Author: Valerie Cardinal

Whether you’re eco-sexual or extraterrestrial, Studio 303’s 18th annual Edgy Women Festival has got you covered. As promised by the festival’s name, Edgy Women features both local and international female performers presenting experimental, eclectic and sometimes downright bizarre shows. Last Saturday, Annie Sprinkle, the first porn star to get a PhD in sexology, presented Adventures of the Love Art Lab ahead of the completion of her project next weekend in Ottawa.

The project started when Sprinkle and her partner Elizabeth Stephens held their domestic partnership ceremony in 1993. “We realized that the ceremony, this ritual — it sort of mimicked marriage,” explained Stephens. The couple then developed an interest in eco-sexuality, which Stephens said is “another sexuality where human beings are erotically attracted to nature.” Sprinkle elaborated further by explaining that eco-sexuality has many parts. “There’s a spiritual component, there’s a material component like what sex toys you buy, there’s an environmental activist component, so there’s different aspects to it,” she said. “We’re actually in the process of writing an eco-sex manifesto.”

Sprinkle and Stephens are now in the final year of their seven-year Love Art Lab project, which involved going around the world to perform marriage ceremonies to different natural landmarks. Last year, they married the mountains. The year before that, they married the sea. This year, Sprinkle and Stephens head to Ottawa to marry the snow, and everyone is invited. “And come dressed as snowflakes in case it doesn’t snow. You could be our snow!” Stephens said jokingly.

Also at the Edgy Women festival is Nathalie Claude’s “folkloric genre tale slash non-human people slash psychedelic trance” performance Extra Terrestrial Folkloric Tale, which she is currently working on with fellow performer Danielle Lecourtois. “It’s really a mix of many genres and it is extremely weird,” explained Claude. “I think it is really bouffon-like and funny, because that’s something we do and we like to explore.”

Claude’s performance is hard to explain, and involved elements such as “folkloric dance, experimentation, smoking a little hookah shaped like a pink flamingo, looking like old ladies from another time on rocking chairs but that look like two aliens from another time and another planet.”

Claude stated that the Edgy Women Festival was a good opportunity to create something new and different. “In the end it’s about freedom,” she said. “And also it’s not just about performing there, it’s about meeting other women artists that are doing the same thing performance-wise and pushing the boundaries and exploring new images of representation of women.”

Of course, the show is still a work in progress; with over a week to go until the first show, Claude and Lecourtois are still playing around with their characters. “I would say that in the past month and a half, two months, we’ve been throwing ideas, throwing stuff,” said Claude. “Now it’s time to clean and throw in the garbage and keep only the things that seems appropriate and that we like the most.”

Mainline X2, featuring Nathalie Claude and Danielle Lecourtois’s Extra Terrestrial Folkloric Tale and Mia van Leeuwen’s Le Petit Mort, will take place from March 30 to April 2 at the MainLine Theatre. For more information, check out mainlinetheatre.ca.

Annie Sprinkle and Elizabeth Stephens’ wedding to the snow will take place March 26 in Ottawa. For more information, check out loveartlab.org.

John Greyson has seen a lot of conflict over the past 25 years, and he hasn’t been afraid to comment on it. The Canadian video and filmmaker will be coming to Concordia as part of a collaboration between Queer Concordia and Cinema Politica to show some of his films and talk about the issues discussed in them. Although Greyson’s films touch every subject from AIDS medication to South African apartheid, he stated that the short films and excerpts to be shown have a clear link. “The thematic that runs through it is sort of contrasting two types of apartheid, South Africa 20 years ago and then Israel today and the activism and the boycott movement connected to both.”

Greyson started making political videos when he moved to Toronto in the late 70s and became active in its gay community. “The gay movement of the time was very focused on social justice issues,” he said.

“It seems to me that we as citizens all have a responsibility to speak up and take a stand around social justice issues, and some people can do that by joining a march, some people can do that by making a speech, and I’ve got this privilege of being able to work in film video,” he explained. “It seems like that’s a way of contributing to a dialogue.”

The activist and filmmaker became involved in the Israeli-Palestinian debate when he started feeling that Israel was hiding behind its encouragement of gay rights. “Human rights aren’t divisible. You can’t say ‘we’re good on gays but bad on Palestinians,’ or ‘good on homophobia but bad on racism.’ You can’t divide it up like that.”

Many of Greyson’s recent films, such as Vuvuzela, are a call to musicians to boycott Israel by cancelling their concerts. “I’m a firm believer that boycott is the right thing to do,” he stated, explaining that many artists are put off by boycott because of censorship issues. “There’s that crucial education and dialogue part of this initiative which is trying to make people realize boycott isn’t about censorship, boycott’s about trying to, as consumers, as citizens, take a stand and say enough is enough.”

As to the impact Greyson’s films are having, “I like to think [musicians have] all seen the videos and that they’ve completely changed their minds as a result,” he said jokingly. But while reaching the artists is one of Greyson’s goals, it’s not the whole picture. His videos are “also trying to educate the fans, trying to use music and humour and the cheekiness of rewriting the lyrics.” His latest short film is a parody of Justin Bieber’s “Baby.”

Greyson sees film as not only crucial to building up awareness, but also as a way to create community. “No matter what film we see, the latest Coen brothers, whatever, we come out of the theatre, we talk to each other about it,” he shared. “Through film, we find out who each other are.”

The use of documentary and fiction are a feature of some of Greyson’s films. For example, Fig Trees is based on South African AIDS activist Zackie Ahmat’s struggles, but Ahmat’s story is told both in documentary form and as an opera. Greyson hopes that by using elements like music and humour, he can get the audience to consider his point of view. “I think film can reach people in ways that a lecture can’t, in ways that an essay can’t, or a magazine article,” he said. “If through music, through humour, we can keep people in the room and we can keep people talking to each other, keep people listening to me and me listening to them, I think we’re making progress.”

Sex, Song and Segregation: Spotlight on Canadian activist and filmmaker John Greyson is on Feb 28 at 7pm. For more info, check out cinemapolitica.org.