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Tourne au Rouge #4

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“This world is but a canvas to our imagination” – Henry David Thoreau.

Smirking, Anya looked over the photographs that had been scrunched into balls; faces of her family were wrinkled and distorted, pieces of the glossy paper hung freely from the clothespins that ran along the wall on wires. Mary-Anne’s pictures were ruined. The attic began to tremble and Anya heard what sounded like the rumble of an approaching train.

A far-off voice called out her name. It sounded like Todd. Anya thought to herself, “Am I dreaming?” She looked around for where his voice might be coming from, but she was alone in the attic. The boxes stacked against the attic wall rattled as the clanking of a train on metal tracks roared louder and louder, blowing its horn as if it were headed straight toward the house. A sharp wind blew the scraps of paper in the air as Anya took a few steps back in disbelief. She bumped her foot against one of Ma’s old canvasses, her big toe coming away wet and stained with paint. Thin streams of paint trickled from the canvas and came together in red and purple puddles. The sky above the carousel in Ma’s painting sizzled like burning oil in a pan, sending off specks of blue onto Anya’s nightgown. The train whistle screeched. It was impossibly close. As Anya was about to turn and run, the boxes burst open and paint spurted everywhere.

The attic began to flood. Anya was trapped in a growing sea of swirling colours. Before long she was a floating work of art herself, covered as she was in multiple splotches of paint. Anya opened her mouth to cry out but a huge wave rolled in from behind the curtains and swept the young girl off her feet. She flailed her arms but it was no use. She felt herself being pushed and pulled as the sea of paint spun, as though someone were stirring it with a spoon. She spotted the bare bulb hanging from the ceiling and wasted no time. Kicking her legs and flailing her arms, Anya swam until she was able to reach out and grab a hold of the cord. Just then, as the cold paint was splashing against her chin, the floor gurgled. Anya hung in midair and watched as the entire sea drained into Ma’s canvas.

Groups of children were gathered around every window peering out as the bulky train came to a slow stop beside the tree with the wooden pictures frames. In large looping letters above a ferocious looking tiger, a sputtering firecracker, dancing mice and a flying trapeze swinger painted on the metallic door of one of the train cars, were the words: “Tourne au Rouge.” Leaning against the wheel of the train, the spindle-legged man dressed in a scarlet jacket with golden buttons tapped his silver spoon once more against the edge of his tea cup, before drinking it all in a single gulp.

“She mustn’t see the boy,” said the man to the shadow as it came scurrying back from where it’d gone.

It shook its head vigorously, bending over to catch its breath.

“Now go take it down,” he hissed. “She will be here any minute.”

The shadow was about to sigh, but then corrected itself. It stood by the tree and swung its arm high above its head like a loose rope. After two attempts, its hand reached the wooden frame in the top right corner and knotted itself around the branch. It snapped the frame off with a flick of its wrist. Gently, the shadow reeled its arm back down, feeling the man’s eyes locked on its every move. Just as the wooden frame was propped against the trunk, Anya came sliding out of the frame in a pool of brown mush.

“You’re right on time,” the man said, pulling a watch from his inner pocket. “The train is about to leave.”

The man held forth the broken horse’s leg, “I believe this belongs to you.”

Anya came forward, furrowing her eyebrows.

“Little brothers,” he sneered. “Always touching what doesn’t belong to them.”

“Who are you?” asked Anya, taking the broken piece.

Flecks of dust shook free as the man jerked on his jacket and said: “Jester Thingrim.” He took her hand in his and shook it firmly.

“Have you seen my bro—“

“Todd?” Jester Thingrim cocked his round head to the side and grinned. “He’s already on board.”

A gentle breeze blew under her nose, carrying a whiff of caramel and buttered popcorn with just a hint of peppermint. Rubbing her arms to warm them, Anya looked at the train and at the children inside, bickering with one another.

Anya said: “We should go home” and looked over her shoulder at the empty wooden frame.

“I’ll go get Todd then.” Jester Thingrim shrugged. “He’ll be disappointed, though. He was so excited to meet his mother…”

“W-what? My mother is here?”

Jester Thingrim took a giant step toward the train and said: “Right there,” indicating the tiny painting of the trapeze swinger. Anya stared at the painting, dumbfounded and without realizing it took the man’s proffered arm and boarded the train.
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Tourne au Rouge #3

Barefoot, Todd chased after the shadow thief, nearly tripping over his pyjama pants. He didn’t know what it was or where it had come from, but it had stolen the horse leg from Anya’s carousel. He had to get it back. Without it, Anya would never forgive him. The sound of the storm outside muffled the pitter-patter of his feet as he scrambled up the attic stairs. But there was no sign of the thief when he rushed inside. The full moon shone through the window pane and lit the room up. His foot stepped on a ruffled piece of paper. He bent over and picked it up. It was one of Mary-Anne’s photographs.

Todd stared down at the picture as he remembered the Sunday morning it had been taken. They were making breakfast. Papa had cracked the eggs on the edge of the counter while Todd guarded the sizzling bacon and toasting bread.

“Morning, sunshine,” Papa said as Anya shuffled into the kitchen.

Anya stretched her arms out and yawned. “What are you doing,” she had asked. “Pancakes,” Todd exclaimed, wearing Papa’s necktie around his head and an old pair of black sunglasses.

With a flick of the wrist, she flipped the pancake. As soon as it splotched back onto the pan, Todd rushed in front of her and smacked the pancake with his spatula. When both sides turned golden-brown, Papa gave them a thumbs-up and held out a plate.

Papa said: “Watch out!” and pointed to the stove. While the children had their backs turned, he swiftly snatched the pancake. Anya ran after him, while Todd crawled under the table, but he had gobbled it up before they had caught him.

Anya poured another spoonful into the pan. “Just try and get this one,” she warned, waving the wooden spoon.

Todd tugged on Anya’s apron. “Can I try?”

She nodded and lifted her arm to let Todd slip under. He placed his hands on the handle like Anya. At that moment, Mary-Anne had walked into the kitchen, holding her camera and had taken a picture of them just as they jerked upwards. Taken by surprise, Anya had burnt her hand and the pancake had landed with a splatter on the floor.

Todd’s thoughts were halted by a flicker out of the corner of his eye. His hand clenched tightly around the photograph as he looked around the attic. All of Mary-Anne’s photographs had been ripped from the wall, crumpled in a ball or torn apart. Turning, Todd saw the shadow rear up to its full height. The scream welling in Todd’s throat was silenced by the shadow’s hand covering his mouth. It almost looked alarmed, shaking its head wildly and bringing a dark finger to the line where its lips should have been. Todd didn’t have any more time to think as the shadow thief scooped up a white sheet and enveloped him, sending Todd into a world of darkness.

The bag swung back and forth. Todd felt as though he were falling as his stomach looped several times over. He would have been sick if he hadn’t been able to maintain his sense of balance within his makeshift cage. Searching the sheet Todd found a small hole just big enough to see through. He gasped when he realized how high they were. The shadow was quickly sliding down a tree using his hooked feet and hands. Underneath them, a potbellied man sat on a tree stump with his long slender legs crossed. The man wore a scarlet tailcoat with golden buttons that looked a bit tight for him, a shock of red hair stood up from his head in every direction. He stirred his tea as though he enjoyed the sound of the silver spoon when it clinked along the edges of the cup.

The shadow dropped Todd and plonked onto the hard ground, still trapped in the bag.

“Did you find it?” asked the man, lifting his head. On the tip of his crooked nose perched a pair of golden spectacles.

Todd felt the shadow leave his side and saw it approach the old man. The latter extended his hand, palm upraised as if expecting a gift. From his spot in the bag, Todd watched as Anya’s horse leg was exchanged between the two. For some reason, this old man scared him and he was glad to be in the bag. Even the shadow appeared to be quivering. Once the horse’s leg was dropped into man’s hand, the shadow withdrew itself as though it were burned by fire. It hurried back toward Todd and seemed intent on taking him away.

“Wait.”

Todd felt the shadow freeze.

“What do you have in the bag?”

The shadow said: “Stuff,” and backed away.

“Empty it.”

In an instant, Todd found himself rolling on the ground, but it was like no ground he had ever seen before. Puffs of mist formed as he breathed out into the chilly air. All around him was a forest of stumps.His eyes fell upon the only tree, a massive bulk with gargantuan branches. Hanging from the branches were various wooden picture frames that swayed in the breeze.

The man pointed a finger at the young boy. “What is that?”

“I panicked,” replied the shadow. “He followed me and— she was coming.”

“So you took him?”

“Let me keep this one,” pleaded the shadow.

“This is not the child I asked for!”

Todd felt the shadow recoil beside him as the man towered over both of them. He looked at his kidnapper and then up into the cold eyes of this man who appeared to rule a dead world. One thing dawned suddenly in Todd’s mind: Anya was in danger.

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Tourne au Rouge #2

All happy families are alike; each unhappy family is unhappy in its own way.
— Leo Tolstoy

– – – – –

“Get out of my room!”

Anya leaped forward and shoved Todd aside, so hard and fast that he stumbled backwards and hit his head against the bed frame. The loud thud resounded throughout the house.

Mary-Anne and Papa quickly appeared. Mary-Anne rushed to Todd but Papa merely stood in the door frame and looked at Anya. She clenched her teeth, not meeting Papa’s eyes, and ran a finger along the jagged edge of the merry-go-round where the horse’s leg had snapped off.

Mary-Anne cradled Todd in her arms as he wiped his nose on his sleeve, the broken piece held tightly in his little hand. Rubbing the stubble on his chin, Papa looked pointedly at Anya.

Anya said: “It was an accident.”

Papa held up a warning finger. “I want you to—”

“He was in my room again.”

“An—”

“He broke it!” said Anya, barely keeping her voice below a shout. “It was Ma’s.”

Papa grabbed her by the arms and shook her, “Anya!” The key at the end of her necklace slipped from her blouse and swung violently.

“That’s not a reason,” said Papa. “I want you to apologize to Todd.”

Their eyes met. Anya gaped at him like a fish out of water, eyes wide and glazed.

With her back against the wall, Anya slouched outside Todd’s bedroom as Mary-Anne read Todd The Three Little Pigs. Papa chuckled in the armchair by the bookcase.

“Little pig, little pig, let me come in.”

Todd put his finger to his nose and frowned. “Mmm…”

He leaned his head back as far as he could, and then shouted, “No!”

Mary-Anne said: “Then I’ll huff,” she put the book down on the bedside table. “And I’ll puff,” she raised her hands as if they were claws and loomed over Todd’s head, “And I’ll blow your house down!” Todd burst out laughing, squirming as Mary-Anne pinned him down and blew raspberries on his belly.

“Alright, kiddo,” said Papa, “time for bed.”

Quickly, Anya tiptoed back into bed and pulled the covers up. She shut her eyes and pretended to be asleep as Papa came into her bedroom. He brushed her hair from her face and kissed her goodnight. Anya waited until Papa and Mary-Anne went downstairs and she could hear the faint murmur of the television before taking the music box out from under the sheets. She set it beside her pillow and unclasped her mother’s necklace. Anya pushed the key into the winding hole, and turned it. With her head against the pillow, she hummed along to the cheery tune and watched the horses prance, spinning round n’ round n’ round … and round.

It was dark, but the light of the moon shone into the bedroom. Rain came down in silent sheets, droplets glistened on the window as lightning lit up the sky. A long, reed-like shadow seeped from under the door, filling the air with the burnt smell of caramel. Anya’s nose twitched. The shadow gambolled awkwardly across the bedroom, for its legs wiggled like paper in the wind. Quietly, it looked at the music box on the bed beside Anya. It reached out to touch the jagged edge of the horse’s leg, where was the broken piece? it wondered.

Seeing the table set up for tea, it rubbed its hands in delight and decided it would look for the missing piece later. Swirling up the chair like a ribbon, it took a seat between the stuffed bear and the red-headed doll. It doffed its top hat before pouring itself a cup of tea with a bit of milk and sugar. Leaning back, it swung one leg over the other, raised its long, thin pinkie high, and chomped into the rim of the cup, crumbs gathering at the corners of its round mouth.

The horse’s leg wasn’t in the closet or in a drawer; it wasn’t hidden in the jewellery box or in a pair of socks. The shadow looked around the bedroom once more, when from the corner of its eye it spotted a black bottle on the bedside table and eyed it suspiciously. With the tip of its fingers, it uncorked the perfume bottle and peeked inside— just then the door creaked, startling the shadow who drew back hastily.

“Anya?”

Todd crept past the door frame. Lightning flashed and a loud burst of thunder roared across the sky, startling the little boy. He broke into a sprint and climbed into the bed beside Anya.

“Go away,” she said flinging her pillow at Todd. It missed him by an inch, falling against the tea set. The cups bounced and clinked together. Todd gasped and Anya clasped her hands over his mouth, casting a worried glance at the door.

“I’m sorry I broke the merry-go-round.” Todd said when the coast was clear, furrowing his brow and reaching out to touch the key necklace. Anya quickly snatched it up and put it around her neck.

Todd whispered: “Can we fix it?”

“No, we can’t,” said Anya. “Now get off or I’ll push you again.”

Todd hopped down. The handles of the dresser drawer rattled as he rummaged through a heap of crayons, sheets of paper and bead bracelets. Todd emptied Anya’s pencil case and hurried back.

“What are you doing?” Anya hissed between her teeth. “You’re going to get me in trouble again!”

Todd held out the horse’s leg and showed her the glue stick in the palm of his hand, but Anya swatted his hand away.

“You can’t fix it,” said Anya. “Now go—”

All of the sudden, the shadow launched itself from under the bed, snatching the horse’s leg from Todd’s outstretched hand.

“Give it back,” said Todd, but it was too quick. The shadow grinned as it perched itself on top of the wall and gobbled the broken piece up. With a satisfying gulp, it flitted past Todd’s feet and vanished under the door. Todd chased after it.

“Wait!” shouted Anya and she rushed out of the bedroom. She caught a glimpse of Todd’s pajamas as he disappeared up the attic steps. Anya followed him, but when she reached the attic, it was empty. Todd had disappeared, as if into thin air.

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Tourne au Rouge

An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight. The truly wise person is colorblind. — Albert Schweitzer

– – – – –

Ma used to be a trapeze swinger until the day she fell and became a painter. It was Papa’s idea to bring the circus to the attic. A company of brushes and sponges, fat and skinny rolls of tin foil fooling around the paint rollers, and beads with no fear that slipped across the high wires stretched over a mountain of white canvases.

Papa said: “The show must go on,” and it did. In Ma’s circus it was the mice who tamed the lions. The acrobats juggled with stars and planets over a hundred gaping mouths and elephants rode unicycles in their pale tutus. Ma always had a story. Some nights the sun would set in the west and Ma would fill the water guns with honey-brown for Anya to paint a desert around the lone cowboy or pirates would invade the canvas and they had to fight back with their palette knifes dipped in navy blue. Three years later, Todd was born and a wagon-train came to take Ma’s circus away.

With her fork, Anya poked the strawberries and buried them under the spinach leaves while Todd dipped his pudgy fingers into the balsamic vinegar. Todd crammed a cherry tomato into his mouth, and then stuck his tongue out at Anya. She glanced at Papa and Mary-Anne, and threw a lima bean across the table. It hit Todd’s forehead. As Todd reached into his bowl to throw something back, his elbow knocked his glass, and the water spilled into his lap.

Todd yelped. Mary-Anne rose to her feet. Anya sniggered and Papa scowled. Mary-Anne asked: “Anya, can you get the paper towels,” and lifted Todd from his chair.

“You go get them.”

“Anya,” said Papa. “Go get your mother—”

The fork clattered. Anya said: “She’s not my mother,” and stormed out of the living room. Before Papa could say a word, Mary-Anne gave his shoulder a little squeeze. Sighing, he put his hand over hers. “I know,” said Mary-Anne. “She’ll come around.”

Behind the wooden posts of the staircase, Anya drew her knees up to her chest. She fiddled with the hem of her floral skirt, watching Todd and her stepmother. His ginger curls bounced gently against his chubby cheeks as he shook his head. Todd said: “But Ma—” and jumped into Papa’s arms, burying his face into his shirt.

“Go on,” said Mary-Anne. “I’ll be up in a minute to tuck you in.” The fabric crumpled in Anya’s clenched fists at the sound of Todd’s footsteps hurrying up the stairs.

Anya went to the attic and closed the door behind her. She pulled the string and turned on the light from the bare bulb hanging above her head. Papa said: “Mary-Anne’s an artist too,” and suggested they share the attic. Over time the canvases were replaced with Mary-Anne’s photographs. Anya despised them. They were mostly pictures of Todd, of the house, of Mary-Anne and Papa, and of Anya’s hand.

An old white sheet was draped over the boxes in the corner where Ma’s trinkets were neatly tucked away. Flecks of dust shook free as she pulled it off. Anya sat in front of a small canvas propped against the stack of boxes. Ma had never finished painting the grand carousel. The sky was an explosion of fireworks, the man dressed in red and gold beside the carousel waved with a bright smile, but the children’s faces were blank and the balloons slipping from their hands were white. A tear drop fell from her chin and landed on the canvas. Silently, Anya closed her eyes and made a wish as the tear drop slipped into the man’s hand.

In the bathroom, Todd stood on the step-stool in front of the mirror. He brushed his teeth up and down, right to left until a whirring sound caught his attention. It came from the bedroom. He hopped off and padded down the narrow hallway, peeking past the door frame into Anya’s room. The merry-go-round on the bedside table pitter-pattered. Bells jingled and horses whickered as it spun round and round. The tut-tootle tune accelerated with every step he took. Todd held the music box with both hands and brought it close to his face, watching the brass reins flop loose and clink against the back of the horses’ necks.

The sudden shrill of Anya’s voice made Todd flinch and drop the merry-go-round. One of the horses’ legs broke as it clanked against the hardwood floor.

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