 million to bring them here. China and Canada can mutually benefit from reciprocal ties of friendship. We have much to learn from each other culturally and much to gain materially, but care needs to be taken. A panda can be stubborn and must be respectfully, yet firmly, worked with.

Take their diet: an unrelenting, monotonous supply of bamboo. This is the perfect metaphor for the insatiable Chinese economic need for natural resources and raw materials, and one we’ve done well to embrace. Ever since the financial crisis, Canada has increasingly cozied up to Beijing as national priorities have shifted from a mix of humanitarian concern and business ambition to pure economic overdrive. Bamboo, like the oil and other commodities we export to China, suits the pandas just fine. But just as zookeepers need to know when to say enough, so does the Canadian government need to critically evaluate just how far they’re willing to feed the Chinese, at what expense (remember Nexxen?) and how this influence can be used for further dealing with China on touchy subjects like human rights and democracy.

The handling of the cute mammalian duo also shows what the government shouldn’t do. Pandas are exotic star attractions and for good reason, but the zoos will never ignore their other charges for their sake. In fact, the regulars will continue to receive priority.

So maybe Harper shouldn’t have scheduled the pandas’ arrival and reception the same day the Nishiyuu walkers wound down their epic trek from James Bay, Que., to the nation’s capital to bring attention to the plight of indigenous peoples. The pandas may have flown 12,000 kilometres in 15 hours to come here (stocked with choice bamboo and veterinarians on standby) but the Nishiyuu walked 15,000 kilometres on their own two feet. For 68 days straight.

This is the first time in almost 25 years that we have pandas, an apt parallel to the once frosty relations between China and Canada that have thawed and, in some respects, blossomed. Yet just as Er Shun and Da Mao aren’t laurels to be rested on nor to be treated lightly, the time they’re on loan to us is the window we have for determining our future relationship with China. One of the aims of the zookeepers is to entice the duo into the panda’s notoriously difficult act of breeding. Yes, we have them for 10 years, but this means very little if we can’t get them to produce dividends: in their case cuddly pups, in China’s case strong and serious bonds between equals. In both cases an active and energetic approach is critical.

Panda diplomacy was once a bestowal of favour by Chinese dynasties to preferred foreign states on the periphery. While times have changed and China now finds itself amongst many equals, the act is undoubtedly one of honour. The Calgary and Toronto zoos have pulled off a coup by securing the pandas. By pursuing with acumen our current opportunities with China, Canada as a country should be able to do the same.

Categories
Arts

Once upon a dare… a household name in the making

Photo by Norm Edwards.

For comedian and Concordia University graduate Andrew Searles it all started with a challenge. One night a friend dared him to open for comics Joey Elias and Ryan Wilner at a John Abbott College comedy show. At the time, he thought it would be a fun experience, nothing more.

Now it’s ten years later and he’s one of our city’s most dynamic comedians, entertaining crowds from coast to coast.

For Searles, comedy allows him to be himself, only more so. “I’m on stage, cracking jokes, hitting on girls in the front row, shooting down the jock who’s being a douchebag.”

And at the end of it all?

“After you do an amazing show, and you get off-stage, they say it’s better than any drug you could ever take in life. The rush you get…nothing beats it.”

Searles has worked hard to achieve the success he experiences today. For years he would analyze videotapes of his shows, studying everything from the way his audience reacted to his body language. All his hard work has made comedy a seamless extension of his personality.

“People say we make it easy. People say comedy’s a quick thing, but it takes years to become seasoned.” So what makes a professional comedian? Many things: improvisation, knowledge of crowd psychology and brazen confidence.

“You have to be 110% confident you’re ready for what they’re going to say next. I have to show that I’m ready to handle anything that’s being thrown at me.”

Despite steadily touring across the country he still maintains strong ties to Montreal’s comedy scene.

“I still go back to open mics to work on new material. Montreal definitely has camaraderie. We all help each other.”

Recently back from his latest tour, Andrew isn’t as narrowly defined by his comedy as one would think. He’s also making steady forays into the acting world. In the year and a half since graduating from the John Molson School of Business with a degree in marketing, he has quit his part-time job and is now pursuing acting alongside his comedy.

“Acting has always been my main goal, the end result. Comedy was something I fell in to. Between juggling school and comedy and acting, I could only do two out of three.” As his marketing degree was more of a fallback plan, comedy was the option that made the cut. “Now I’m at the point where I can focus on my comedy and my acting. Now I’m ready to push both of them to the next level.”

His upcoming projects are as numerous as they are different. In February, as part of Black History Month, he will participating in the second annual run of The Underground Comedy Railroad, a showcase of black Canadian comedic talent.

“A lot of black comedy we see is from the U.S. We’re often overshadowed by the American black comedy scene so I think this show is a way of showing off black Canadian comics,” he said.

Screen wise, he’ll be featured in a soon-to-be-released web series as well as having some face time in a new Roland Emmerich (director, Independence Day) film alongside some big Hollywood names.

With such ambitions, where does he see himself in the future?

“I’d like to live in Los Angeles, juggling the comedy and acting careers. And Jessica Alba. Maybe live in a jet at some point and fly around.”

Categories
Student Life

Pipe Dreams: Montreal’s hidden underground

Andrew Emond, Riviere St. Pierre in Cote-St-Luc

Andrew Emond moved to Montreal from Toronto in 2006. Like any urbanite, he sought to get a fuller picture of his new home by visiting landmarks and walking the streets. Then he started discreetly lifting manhole covers. To better learn about Montreal, a city whose skyline is made of high-rises and factories as much as parks and churches, all straining for the sky, he decided to go the opposite way: underground.

There, in the maze of sewers and dim tunnels, he began to learn about and curate this hidden aspect of Montreal. With experience in exploring, researching, and photographing various industrial structures — both above and below the surface — coming from previous urban exploration projects, it came naturally.

To most people the subterranean world is a blind-spot on the urban radar. We go about our lives wholly dependent on the network below our feet yet we are unaware of the thousands of kilometers of infrastructure, added over many decades, which lie below our foundations. This is what Emond and those like him seek to illuminate.

Emond is an urban explorer, a member of an intrepid community that makes the time to appreciate man-made landscapes. By the most common definition, urban explorers search for and study anything industrial, usually structures which are seldom seen or appreciated, such as abandoned or hidden architecture. Part urban explorer, part artist, Emond created a virtual repository for the project, UnderMontreal.com, and began detailing his encounters to the public, whom he encouraged to participate in the idea through online media and interaction.

It’s a project of impressive scope, digging deep into the historical and contemporary factors that have made Montreal what it is. He has explored hidden rivers, pushed below by urban sprawl, and written about Montreal’s waste-treatment system. Historically, he’s amassed written records stretching back nearly 150 years. His most impressive experiences have been navigating brick sewers built in the latter half of the 1800s, an architectural feat he considers unique in the city. All the while he’s taken spectacular photos of gigantic sewers, snaking waterways and spooky crevices.

His uncommon lifestyle oftentimes causes numerous run-ins with the law. Normally able to explain himself to the authorities, he was once arrested in Toronto for trespassing through their underground network. When you operate in the grey zones of legality, exploring potentially dangerous urban spaces, such consequences come with the job.

“It helps to be able to communicate your intent and to have a purpose for doing what you do that goes beyond ‘because it’s fun and exciting,’” he said.

According to Emond, Montreal’s permanent urban explorer community is small. Most come and go, their curiosity sated after a few underground forays. To him, it takes more than curiosity. It takes an addiction to come back time after time and trudge through the many kilometers of winding tunnels – sometimes dead ends – where the ultimate payoff could be a change in architectural aesthetics or a junction different from the one before.

“There’s a lot of drudgery and monotony involved in this sort of thing that isn’t for everyone. You can’t go into it expecting to see all kinds of wonderful things or at least you can’t expect to see things without [being] willing to walk several kilometers through featureless sections to get to them,” he says.

Now back in Toronto, he’s continuing to explore, with numerous other projects in the works. UnderMontreal remains dormant, perhaps permanently.

It remains an incredible repository of Montreal’s hidden underground and well worth a look. As for urban exploration, “if you’re willing to put in the time, you’ll begin to understand how all this came to be; what was happening above ground at the time, both technologically and socially speaking. You begin to get a bigger sense of how the city’s underground is very much a reflection of its past.”

We may not be able to put in the time or find the passion and join in, but thanks to Emond’s efforts to showcase his discoveries, it’s almost like we’re there.

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