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Arts

Art criticism doesn’t have to be theoretical

Ground Work offers students a unique platform to showcase their work

The launch of the first edition of Ground Work, an art criticism journal published by the Fine Arts Reading Room (FARR), was celebrated last week.

Artists and writers alike were encouraged to write about art that they encountered on and around Concordia, whether it be at the VAV Gallery, during a studio class, or anywhere else on campus.

“At Concordia, there isn’t a journal dedicated to art criticism within the fine arts community,” said Le Lin, who works at the FARR, noting that the form of art criticism that takes place within the faculty is more theoretical, aimed towards Art History students.

“When you interact with different spaces within Concordia-during critiques, at FOFA, Leonard and Bina-you sometimes have a lot to say,” said Lin, adding that Ground Work aims to offer a place for fine arts students to express themselves through writing. “[We wanted] Ground Work as something to offer everyone, and not just Art History students.”

Five versions of Ground Work are available, described as “collectibles” by Lin. Designed by Van Le, another employee of the FARR, the graphic concept originated from a cracked phone screen. A vibrant red arcade font and black fine line detailing adds an interesting and unexpected pop against the off-white paper, which folds out into a poster.

Each of the five printouts features a single text, ranging from works exploring contemporary art within urban landscapes, to review-type features about art exhibited within the school’s galleries.

Eva Morrison’s “Desire Lines” delves into user experience, in regards to the large “C” sculpture outside Concordia’s Sir George Williams Campus. Hea R. Kim’s “The Inner Presence of Absence: Dominique Sirois’ Sous Verre, Sous Terre III, IV, V” is an article about multimedia artist Dominique Sirois’ works, featured at Galerie Laroche/Joncas in downtown Montreal.

The texts, which are at once academic and personal alongside the DIY-approach assembly of the journal, convey expression and theory in a way that does not feel like an essay.

Despite offering publication grants to students, Ground Work is the first publication by the FARR. “I do see more programming [for the FARR] being done in the future,” said Lin. “We definitely see [Ground Work] being continued… or another FARR publication, maybe.”

The FARR is a student-run library-meets-resource centre, located on the second floor of Concordia’s EV building, offering resources, and publication and residency grants to students and clubs.

“A lot of resources come to us, so that we relay the information out,” said Lin, adding that the FARR’s catalogue is currently expanding to fill gaps of what is missing in the Webster library, and noting that they currently have a wide selection of new resources available from their trip to NY Art Book Fair.

All students interested in submitting work can expect to hear callouts for the next issue during the Winter semester.

Copies of Ground Work can be found at The Fine Arts Reading Room, at EV 2.785. The FARR is open Mon to Thur, from 10 a.m. to 7 p.m., and Fri from 10 a.m. to 6 p.m.

 

Photo by Cecilia Piga.

Categories
Arts

Happening in and around the White Cube this week…

Happening in and around the White Cube this week…

Theatrical release: Dérive

What does it take to make a film? After 13 years of planning, writing and filming, Concordia film production graduate, David Uloth’s feature film was finally released in theatres on March 8, International Women’s Day. A drama, Dérive showcases the strength of a mother and her two daughters navigating a recent loss in the family.  

For showtimes, consult www.cinemamontreal.com

 

FARR Art Book Symposium

The Fine Arts Reading Room (FARR) is a library resource at Concordia University which offers residencies, computer access and printing services. The symposium will consist of a series of events and workshops. On March 26, Tommi Parrish will lead an artist talk at 3 p.m., followed by a zine-making event. At 3 p.m. on March 27, Taylor of Bookbinder’s Daughter will lead a binding workshop, and on March 28, the symposium will end with a zine fair from 12 to 5 p.m. and a publication grant finissage from 5 to 7 p.m.

  • When: March 26-28
  • Where: EV Junction (EV2.785)
  • All events are free and required materials will be provided

 

apəTHē/

apəTHē/, or “apathy” is a play created and written by the students of PERC490, Performance Creation Mainstage, a year-long theatre production class. Sara Jarvie-Clark, FASA general coordinator, theatre student and musician (who performed at Somewhere Shared’s event, Somewhere Inside), and Scarlet Fountain, intern at Concordia University’s Centre for Creative Reuse (CUCCR) and artist behind the Rope Project, are among several students involved in the production.  

  • When: March 27-30
  • Where: F.C Smith Building, The Cazalet Theatre (Loyola Campus)
  • For show times and tickets visit www.facebook.com/events/2249566458636290/
  • Tickets are $12 for general admission and $7 students and seniors.
Conversations in Contemporary Art presents Andréanne Abbondanza-Bergeron

Andréanne Abbondanza-Bergeron is a Montreal-based artist, teacher, Concordia alumna and current artist-in-residence at Concordia University as the 2017 recipient of the Claudine and Stephen Bronfman Fellowship in Contemporary Art. Abbondanza-Bergeron is inspired by architecture, working with sculpture and installation to “point out the disparities between inside and outside, as they point out to various forms of built and social structures of control; dictating access or rejection into a specific structure or relationship,” as described on the event page. For more information about the Conversations in Contemporary Art talk series, visit concordia.ca/cica.

  • When: March 29 at 6 p.m.
  • Where: de Sève Cinema, McConnell Library Building (LB-125).
  • The event is free and open to the general public
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