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Opinions

Don’t share the road

As police redirect traffic, ambulances are parked in the middle of the street with somebody strapped to a stretcher. A bike is laying in the middle of the street. This was the scene on a  Wednesday night on the corner of St. Laurent and Sherbrooke Streets. It is not yet clear what happened and who is to blame but it is, unfortunately, a familiar scene in Montreal. Two cyclists were killed in back-to-back accidents that took place the second week of August.
Montreal police’s “share the road” campaign was launched last year and aims to crack down on Highway Safety Code violations made by both cyclists and motorists. The goal is to reduce the number of fatalities and accidents, despite the perceived increase in the number of bicycles on the road.
While enforcing cyclists to follow traffic rules and fining those who do not will improve safety, the best way to ensure cyclist safety is by not allowing them and drivers to share the road.
Cycling fatalities and injuries are surprisingly low in Germany and the Netherlands, even though bicycles are a widespread mode of transportation in these countries. What are they doing differently? A Rutgers University study showed that the answer lies in infrastructure. Extensive bicycle paths and lanes, special traffic lights for cyclists that give them priority at intersections, and designated bicycle stop areas that allow cyclists to stay in front of cars at intersections.
This month, Montreal has taken a step in the right direction by setting up its first bicycle box. The green-painted patch of pavement on the corner of Milton and University marks the space where bicycles can wait ahead of cars, giving them priority at the intersection. The bike box is just a pilot project for the moment, but its location is perfect for a test run as the intersection gets approximately 5,000 cyclists and 700 cars each day.
Although pricey – the bike box’s non-skid plastic that won’t come off during snow clearing has a price tag of $10,000 – it is the most effective long-term solution for the city’s bicycle accident problem.
Regardless of who is responsible in each individual case, the city should make sure it protects its cyclists as much as possible. In combination with cautious cyclists and motorists, these measures should dramatically cut down on the fatalities and accidents that have been so prevalent this month.

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News

Action on governance report could come in September

Concordia’s governance troubles could be on the mend as early as this September, depending if the university’s governing bodies adopt a set of recommendations stemming from an external review.
The 39-page report from the external governance review committee, released in June, outlined 38 recommendations that could eventually lead to ending what the committee members described as a “culture of contempt” at Concordia.
Formed in February, the committee was the product of a joint agreement between Concordia’s Senate and Board of Governors. It saw the light of day in the direct aftermath of the ousting of former president Judith Woodsworth in December by the BoG.
Woodsworth was sent on her way with a $705,000 severance package. The entire scenario was described by the external review committee as an event that “revealed a substantial degree of misunderstanding, blatantly deficient internal communications and a lot of distrust, often bordering mutual contempt, between the various communities of the University.”
Eight months after the flaws in Concordia’s governance structure began to expose themselves, the BoG’s ad hoc committee on governance is preparing to present its report on the ERCG’s recommendations to the full Board at the end of September. Whether the ad hoc committee, or the full board for that matter, will endorse some or all of the ERCG’s recommendations remains to be seen.
“At the open meeting held in June about the external review committee’s report, the chair of the board’s ad hoc committee, Maitre Rita DeSantis, indicated that the ad hoc committee would be studying the report very closely with the intention of moving very quickly,” said Concordia spokesperson Chris Mota. “There were some concerns that this report would be just be sitting on a shelf, but it will be dealt with as quickly as possible.”
The BoG’s ad hoc committee met four times over the summer to discuss the ERCG’s report, said Mota. Apart from DeSantis, the ad hoc committee’s nine members include BoG chair Peter Kruyt, Concordia interim president Fred Lowy, representatives from full-time faculty, part-time faculty, and staff, and one student representative, former CSU president Amine Dabchy.
Mota indicated that the Senate’s steering committee also met twice over the summer, and will discuss the ERCG’s report at Senate’s first meeting of the year in early September.
The ERCG’s report recommended a major overhaul of the Board of Governors, Senate, and the Office of the president. Among other items, it recommended reducing the BoG from 42 seats to 25, which would incude 15 external members and 10 internal members.
Among the internal members, the ERCG recommended that there be two student representatives, down from the five currently in place – four undergrads and one grad student. This is the main recommendation that has Concordia Student Union president and BoG representative Lex Gill concerned.
“If the recommendation is accepted, it would reduce undergrad representation on the BoG to four per cent. That’s unacceptable,” said Gill.
Gill said she still remained generally satisfied with the report’s recommendations, particularly those empowering the office of the president. The report also called on Senate to assert itself as the supreme governing body on academic affairs at Concordia, indicating that the governing body’s priority for the time being should be to adopt an academic plan.
The EGRC’s three members, Bernard Shapiro, André C. Côté, and Glen A. Jones, stood to make $1,000 a day for their work for a maximum of 20 days, thereby costing Concordia $60,000 in remuneration alone. According to an email sent earlier this summer from Concordia spokeswoman Fiona Downey, the final cost incurred by the university for the EGRC’s work came closer to $78,000, mostly due to hotel fees paid for the two members from out of town.
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Arts

Step this way

Every year, cinephiles in Montreal gather to take in the sights of foreign lands and sounds of words they couldn’t dream of pronouncing for the World Film Festival.
The beauty of the festival comes from the juxtaposition of films. There is something enticing about sitting down in a dark theatre, ready to jump from a Flemish coming-of-age story to a Swedish horror movie.
Such contrast was present for two films – Belgian dance flick Dancing With Travolta (Dansen met Travolta) and French/Algerian/Moroccan hybrid documentary Tagnawittude, which were shown back-to-back one night.
Dancing with Travolta tells the story of young aspiring dancer Heleen. By day, she works as a roller-skating waitress at her boyfriend Koen’s restaurant. But by night, she — what else? — indulges her only passion, which is moving her feet to any conceivable beat. When she hears there’s going to be a contest where the prize is to dance with her hero, John Travolta (whose poster she longingly sighs at in between serving meals) she, of course, jumps at the chance.
But it wouldn’t be a dance movie without some drama. Heleen quickly comes to the halting realization that she cannot win the contest without dancing with her ex-flame (and first class d-bag) John.
While the plot is fairly predictable in all its “well-meaning girl caught between two lovers” glory, this sweet short film is at its best when the love triangle is put to the side and the dancing takes centre stage.
In between the smooth camerawork that lets the viewer follow the dancers without feeling like they’ve just stepped off a rollercoaster, and the moves themselves (cartwheels and jumps galore), the viewer is left feeling good and breathless (as one should feel at the end of a dance movie).
The second film, Tagnawittude, while also playing with the music and dancing theme, was worlds away in terms of tone. A serious documentary about Gwana music, which combines religious songs and beats from sub-Saharan Africa, Berber, and Sufism traditions, the film follows individuals who use this music genre to express their religious beliefs and find a transcendental experience.
Between interviews and clips of concerts in France, Algeria and Morocco, director Rahma Benhamou El Madani explores the subject while infusing her own personal experiences; she would watch her mother go into this transcendental state when she was younger.
However, it is the interview portion of the film that is lacking. While El Madani talks a lot about magic and passion with her subjects, the lengthly, under-edited interviews never manage to convey much of either quality.
Yet Tagnawittude redeems itself through the footage of the singing and dancing. Watching the performers do acrobatics in a street fest, and the shots of the audience (some of who look to be achieving that other-worldly feeling) is striking, and makes one feel as if the performers could have jumped off the screen and burst into the theatre at any second.
While vastly different in many respects, both films did have one thing in common: they proved that when it comes to films that revolve around singing or dancing, sometimes the best thing to do is let the groove take over and charm the audience — in whatever language it might be.
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Opinions

So it begins…

You have made it to Montreal. You have made it to the centre of town, and you are about to begin your life at Concordia University.
Take a good look around because before you know it, it will be over and you will be left wondering where it all went and why you didn’t go to the Jazz Fest once while you were in Montreal.
However, do not despair yet, as there are years between now and then and, if you heed some advice and be smart, you can get the most out of your education.
First thing, get a job. It doesn’t matter if you have a million-dollar scholarship or a millionaire mother or found $1 million like Bill Paxton in A Simple Plan. Getting a job will make you a better person and add to your three, four, five or six years at school.
You will be surrounded and consumed by the world that is Concordia, and developing an identity outside of that will only broaden your person.
Second thing, take advantage of as many festivals, galleries, events and concerts as possible, but also be careful. Montreal is the best city in Canada, and a gold mine of cultural experience and non-stop goings-on.
You can experience much, but the city can swallow you like the sarlacc pit in Return of the Jedi. If you miss a show, a festival or a game between the Habs and the Canucks, don’t worry. There will be others.
Third, pace yourself. Start figuring out ways to manage time so that you won’t be one of the people stressing everyone else out with your complaints of how much work you have to do.
If you have six books to read in a term, read one in the first week.
On that note, if you do have to read six books in a term, thank your teacher. You will be better for it if you don’t complain and do the work to the best of your ability. Students used to have to read a lot more than you do now, so get over it.
Fourth, everyone is working, everyone is trying, everyone is studying, and you are just another one of the cogs that make up the machine. All work will get done if you want it to get done.
Talk to students in other programs, and you might learn something; I’m looking at you, engineering students.
Your discipline will not give you all the answers in the universe no matter how bold your teachers’ claims are.
Stay in Montreal for the summer. You do not need to go home and save on rent or visit your family. Montreal is the coolest place in the world in the summer, and to miss it is to miss a great party.
Finally, read Ulysses by James Joyce.  If there is one thing that anyone can do, and that you can permanently wear like a badge of honour and battle, it is to read Ulysses.
You’ll thank me later.

Categories
Arts

They can’t stop the beat

Most people wouldn’t be able to recall the last time someone broke out into song on the bus, prompting passengers and driver alike to join in the tunes and choreographed dancing. Or any time, for that matter.
Luckily, for those who find themselves wishing it was a reality at times other than when their head hits the pillow at night, the West Island Student Theatre Association is having a go at filling that void with its take on Broadway staple Hairspray.
“It’s young, and it’s fresh, and it’s energetic,” said membership rep Marie Alexiou of the musical, which WISTA has been working on for five months.
Hairspray recounts the story of Tracy Turnblad, a Baltimore gal with a big-time dream of getting her restless feet seen in the The Corny Collins Show (and an even bigger hairdo to boot). The musical manages to touch serious themes like racial integration in the midst of upbeat songs, crazy dance moves and sixties threads in every colour to come out of the crayon box.
With a cast comprised of young students and an energy Alexiou described as “buzzing” on set, Hairspray seemed a natural choice for the company’s first foray into Broadway material.
“It was us – it wasn’t serious, and sad, and dark. It was singing, dancing, happy, funny, and it was just a perfect fit,” explained board and cast member Matt Apuzzo.
Founded in 2006 in its namesake location of West Island, WISTA is comprised of students from ages 17 to 29 with a shared love for musical theatre. And as cast member Craig Dalley explains, it’s the kind of experience that takes one beyond simply rehearsing lines.
“As corny as it might sound, it kind of becomes like a second family, a second home, because every Sunday, say you’ve had a horrible week, you’ve just been having a horrible day, you’re just in a horrible mood, you go and you know there’s always people there,” he said. “They’re always there, just to lift your spirits.”
Stage manager Ashley Frankel says being part of WISTA did more for her than satiate her curiosity about the world of musical theatre.
“WISTA’s definitely built my confidence. I used to be super-shy and I wouldn’t do anything, and I wouldn’t even think of going in front of an audience and performing,” she explained. “And I’ve met a bunch of different people who like to put themselves out there and really make a fool of themselves and have a good time and sing and dance as much as I do.”
The company aims to give back not just to its members, but to the community it was born out of, too. WISTA donates part of its profits to charity, with this production’s donation going to West Island Community Shares, an organization which Apuzzo explained is “for the West Islanders, and created by West Islanders, which essentially helps homes that are in need.”
Well aware that many people’s opinions on the musical are based on the recent movie version, the WISTA members are quick to point out that the Broadway musical and the film are very different. The company aimed to make it more like the Broadway show, the success of which can be measured in Tony awards rather than how many swoons certain Hollywood stars can prise from teenage viewers.
“We went for the Broadway version instead of the movie version, but it’s unique in how everybody plays their character,” said Apuzzo. “If we get to say it, it’s the WISTA version.”
It’s a sentiment that Alexiou echoed: “Each actor that we have on the show brings their own talent. […] If it weren’t for these talents that we have within the cast, I think our production would just be a very different kind of show.”
For another layer of Montreal talent, Stewart Grant, artistic director of the West Island Youth Symphony Orchestra, and some members from the orchestra jumped on board to help provide live music for the show.
As the next big step for the company, the WISTA members hope Hairspray helps audiences take note of the talent they’ve been polishing every Sunday for the past few years.
“We’ve really grown and improved and we really want to show people and attract more audiences for the next amazing show,” said Frankel. “Really get our name out there to the West Island, maybe a little bit beyond, and show them what we can do.”
Dalley has something more specific in mind: “‘Wow, look at those kids go.’ I think that’s especially what I’d like to get people to walk out and be like.”
With infectious energy that could only have engendered from months of singing and dancing through a repertoire of sixties songs, the members of WISTA are ready to take the stage once more.
“Here we are doing this full production, here we are showing Quebec, and showing – hopefully – the world what we can accomplish,” said Alexiou. “We dream big, but I think we can do it.”

Hairspray is showing on June 3, 4, 9, 10 and 11 at Lindsay Place Theatre (111 Broadview, Pointe-Claire). Tickets are $18 for students, available at www.wista.ca.

Categories
Arts

A youthful Vie d’artiste

Marianne Fiset plays the lovable, yet tragically-fated Mimi in La Bohème. Photo by Yves Renaud.

Capping off a season of hits and misses which included Verdi’s Rigoletto and Strauss’s Salomé, the Opéra de Montréal’s all-Canadian production of Puccini’s La Bohème rewards both regular and casual opera goers with its skillful blend of the tender and the comedic.
Produced by the star team of Alain Gauthier and Olivier Landreville – in charge of directing and sets, respectively – this production of La Bohème lends Puccini’s tragic tale of love and the bohemian vie d’artiste new freshness with a youthful cast and whimsical decor.
Landreville’s clever use of a glass-pane backdrop featuring a cut-out Paris skyline lends versatility and playful interest to the set, bathing the actors at times in watercolour tones, or coming alive in a backlight of amber to convey the bustling atmosphere of Café Momus.
A tragic tale of love between the poet Rodolfo and the sickly seamstress Mimi, La Bohème is supported at the Opéra de Montréal by the outstanding singing and acting of its fine cast. Showcasing the warm and expressive voice of tenor Antoine Bélanger, who plays Rodolfo, Act I’s “Che Gelida Manina” is the show-stopping aria of the production, initiating the audience into the tragedy and sweetness of La Bohème.
Marianne Fiset spoils the audience with her beautifully controlled soprano which conveys both fragility and playfulness in her character-defining “Mi Chiamano Mimi,” and is lovable as the tragically-fated Mimi. Bélanger seems to relax on scene after “Che Gelida Manina,” and believably portrays the loving yet fearful Rodolfo with skillful acting in the following scenes. The audience can expect to be rendered speechless and perhaps tearful by his final performance in Act IV.
Comprising as many as 35 extras on scene, Act II’s Momus is the visual highlight of the opera, and is a perfect backdrop for Lara Ciekiewicz’s sultry interpretation of the dramatic socialite Musetta in the playful “Quando m’en vo’.” Ciekiewicz’s rich and alluring voice is a delight, and her physical presence on stage as the blonde-haired, red-and-black-clad Musetta does justice to both the headstrong and empathetic elements of Musetta’s character. Her movements and acting in Act IV are beautifully fine and discreet; she is to be watched closely through the final-scene drama.
Etienne Dupuis showcases his baritone alongside Bélanger well enough in Act I, but Act II is where he comes alive as Marcello in earnest, playing the role of Musetta’s determined yet proud sometime-lover with a humour and skill which delighted the audience. The coupling of voices and roles in La Bohème truly justifies the viewer’s trip: Bélanger/Fist and Ciekiewicz/Dupuis could not have been cast better, and their credibility and skilfully-created emotional tension as stage couples sells La Bohème after the first few scenes.
Act III brings the drama to a head, as Mimi confides in Marcello of Rodolfo’s trepidation in the face of her illness with her mesmerizing rendition of “Donde Lieta Uscì”. A brilliant comedic dance number featuring Dupius, Bélanger, Pierre Rancourt (playing Schaunard) and Alexandre Sylvestre (playing Colline) delights the audience and lightens the mood before Act IV brings the story to its tragic conclusion. Sylvestre’s bass-baritone is at its best during Colline’s melancholy and noble “Vecchia Zimarra”; deep yet finely-controlled, his voice renders the aria one of the evening’s stand-outs. It is a shame that the libretto does not allow Sylvestre’s voice more exposure, as the audience is left wanting more.
La Bohème makes it evidently clear, from the moment the sickly Mimi and the charming Rodolfo meet in Act I, how its tragedy will unfold: the production, not the plot, captures the viewer’s attention, and the Opéra de Montréal is to be commended for offering such a formidable season-end treat.
A sumptuous décor which commands attention when need be, but also recedes to frame the singers’ intensity at the appropriate moments; a stand-out, impeccably-matched and wonderfully-cast group of singers; a variety of night- and matinee-showings: La Bohème is the perfect kick-off to Montreal’s summer music festival season, with the reminder that the opera is alive and well for young performers and young spectators alike.

La Bohème continues its run at the Opéra de Montréal until June 4.

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News

CEO reluctantly delivers report at AGM

CEO Oliver Cohen returns to answer questions about his annual report. Photo by Sarah Deshaies

Student union chief electoral officer Oliver Cohen capped off a strenuous mandate on Monday by delivering his set of recommendations to the union, suggesting amongst other things that the incoming executive extend the campaign period and amend the standing regulations.

 

Cohen outlined the recommendations, which make up a section of his final report to the CSU, to around 40 students at Monday’s annual general meeting on the 7th floor of the Hall building. He took to the microphone for a span of a few minutes to note that the 90-page report would be available online on the union’s website. He then made for the exit, but was coaxed back to elaborate further on its contents.

Cohen also suggested the union go over the Judicial Board’s code of procedures in relation to the appeals process. “It should probably be something along the lines of a rotational committee where in the process of appeal a new board is summoned,” he said.

The CEO stood by his decision to disqualify the Your Concordia and Action slates, despite seeing that decision overturned by the Judicial Board. “I’m not going to sit here and tell you guys that the integrity of the elections was maintained, because it was not,” he said.

The outgoing executive also made their end-of-year reports to their constituency. In his updated budget, VP finance Ramy Khoriaty noted the expected $37,000 end-of-year surplus was lower than the union had originally projected in their budget. The added expenses mostly came from the unexpected cost of reimbursing ASFA for their tickets for the Youth in Action Montreal conference, which they had previously been selling for $20 each before the CSU decided to give them away, he said. That move made a $11,000 dent in the union’s pocket book.

That surplus had further been eaten away by Wednesday’s regular council meeting, when Khoriaty noted that a $20,000 invoice from the Canadian Federation of Students brought the overall expected surplus to approximately $16,000.

Khoriaty’s suggestion to re-appoint Deloitte, the firm hired to audit the union’s previous fiscal year was challenged by incoming VP finance Jordan Lindsay, who motioned for an open call to tender instead. “It’s not to say that Deloitte won’t do a good job, we’d just like to have the opportunity to look at other options,” he said. While Lindsay said he knew Deloitte was one of the more expensive auditing firms, he admitted he did not know exactly how much they charged.

The motion stipulated that Lindsay, Khoriaty and director of finance Michele Dumais would prepare a list of possible auditors for submission at the June 8 council meeting.

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News

Special student union meeting reverses last of CEO’s decisions

The student union elections have come full circle, as what remained of the chief electoral officer’s decision to disqualify both slates was overturned by council on Wednesday.

Council’s decision to pass both a motion to reimburse all campaign expenses and to reinstate the victorious Action candidates effectively returned the results to the same point as they were before the disqualifications.

Arts and Science Federation of Associations president and Action candidate for Arts and Science Aaron Green tabled both motions at a special meeting held before the union’s regular council meeting on Wednesday evening.

While the CSU judicial board reinstated Your Concordia at their hearing on April 27, they had refused to reimburse either slate, and had upheld CEO Oliver Cohen’s decision to disqualify Action.

Both motions were defeated at first, but councillor Menachem Freedman asked council to reconsider their decision regarding campaign expenses, a move that would prove to favour both slates.

Freedman amended the motion to clarify that council did not wish to overturn the judicial board’s decision, but rather to recommend that council allot the money that was meant for the candidates as an extra-procedural method “because they’re students, and they need to pay rent, and they need to buy food, and it’s just not a good way of sanctioning students,” he said.

The motion warranted some harsh words from Tuan Dinh, the only judicial board member present at the meeting. “By going beyond what the judicial board has ruled, you’re effectively bypassing the bylaws,” he said. “There’s no ambiguity in the actions in which [the candidates] have committed, they clearly violated rules and they should be held accountable, but the fact is we’re setting a precedent so that in the future people can continue to make these similar violations and that council will just come in and save them.”

However, after lengthy discussion most councillors felt it was merited to reimburse the candidates, and the motion was passed.

The second motion was brought to council on the grounds that the disqualification was robbing certain sectors of the student body of effective representation over the summer – namely, the students from the John Molson School of Business, who elected six Action councillors.
President Heather Lucas spoke in favour of reinstating the candidates, despite originally intending to maintain her distance from the matter. “I feel that by disqualifying people that have been rightfully voted in democratically and disqualifying them based on the actions of the executive, I think that’s completely unfair,” she said.

Action presidential candidate Khalil Haddad was pleased to see council overturn the JB’s decision. “The election expenses were not as important for me, it was more for getting the councillors and senators that got elected to sit on council and on senate to represent their respective faculties,” he said.

The decision also strengthened Haddad’s resolve to help bring about sweeping reforms to the student union’s election bylaws and standing regulations. “It’s really going to help people in the future when they want to run for elections, that the CEO’s office is upheld, that the judicial board has a procedure that’s more efficient and more just in the future, and that regulations are more clear,” he said. “They won’t have to deal with these instances where ambiguity can go into different interpretations and people can take that and turn it into a negative thing or a positive thing depending on what context you’re in.”

Some of those reforms were introduced Wednesday evening at the regular council meeting. Lawyer Patrice Blais presented the changes to council after having worked on them with former CSU president Amine Dabchy, president-elect Lex Gill, Lucas and Haddad.

Their two goals in bringing about the reforms were to “clean up bylaws to make sure they are in accordance with Quebec law, as well to bring up electoral reforms in order to remove the consequence of our electoral system here,” which he said had turned into a winner-take-all situation with the executives and the councillors. “It basically creates two teams of 40 to 45 people that are clashing with one another,” he added. “It certainly produces a belief that a lot of people are voting because of a party name instead of for the value of the individual people running.”

Blais suggested council eliminate the affiliation system between council and the executive, as well as the Senate of Faculty Associations.

However, Green was strongly against removing SoFA. “In the event that the CSU does not act in the best interest of a particular faculty, this is a remedy in order to make things right,” he said. “The Senate of Faculty Associations act as a check and balance on the CSU.”
A hypothetical split between the councillors elected from arts and those elected from science also raised some doubts. “I feel that it is deepening the divide between Loyola and Sir George Williams,” Green said. “I know that’s how it works in McGill […] but I feel that we are stronger in our diversity.
Splitting up the representation would just be silly.”

Moreover, the policy changes would clarify the definition of membership in the student union. There would be two categories of members. An active member would be registered and paying fees, and would have the right to vote as well as to run for elected office. A non-active member would not be registered in any classes. While the latter would still retain certain rights – Blais gave the example of access to the advocacy centre – that category of member would not be able to vote or hold office.

None of these reforms were voted on on Wednesday; Blais specified that since they had not had the time to prepare a full document before council, this was both an introduction and an appeal for feedback. They hope to bring the reforms to a special council meeting within the next 10 days.

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Opinions

Election presents new opportunities

Many Canadians have likely spent the time since the last election lamenting the Conservative victory. While a Conservative majority government is certainly a defeat for the majority of Canadians who did not vote for the party, the results of the election present an opportunity for great improvements in the Canadian political scene. It is the chance to achieve the sort of legislative progress that has been unseen since the Chrétien years.
One of the arguments against the Conservatives during the recent election was that they were not terribly effective in passing legislation during their previous two mandates. This charge was somewhat unfair, as the problems that those two governments experienced in passing legislation were the same as any minority government, regardless of affiliation. Now that the Conservatives have formed a majority government, they will most likely be able to achieve significant legislative progress, although many Canadians will probably not like the legislation that results from it.
Another fear regarding the Conservatives that was emphasized by the opposition parties was the specter of the Conservative party’s supposed American-style right-wing beliefs. Although there are certainly members of the Conservative Party who would feel more than at home among America’s right-wing Republicans, this charge is a little bit of a stretch.
Over the course of the two previous Conservative governments, institutions traditionally loathed by America’s right-wing such as socialized health-care, gay marriage, and abortion rights have remained virtually untouched, and there is no indication that this will change because the Conservatives now have a majority. The demands of running a government traditionally moderate the policies of any political party, especially in Canada, and the new Conservative government will be no different.
Aside from the Conservative majority, the other big story of the recent election was the surge in electoral support for the New Democrats, and the corresponding failure of the Liberal Party. For whatever reason, the NDP eclipsed the Liberals in voter support, becoming for the first time the official opposition.
While it is almost impossible to say what will happen in four or eight years’ time, it is quite possible that this shift will become permanent. Despite their many deficiencies, most notably almost totally ignoring the socialist and worker-oriented causes for which they were created, the NDP present a far more different alternative to Conservative rule than do the Liberals. The success of the New Democrats in the election, if it can be repeated in subsequent elections, seems likely to result in a situation where Canadians have more choice in terms of voting for a party that is likely to get elected into government or as the official opposition.
In a number of ways, the results of the recent election represent a chance for improvements in the Canadian political scene. Whether these improvements will result in better political parties and better governments remains to be seen.

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Student Life

Experiencing the virtual classroom

Credit: Navneet Pall

Sitting on her bed, Faye Sillas turns on her laptop. She waits comfortably, in her pyjamas, for it to open up. Unfortunately, she still cannot find the motivation to do the required assignment for her online class, which is due in two hours.

With the summer session now in full swing, online classes seem more appealing to students since they are a better alternative to making the trip to school. They easily attract students, allowing them to plan their time accordingly, and make the most of their summer vacation. However, flexibility is also one of the major causes for students’ lack of motivation, causing them to choose to do their work last minute, as in the week before the exam.

“I find myself putting the work off more than the other classes where I’m forced to attend,’’ said Sillas, an economics student who has taken seven online classes. “However, when I actually get down to start looking at it I find it very effective and I keep going.”

Online courses provide different tools used to help students such as videos and discussion boards where they can ask other students and teaching assistants for help. Unlike in a physical classroom, teachers cannot elaborate on the information given, therefore they need to make the subject especially clear online.

“A lot of the online classes have teaching assistance and they answer your questions and many of them don’t know exactly what the teacher wants or they don’t know how to explain certain things. So if the TAs and the professors communicate effectively amongst each other than the students would learn better and would know what to expect,” added Sillas.

Lucian Turcescu, a teacher in the department of theology at Concordia, says he uses about the same amount of information online as when he taught his class, Origins of Christianity, in a regular classroom.

Some negative aspects of online classes are that students do not experience the dynamics of being in class, where debates and discussions take place. Technical difficulties may occur, but according to Turcescu they are not frequent. However, it is challenging for teachers to teach online courses since there are no personal encounters with students.

“I try to supplement that by creating audio files pointing to the main ideas,’’ said Tucescu. “The communication is also different obviously when people ask questions face to face. I think that the options are different in an online class and right now for example there is an increasing push by Concordia to make the online experience more interactive.’’

Online classes are more lenient since there is no teacher watching over the quizzes, and it can become easier to cheat. But Turcescu advises students to think twice if they believe online courses are open to cheating.

“I had fourteen cases of plagiarism in the final exam, which I all reported last session. This is the first time it’s such a large number,” he added. “I had one incident like that in the summer, but never before people plagiarizing in the final exam from Wikipedia.”

Fred Szabo, a teacher in the mathematics department, is a promoter of online classes. He finds that students are computer savvy, and therefore pioneers like himself should use the tools they are accustomed to.

According to Szabo and Turcescu, the grades achieved by students in class are the same or even better when compared to online classes.

Szabo believes online courses need happy, mature students, who are motivated to take advantage of what the university has to offer. Programs such as Face Time, Skype, and Adobe Connect are being considered by teachers to find ways to create a personal connection online.

“What you can do, much better than having hoards of people trying to sit in a hockey rink to write these exams, is to use random checks, use Face Time, Skype, or something like this and randomly pick students to have to report online,” Szabo said of his opinion that students should be able to do their final exams online with teachers randomly checking in on them.

With the lack of motivation, students being unprepared and doing their work last minute, an expert on motivation and psychology teacher, Harry Galina, said that students should follow the course agenda and establish contact with the professor. Students should take advantage of the resources they have in order to succeed in their online class, as well as keeping on top on things and staying motivated.

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Opinions

Amateurism in high places

Last week, the CSU’s judicial board held a meeting to examine chief electioral officer Oliver Cohen’s decision to disqualify both the Action and Your Concordia slates which participated in March’s CSU election.

While Cohen’s decision to disqualify the victorious Your Concordia slate was overturned, the whole fiasco is symptomatic of a much larger problem for the CSU. The sort of amateurism that has characterized both the candidates and the CEO’s involvement in March’s election is something that should not be accepted by the students at this school, and an alternative must be found.

Oliver Cohen has run the elections process at Concordia for a number of years now, but you wouldn’t know it based on his performance during the March election. For starters, that period saw Cohen make himself virtually unavailable to campus media, individual students, as well as to candidates and groups attempting to secure student-sanctioned fee levies.

While Oliver Cohen’s lack of availability was certainly a problem both before and during the election, it was after the election that his conduct seemed to have become more problematic. In a letter sent to both slates on April 12, Cohen charged both slates with numerous breaches of the elections regulations, and disqualified them. While this in and of itself would not have been a problem, his failure to provide any sort of evidence to substantiate the charges, as well as his lack of communication with campus media and the student body in general created a situation where it became quite reasonable to question his capability as chief electoral officer.

Oliver Cohen was not the only one who displayed a level of amateurism in relation to the recent elections. As stated above, both slates were sanctioned by Cohen for exceeding the spending limited mandated by the CEO’s office. The sanction was then upheld by the judicial board. This mutual breach of electoral rules seems to indicate that both slates either acted in bad faith in an attempt to fool the students of Concordia, or that they can’t do basic math.

Either way, like Oliver Cohen, the slates’ conduct in relation to the recent election would seem to indicate that neither is properly capable of running a clean and legal electoral campaign, much less an organization such as the CSU, which is extremely complicated and which involves properly

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Music

In-depth: Foo Fighters – Wasting Light

Foo Fighters didn’t need to release a great album this year. Drummer Taylor Hawkins said it himself in a recent interview, “…nobody ever listens to whole records anymore, unfortunately.” Another “Best of You” or “Pretender” would have been enough to satisfy fans and propel the band back onto the modern-rock charts for a few weeks.

Instead, Foo Fighters released Wasting Light, which took examples of everything they’ve ever done right as a band and molded it all into one fantastic album. That being said, its release fittingly coincides with screenings of “Back and Forth,” a documentary based on the band’s storied history. In many ways, Wasting Light is the album Foo fans have been waiting to hear. It is by far their freshest and most kickass collection of songs since 1997’s The Colour and the Shape.

The year 1997 also happened to be the last time guitarist Pat Smear, who was a brief and former member of Nirvana, collaborated on a Foo Fighters album. His reintroduction as a full-time member of the band adds a noticeable layer of depth, complementing both the lead and rhythm sections. Chris Shiflett and Dave Grohl round-out the trio of guitars, delivering a consistent mix of pleasing melodies and delicious riffs.

As expected, Taylor Hawkins retains his reputation as being one of today’s great modern rock drummers, and if you listen through a good pair of headphones, you’ll be carried away by Nate Mendel’s supremely underrated bass lines that will take you places the guitars never thought to go.

Fantastic production quality is one of Wasting Light’s greatest assets, due in part to Butch Vig, former producer of Nirvana, who managed to record the entire album from Dave Grohl’s garage, using only analogue equipment. Having been recorded on tape, its sound retains amazing warmth and tone in all its furious energy and is a pleasure to the ears at any volume.

The obvious highlight on Wasting Light is a guest appearance by Krist Novoselic on the song “I Should Have Known.” His presence completes the Nirvana reunion for what is arguably the best song on the album. As the intensity builds, Novoselic chugs away at his distorted bass while Grohl screams “No I cannot forgive you yet.” It’s hard not to imagine this song being about Kurt Cobain.

As epic as this reunion is, Wasting Light is not a tribute album to Nirvana. If anything, it’s a nod to the Foo Fighters’ earlier days and proves that what made them great 15 years ago is what continues to make them great today. Songs like the wild screamer “White Limo” wouldn’t have sounded out of place on their self-titled debut.

It’s also clear that Grohl’s time behind the drum kit of supergroup Them Crooked Vultures has gone a long way to rejuvenating his creativity. If you’re familiar with TCV, you’ll feel some subtle influences, particularly of singer Josh Homme, on Wasting Light. The chorus vocals on album opener “Bridge Burning” and the guitar hooks in the addictive first single “Rope” have a slightly Vulture-esque vibe to them, but don’t give up their Foo Fighters identity.

If there’s one thing the Foo Crew has been knocked for in recent years, it’s that they’ve strayed too far from their roots. Although their live shows have largely remained high-octane rockfests, fans found their albums were letting go of their fun and reckless style in exchange for a more mature sound. Wasting Light, however, puts these complaints to rest. This is a refreshingly consistent listen, overflowing with the energy and charisma of old-time Foos as well as the catchiness of their latest hits.

 

The verdict: 9.0/10

Trial track: “Rope”

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