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Student Life

Tale of two tea rooms II

Totem Tea and Spice will surely add a kick to your day

Sara Baron-Goodman

It was a blustery winter afternoon when a handwritten chalkboard sign beckoned me into Totem Tea and Spice, promising hot apple caramel tea lattes. It’s been a beautiful love affair ever since.

The shop is located just a few blocks away from Concordia’s Loyola campus. Radiating warmth, the homey café is an instant mood lifter.

At the end of February, owner Julie Pederson moved the small walk-up, one-room shop to its new location at street level. The vibe is like a modern English tea room — white paint with grey and exposed brick accents, eclectic frames scattered on the walls and teacups hanging from the light fixtures that Pederson made herself.

Totem Tea and Spice (Photo Sara Baron-Goodman)

A handful of tables provide sit down room for a good number of customers, but the space is usually quiet, inviting easy conversation or a good atmosphere to get some work done.

The shop is an expansion of Pederson’s online business of the same variety.

“I wanted a space to be able to grow a local clientele and interact with customers,” she said.

Pederson keeps everything in the shop close to home: all the teas are organic and everything is from local Canadian suppliers.

“That’s something that’s very important to me,” she said. “My customers look for healthy options.”

The new space is bigger, brighter and offers up an improved menu. In addition to tea and tarts, customers can now enjoy fresh sandwiches, soups, cookies and cakes. To boot, the menu is vegetarian friendly; I chowed down on a fresh vegetable and avocado sandwich with a red pepper spread and was wholly satisfied.

Lunch specials are served up daily, and revolve around a hearty vegetarian soup and savory scone, accompanied of course by your choice of tea.

Most importantly, of course, is the seemingly endless selection of 65 loose leaf teas to choose from, each with a cute quirky name. My personal favorite would have to be the Karma Sutra, a floral and chai blend that’s delicate and warms you up from the inside out.

For my fellow chocoholics, I recommend the Red Velvet, a tea that channels the flavours of the classic cake. There’s also the Cocoa Chanel and the Caramel Latte, which are sure to satisfy any sweet tooth.

Totem Tea and Spice is located on 51 Westminster Ave. N. (Photo Sara Baron-Goodman)

For the health conscious, sip on one of the more holistic organic teas, which boast properties from helping digestion to curing the common cold.

As far as snacks go, the Melting Moment cookies are sure to live up to their name. The orange blossom butter dough pairs decadently with a creamy lemon zest filling that makes my mouth water just thinking of it.

Totem also offers a selection of 100 spices to take home. Packaged neatly in gift sets with or without the loose leaf teas, there are salts for barbeque, baking and everything in between. The Java Love Rub, made with coffee beans, is a customer favourite that pairs well with red meats and chicken.

All the teas and treats are available to enjoy in house or to take home. For the latter option, infuser mugs and teapots come in a variety of shapes and sizes so you can steep your favorite tea wherever you are.

To top it off, Totem is very student friendly; a full meal of a sandwich and tea latte is only $7. A tea alone is $2.50, while a latte goes for $3.50. Everyone from the Royal West Academy boys to the older women who frequent the yoga studio upstairs seem to love this place. Honestly, there’s very little not to love.

Totem Tea and Spice is located on 51 Westminster Ave. N.

 

Teas and scones will warm the cold soul

Saturn De Los Angeles

As I walked up Parc Ave. on a mild and foggy Friday night, I saw nightclub warriors revelling in their little bubble on the left and students hanging out on the street enjoying each others’ company on the right.

Desperate for a hot drink, I soon discovered this cozy little lounge right at the corner. I walked inside already drenched from the flakey snow melting on my scalp.

The macarons and cupcakes are also a popular staple. Macarons go for $1.75 each. There’s also the option of purchasing a box of six for almost $10 or 10 for $15. (Photo Natalia Lara Diaz-Berrio)

A young lady greeted me, enthusiastically offering a pot of delicious Kyoto Cherry flavoured tea to warm my soul.

I couldn’t resist. I gave in and poured myself a cup. At the moment I took that first sip, I was in heaven.

“We’re a tea shop, and a tea [accessory] shop, and a lounge.” said François Philibert, manager of CHAÏ T’ Lounge.

CHAÏ T’ has been in business since the beginning of last fall and operates as an extension of its more bistro-oriented café called El Mundo. Both establishments have the same owner.

The lounge is full during evenings and weekends with the majority of customers coming from McGill University. There’s also a good blend of tourists, local folks and tea aficionados.

“French people are more used to classic teas than the English people, “ said Philibert. “I see [the French] ask for green tea, but the English order more flavoured ones.”

There is a huge selection of tea available ranging from traditional to flavoured, such as the chocolate mint and a vanilla and grenadine flavoured black tea called the Monas blend. (Photo Natalia Lara Diaz-Berrio)

There is a huge selection of tea available ranging from traditional to flavoured, such as the chocolate mint and a vanilla and grenadine flavoured black tea called the Monas blend. Genmaicha, a green tea with roasted rice, is a staff favourite. Kyoto Cherry and Long Island Strawberry are recommended picks.

A tea pot will cost you $3.99 and will give you four to five cups. You can get an extra refill of hot water for a $1.

The macarons and cupcakes are also a popular staple. Macarons go for $1.75 each. There’s also the option of purchasing a box of six for almost $10 or 10 for $15. Each cupcake will cost you $3.49, while you can get a box of six at nearly $20. But don’t let the prices fool you. They’re absolutely filling — and addictive.

They even have locally made scones from a baker in the West Island. What goes better with tea than freshly made scones? Red Velvet cupcakes also grab a lot of attention. There are also S’More and Oreo flavoured variants as well.

Philibert is preparing a new menu for the summer by creating concoctions with naturally flavoured bubble tea (iced cold tea with tapioca bubbles) and tea soda (steeped tea with sparking water).

Philibert explained that it is important to him that CHAÏ T’ Lounge stand out. “There are four coffee shops on the same corner . . . but we wanted something different. Tea [shops] are getting interesting and getting more popular. We thought at the beginning to make it [as such], but we wanted to be a place to relax and study.”

His passion for tea is something that grabs people’s attention, and it is something that he’ll continue to do as CHAÏ T’ Lounge reaches its first year of operation in September.

 

CHAÏ T’ Lounge is located on 3506 Parc Ave.

Categories
Music

Songs from the Canadian North

Google Elisapie and you’ll discover Navvaatara, Inuk and Life is What You Make It on the front page. Then you’ll see various names such as Elisapie, Elisapie Isaac and Taima. Confused? Just call her Elisapie (As in E-leh-suh-pee).

“My name is actually Elizabeth,” said the artist. “I have many common names…and it’s really complicated because everybody doesn’t know how to say my name. I don’t wanna change it on my fifteenth album.”

Elisapie (Photo Raphael Ouellet)

Travelling Love is Elisapie’s latest album. It’s upbeat and pop in flavor and deviates from the dreamy northern folk-rock ambience in There Will be Stars. The album is a creative offspring from a difficult time in her life, and she turned to making music as a kind of therapy that freed her from her inhibitions.

“I was going through a separation, and I was questioning my beliefs in love. I feel like I was sidetracked and I asked myself what am I going to do with the passionate and spiritual side of me,” she said.

The album represents her state of mind at that time. It aims to tell a story, and it reaches out to listeners who might be going through a difficult time too, as long as they can acknowledge the situation.

“It’s amazing to be able to go [to the studio] and realize right after [recording], you’re not saving a life, you’re making an album. But once it’s done, it’s there. You cannot be in that state of mind all the time. You’re out in the real world [and you have to move on]. Because love is moving constantly and it’s mysterious.”

Salluit is a small Inuit community on Quebec’s far-northern shore. It is your average town – isolated, no technology, tight-knit, according to Elisapie. She grew up as a vocalist for her uncle’s former rock band of the town’s same name called Salluit Band. “I sang since I was a little girl… It’s like breathing,” she said.  “[My mom] always encouraged me to sing. But I stopped because I don’t see myself seriously doing that.”

Elisapie was a youth counselor before she left the North, did a year of college and got involved with many projects in various mediums, such as film-making. She spent a year working on a TV production about young people living near the North Pole.

But the beauty of sound is something that preoccupies Elisapie nowadays. When performing live, “It’s not just about the music, it’s what you have to say – how you use your voice and how you’re gonna find a way to make a story.”

She admits that she has a lot of things on her plate right now, but she’s taking it one thing at a time. “I need to learn to say no,” she said. “I can easily say yes to everything and I can’t do well when I do too much, so I don’t multitask. I wanna do another album; I have leftover creativity, it’s just so liberating for me.”

That liberation continues to allow her to move forward. “It was through Travelling Love that I realized I can write songs, and I’m not doubting that anymore, and I feel so free. I can be myself and say what’s on my mind.”

But for now, she may consider taking a break and go back to film-making. By that time, we’ll know for sure that the next break-out film will be produced and directed by Salluit’s own folk rock superstar.

By that time, we will know how to say her name  – Elisapie.

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Student Life

Come for the sweets, stay for the smiles

Canadian Maple Delights is located on 84 St-Paul St. E. (Photo from mapledelights.com)

What is it that makes our well beloved maple syrup so delicious? There’s just something so mysterious and magical in that sweet sap that makes people light up. Is the sweetness, the stickiness, or the fact that you could drizzle it on anything from pancakes to ham?

Canadian Maple Delights is a specialty store filled with every maple product you could possibly think of. Photo from mapledelights.com

Although maple syrup can be enjoyed year round, it seems like when February hits and cabanes à sucre venues open up shop, Canadians
are reminded of this delightful, local product. As for those of us who can’t make it out to wilderness for a little syrup on ice, there’s a lovely shop in Montreal’s Old Port that will satisfy your needs.

Canadian Maple Delights is a specialty store filled with every maple product you could possibly think of. Thankfully, for the sake of our sanity, the shop offers maple taffy, or as we like to call it tire d’érable, for $2 year round.

To further your experience and in case you’ve forgotten the maple story from your elementary school field trips, Canadian Maple Delights offers an extensive maple museum explaining the maple syrup process.

When the store was opened in 1999, a division Citadelle the largest cooperative of maple syrup producers and sugar maple growers in Quebec, there were only 60 products. Today, assistant manager Mark McDonough says there are more than 260 products, ranging from salad dressings, to maple cookies, maple popcorn, maple pie, and even maple bath scrubs, all ranging from $3 to $25. One of the delicacies of their shop is their $3 delicious maple latte, served best with a pair of homemade waffles on the side for $2.95.

Now maple flavored drinks are usually too sweet for one’s liking, such as those you may see in some chain coffee shops, but the natural blend of this drink is mild, soothing and welcoming to your taste buds, veering away from the typical draining aftertaste.

Photo from mapledelights.com

McDonough warns that a lot of maple products are mixed with white sugar to enhance the taste. Health-wise, it’s artificial and not good for you. Natural locally-made maple syrup from the sap of Quebec’s forests is the way to go.

“[Maple syrup] is the world’s natural sweetener with the fewest calories, 100 fewer calories than honey. Everyone thinks that honey is good for you, but maple syrup is [healthier],” adds McDonough.

His favourite part of the job is working at the tasting table, where he interacts with customers and encourages them to try out the sweet stuff that’s here.

“We don’t push sales, but we push tastings. We want every person who comes in this store to learn about maple syrup, how it’s made and taste it […] taste a little bit of sugar. It’s good for you,” he said. “Drop by, say ‘hi’ and lets have a good time. We always love to have you taste everything in our store.”

We know now why Canada is so well-loved overseas. We’re not just nice and friendly; we have mother nature on our side and our good old maple trees to thank.

 

Canadian Maple Delights is located on 84 St-Paul St. E. http://mapledelights.com

Categories
Student Life

Decoding Montreal’s new 8-bit heroes

Pulses is Dominic Dumoulin and Patrice Tremblay, a DJ duo from Montreal due to play the Main Stage at Igloofest on Feb. 6. Sporting their signature dark sunglasses onstage during each performance, Pulses mirror their mysterious facade with equally hypnotic, entrancing, and minimalist beats.

Tuque-wearing Montrealers brave the cold for Igloofest (Press photo)

Concordian: How does it feel opening the very last day of Igloofest?

Dominic Dumoulin: We were quite surprised and quite honored to open the night for Tommy Four Seven and Chris Liebing, which are people that we respect very much for a long time […] Personally I freaked out.

Concordian: That must be jackpot for you guys, right?
Dumoulin: It’s crazy. It’s just crazy. It’s unbelievable and it’s a great opportunity. So we just work hard to make sure we’re gonna kick some ass.

Concordian: How did you both get started, and was it always techno music that you wanted to pursue?
Tremblay: I’ve been playing drums since four or five years old, when I went to my dad’s practice room with his friends. Every time I came with him, I was jumping on the drums before they started the real jam. Maybe it’s what got me into the beat. I always loved music, but I always preferred dancing stuff. Anything you can groove to, and more than rock and roll. The first time I started producing was around 10 years ago, with a friend from Quebec City, where I’m from.

Dumoulin: The moment when I realized that music was something that I was attracted to was when I started playing trumpet in high

school. I played trumpet for a few years and played drums with a few bands with my friend. And the moment I started making electronic music was back in 2000 when I got my first computer.

Concordian: The tracks that you have are really out of this world. You really live up to your name.

Pulses (Photo from Facebook)

Dumoulin: Personally, it’s impossible for me to make music that sounds like other stuff. And I tried hard to copy some stuff that’s already known just to improve myself as a producer. But I can’t, I just can’t. And when me and Patrice spoke about working together, it was clear to us that we wanted to make something unique.

Concordian: It must be challenging for you both to define your own music when everything seems to be labeled nowadays. Can you elaborate from your end as musicians?

Patrice Tremblay: At the end of the day, I mean over-categorizing music, it’s pointless. It’s just new terms to describe something. And sometimes the word doesn’t describe the music properly so I’m like, why don’t we just call that ‘music’, and if you enjoy it, who cares about the style. We’re just about having a good time.

Concordian: Where do you get your inspiration?

Tremblay: We take our inspiration from sangria, actually. Sangria is a complete part of the process.

Dumoulin [laughing]: But honestly, the only inspiration we have is to make stuff that we like, and we both like really well-textured stuff, like atmospheric. […] Every time people ask us, ‘How is it gonna be at your gig at Igloofest?’ Our answer is always, ‘We’re gonna bring you to Mars’.

 

This interview has been edited for length.

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Student Life

The way of the Arctic party warrior

Crowds settle in for a night of electronic music (Press)

So you may have seen the visually-striking posters of people posing in their ski gear, or recently overheard someone bragging about having the best one-piece snowsuit. You may have heard stories of friends feasting endlessly on toasted marshmallows and beer while lounging around a bonfire.

Whatever it is, people are talking about it in one form or another. We’re talking about Igloofest; the city’s famed annual winter music festival. If you haven’t been yet, you’re in luck! For the first time ever, Igloofest has added a fourth weekend to its annual event, giving us the perfect opportunity to convince you to finally join in on the fun. You haven’t experienced Montreal until you’ve danced in a snowsuit in sub-zero weather.

Igloofest was created in 2007 and can be described as the winter sibling of Piknic Electronik, Montreal’s summer electronic music festival held at Parc Jean-Drapeau.

Each weekend runs for three consecutive nights, from Thursday to Saturday. The nightly heart-pumping lineup is composed of seven DJs playing across three stages simultaneously in a multi-purpose compound smack-dab in the city’s Old Port. Do the math and you have almost 80 electronic musical acts from all around the world spinning hypnotic beats to fight off the freezing temps. Acts playing in the coming week include Taal Mala, VJ ZEF, Oneman, Gridspave, Tommy Four Seven, Jay London and Moody Jones, just to name a few. Be sure to check out the DJ list before you pick your night.

Tickets can be bought online or in person at the box office, but the earlier you get them the better. I would suggest purchasing them online to avoid the ticket line. The online tickets run for $18.50 per night and tickets at the gate are $20. If you’re a hardcore party-goer, you can get an IGLOOWEEKEND ticket, granting access to all three nights of one weekend for just $40. The party starts at 6:30 p.m. and wraps up at midnight.

The Old Port is close to Place D’Armes and Champ de Mars metro stations. The STM is offering free one-way rides home as long as you purchased a bus tickets prior, going on every Thursday until Feb. 9. If you’re planning on bar-hopping until the wee hours of the night, another option would be the unlimited night pass for $4. The pass is valid from 6 p.m. to 5 a.m.

Montrealers are well-known for their do-or-die party attitude. The most exciting part of Igloofest is the Sapporo-sponsored one-piece contest. The one and only rule is quite simple; you have to stand out—whether you’re wearing a medley of cornea-scarring fluorescent colours or sporting a unique design on your ‘80s-inspired splash pants. The prize, besides peer notoriety, is the sheer fact that you have gone through the festival’s rite of passage. But, before you flaunt your best suit, be sure to remember the large crowd and sometimes slushy conditions of the outdoor playground.

That being said, here are the most obvious pieces of advice: wear layers, get yourself a good pair of boots and try to get a good meal in your belly before heading out. You certainly don’t want to shiver and shake in the arctic temperatures when you should be moshing to your favorite musicians. Although the dance floor can get very crowded, take advantage and use the body heat to warm yourself up. If you’re freezing, you’ll end up being an Igloofest bore.

Another fun aspect about Igloofest is its dedication to social media. Right beside the dance floor is a huge screen showcasing each tweet that features an Igloofest hashtag, so be sure to bring your smartphone if you want to get in on the Twitter fun. Not to mention, it’s a great way to get your friend’s attention if you lose track of one another.

And if you’re planning on going, I’ll see you in the crowd. I might be trying to pull off a zebra onesie … or maybe not.

Categories
Student Life

Debunking the 13th cupid

This study involves the notorious little number 13. Graphic by Jennifer Kwan

All the single folks, listen up! Valentine’s Day is around the corner and it’s that time of year again for matchmaking!

Now, now, don’t be pressured, this is not a sappy relationship advice article. Couples, exes and lovers should read along too. You might laugh, get a little infuriated or scream blasphemy. This study involves the notorious little number 13.

In Wired Magazine’s December issue, informatics and cognitive science professor at the University of Indiana Peter Todd answered the mind-boggling question of how you know if you’ve found the perfect partner.

Todd figured out a theory based on a study he did on dating and relationships where “an active dater will go on numerous dates a year, and will probably have a few relationships under his or her belt by the time they hit 30.” His conclusion was that lucky number 13 is what you should be paying attention to; 13 as in 13 relationships, whether they were successful or not.

He explains that “if you’ve dated fewer than 12 people, feel free to keep looking (and dating). If you’ve dated, say, 30 people, you’re probably being too picky.”

A little outrageous, isn’t it? I decided to put this theory to the test and see if this actually makes sense, so I did a little investigating and asked Concordia students what they thought about the theory.

“It sounds like it’s possible. I don’t think your first relationship is the one that works or that you find love,,” said Concordia student Lucy Shilton. “Sometimes, you go back to someone [you’ve went out with] before, and that happens a lot. ”

“I don’t think that love can be defined by a mathematical equation,” said student Cassandra Santilli-Giza. “What is his definition of a relationship because some people have different definitions of what that may be. It may be in their head, it may be on paper and some people don’t even believe in marriage; so therefore what is a relationship? You have to define that.”

“It’s funny because I’m taking a sociology class and anytime when you apply a scientific theory to human things, I think you’re setting yourself up for failure,” said another student, Conor Jones.

“There are people that reach eight and they start getting scared that they’re not going to be in another relationship. I think 12 is a little extreme. I don’t know, the science of human beings is full of potholes.”

We asked psychologist Dale Robinson, the manager for Counseling and Psychological Services at Concordia’s Counseling and Development office. She agrees with what the students have said.

“Is there such a thing as a magic number? No. What’s interesting about that article is that it’s trying to take something very complex like love and relationships and boil it down to something quantifiable.”

Robinson adds that there are many more factors taken into account such as personality, values and a deeper understanding of one’s self. “I don’t think there’s a ‘one-size-fits-all’ [approach], and therefore I don’t think there’s a number that you have to aim for in terms of finding your true love. I would say more it would stem from finding your true self, and knowing what you truly want, and then really being honest with yourself when you find that or when don’t find that.”

What’s fascinating is that everyone unanimously agreed that when it comes to relationships, figures don’t really matter and that one’s own feelings and principles matter more.

Robinson concludes that we’re simply human, and that love is more than just ‘trial and error’. “It’s not simply just dating enough people. I think self-awareness is a key, your maturity is a key. I don’t think the only way to learn is through trial and error, it works in a lab with rats, but we’re human beings. We’re able to think and reason and know what our priorities are and act accordingly. Humans are a lot more complicated like that.”

The message is clear among those who responded, that everyone is different and it reflects the complexity of human beings whenever relationships come into play.

Categories
Music

Quickspins

Widowspeak – Almanac (Captured Tracks; 2013)

Widowspeak follows up their 2011 self-titled album with the richly-textured and bewitchingly seamless Almanac, released Jan. 22.

Almanac is an eclectic combination of songs fit for an adventure movie montage — with strong, clear riffs, infectious and tumultuous beats and hazy vocals. This is most clearly displayed in “Dyed in the Wood,” four minutes of raw inspiration, more invigorating than that early morning double-shot espresso on the way to school (you know what I’m talking about).

The impressive thing is, the Brooklyn-based duo manages to create such powerful tracks without any overkill whatsoever; no repetition, no tortuously catchy songs, no impression of trying too hard.

The album is assertive, not aggressive, and the end result is soft pop with a hazy, folky spirit. In regular indie fashion, the group artfully compiled one of the best albums I’ve seen in almost a year and seems to pass it off as no big deal.

Trial Track: “Thick as Thieves”

Rating: 9.5/10

– Victoria Kendrick

 

 

Sean Lennon – Alter Egos [Original Motion Picture Soundtrack] (Chimera Music; 2013)

Premiered last summer as an “official selection” from Montreal’s International Fantasia film festival, the soundtrack to the indie superhero satire film, Alter Egos, was composed by Sean Lennon (only son of John Lennon and Yoko Ono).

Boasting a definite sense of humour, the score to Alter Egos blends sweeping orchestral arrangements, surf rock and the nostalgia of classic superhero themes.

Tracks like “My Hero” feature a Hawaiian-style ‘50s doo-wop, while “The Killer” and “Hampty Hamps” create a film noir-ish atmosphere of danger.

Despite the grandiose sound of the film’s soundtrack, Lennon recorded all the instrumentation himself, using his computer to create the symphonic flourishes.

With limited film scoring experience, Lennon found the experience liberating: “Your path is made clear. You just focus on the scene and what works and not worrying about your feelings,” he said.

Trial Track: “My Hero (Ft. Karla Moheno)”

Rating: 6/10

– Paul Traunero

 

 

Solange – True EP (Terrible Records, 2013)

The biggest compliment that can be paid to Solange’s EP True is that at seven tracks, it is too short.

True, released digitally in November, deviates from Solange’s previous releases, the poppy Solo Star from 2003 and the Motown Sound-inspired Sol-Angel and the Hadley St. Dreams from 2008.

True is neo-soul, R&B goodness that, hopefully, is a preview of what’s to come for Solange’s next full-length album, slated for later this year.

True’s standout tracks “Losing You,” “Some Things Never Seem To Fucking Work,” “Lovers In The Parking Lot” and “Don’t Let Me Down” — but seriously, all seven songs on True are great — highlight everything that’s right with the EP and Solange’s music: upbeat, bold and sometimes-catchy melodies, but with dark and deeply personal lyrics about relationships, life, love and loss of love.

Trial track: “Some Things Never Seem To Fucking Work”

Rating: 9/10

– Chris Hanna

 

 

Nosaj Thing – Home (Innovative Leisure; 2013)

Get ready to fly away into an electro-ambient parallel music universe. Los Angeles-based electronic musician Jason Chung, a.k.a. Nosaj Thing, releases his latest album, Home, on Jan. 22.

Nosaj’s music infuses his musical influences – from hip-hop, to electronic, to glitch — into a treat that’s hard to resist.

Home adds a new element to the ambient blend when he brings in Toro Y Moi to record the song “Try” and Blonde Redhead vocalist Kazu Makino for “Blue/Eclipse.”

Some of the notable tracks include the melodic, trance-y beats of “Tell” and the catchy, digitally flavored, urban-esque feel of “Snap”.

But with all that said, to embrace Home is to listen to it intimately with your headphones on when you close your eyes. Let Nosaj’s music gently take you in for a one-of-a-kind joy ride. Ambient. Refreshing. Lovely. No kidding, really.

 

Trial track: “Blue/Eclipse”

Rating: 8/10

 

– Saturn De Los Angeles

Categories
Music

Streams of the Week

1. Beach House – “New Year” 

New Year is a track from Beach House’s fourth studio album, Bloom. Released on New Year’s Day, the song is an appetizer for the ears. Listening to the melodic keyboard notes blending in with soothing vocals will release you into a state of audio bliss, leaving you there as if you were floating on a cloud.

Pitchfork‘s Lindsay Zoladz points out how Beach House’s music has flourished and developed over the past several years, describing each track from Bloom as a “sizzle of a lit fuse and at some fine moment exploding like a firework in slow motion.”

Hailing from Baltimore, Maryland, Beach House is a dream pop duo composed of Victoria LeGrand on the keyboards and Alex Scally on guitar, bass and keyboards. Both are vocalists: the former sings lead vocals and the latter takes back up vocals.

“New Year” sets the stage, or even the mind frame, to reminisce about moments and memories past, while inspiring us to anticipate new beginnings. Accordingly, the song alludes the passage of time as it depicts a collage of home videos taken during the band’s recording session at Sonic Ranch Studios in Tornillo, Texas.

 

2. Dir en grey – “Rinkaku (輪郭)” 

“Rinkaku” is the latest single from the internationally-acclaimed Japanese rock band, Dir en grey. Released on Dec. 19, this track is their follow up to Dum Spiro Spero, their last studio album that was released in 2011.

“Rinkaku” is a beautiful modern metal symphony. Kyo’s power vocals blend smoothly into the unbeatable combination of Die and Kaoru’s guitar riffs. Add in Toshiya’s bass lines to amplify the intense flow of emotion and Shinya’s mind-blowing drum skills, and this track will send you into peaceful melancholy. “Rinkaku” is a metal masterpiece well due.

Coming back from a break after a slew of overseas tours over the past decade – including two visits to Montreal in 2008 and 2011 – Dir en grey has gained recognition outside of Japan by bridging the language barrier and bringing music fans together, as noted by rock music magazine Kerrang!, giving them the namesake of “The world’s biggest cult band.”

 

3. Standing EGG – “Ballad, with Windy (그 자리에 있어)” 

“Ballad, with Windy” is the latest single by the Korean indie group Standing EGG.

Released on Dec. 20, “Ballad” feels like a sweet tune at first listen, the acoustic guitar riffs sending you into a feel-good mood.

The band has a cool creative process when it comes to making songs, as all six members each take turns doing different tasks as “Egg 1” (composer), “Egg 2” (vocals and composing) and “Egg 3” (lyrics).

The band members include Windy and Lee Yeseul on vocals, Clover on vocals and guitar, Lee Han Kyul on bass, Song Hana on percussion, and Lee Yeni on keyboard.

“Ballad”, and Standing EGG’s music in general, offers a rarity within the K-Pop music genre – its uniqueness. Their distinguishable acoustic sound is a refreshing spin, deviating from the electronic-infused tunes many of us know.

Aside from a huge online following, VITALSIGN of the Korean music site Allkpop cites the diverse genres of music from which it takes inspiration and calls the band’s music “an oasis for the ears of music lovers who can’t quite seem to quench their musical thirst for anything else.”

Categories
Music

Streams of the week

1. The Slakadeliqs – “Defective” music video

The Slakadeliqs is the creative offspring of Toronto-based musician Slakah the Beatchild. Grab a dose of this R&B-slash-alternative crossover and it will leave you smiling in no time. Defective, their latest music video off The Other Side of Tomorrow, is narrated in a visually pleasing anime-esque sketch animation that complements The Slakadeliqs’ cozy ambience and acoustic beat. The story is about a boy who finds himself trapped in a mysterious world of doodles until he gets sucked into a black hole. The animation was created by a Russian animator, Qwaqa.

The artists’ home page describes The Other Side of Tomorrow as a blend of live instruments, acoustic guitars, flutes, bells, hand drums and flugelhorns. In an interview with Exclaim! in January, he cites the Zombies, Neil Young, the B-52’s, the Beatles and Lenny Kravitz as the influences for this album. He adds he didn’t wanted to “pigeonhole” himself into just one kind of sound and simply wanted to make music that anyone can relate to.

Listening to each intricately-woven fusion in each song is satisfying to the ear, The Slakadeliqs will give you a musical feast so hard to resist, you will crave more. Whatever song you choose, this album is definitely an audio treat that shouldn’t be missed.

 

2. Illya Kuryaki & The Valderramas – “Ula Ula”

Love the sound of funk? Adore the riffs of ‘70s rock? How about a dash of Latin to try out? Give Illya Kuryaki & The Valderramas’ Ula Ula a shot. Ula Ula’s groove will make your body move, jump and wiggle. The mood is really party-esque, but classy. The chorus is so catchy, you might find yourself caught off-guard muttering the lyrics unconsciously. The trumpets complement the bass riffs alongside the rapping. Add a layer of a nostalgic visual montage a la Charlie’s Angels, and the music video will feel like a nod to ‘60s cinematography. Fondly known as IKV by fans, the namesake is a portmanteau two known icons – Illya Kuryaki from the ‘60s spy comedy television show called The Man from U.N.C.L.E. and Colombian soccer superstar Carlo Valderrama. IKV are Dante Spinetta and Emmanuel Horvilleur. Dante is the son of Argentine rock star Luis Alberto Spinetta, properly placing IKV of Argentine music royalty. However NPR’s Jasmine Garsd says that they have a strange status in Latin Alternative Rock, explaining that despite even having worked with U.S. funk music legend Bootsy Collins and being loved in the underground music scene, she thinks that they’re not getting the props they are due.

 

3. Parakeet – “Shonen Hearts” music video

Parakeet is a quirky name for a band, especially one that hails from one of the many holy lands of rock—London. But don’t let the name fool you. A quick spin of their latest clip, Shonen Hearts, and it could take you to headphone nirvana. Directed by UK-based animator Maria Cecilia, the music video illustrates the carefree nature of their music style, shot in old-school 480p. It’s alternative in tone but listening to it is like candy for your ears. The riffs will get your head bobbing, the drums will make you start tapping your feet. Bring out the lovely and hypnotic voice in the background and prepare to get lost in a trance.

Having been touring around the London and beyond, music news site DIY UK talks about the potential of this band as it talks about Parakeet’s individual music backgrounds, “…with experience breeds originality, a sense of what works and what should be avoided. Parakeet’s output to date is 100% pure gold … astounding in the sense that it’s difficult to envisage them being topped by anyone else in the distant future.” Probably one of the most mysterious and fascinating bands to have hit the music UK scene, Parakeet one band to watch in the coming months.

Categories
Music

Diamond Rings are meant to stand out

Meet John O’Regan, a brave and bold musician, known on stage by the name Diamond Rings. The gender-bending music prodigy from Oshawa, Ontario just released his second full-length album Free Dimensional, the follow-up to 2011’s Special Affections.

His Facebook Page describes him as “an extra personal emotional outlet.” When asked about the name, he says that it depends on who

Diamond Rings Free Dimensional

you ask.

“[Diamond Rings] comes from my desire to embrace my own multifacetedness, as an artist … every angle is different,” said O’Regan.

This musical diversity is strongly reflected in his final product. At one moment you may experience a strong ‘80s vibe in “Show Me Your Stuff”, while “Something Else” jumps you into an upbeat indie-rock psyche. “I’m Just Me” is pure electronic euphoria. He borrows elements from various genres and blends them all into his own masterpiece.

His lyrics invite you to listen to what he feels, giving his music an element of intimacy. Thus, it’s not surprising that he composes his songs in his makeshift bedroom studio in Toronto, or that he feels it contributes to his creative process.

“My music style transcends genres,” said O’Regan. “Some people call it pop, a term that’s fairly broad. Mine is unique within the umbrella [of pop]. My music is ultimately the listener’s responsibility to judge.”

When asked what music influences him, he’ll give you a friendly disclaimer of a long list, including Kraftwerk, Kylie Minogue and Nirvana. He says he truly values the importance of being exposed to various kinds of music in his life.

“Growing up in the suburbs allowed me to appreciate the opportunity to explore as an artist,” said O’Regan. “I don’t take it for granted. That personifies what I am. Music plays an important role; remembering where I have been and where I am going.”

He first went solo with the release of his first single, “All Yr Songs” in 2009. When asked how he conquered fear to perform as a solo musician, he said that fear motivates him to be a brave musician and a brave person.

“You have to embrace [fear],” said O’Regan. “If I’m not scared, I’m not pushing myself enough. The element of fear is an emotion that can sometimes spark something really awesome.”

And it shows well in his persona as a performer on stage, where he encourages people to go beyond the norm.

“A large part of what I do transcends what often exists between male and female,” explained O’Regan. “As humans, we don’t allow ourselves to explore who we are.”

As an artist, O’Regan loves to perform on stage, because — as he says — it’s what he is.

“Music is being yourself, if you can harness that fear and use it to your advantage … It’s inside everything,” said O’Regan. “That’s what Diamond Rings is all about.”

 

 

Diamond Rings will be performing at La Sala Rossa (4848 St. Laurent) on Dec. 6. For more information visit diamondringsmusic.com/events

Categories
Student Life

Digging out the undead among us

It’s past midnight. You get off the metro and walk out the door. You encounter a pale-skinned corpse covered in wounds with blood dripping on the floor, dressed in ripped clothing, messy hair and an axe to boot. The poor creature is mumbling, grumbling and walking towards you. You want to freak out, you scream and turn around, but guess what? A mob of possessed nobodies begin to encircle you. Your legs start to shiver, you scramble in fear. You find yourself in a dead end. Where do you go?

And cut! That’s a wrap, folks.

That’s a common scene you find in your average horror film and let’s face it, there seems to be a huge demand lately for our dear friend,

Zomibie Walk- Photo by Mallika Guhan

the zombie. The question is why are they so popular and so beloved?

“Zombies, they’re everywhere,” said Donato Totaro of Concordia’s Mel Hoppenheim School of Cinema. Totaro is a part-time film studies professor and editor of the online film journal Offscreen.

He explains that zombies have been around for a while and spanned various waves of popularity.

“Cinematically, zombies go back to the ’30s. The first wave weren’t like the bone eating, bone crunching ones we know now, but more to the voodoo, witchcraft and slavery kinds,” said Totaro.

He explained that zombies trace their roots back to Haitian Creole culture, where people allegedly used witchcraft to possess one’s physical body.

“The dead are brought back alive as slaves. They’re the working class monster, the anti-establishment monster. They’re the allegorical exploitation of the working class,” said Totaro.

The most recent wave, Totaro says, spawned from director George Romero’s horror film, Night of the Living Dead. Released in 1968, the plot centers on a group of people seeking refuge in an abandoned farmhouse from an invasion of dead corpses.

Totaro attributes how director Romero orchestrated this adrenaline-induced fear of getting eaten by a walking corpse as a defining moment for the mass popularity of zombies today.

To further understand this phenomenon, I spent a day immersing myself among thousands of walking corpses— sort of.

Zomibie Walk- Photo by Mallika Guhan

The annual Montreal Zombie Walk was held on October 19th at Place Des Festivals. People strut their creepiest zombie costume outdoors and gather to walk together through the streets of downtown, to the delight of bystanders. 

Walking along with five thousand undead beings was a dream, or in this case, a nightmare come true. Their bodies were caked in chalk-white makeup, faces smeared in cornstarch-diluted red blood.

As I endlessly followed these undead creatures, I bumped into Alex Marotte, a spectator taking photos with his friends. I also discovered that he was a hardcore zombie enthusiast.

“Ever since I was a kid, I’ve always been fascinated with the idea of zombies. Unlike most children, I didn’t get scared at all … I was so excited about being a zombie. I wanted to eat brains, raw brains,” said Marotte with a laugh.

Marotte credits the ‘80s horror punk band True Sounds of Liberty for his immersion into zombie culture. Ironically, T.S.O.L. music was featured in the 1985 film Return of the Living Dead, a film which was also one of the many spin-offs from director Romero’s Night of the Living Dead.

Zomibie Walk- Photo by Mallika Guhan

He also explained that a good part of ‘80s music was zombie-oriented, from music to album covers and even music videos. Does Michael Jackson’s “Thriller” ring a bell?

So why do people love zombies? Going back to Totaro, he elaborates on this fascination with the walking dead.

“Look how they’re dressed, very poorly, ragged. They’re the stereotype of the working class person,” said Totaro. “[These are the] modern people we can relate to, … not appreciated by the elite, but by the disenfranchised.”

In essence, zombies represent the attack of the masses. They’re the low-class monsters, compared to more socially elite creatures, such as vampires.

“I love the whole thing, like what’s not to love? Everybody’s having a good time getting together with it, all united in death. It just blows me away,” said Marotte.

 

 

Photos by Mallika Guhan:

 

Categories
Music

Sounds like the sea, tastes like the cake

Press photo by Jim Newberry.

If you spend your weekends wandering around trying to satisfy your music craving, look no further.

Chicago post-rock legends The Sea and Cake, who have been together since 1994, will be coming to Montreal for a delightful treat that is worth checking out. Their 10th album, Runner, came out this fall. As far as what inspired the band name, Frontman Sam Prekop credits the Gastr del Sol song “The C In Cake.” 

“It’s a pleasantly odd and really straightforward play on words that partnered really well together,” explained Prekop.

The Sea and Cake’s lineup consists of Prekop on vocals, Eric Claridge on bass, John McIntyre on drums and Archer Prewitt on guitar. It started as a studio project between Prekop and Claridge, but they chose to establish themselves as a band by recruiting like-minded musicians.

If you listen to the upbeat ambience of “Harps” and “Pacific,” or the more laidback and somber “Harbor Bridges” and “Runner,” it’s easy to imagine yourself walking on an empty road on a late Friday night. The mood feels so ambient and solitary. Listening to Runner is like embracing the fog that surrounds you through the evening as you head home.

“A lot of the pieces seem to work in a sort of sweet and sour, light and dark, yin and yang sort of a way. It’s sort of melancholic but also sort of uplifting,” said Prekop. “It’s a pretty unique sound. It’s not about delivering a message, it’s about exhibiting the work.”

Runner is the follow-up to their last album, Moonlight Butterfly, and was recorded in Prekop’s personal studio. This was a new working method for the band, who previously created albums at a professional recording studio.

The Sea and Cake love being on the road. Prekop compares it to a “weird vacation” where everything is planned and the band always know where to go and what to do. Though they’ve swung through Montreal on several tours, the frontman insists that they’ve improved performance-wise, making their latest show a must-see.

I think we feel like we keep getting better. It’s quite a bit different from the record actually. I think it could be interesting to hear our material in a live setting,” said Prekop. “The delivery is more intense than the record. Live is really something we really like doing and it’s important for the band.”

The plan to showcase at least five tracks from Runner and will play fan favorites as well. The Sea and Cake’s Montreal show will be the second stop of their tour in promotion of their new album.

 

The Sea and Cake play Il Motore (179 Jean-Talon W.) on Oct. 19. Tickets are $15 at the door or $13 in advance.

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