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Music

Malajube taking a well deserved breather

After nearly a decade since their debut in the francophone cultural landscape, it’s time for Malajube to take a break. To close their 2012 tour, the franco-rockers have chosen to play one last show in the city they’ve called home for years — Montreal.

Malajube will perform at the Corona Theatre on Nov. 28. Photo by Joseph Yarmush

While originally from Sorel-Tracy in southwestern Quebec, the French indie rock band has won numerous recognized prizes. In 2006, Malajube won three Felix Awards at the Gala de l’ADISQ; they were awarded Best alternative album and Best cover art for their second album, Trompe-l’oeil, as well as Revelation of the year. The band reached national recognition that same year after being shortlisted for the 2006 edition of the prestigious Polaris Prize. With the 2009 release of Labyrinthes, the band again was shortlisted for the Polaris Prize.

With all of these in hand, they feel they are ready to take some time for reflection.

“With four albums in our pocket, the need has been stronger than ever to take the time for pausing,” said Francis Mineau, the band’s drummer. “It’s the end of a cycle and the beginning of a new one.”

Next year, each group member plans to focus on their own personal musical projects, and many of them will be solo albums. It’s an opportunity to reconsider their individual places inside the collective. As Mineau described it, it will allow them to “take a breath of fresh air outside of the common project.”

A common project that they without a doubt wish to continue next year when they get back together. With gratitude, Mineau recalled “the amazing encounters along the way and the incredible opportunities seized on our path.”

It’s about taking a step back to get an overview of everything that has been done.

When asked what form this moment of reflection will take or what they want to do during these months the drummer didn’t have an answer. He may not have one until their final show at the Corona Theatre this week. But Malajube is confident about one thing.

“It’s not just about releasing another CD, just to release another CD,” said Mineau.

It’s about situating their upcoming musical creation inside the course of their career in order to determine what the next step will be. And first and foremost, pinpoint what they can offer to their fans.

At the end of it all, as Mineau underlines, the most powerful link is the musical one. It’s about erasing yourself behind your songs, and giving music as a gift to those that are present to receive it.

 

Malajube play the Corona Theatre on Wednesday, Nov. 28. Tickets are $23 + ticket fees.

Categories
Music

Clement Jacques on language, passion and life

The video for Clement Jacques’ “Femme invisible ” was shot on the road from Montreal to Saguenay-Lac-St-Jean, his hometown.

Jacques Clement album.

“Maybe I should go back and drive up to the north/Far from all that I’ve been trying to flee […] Came here to find some truth not easy to believe […] I’m afraid it is too late.” He wrote these lyrics after the move from his native home to Montreal a couple of years ago, uncertain about this shift.

“I wondered at that moment if it would have been better to have stayed in Saguenay and get a normal job,” said Jacques. “I didn’t know if I had made the right choice.”

Apparently he did.

After releasing his first album in English, Consumed and Guilty, the folk singer-songwriter launched Le Maréographe in 2011, his first French record. With this second album, Jacques dipped into the francophone scene and gained radio airplay. He was also part of the D’une île à l’autre artist series, which was launched in promotion of the French language and emerging francophone artists. His decision to shift from English to French was not a conscious one, nor was it something he took the time to think out rationally. It came naturally.

“In French, I sing more intellectually,” said Jacques. “I sing with my heart and guts. It’s not that I don’t do that in English, it’s different.”

Music may be his primary passion, but he also works at a bike shop to make ends meet, and for the diversity.

“I don’t think I’m meant for a steady job. I love to try my hand at different things,” said Jacques. “It clears my head. I have the impression of self-accomplishment, of thriving.”

Music gives him the opportunity to communicate differently than in words. Music ‘speaks’ for him, and allows him to reach out and touch people. Jacques’ main goal is to continue composing music and to be as proud of it as possible, independently of the amount of people it attracts.

“An album is meant to stay for life. Even when you’re dead, it is something that will stay on earth,” said Jacques. “It was recorded in a certain way, you can’t backtrack. Your goal is to be proud of it so you’ll never regret it.”

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Music

Coup de coeur: a proper homage to francophonie

The Coup de cœur francophone festival is back for its 26th edition. Press photo

The Coup de cœur francophone festival is back for its 26th edition with an outstanding palette of francophone artists. The goal: to celebrate French music in all of its creativity, forms and shapes across the country.

From Nov. 1 to 11, Montreal’s heart will be pounding to the rhythms of dozens of francophone artists. The festival provides unique support to rising artists belonging to francophone minority communities, and most importantly, brings the festival on the road, giving these same communities access to musical discoveries. Coup de coeur features blues, rock, indie, folk, country, bluegrass, poetry … you name it!

The lineup is so impressive, it’s difficult to find where to start; Richard Desjardins, Marie-Pierre Arthur, Chinatown, Bernard Adamus, Pascal Lejeune, Xavier Cafféine, Julien Sagot, Madame Moustache and much more. Emerging artists, such as Les Hay Babies, Simon Kingsbury and Klô Pelgag join the already established talent in this diverse mosaic of francophone music. You will have the opportunity to discover and rediscover winners of industry prizes such as Festival en chanson de Petite-Vallée 2001, Prix Felix-Leclerc, Prix France OFF, Prix Rapsat Le lièvre and le Gala de l’ADISQ.

Press photo.

Another important aspect of the festival is ‘Les Escales Coup de Coeur’, which offers an open window to artists from outside the province and the opportunity for them to interact with the Québec audience. Bratsch, La Grande Sophie, Alexis HK and Suarez are among these out-of-province guests. At the Théâtre Outremont, ‘Danse Lhasa Danse’ will be presented in tribute to singer songwriter Lhasa de Sela – who died in 2010 after being diagnosed with cancer.

CIBL will host live public recordings of the radio show “4 à 6” with numerous artists. Francophonie Express and Live at La Quincaillerie will also be recorded on Nov. 6 and 7 with select francophone artists. All 10 days of the festival is packed with album launches, prize presentations and free lunch shows at Bistro in Vivo.

The icing on the cake: a pyjama party with Bia, a Brazilian artist living between Québec and France, on Nov. 11. In brief, Montreal’s Coup de coeur is an array of events to fill your ears, make your soul soar and your heart burst into song.

 

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Student Life

Organic food – friend or trend?

The Concordian visits Les Bontées de la Vallée organic farm. Photo by writer.

Awareness concerning farming practices has been growing, as the access to organic products has been multiplying around the city. Les Bontées de La Vallée sell their products on the corner of Fabre St. and Laurier St. each weekend from July to November. At their stand, you can buy an impressive diversity of organic goods following the time of season: carrots, fresh lettuce, apples, pears, fines herbs, tomatoes, cucumbers, blueberries, potatoes, beets, bok choy, as well as other varieties rarely seen in the grocery store such as swiss chard, kale, purple broccoli, tomatillo, purslane and even fresh chamomile.

François D’Aoust is originally a graphic designer. A few years ago, he started reading about organic farming and medicinal plants. His interest grew stronger as the time passed and he finally decided to take a course on agriculture production in Ontario to start his own business.

He then met Plante, who was an artistic agent at the time. She fell in love with organic farming and the organic farmer!

The two have been running the farm together for three years. For Plante, it’s the human side, offering a space for community bonding and sharing at the market. For D’Aoust, his passion is to offer a wide variety of fresh quality and responsible products.

How then is it possible that Stanford University can state that “after analyzing the data, the researchers found little significant difference in health benefits between organic and conventional foods”?

Photo by writer.

First of all, its claims were made mostly on a nutritional basis. They analyzed papers “that compared either the nutrient levels or the bacterial, fungal or pesticide contamination of various products (fruits, vegetables, grains, meats, milk, poultry, and eggs) grown organically and conventionally.” At the same time, the study specified that “there were no long-term studies of health outcomes of people consuming organic versus conventionally produced food; the duration of the studies involving human subjects ranged from two days to two years.”

The question is: can you draw relevant conclusions on these relatively short-term studies? What happens when you look at the whole picture, taking into consideration other elements beyond the nutrition levels?

The principle underlying organic farming is sustainability, in the short as well as the long run. On the farm in Havelock, D’Aoust is constantly trying innovative farming practices to produce in the most natural way.

Rather than rolled down in June, rye and clover are sowed in a field where they will stand as green fertilizer and as a blockage to weed for future tomato plants to grow. Daikon roots grow almost wildly, drilling the ground, thus aerating it naturally. Plantation sites are changed around every couple of years as to avoid draining the soil of its nutriments.

Photo by writer.

“Organic farming is a destination,” said D’Aoust.

As students, we can often feel divided between our responsibility as citizens and our restricted budget. An important aspect here, if not the most important, is buying local.

The organic stamp can be very expensive. Often, small-scale farmers just can’t afford it, but many still use sustainable practices. At Jean-Talon Market, you can find several sustainable producers such as Les Jardins Sauvages. It is either the same price or less expensive than at the grocery store since there are fewer intermediaries, and it is by far more delicious!

Organic farmers are often called “family farmers.” It’s about re-establishing the link between consumers and producers. It’s about taking our responsibility through our daily actions, raising our awareness and creating the kind of world we want to live in. So while it’s still unclear what the exact health benefits of eating organic food are, it’s still worth it to invest in these local community-run operations.

 

 

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Music

Perreau gets by with a little help from his friends

Yann Perreau for his latest album “À genoux devant le désir.” Press photo.
A couple of years ago, the poet Claude Péloquin gave Yann Perreau 300 pages of poetry and said: “you can do what you wish with this.”

With the recent death of his father, the liberty to draw from this sea of prose came as a full breath of fresh air. From this ocean of words, À genoux devant le désir stood out as the title. As Perreau puts it, a title has to have some punch to it, and he had found his ‘punch line.’

Perreau describes himself as one of a line of artists who push their limits. As a multidisciplinary musician, he draws from theatre, dance and literature to colour his music and nourish the soul. He doesn’t want a label to be stuck to his forehead. He is in constant evolution, and when asked what kind of artist he is, he says, “I don’t know yet, and I think that is healthy.”

This collaboration between Perreau and Péloquin was not planned. At an art exhibition in 2009, Perreau felt a hand on his shoulder — it was Péloquin, a legendary artist that marked the ‘60s and ‘70s in Quebec. A true and creative relationship was born from this encounter.

Building an album based on Péloquin’s words, for Perreau, brought the poetry to life. At the same time, the singer created an album faithful to his own image. He describes it as the boundless and eclectic soundtrack of an unexisting movie. To see it, you simply have to close your eyes and let yourself travel away.

Perreau’s liveliness, energy, and authenticity stood out throughout his Oct. 11 album launching show. Boasting a backing band composed of 20 musicians and nine female vocalists, this was his biggest show to date. For each musical piece, Perreau called for the voice of a particular singer. He performed “Les temps sont au galop” alongside Marie-Pierre Arthur and sang “Vertigo de toi” with Catherine Major. “Qu’avez-vous fait de mon pays” called for the rasping voice of Salomé Leclerc, and nobody but Lisa LeBlanc could have sang “Le coeur a des dents.”

The show was a brilliant homage to femininity and Quebec talent. The climax of the evening was the announcement of Perreau’s girlfriend’s pregnancy, or “the moment to which each man aspires in his life — to become a father.”

In short, À genoux devant le désir is an uplifting album that comes straight from the heart.

Categories
Music

Mixtape: SKA 101

Take out your dancing shoes and get ready to dance the weekend away to the sound and rhythm of flying trumpets. The 4th annual Montreal Ska Festival drops on Thursday, Oct. 11 and will stir up the city until Oct. 14. The festival offers an amazing program with must-see performers from the local and international scene. Check out the Launch Party, the NYC Showcase or All-Skanadian Night and you’ll have no choice but to “dance your butt away,” as the organizers put it. And why not end the weekend with a delicious Sunday ska-brunch at Ye Olde Orchard with Mitch Girio’s acoustic show. Your eggs and ska-con will never have tasted so good!

Let this compilation serve as your festival appetizer, for it features many of the artists playing this week.

 

SIDE A: Chill out, rock out

1. “Autumn Day” – Victor Rice and Chris Murray – Single

2. “Worth The Height” – The Harmonauts – Single

3. “Get Alright” – The Fundamentals – Get Alright

4. “Center City” – The Dropsteppers – Get Up In It!

5. “Blinding Light” – The Forthrights – The Forthrights

6. “In This Time” – King Django – Roots Tonic

7. “Desert Storm” – Treble Warriors – Single

8. “Salvation” – Westbound Train – Single

9. “Do It Right” – Mr. T-Bone feat. King Django – Single

10. “At the Smiling Buddha” – Mitch Girio – King Kong Girio

 

SIDE B: Fetch your dancing shoes

11. “Freddy Don’t Blow It” – Vinny Savage & The Wild Side – Demo

12. “Messing Around” – Deals Gone Bad – The Ramblers

13. “Kitchen Floor”- The Fundamentals – Leaving Me Behind

14. “Montréal brûle” – PL Mafia – Le Kid

15. “Firecracker” – The Aggrolites – IV

16. “Kenshin” – Sound One – The All Skanadian Club Vol. 5

17. “Streetlight” – Thundermonks – GET FED

18. “Kissing Hands and Shaking Babies” – Stepper – Single

19. “One Night” – The Beatdown – Single

20. “Home” – Chris Murray –  Raw

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