Author: Paul Traunero

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Music

Quickspins – Cults, Chevalier Avant Garde, Black Milk, The Avett Brothers

Cults – Static (Columbia Records; 2013)

Following the end of the duo’s four-year romantic relationship, singer Madeline Follin and multi-instrumentalist Brian Oblivion decided that Cults should not suffer due to the split. Instead, the ex-lovers channeled the tension to create their sophomore album, Static.

Despite co-producers, Shane Stoneback (Vampire Weekend) and Ben Allen (Gnarls Barkley) overlooking the production, Static lives up to its name. Though Follin’s vocals are more confident and the overall sound is bigger and more layered, the band relies too heavily on the same retro ‘60s power-pop influence introduced in their 2011 self-titled debut. Unfortunately, unlike their debut, this album lacks a standout hit-single like “Go Outside” to support it.

More was expected from this lovelorn New York retro-pop duo. Ultimately, Static lazily suffocates itself in the mid-tempo, neo-psychedelic haze that it creates.

Trial Track: “I Can Hardly Make You Mine”

Rating: 5.5/10

– Paul Traunero

 

Chevalier Avant Garde – Resurrection Machine (Fixture Records; 2013)

Dreamy and synth heavy, Montreal-based duo Chevalier Avant Garde dropped their second full-length album Resurrection Machine on Sept. 10. From the peppy indie-pop synth beats of opener “Nowhere,” to the ominous sounds of “Temenos,” the whole album has an abstract feel to it.

Resurrection Machine is dripping with shadowy reverberations and ghost-like vocals; on tracks like “It Was Me,” the vocals are detached, hazing into another astral plane. Chevalier Avant Garde layer guitarwork over their signature ethereal vocals in tracks like “It Makes Me Crawl” and “When We Meet.” With their official album launch at this year’s edition of POP Montreal, Resurrection Machine proves to be an altogether melodic and celestial experience.

Trial Track: “Return”

Rating: 8/10

-Jessica Romera

 

Black Milk – No Poison, No Paradise (Computer Ugly Records; 2013)

Black Milk’s music has always been pretty serious and No Poison, No Paradise is no different. Definitely a very personal album, Black Milk moves in a different direction this time after his previous album — aptly named Album of the Year — by leaving his partying days behind. Confronting his heavily religious upbringing and desires for a different lifestyle, each track is packed with reflection and frustration. Melodically, the album is amazing and complex. He doesn’t fall back on beats, but instead bends and twists new ones keeping his usual soulful organ and choir, while throwing in a couple heavy beats and contrasting floaty synth lines. No Poison, No Paradise is definitely an album worth playing more than once: the more you listen, the more you get out of it.

Trial Track- “Monday’s Worst”

Rating : 8.5/10

-Maddy Comi

The Avett Brothers – The Magpie and the Dandelion (Republic Records; 2013)

After teasing fans with the single “Another is Waiting,” released this past August, the Avett Brothers finally dished out their latest album, The Magpie and the Dandelion on Oct. 15. Striking while the iron is still hot—barely a year has passed since their previous album The Carpenter hit store shelves—the group emerges with a noticeably evolved sound. Boasting a more ballad-riddled track list, the collective exhibits a more subdued, mature style, reflecting on their growing seniority as a tried-and-true folk-rock band.

In opting for “swoon” over “stomp,” The Avetts convey an impressive degree of reflective intimacy, backed by a consistent stream of quotably clever lyrics. While The Magpie and the Dandelion possesses the usual eclectic bevy of musical styles notorious to the group, the tracks are blanketed by an all-encompassing folky maudlin vibe. In short, while the album isn’t likely to boost anyone’s morale, it fits the autumn mood like a trusty oversized sweater.

Trial Track: “Good To You”

Rating: 8/10

-Victoria Kendrick

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Music Uncategorized

Quickspins – Agnes Obel, Jordan Klassen, KoRn,

Agnes Obel – Aventine (PIAS; 2013)

Aventine is the sophomore release from Danish singer-songwriter, Agnes Obel. Following her multi-platinum selling debut Philharmonics, Obel  has again decided to grant herself full creative control by writing, producing, arranging, and mixing the album herself.

Perhaps it’s that freedom which allows Aventine to feel so pure and impressionistic, both musically and lyrically. The album is cinematic, channeling lullabies and fairytales all within a dark and mysterious atmosphere. Decidedly slow-paced throughout, the songs follow the same piano-driven folk pop formula, but Obel’s vocals are more empowered and showcase an intensity that was lacking from her debut. Aventine is so pleasant and meditative that it will likely take repeated plays to fully appreciate its simplistic beauty. However, its mixture of romance, melancholy and darkness make it the perfect autumn soundtrack.

Trial Track: “Dorian”

Rating: 7/10

– Paul Traunero

Jordan Klassen – Repentance (Nevado Records;2013)

Often categorized as ‘fairy-folk,’ Jordan Klassen has crafted a thoughtful yet playful sound in his latest album Repentance. From the twinge of the glockenspiel in the opening track “Sweet Chariot,” we are immediately pulled into Klassen’s enchanted universe where pleasant and light harmonies coexist with a multitude of different instruments ranging from guitars and ukuleles to pianos and glockenspiels.

“Ranchero” showcases an eeriness to the Vancouver native’s vocals in a soft, mystical way. “Go to Me” starts off with soft chimes and ukulele, but slowly builds up and heads in a upbeat, pop-infused direction. Klassen displays a maturity and youthfulness on Repentance with an inherent warmth rarely seen in young musicians.

Trial Track: “Go to Me”

Rating: 8.5/10

-Jessica Romera

 

KoRn – The Paradigm Shift (Caroline Records; 2013)

In their 11th album The Paradigm Shift, Korn return to their early days of violent, in-your-face metal that does not disappoint. The appearance of a traditional Korn album could very well be due to the recent return of Head, the group’s original guitarist who had left the band in 2005.

The dreadlocked, nu-metal pioneers have distanced themselves from their previous album, 2011’s Path of Totality, which they had considered an “experiment,” as it had been heavily influenced by dubstep. The band does not completely drop the electronic elements however, they are lightly sprinkled throughout the new record in key moments rather effectively. While the lyrics are somewhat lacklustre, comprised mainly of the standard elements of the genre such as abandonment, self-seclusion and anger at societal norms, the guitar work is superb. Musically, this is one of Korn’s greatest works, and debatebly on par with their breakthrough album from 1998, Follow the Leader.

 

Trial Track: “Spike In My Vein”

Rating: 9/10

 

-Justinas Staskevicius

 

Categories
Music

Quickspins – HAIM, Pusha T, KoRn, Danny Brown, Autopilot

Pusha T- My Name Is My Name (GOOD Music, Def Jam Recordings; 2013)

Ever since Terrence Thornton, better known to the world as Pusha T (and half of the brother duo, The Clipse) joined Kanye West’s GOOD Music label, fans of the artist were wondering about the possibility of a full length album. Pusha T has since delivered with dark, drug-pusher stories, proving there is life after The Clipse and you needn’t worry about him.

Trial track: Pain (ft. Future)Pusha T delivers on the entire album with his streetwise demeanor, over-tune thumping and head bopping instrumentals from Hudson Mohawke, Pharrell, Swizz Beatz, and son of Metallica drummer Lars, Sebastian Ulrich.  The album, which features artists  from Kendrick Lamar, Future & Jeezy, all properly accompany Pusha.

Rating: 8.5/10

-Julian McKenzie

KoRn – The Paradigm Shift (Caroline Records; 2013)

In their 11th album The Paradigm Shift, Korn return to their early days of violent, in-your-face metal that does not disappoint. The appearance of a traditional Korn album could very well be due to the recent return of Head, the group’s original guitarist who had left the band in 2005.

The dreadlocked, nu-metal pioneers have distanced themselves from their previous album, 2011’s Path of Totality, which they had

considered an “experiment,” as it had been heavily influenced by dubstep. The band does not completely drop the electronic elements however, they are lightly sprinkled throughout the new record in key moments rather effectively. While the lyrics are somewhat lacklustre, comprised mainly of the standard elements of the genre such as abandonment, self-seclusion and anger at societal norms, the guitar work is superb. Musically, this is one of Korn’s greatest works, and debatebly on par with their breakthrough album from 1998, Follow the Leader.

Trial Track: “Spike In My Vein”

Rating: 9/10

-Justinas Staskevicius

 

Danny Brown – Old (Fool’s Gold Records; 2013)

If you’re new to Detroit rapper Danny Brown and his music, don’t be alarmed at the fact that there are 19 tracks on his latest album, Old. Despite its length, going through a Danny Brown album is arguably more enjoyable than listening to Justin Timberlake’s last two releases.

Old is divided in two: Side A features tales of poverty, drugs, sexual activity and occasional depressing monologues. Danny Brown brings us into his world by rapping over trap-inspired, pure hip-hop beats. Side B is a loose, fun, molly dipping, EDM trip, with the exception of its final track, “Float On” featuring Charli XCX, where Brown talks about using drugs and popping pills in order to cope with the stresses of making hits and performing at concerts, allowing Brown to come full circle by the album’s end. While Brown can easily be the most fun rapper to listen to, he reveals himself as an entertainer with deeper, underlying issues in Old. The diversity in subject matter, combined with some of the best production heard this year make for a winner, and a top album of the year across all genres.

Trial track: “Dip”

Rating: 8.5/10

-Julian McKenzie

 

Autopilot – Diamond Rough (Independent; 2013)

Autopilot, a three-piece collective from Saskatoon, Sask., released their latest album Diamond Rough in late September. After a brief hiatus, the band reconvened to churn out a well-crafted alt-rock sound with slight pop melodies sprinkled throughout. Tracks like “Last Night” highlights the band’s ability to pair a catchy chorus with strong guitar riffs, while “Down and Out” shows an angstier side to their sound fueled by steady drum beats.

With vocals subtlely strained from emotional delivery, Autopilot sound like they would have fit in perfectly in a ‘90s grunge festival lineup. Diamond Rough showcases a sound that is familiar and comforting but with a twist that is all their own to create a well-rounded alternative rock sound.

Trial Track: “Down and Out”

Rating: 7/10

-Jessica Romera

 

HAIM – Days Are Gone (Polydor Records; 2013)

HAIM are generation-defining in their ability to seamlessly channel our obsession with nostalgia with an edginess and originality all their own. Days Are Gone, is a perfectly curated mix of ‘90s soft rock and Top 40 pop with a modern edge.

Refreshingly bold and listenable, Days Are Gone will be a heavy contender for album of the year.The sister trio from California’s San Fernando Valley have been creating a huge buzz since the release of their EP in 2012.

For their debut album, the girls enlisted producer, Ariel Rechtshaid—from Solange and Vampire Weekend fame—to help create a coherent sound, full of complexity and an abundance of melody and hooks. With constant comparisons to Stevie Nicks and Wilson Phillips, HAIM have crafted an album that feels effortless and cool, despite its heavy study of the past.

Trial Track: “Don’t Save Me”

Rating: 9.5/10

– Paul Traunero

Categories
Music

Quickspins – New October releases

Kings Of Leon – Mechanical Bull (RCA; 2013)

Kings Of Leon emerged in 2003 as four shaggy-haired brothers — and cousins — eager to play  their grimy Southern sounds. A decade later, the Nashville natives have evolved into fully formed, mature musicians and lyricists with their sixth studio album Mechanical Bull. Fans might not necessarily hear Caleb Followill’s raw vocals and gritty guitar riffs found in the band’s earlier  work, but tracks like the album’s first single “Supersoaker” or “Coming Back Again” sound like they may have been plucked off their 2007 release Because Of The Times.

Mechanical Bull shows the band’s ability to take a smorgasbord of genres and pair them with honest lyrics to create a cohesively fluid album. “On The Chin” is fueled with country twangs, while “Wait For Me” tugs at the heartstrings of the most cynical of cynics in this anthemic arena-rock ballad. Kings Of Leon prove with Mechanical Bull that they have not lost their ability to pump out stellar tracks and stay true to their Southern roots-rock sound.

Trial Track: “Coming Back Again”

Rating: 7.5/10

-Jessica Romera

 

Basia Bulat – Tall, Tall Shadow (Secret City Records; 2013)

Basia Bulat packs an intense emotional punch in her latest album Tall, Tall Shadows. The album is the Canadian folk-singer and songstress’ third studio release and her first since 2010. Tall, Tall Shadow showcases Bulat’s ability to branch out from purely folk towards a more pop-infused sound. The album showcases her signature autoharp sound intertwined seamlessly with piano and percussion.

“It Can’t Be You” features a mystical sounding autoharp and Bulat’s honest and at times softly broken vocals, reminiscent of indie-folk queen Florence Welch from Florence + The Machine. “The City With No Rivers” is unquestionably an eerily beautiful  gem with its haunting opening autoharp chords and steady drumming throughout. Bulat’s latest release is a perfect blend of folk and pop explores her depth as not only a folk-singer, but as a multi-talented musician.

Trial Track: “It Can’t Be You”

Rating: 8/10

-Jessica Romera

 

Mazzy Star – Seasons of Your Day (Rhymes of An Hour Records; 2013)

Fans have been waiting 17 years for a new release from Mazzy Star. Fortunately the band’s fourth studio album continues where 1996’s Among My Swan left off. Equal parts nostalgia and maturation, Hope Sandoval and David Roback quickly prove that they are more than simply a ‘90s comeback. Their trademark dream-pop and psychedelic folk sound has influenced contemporary acts like Beach House, Frankie Rose and even Lana Del Rey, affirming the fact that Mazzy Star’s presence in the current music scene is more relevant than ever.

Though Seasons of Your Day does not boast any catchy singles or infectious hooks, the overall ambiance and songwriting are its real strengths. The album succeeds in creating a hauntingly beautiful atmosphere that expands upon, yet transcends the bands previous work.

Triall Track: “California”

Rating: 7/10

-Paul Traunero

Categories
Music

Quickspins – Sept. 17, 2013

The Bloody Beetroots – HIDE (Ultra;2013)

Not many do it like Italian DJ/producer Sir Bob Cornelius Rifo alias The Bloody Beetroots. Recently, he told Life&Times that value shouldn’t be replaced by speed so despite being part of the EDM scene, Rifo prefers quality to quantity.Therefore it’s no wonder he’s been working on HIDE for four years.Influenced by different musical genres and time periods, HIDE mostly encourages listeners to dance – and sometimes headbang. The album starts off with “Spank”, which asks: “Do you wanna dance?” And there we go, the electro-punk symphony has started, a distinctive delirium signed SBCR.

Some songs such as “All The Girls (Around The World)” suggest smoother beats, which establishes a great intermission to the very dynamic album. Fans of more pop-ish EDM will appreciate “Chronicles of A Fallen Love,” whereas others will like “The Beat” for its resemblance to Daft Punk. Special mention to the blazing collaboration with Sir Paul McCartney. Seriously? History of rock meeting electro-punk? We couldn’t ask for more. The album drops on Sept 17.

Trial Track: “Spank” feat. TAI & Bart B More

Rating: 9.5/10

– Béatrice Viens Côté

 

Emilíana Torrini – Tookah (Rough Trade Records; 2013)

About the title of her fourth studio album, Tookah, the Icelandic singer-songwriter is reported as saying: “it is the core of you. The ‘you’ before life decorated you like a Christmas tree with all your baggage. It is what connects us with everyone and everything. Some call it god. I call mine Tookah.”

Torrini explores a new soundscape with Tookah. A mixture of atmospheric synthesizers and acoustic instrumentation envelop  her folky indie pop melodies to create a richly layered, evocative experience. Some comparisons can be made with Cat Power’s most recent album, Sun. However, this is the album of an artist who is constantly evolving and has now crafted a sound that is comfortably and definitively her own.

Tookah succeeds in drawing us into Torrini’s dream world, with its poetry and focus in a way that feels both effortless yet thoughtful.

Trial Track: “When Fever Breaks”

Rating: 8/10

– Paul Traunero

2Chainz- B.O.A.T.S. II: Me Time (Def Jam Recordings; 2013)

Put on your Versace aprons, 2Chainz is makin bread with his new album, B.O.A.T.S II:Me Time. The album, released shortly after his arrest in Oklahoma, demonstrates a wide variety of sounds. From the classic 2Chainz tongue-in-cheek lyrics over killer samples to some reflective pieces on his life thus far, Mr.Chainz is really giving us a taste of what he can do and expanding his repertoire in the studio and the kitchen.

While Kanye has offended patissiers everywhere, 2Chainz gives shoutouts to his stove, raps about baking soda and gives us a lesson in measurement all in the same album while still making tracks that flow into each other perfectly and have their own flavours, leaving listeners satiated. Maybe his next single will be featuring Martha Stewart?

Trial Track: Mainstream Ratchet

9/10

-Maddy Comi

 

Elvis Costello and The Roots-Wise Up Ghost (Blue Note; 2013)

Wise Up Ghost is an interesting collaborative experiment between the industry veteran Elvis Costello and the house band for Late NightWith Jimmy Fallon, The Roots. While far from Costello’s first partnership, Wise Up Ghost is a definite stylistic departure from his previous album, National Ransom, which might leave some Costello fans unsatisfied. However, this collaboration clearly displays a wide range of influences conglomerated into an overall funky hip-hop work with hypnotic drum patterns that manage to ingrain themselves into the listener’s ear drum.

Costello’s vocals bring an interesting foreground to this well-crafted beat that hits the mark more often than not. As some avid listeners of Costello have realized, many of the tracks on this album borrow, either lyrically or instrumentally, from his back catalogue such as “Stick Out Your Tongue”, making reference to “Pills And Soap” off of 1983’s Punch The Clock. While the mix of Elvis Costello and hip-hop might not be for everyone, those looking for a marriage of the old and new should check out Wise Up Ghost when it drops on Sept.17.

Trial Track: “Walk Us Up Town”

8/10

-Justinas Staskevicius

The Weeknd – Kiss Land (Republic Records;2013)

Emerging in 2011 as a mysterious and dark, yet refreshing new sound, Abel Tesfaye, better known to us as The Weeknd, captivatedlisteners with the release of his debut project, House of Balloons. Two mixtapes, a compilation album, and a rumoured -and untrue- beef with Drake later, The Weeknd has finally released a studio album with all new material. Kiss Land has The Weeknd addressing his newfound success, along with the female fans and drugs that accompany such a lifestyle. He describes Kiss Land as a symbol of tour life, but also describes it as a “terrifying place”, and as a place he’s never been before.

While Abel’s lyrics and subject material do offer an insight into his new world, the mundane, isolated lyrics and beats can easily go over the listener’s head after a while, causing the listener to yearn for The Weeknd’s superior singles. All in all, The Weeknd’s Kiss Land is a good, not great, studio debut for The Weeknd. It’s an album his hardcore fans can surely appreciate, if they blast it on really good speakers. Those who aren’t familiar with The Weeknd’s style needn’t use this album as a starting point.

Trial Track: “Belong To The World”

Rating: 7/10

Julian McKenzie

Categories
Music

Mixtapes – Babyshambles, Jack Johnson, Neko Case, MGMT

Babyshambles – Sequel to the Prequel (Parlophone; 2013)

Despite a rocky six year hiatus, Babyshambles released their latest album Sequel to the Prequel. The album features 12 new tracks showcasing the band’s maturity as musicians and lyricists. The tracklist holds a handful of different genres, all the while staying true to their British post-punk, alternative-rock sound. The opening track “Fireman” sets up listeners for a good time with its fast-paced beat, pounding drums, slick guitar riffs and lead singer, Pete Doherty’s, signature semi-inaudible vocals. “Dr. No” is an infusion of ska, reggae and rock with slightly menacing and unsettling lyrics.

While Doherty was battling his own demons, bassist Drew McConnell was recovering from a near fatal accident which served as inspiration for “Picture Me In a Hospital”. The track stands out on the album with its warm, English country feel and violins. Safe to say that the Brits’ third album boasts a musical maturity hardly seen on previous Babyshambles work. The album dropped Sept. 2.

Rating: 7/10

Trial Track: “Picture Me In a Hospital”

-Jessica Romera

 

Jack Johnson – From Here From Now To You (Brushfire Records; 2013)

It has been three years since beloved Hawaiian musician (and surfer) Jack Johnson has released an album. It could be said that he doesn’t bring much variety to his sound, but imperfections are sometimes what build up the greatest things. In fact, Johnson has an ability only a few artists have these days: he stays true to himself. He doesn’t make music for business but for his own pleasure and for those who appreciate it most.

This is proven when hearing the beginning of his first single “I Got You”. It’s mostly a mix of mellow guitar, catchy whistling and soft percussion for listeners’ enjoyment. Not entirely different from his previous work, but still worth listening to. Why? Simply because his music is filled with sunshine and soothes the soul. It was created to make our hearts at peace. Keeping everything casual, nobody would be surprised to learn that Johnson records his music barefoot and goes surfing while on break. From Here From Now To You is the perfect album for an endless summer. It comes out on Sept. 17.

Trial Track: “I Got You” or “Radiate”

Rating: 9/10

– Béatrice Viens Côté

Neko Case – The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You (ANTI-; 2013)

With her sixth studio album and first release in over four years, Neko Case demonstrates what an artist in the clutches of deep personal loss and depression sounds like. During the inception of The Worse Things Get, Case experienced the death of both her parents and grandmother. However, don’t expect a mournful album in the traditional sense. With her distinct brand of fire and humour, the alternative-country queen reveals the tension and intensity that arises from facing loss, regret and isolation.

Deeply personal without becoming self-indulgent or sentimental, this album is not as immediately accessible as her previous releases. What it lacks in ease, it makes up for in wit, audacity and passion.

Trail Track: “Where Did I Leave That Fire”

Rating: 7/10

– Paul Traunero

MGMT – MGMT (Columbia; 2013)

How can a band such as MGMT evolve after the success of their first two albums? Even though they won the 2010 Grammy Award for
Best New Artist, the duo promise not to fall into the commercial side of the industry. Their latest self-titled album will still provide that psychedelic signature sound not intended for mainstream radio.

Their first single “Your Life Is A Lie” is a two-minute tune featuring cowbell, grunge-like guitar and bass, and repetitive percussions. Add to this a curious solo and you get the entire sense of the song. At least we can appreciate the goofy video they made for it. Some fans might regret the synthesizers and catchy melodies of their previous songs (think of the most famous “Electric Feel”), but we can’t judge the entire album simply off the one single. Let’s say we’ll take the time to listen to the leaked tracks before buying MGMT’s third opus – unless you’re  an unconditional aficionado. The album drops Sept. 17.

 Trial Track: “Your Life is A Lie”

Rating: 7/10

-Béatrice Viens Côté

 

Categories
Music

Top 10 Summer Album Releases

10. Yeezus – Kanye West
Influenced by industrial, new-wave, and Chicago house music, Kanye West’s polarizing sixth studio album, Yeezus, is abrasive, misogynistic and lyrically superficial, but also ambitious in its stripped-down production and originality.
9. Apocalypse – Thundercat (Jul 9, 2013)
The sophomore release from bassist and Flying Lotus collaborator Stephen Bruner is not easy to categorize. A fusion of hip-hop, electronic, soul and jazz, Apocalypse proves that it’s more than just the sum of its parts. The album is full of in fectious bass lines and soulful melodies, showcasing Bruner’s talent, both as a songwriter and a producer.
8. About Farewell – Alela Diane
Alela Diane’s divorce from her husband was the influence behind this fourth full-length release. A sobering account of how love’s flame can fizzle out as quickly as it once blazed, About Farewell is more than just a breakup album; it is achingly honest and raw, all the while maintaining sentimentality.
7. Ceremony – Anna von Hausswolff
Swedish singer-songwriter Anna von Hausswolff’s sophomore release is a sonically immense and atmospheric album. As rich and majestic as the pipe organs and synthesizers she employs, the album demands your attention with its striking confidence and cinematic arrangements. With prevalent lyrical themes of death and loss, Ceremony won’t likely be the soundtrack to your summer beach parties.
6. The Civil Wars – The Civil Wars
The Civil Wars’ follow-up to their 2012 Grammy award-winning album Barton Hollow may have been paved with discord, but Joy Williams and John Paul White’s personal differences have led to the creation of their darkest and most intense album to date.
5. Random Access Memories – Daft Punk
Random Access Memories was well worth the eight years since the last studio album from French electronic duo, Daft Punk. Boasting a mix of dance, electronic, soul and disco influences, many would agree the lead single “Get Lucky” is a serious contender for the summer’s biggest anthem.
4. Body Music – AlunaGeorge (Jul 29, 2013)
Body Music is the debut album from London-based electro-soul duo Aluna Francis and producer George Reid. The mix of Aluna’s sugar sweet vocal style and George’s garage and dubstep influenced production has crafted a sophisticated urban pop album that sounds fresh, all the while feeling nostalgic.
3. Impersonator – Majical Cloudz
After releasing several EPs and being featured on Grimes’ 2012 album,Visions, Montreal-based producers Devon Welsh and Matthew Otto, also know as Majical Cloudz, have finally released their debut album. Impersonator demonstrates synth-pop at its most restrained, offering an emotionally cathartic experience that is as haunting as it is complex.
2. Pushin’ Against a Stone – Valerie June
June defines her sound as “organic moonshine music”, and on the Tennessee country singer’s fourth full-length album we couldn’t agree more. Pushin’ Against a Stone was produced by Kevin Augunas and The Black Keys’ frontman, Dan Auerbach, which explains the album’s clarity and pop sensibility.
1. WomanChild – Cécile McLorin Salvant
Pulling inspiration from jazz legends like Billie Holiday, Sarah Vaughan, and Ella Fitzgerald, Savant offers something fresh and original yet steeped in tradition. The technical ability, tempo and charisma displayed in WomanChild are evidence that she is far from a novelty act, but rather a true original in a re-emerging genre.

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Music

Weekly Mixtape: Study Aid

The semester is wrapping up fast! It’s time to buckle down and finish those overdue essays and final papers and start figuring out your study plan.

For that, The Concordian has your back — in our final edition of the term, here’s a playlist for the weeks ahead.

Side A: As you’re singing the studyin’ blues, remember that all great accomplishments require sacrifice. You may feel that you’re wasting these precious spring days but know that once you get through your finals, you’ll have plenty of summer days to enjoy as a reward.

Side B: Your sacrifice has paid off! Freedom is yours! No matter the result, know that you’ve done your best and you get to enjoy a well-deserved summer break. Take a moment to congratulate yourself, kid, you made it through another school year.

 

Side A: Studyin’ Blues

 

1. “Hum Drum Blues” – Oscar Brown, Jr. – Sin & Soul…And Then Some

2. “Melancholy Mood” – Horace Silver – Blowin’ The Blues Away

3. “Lazy Man Blues” – Sippie Wallace – Complete Recorded Works 

4. “Chain Gang” – Sam Cooke – Swing Low

5. “Deep River” – Marian Anderson – Deep River

6. “One More Cup of Coffee (Valley Below)” – Bob Dylan – Desire

7. “Blues On the Ceiling” – Karen Dalton – It’s So Hard To Tell Who’s Going to Love You the Best

8. “Saturday Night Blues” – Kenny Burrell – Midnight Blue

9. “Stop Breakin’ Down” – Robert Johnson – Stop Breakin’ Down

10. “It’s Nobody’s Fault but Mine” – Blind Willie Johnson – It’s Nobody’s Fault but Mine

 

Side B: Freedom is Upon Us!

 

1. “Horchata” – Vampire Weekend – Contra

2. “Casimir Pulaski Day” – Sufjan Stevens – Illinoise

3. “Neon Love” – Armistice – Armistice EP

4. “What the Snowman Learned About Love” – Stars – Heart

5. “Sprawl II (Mountains Beyond Mountains)” – Arcade Fire – The Suburbs

6. “The Rip Tide” – Beirut – The Rip Tide 

7. “Walkabout” – Atlas Sound featuring Noah Lennox – Logos

8. “Real Life” – Tanlines – Mixed Emotions 

9. “Zero” – Yeah Yeah Yeahs – It’s Blitz!

10. “Smoke Detector” – Rilo Kiley – Under The Blacklight

 

Categories
Music

Top Ten Academy Award winners for “best song”

10. “My Heart Will Go On” — Titanic (1997)

Music: James Horner; Lyrics: Will Jenning

It’s impossible to deny the power of this song, both vocally and emotionally. Céline Dion perfectly channels the majesty of the Titanic, all while conveying the tragedy of the lives lost during its maiden voyage.

 

9. “A Whole New World” — Aladdin (1992)

Music: Alan Menken; Lyrics: Tim Rice

“A Whole New World” is a ballad from the Disney classic, Aladdin. The moment shared between the two primary characters, Aladdin and Jasmine as they sail through the night sky on a magic carpet is definitely a classic ‘90s childhood one.

 

8. “(I’ve Had) The Time of My Life” — Dirty Dancing (1987)

Music: Franke Previte, John DeNicola and Donald Markowitz; Lyrics: Franke Previte

After uttering the famous line “nobody puts Baby in a corner,” actors Patrick Swayze and Jennifer Grey perform their iconic dance scene in the film Dirty Dancing. This song was recently sampled in “The Time (Dirty Bit)” by The Black Eyed Peas.

 

7. “Jai Ho” — Slumdog Millionaire (2008)

Music: A. R. Rahman; Lyrics: Gulzar

“Jai Ho” was used for the epic Bollywood-inspired dance sequence during the end credits of Slumdog Millionaire. Not only did the film go on to win most of the Academy Awards for which it was nominated that year, including “Best Picture,” this was also the first Oscar winner to feature Hindi-style cinema.

 

6. “Sooner or Later (I Always Get My Man)” — Dick Tracy (1990)

Music and Lyrics: Stephen Sondheim

Dick Tracy is one of my favorite comic book film adaptations of all time. Although it’s hard to believe that Madonna actually starred in a decent movie during her career, she brings a vulnerable sensuality to her character, Breathless Mahoney, in this cabaret number.

 

5. “Under the Sea” — The Little Mermaid (1989)

Music: Alan Menken; Lyrics: Howard Ashman

Another childhood classic. This Calypso-style song was featured in the Disney animated film The Little Mermaid. I can’t help but wonder how many kids went on to become marine biologists due to this song. Life does seem pretty sweet under the sea!

 

4. “Over the Rainbow” — The Wizard of Oz (1939)

Music: Harold Arlen; Lyrics: E.Y. “Yip” Harburg

“Over the Rainbow” was performed by Judy Garland in her most memorable role as Dorothy Gale in The Wizard of Oz. The song has become a timeless classic, covered countless times and recognized worldwide.

 

3. “The Way You Look Tonight” — Swing Time (1936)

Music: Jerome Kern; Lyrics: Dorothy Fields

“The Way You Look Tonight” was performed by musical film star/dancer Fred Astaire as a serenade to co-star Ginger Rogers in one of the best musical comedies of the ‘30s. The song is sweet, endearing and surprisingly still relevant today.

 

2. “Moon River” — Breakfast at Tiffany’s (1961)

Music: Henry Mancini; Lyrics: Johnny Mercer

“Moon River” was a bittersweet victory for Audrey Hepburn, who always dreamed of singing on-screen. Unfortunately, her delicate vocals did not transfer well to the film adaptation of Lerner and Loewe’s My Fair Lady three years later, as she was subsequently dubbed by American soprano Marni Nixon.

 

1. “Falling Slowly” — Once (2006)

Music and Lyrics: Glen Hansard and Markéta Irglová

Can we just take a moment to appreciate the fact that two virtually unknown indie musicians were able to achieve so much? Indie-folk at the Oscars! Glen Hansard and Markéta Irglová wrote and performed all the songs on the soundtrack for Once.

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Music

Quickspins

Widowspeak – Almanac (Captured Tracks; 2013)

Widowspeak follows up their 2011 self-titled album with the richly-textured and bewitchingly seamless Almanac, released Jan. 22.

Almanac is an eclectic combination of songs fit for an adventure movie montage — with strong, clear riffs, infectious and tumultuous beats and hazy vocals. This is most clearly displayed in “Dyed in the Wood,” four minutes of raw inspiration, more invigorating than that early morning double-shot espresso on the way to school (you know what I’m talking about).

The impressive thing is, the Brooklyn-based duo manages to create such powerful tracks without any overkill whatsoever; no repetition, no tortuously catchy songs, no impression of trying too hard.

The album is assertive, not aggressive, and the end result is soft pop with a hazy, folky spirit. In regular indie fashion, the group artfully compiled one of the best albums I’ve seen in almost a year and seems to pass it off as no big deal.

Trial Track: “Thick as Thieves”

Rating: 9.5/10

– Victoria Kendrick

 

 

Sean Lennon – Alter Egos [Original Motion Picture Soundtrack] (Chimera Music; 2013)

Premiered last summer as an “official selection” from Montreal’s International Fantasia film festival, the soundtrack to the indie superhero satire film, Alter Egos, was composed by Sean Lennon (only son of John Lennon and Yoko Ono).

Boasting a definite sense of humour, the score to Alter Egos blends sweeping orchestral arrangements, surf rock and the nostalgia of classic superhero themes.

Tracks like “My Hero” feature a Hawaiian-style ‘50s doo-wop, while “The Killer” and “Hampty Hamps” create a film noir-ish atmosphere of danger.

Despite the grandiose sound of the film’s soundtrack, Lennon recorded all the instrumentation himself, using his computer to create the symphonic flourishes.

With limited film scoring experience, Lennon found the experience liberating: “Your path is made clear. You just focus on the scene and what works and not worrying about your feelings,” he said.

Trial Track: “My Hero (Ft. Karla Moheno)”

Rating: 6/10

– Paul Traunero

 

 

Solange – True EP (Terrible Records, 2013)

The biggest compliment that can be paid to Solange’s EP True is that at seven tracks, it is too short.

True, released digitally in November, deviates from Solange’s previous releases, the poppy Solo Star from 2003 and the Motown Sound-inspired Sol-Angel and the Hadley St. Dreams from 2008.

True is neo-soul, R&B goodness that, hopefully, is a preview of what’s to come for Solange’s next full-length album, slated for later this year.

True’s standout tracks “Losing You,” “Some Things Never Seem To Fucking Work,” “Lovers In The Parking Lot” and “Don’t Let Me Down” — but seriously, all seven songs on True are great — highlight everything that’s right with the EP and Solange’s music: upbeat, bold and sometimes-catchy melodies, but with dark and deeply personal lyrics about relationships, life, love and loss of love.

Trial track: “Some Things Never Seem To Fucking Work”

Rating: 9/10

– Chris Hanna

 

 

Nosaj Thing – Home (Innovative Leisure; 2013)

Get ready to fly away into an electro-ambient parallel music universe. Los Angeles-based electronic musician Jason Chung, a.k.a. Nosaj Thing, releases his latest album, Home, on Jan. 22.

Nosaj’s music infuses his musical influences – from hip-hop, to electronic, to glitch — into a treat that’s hard to resist.

Home adds a new element to the ambient blend when he brings in Toro Y Moi to record the song “Try” and Blonde Redhead vocalist Kazu Makino for “Blue/Eclipse.”

Some of the notable tracks include the melodic, trance-y beats of “Tell” and the catchy, digitally flavored, urban-esque feel of “Snap”.

But with all that said, to embrace Home is to listen to it intimately with your headphones on when you close your eyes. Let Nosaj’s music gently take you in for a one-of-a-kind joy ride. Ambient. Refreshing. Lovely. No kidding, really.

 

Trial track: “Blue/Eclipse”

Rating: 8/10

 

– Saturn De Los Angeles

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Music

Top Ten Most Anticipated Albums of 2013

10. Azealia Banks – Broke With Expensive Taste (02/2013, Interscope)

Azealia Banks first made her mark on the music scene with her debut single and YouTube hit “212”. This outspoken Harlem, NY rapper is being compared to Lauryn Hill and promises that her debut album will be “stylish and authentic.”

 

9. Kid Cudi – Indicud (03/2013, Universal Republic/GOOD Music)

American hip hop recording artist Kid Cudi is known for his genre-bending musical style; blending psychedelia, rock and hip hop. Boasting collaborations with Kanye West, Kendrick Lamar, J. Cole and Ratatat, expect the overall tone of his third studio album to be “positive and confident.”

 

8. Sun Kil Moon and The Album Leaf – Perils From the Sea (05/2013, Caldo Verde)

Perils From The Sea is the debut collaboration by The Album Leaf’s multi-instrumentalist Jimmy LaValle and Sun Kil Moon singer Mark Kozelek. This surprising collaboration will feature Kozelek’s narrative songwriting, harmonizing with LaValle’s hypnotic synth soundscape.

 

7. Lady Gaga – ARTPOP (?/2013, Interscope Records)

Love her or hate her, Lady Gaga has made a huge impact on mainstream music and pop culture. Though very little has been confirmed regarding her third studio album, according to Gaga, ARTPOP will be “very risky” and will allegedly feature some sort of multimedia experience.

 

6. Christopher Owens – Lysandre (01/2013, Fat Possum Records)

Quoted as being an “intriguing departure from his previous work,” Lysandre is Christopher Owens’ first solo album since leaving indie rock group Girls. With “trumpets and flutes abound,” the album is somewhat of a romantic ‘70s drama. The concept is loosely inspired by a woman Owens met while on tour with Girls.

 

5. The Knife – Shaking The Habitual (04/2013, Mute)

Swedish electronic duo The Knife have not released a proper studio album since Silent Shout in 2006. Infamously media-shy, they released a teaser video on their official website stating: “Music can be so meaningless. We had to find lust. We asked our friends and lovers to help us.” Expect sexy results.

 

4. Arcade Fire – Title Unknown (?/2013, Mercury Records)

Following their Grammy award-winning album The Suburbs, Montreal’s Arcade Fire have been hard at work trying to top their incredible achievement. Allegedly working with fellow musician and producer James Murphy (LCD Soundsystem) and sampling new tracks for their fans, we can expect a strong release with their new album sometime in 2013.

 

3. MIA – Matangi (04/2013, Mercury Records)

With the release date for the album pushed back by her record label due to the album sounding “too positive,” the “Bad Girls” singer describes her fourth studio album as “Paul Simon on acid.” With a bit of reworking, we can expect Matangi to sound like an anthology of her previous work.

 

2. Jamie Lidell – Jamie Lidell (02/2013, Warp)

Produced entirely by Lidell in his Nashville, TN studio, his forthcoming self-titled LP is described as being a “bright burst of kaleidoscopic colour.” Fans can expect the same playful Lidell from his earlier albums. With his newfound stability and creative freedom, this self-titled release is sure to be his most impactful.

 

1. Villagers – {Awayland} (01/2013, Domino)

Following his Mercury-nominated debut, Becoming a Jackal, Villagers’ Conor O’Brien is releasing his sophomore effort, full of Irish charm. “It takes you on a trip through a musical landscape, as a tribute to your sense of wonder. It travels through space and time and leaves you back for dinner.”

 

Categories
Music

Award-winning, platinum-recording Montreal gospel choir to hit Theatre Outremont

Gospel Choir - Press photo
Gospel Choir – Press photo

“At CN I had successfully climbed the ladder, maybe even broke some glass ceilings for a black woman,” said Carol Bernard, reminiscing about her past as senior manager at Canadian National Railway. Bernard, born in Montreal to Jamaican parents, has no regrets but it was a long winding road to where she is today: directing Montreal’s Jireh Gospel Choir.

“People are surprised when they learn that my first degree was in mathematics,” said Bernard, who sees her mathematics background as an asset, if not a necessity. “Music is science as well as art. Just like in mathematics, where the answer is right or wrong, the note that a singer sings is either right [on pitch] or wrong.”

Her analytical skills have been invaluable for her position with CN as much as choir director. It’s been more than a decade since her transition from day-job to living the dream. Bernard was recently informed of her selection as one of Black History Month’s candidates for their 2013 calendar.

“Anybody who knew me knew that I was more passionate about gospel music than I was about transporting goods,” explained Bernard.

Armed with the knowledge that it was time for her to follow her passion and the skills she gathered along the way, she left her job at CN and has since helped create Montreal’s most authentic and talented gospel choir, Jireh.

Named after the Hebrew word for ‘provider’ (in the Bible, ‘Jehovah Jireh’ is used for God, meaning ‘God our Provider’), Jireh Gospel choir provides a dynamic ensemble of top notch vocal talent with a distinct French-Canadian flavour.

“I don’t want to live anywhere else,” said Bernard of her hometown, Montreal. “I love this city for the people, the food, the unique European/French flavour and the passion for the arts.”

But most of all, Bernard feels that Montreal needs Jireh because “so many people here do not consider themselves religious and need to hear the message [of God] through gospel music.”

Despite the general trend of people turning away from the church, Jireh is able to transcend the rigid idea of religious music by mixing traditional and contemporary styles, from jazz, R&B, classical music and even rock. They also perform original compositions, including the song “Quoi qu’il arrive,” which won them the Gospel Music Association of Canada’s Gospel Song of the Year in 2012.

“The word ‘religious’ has the connotation of dos and don’ts,” said Bernard, insisting that what gospel music can offer transcends rules. Instead, it offers the listener the experience of “real joy, hope, love and peace.”

With Bernard at the helm, Jireh has accomplished more than she could ever have imagined.

“[From] performing with Cirque du Soleil at the Montreal International Jazz Festival in front of more than 200,000 people, as well as the prestigious Montreux Jazz Festival in Switzerland, to producing a platinum selling CD with popular Quebec singer Mario Pelchat,” said Bernard, her face lighting up.

But for those who are considering a career in the music industry, Bernard has a warning: “don’t do it unless you are prepared to eat peanut butter sandwiches or mac and cheese. In other words, don’t do it for the money, fame or glory. Do it if you can’t see yourself doing anything else with your life.”

 

Carol Bernard and the Jireh Gospel Choir will appear at ONE: Christmas Gospel Celebration 2012 at Theatre Outremont on Dec. 15 at 8 p.m. Tickets are 25$ (20$ for students).

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