garden – The Concordian

This exhibition features 51 artists, each presenting work that examines the human connection to the natural world

MOMENTA Biennale de l’image is back for its 17th edition, taking over Montreal gallery spaces and outdoor sites to reflect on the relationship between nature and the senses. Going on until Oct. 24, the visual arts biennale features 15 exhibitions, including an outdoor garden, a virtual reality city tour and four performances.

Curator Stefanie Hessler proposed the main theme of the event: sensing nature. Along with curators Maude Johnson, Camille Georgeson-Usher and Himali Singh Soin, Hessler organized projects and exhibits related to their thoughts on this theme. One of MOMENTA’s projects this year is an urban outdoor garden created by artist T’uy’t’tanat-Cease Wyss, and is situated on the corner of Berri and Ontario St.. Titled TEIONHENKWEN Supporters of Life, the work brings together a large variety of ancestral plants such as raspberry, corn, tobacco, and basil. They stand as a little herbal island in the middle of downtown Montreal’s cacophony, filling the air with smells of flowers and herbs.

Wyss has a practice of creating such gardens in places where urban life has taken over and plants do not grow easily anymore. The multidisciplinary artist and ethnobotanist chooses plants that would originally grow at the place where the garden will be situated. TEIONHENKWEN was created with a desire to showcase ancestral plants, and allow communities and animals to be in contact with them.

Another MOMENTA presentation is exhibited at the Fonderie Darling. Curated around the work of six artists, the art event is titled Worldmaking Tentacles. The curators imagined a post-apocalyptic world taking place in 2071. For Jessica Sofia Lopez, the cultural mediation and audience development coordinator at MOMENTA, this exhibition is particularly rich as it is “very political — it’s very charged and really it invites us to take agency of our own ignorance.”

When entering the space, Julien Creuzet’s three art pieces are the first to be seen. The French artist presents a hanging sculpture made of diverse materials collected over time, a printed collage, and a short film. The psychedelic video touches on the problem of Kepone pesticide found in banana plantations in Martinique and Guadeloupe. Jamilah Sabur’s Mnemonic Alphabet follows, and includes three brightly-coloured canvases. The artist creates a new language, putting forward the idea that languages might fail to represent the world accurately.

Tejal Shah’s Between the Waves speaks to the exhibition’s theme in video form. The artist created a world in which creatures wearing white plastic outfits with insects on them and ballet shoes live in two settings. On one screen, the audience can observe them exploring a dumping ground set amidst a town. On the other screen, the creatures move in a deserted landscape.

In Sandra Mujinga’s work, clothes are the central subject as the artist presents three laminated leather outfits, which are meant to invoke thoughts on the invisibility of marginalized communities. Mujinga also presents video experimentations with images coming together to create abstract creatures.

Tabita Rezaire’s INNER FIRE series is displayed at different places in the room. The five hanging works of art explore ideas of the “multiple identities related to archetypes of the Black woman,” as explained in the exhibition’s program. Rezaire layers images and references to the body, nature, and spirituality in appealing creations.

Charlotte Brathwaite’s video project completes the show with a reflection on past and future realities shown through video clips and excerpts from texts. Bringing together the thoughts, hopes and beliefs of 51 artists, this year’s MOMENTA exhibit presents a rich tapestry of programming that promises to remind each visitor of the strength of nature.

Photograph courtesy of Jamilah Sabur

Watering your plants with diluted menstrual fluid

Do you like plants? Do you bleed once a month from the holiest of holy holes? Are you always looking for ways to save a few bucks and produce as little waste as possible? Well boy do I have a rad tip for you! If you’re up for the challenge, try diluting your menstrual fluid with water, and use that when watering your plants—it can essentially replace your need for fertilizer.

According to Planet Natural Research Centre, fertilizer mainly consists of three macronutrients: potassium, phosphorus and nitrogen—the same nutrients found in blood. Many organic gardeners also use blood meal fertilizer, which contains a high percentage of nitrogen and is made from dried animal blood, usually cow.

“Farmers have used blood meal since blood meal has existed,” said Jade, a Concordia master’s student who practices horticulture by fertilizing her plants with diluted menstrual fluid. “If you want, you can buy fertilizer at the store, but who knows where it came from,” she said. “Who knows how it was made—it’s probably a petrochemical.”

After Labour Day weekend, Jade and I sat down in a sunlit café to talk about her botanical practices. It was only after almost one year of using her menstrual cup that she one day stopped and thought, ‘Why am I dumping this and how can I make use of it?’

“For me, it was just obvious. I have plants—I’m going to use it on them,” Jade said. Properly diluting your blood is not an exact science, she explained, “but your plants will tell you.” The typical dilution ratio is 10 cups of water to one cup of blood.

In her apartment, Jade has multiple plants that she has grown from seeds: figs, bell peppers, lemons, dragon fruit, tamarillos. She even has a third-generation tomato plant, meaning Jade eats tomatoes that grew from the seeds of an earlier tomato, that came from the seeds of the original tomato (whew). She uses her menstrual fluid dilution on all of her plants.

Jade said that when people learn of her horticultural practices, she’s typically met with skepticism. “There’s definitely a stigma, but we eat plants from the grocery store that we don’t ask any questions about,” she said. “We just accept it.” Jade said she often gets put into a box with a big man-hating, feminazi label on it. “This has absolutely nothing to do with the patriarchy, and everything to do with zero waste.”

Feature graphic by @spooky_soda