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Arts

Concordia’s EPIC Used Book Fair returns for the first time since 2019

Concordia’s annual book fair aimed to beat their goal of raising $30,000 for student scholarships through volunteer events

Concordia’s annual EPIC Used Book Fair made its grand return with over 1000 books to sell. The event took place in the EV building atrium on March 28-29. The fair aims to raise funds for student scholarships and give a second life to used books. 

This year, the fair received 30 pallets, with each pallet containing over 20 boxes of books. The books were donated by faculty members, alumni, students and people from the community. Event coordinator Luke Quin said they were accepting donations year-round. 

The book fair’s purpose is to raise funds for students. It is a charity event where all proceeds go towards student scholarships.

“Some of us are also passionate about used books and giving a second home to used books, so that’s an added incentive to running this fair,” said Quin, who would rather see a book go home with a new friend than see it end up in a landfill.

Students and members of the public can find books of all types, from science and math textbooks to books on performing arts. 

Giordano Imola is a student in the performance creation program of Concordia’s theatre department who stumbled upon the book fair. “I came looking for plays […] and I found a bunch that I’m just looking forward to reading. I’m just deciding what to keep now,” said Imola.

The pricing was one of the main selling points of the book fair. Book prices began at $3 and went up to $10. In previous years, the book fair had made up to $30,000 dollars. This year they hoped to raise more. 

The fair was entirely volunteer-run. The Concordian spoke with volunteer Ginette Leduc, who said that by 2 p.m. on the first day, her cash register alone had made around 150 sales, and she estimated that her partners had made similar sales.

It was Leduc’s first time working the cash register, which she found quite stressful albeit enjoyable. “People understand, there’s big lineups sometimes, but it’s for a good cause so that’s OK,” she said.

The book fair has been running for 20 years. Before Quin took over in 2016, it was run by Susan Hawke and a small core group of volunteers. Since then, they’ve been able to recruit new volunteers, accept electronic payment and get more book donations. Quin says they’ve had some support from Concordia’s University Advancement community and fundraising program to promote the book fair on social media, and a ton of support from the services and sustainability sector of the university.

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Arts

This year’s Expozine draws crowds

A first-hand account of this year’s hipster-filled small press fair

“You might have to pinch a few dicks to get through,” I overheard somebody say as I walked into the overcrowded room where Expozine, the yearly Montreal small press fair, was held. Row after row of tables, piles of books, walls plastered with posters: I kept telling myself to look at everything before buying anything, but I ended up reaching for my wallet whenever something caught my eye. There was too much to see and I wanted it all. I went broke within the first hour.

Here is a work by Meags Fitzgerald, one out of 300 individuals present at Expozine.

I talked a bit with Keenan Poloncsak at the Pro-Can table. Keenan recently released a movie based on his first comic, Pro-Can (Ibalizm), about a new drug that turns people into flesh-eating zombies. He doesn’t want to put the movie online, but told me to check out his website for postings on the upcoming screenings in Montreal. A DVD release is still in the works. I bought his newest comic, Cop Porn, which Keenan drew with his left hand—anything to be original these days.

The Co-op Coup d’griffe table always has cool stuff for sale, according to my own experience. Their posters and silkscreened patches are intensely detailed and keep getting better every year. They had a few copies of their political zine, À L’Attaque! for sale, as well as a suitcase full of folk punk CDs.

I was particularly giddy going through Adam Waito’s posters. Waito is known for illustrating many of Pop Montreal’s posters, often featuring a different spin on popular characters. I walked away with a poster of E.T. and Yoda as baggy-pants gangsters and another of Freddy Kruger eating breakfast. I guess even a nightmarish monster needs a big breakfast to start the day right.

Even if you go to Expozine with empty pockets, you can still pick up a number of stickers and zines for free. For example, at the Nouveau International table, I picked up their Makin’ Art zine, a guide to the happenings at Théâtre Sainte-Catherine. I also coaxed them into giving me a Dépflies poster, free of charge. A short conversation really brings out the generosity in some.

One recurring complaint I heard from the vendors was of how packed the event was. So many of them wanted to leave their post to browse the other tables, but the overwhelming crowd kept them stuck behind their own. There was a doubt among many that they could clear the room by 6 p.m., the scheduled closing time of the event.

Besides the occasional claustrophobia, this year’s edition of Expozine was a success. I walked away with a bag full of bizarre art, content with my purchases. Being able to experience the clash of cultures, the protesters, aging hippies, weirdo cartoonists, knitting hipsters and parents passing on the creative torch is the reason I return to Expozine year after year. If you feel like sharing your personal space with some of those fascinating characters and browsing the impressive collection of works presented at the event every year, keep in mind the name and be one of the many, many people that will come back next year.

For more information, visit expozine.ca.

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Arts

So you think you’ve zine it all?

Biggest small press fair Expozine preparing to take a hold of Montreal this upcoming weekend

There’s a moment every year when I get overly excited. No, it’s not Christmas, not my birthday either: it is for Expozine, happening on Nov. 15 and 16. Expozine is a small press fair co-founded by Louis Rastelli in 2002, and it has grown to become the largest event of its kind in North America. It will be taking place in the basement of Église Saint-Enfant-Jésus where over 250 artists and publishers from all over the world will gather to sell their books and art.

Rastelli has been writing for zines and local newspapers since the mid 1980s. “I was a teenager and I started submitting concert reviews, band interviews and record reviews. I also started publishing my own zines and little books in the 1990s,” Rastelli said. “I knew the Montreal scene very well and I had six or seven colleagues, also long-time underground self-publishers, who felt the need for something to promote their work. We already had a good list of contacts and people to invite to take part when we first started this project.”

Expozine advertises itself as one of the most important Montreal cultural events of the year.

The reason Expozine has become so big is mostly due to its bilingualism, which attracts people from all over Quebec as well as publishers from France, Belgium and the United States. “We have to turn away so many people because we don’t even have room for them. Everybody wants a table at Expozine; it’s getting tougher to sell stuff at bookstores, so events like this are really important for sales,” said Rastelli. “A lot of publishers rely more and more on book fairs to be able to sell enough books.”

At least 100 out of the 250 participants are new to Expozine. “We have a crew from France coming in for the first time; they’re called Cagibi, really insane silkscreen and printed art,” Rastelli described. “Another new exhibitor is the Goethe Institute, who are cultural ambassadors from Germany.”

The Expozine sister project, Distroboto, will be present as well. For those of you who haven’t heard, Distroboto takes old-fashioned cigarette vending machines and fills them with small art and zines that sell for two dollars. Another thing to look for this year is Rick Trembles’ work. Trembles is best known for his Motion Picture Purgatory comic reviews in the recently deceased Montreal Mirror, and is teaming up with his 87-year-old father, a long-time illustrator and comic artist. They will be launching their brand new zines together at the cultural event.

Expozine will also be having a number of round table discussions, one of which will be hosted by a former member of Arcade Fire, Howard Bilerman, and will concentrate on the explosion of the Montreal indie scene in the past years. It will take place Saturday, Nov. 15 at 3 p.m. and admission is free. Archive Montréal, co-founded by Rastelli, will also be hosting a roundtable discussion exploring the small independent press of the 1960s and 1970s, which will be presented on Sunday, Nov. 16 at 3 p.m.

“Expozine looks for art that is pushing the envelope, or that is more innovative or different,” Rastelli explained. “For me, it’s like Christmas; if I don’t have enough time to go around and buy something from every table, I’ll be very disappointed.”

Expozine will be held on Nov. 15 and 16 in the basement of Église Saint-Enfant-Jésus situated at 5035 St-Dominique. For more information, visit expozine.ca.

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Student Life

Concordia hosts annual bibliophile’s delight

Annual Antiquarian Book Fair brings rare items and collector’a knowledge to university.

I’m holding a $15,000 book in my hands. It’s a one-of-a-kind piece of 1870s French fiction extolling the pastoral life. Its owner half-jokingly introduces it as the very first treehugger novel. I asked if I could open it, hopeful because it wasn’t under lock and key or behind glass, but surprised all the same when the request is accepted – if it was mine, I’d demand latex gloves. The touch, the smell, the hand-drawn pictures and binding all speak of a craft inimitable by electronics. Next to it is a self-published sliver of a book by a young and completely unknown Margaret Atwood. Further down along the tables are musty bibles from the 1700s; religious and political tracts hailing from the Glorious Revolution; limited edition lithographs from famed artists; old maps showing how far Montreal has evolved, yet how little it’s changed.

Though not a typical experience, this is what you would find if you attended last weekend’s 31st annual Antiquarian Book Fair, held at the ground floor of the McConnell Library building.

Photo by Milos Kovacevic.

The books (and maps) were wide-ranging and multinational in character, and their keepers a colourful bunch. The older books were kept quite in the open, which was unusual. Some were falling apart, but perhaps that was the reason for their display – you keep your real valuables safe and keep a few shiny ones for display. After all, students won’t routinely spend a few hundred dollars on a hard cover.

More interesting and rewarding than the literature on display was the chance to speak to their owners and gain insight into a specialized industry. A relatively modest event of some two dozen participants ranging from as far as Ottawa and Toronto, they were nonetheless friendly and informative. Any bibliophile would find pleasure in discussing literature with them. After a few tables, one gains the barest of footholds in their world. Patterns emerge and similarities became apparent. Cartographers are a political bunch, dealing in visual representations of dominions and empires; the book antiquarians are a patient folk – more than once, I was told it took several decades of diligent service before clients offered their loyalty and the chance at seeing or handling the real treasures. All are ultimately salesmen, eager to cultivate connections but not necessarily open to discussing the tricks of their trade or the specifics of margins and sources. Judging from the median age of the book sellers, it’s not a business easily broken into.

“You need about $2 million in stock to get $200,000 in [yearly] income,” said Wesley Begg of Toronto’s Contract Editions, which specializes in rare books. Despite prohibitive entry costs – or perhaps because of, as those able to sink such resources have substantial sums to fall back upon – Begg thinks the future of the rare and unusual book trade will always exist to cater to a wide array of budgets, from rich patrons to bibliophile student collectors. Not so for regular used book stores, which Begg declares a moribund industry. More nuanced is the opinion on the book industry as a whole: some see highs, others continue to experience tough times.

Montreal isn’t Europe or New York when it comes to antique books. We’re not a major stopping point, and the offerings (and prices, which can hit millions of dollars) reflect this, but it’s nice to know Concordia’s library serves and will continue to serve as a gathering place for dusty tomes and their fans.

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