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One year later: How the Paris attacks changed the world

Marking the one-year anniversary of the horrific terror attacks in the French capital

On a dark and blustery November evening, I remember being on the train, making my way home to the sleepy suburbs from our bustling metropolis. The train had just left Lucien L’Allier when my phone illuminated with multiple notifications from the BBC, saying a bomb had gone off outside Stade de France in Paris.

Then my phone flashed again with another update, saying multiple gunmen had open fired at citizens in a bar in the 10th arrondissement of the French capital. Minutes later, another notification came in, saying a restaurant was under siege. My heart began to race, as I knew something sinister was unfolding in the city of lights.

By the time I got home, another suicide bomber had detonated himself at a restaurant, and Le Bataclan—a popular concert hall—was besieged by multiple gunmen who sprayed countless bullets on the unsuspecting crowd. I spent the rest of the evening with my family huddled around the television watching CNN, as the images and reports shocked the entire world to the core.

Nov. 13 marked the one-year anniversary of the Paris attacks, where 130 individuals lost their lives as several Islamic State (ISIS) militants brought an onslaught of violence and chaos. The bloodshed and terror was a symbolic and ruthless attack against the western world, as Paris—in my opinion—is the epitome of occidental culture, and has represented western ideals since the French Revolution in the 18th century.

It’s been twelve months since the attack, and the world has drastically changed beyond recognition. ISIS has launched more terror attacks in multiple countries including Belgium, Germany, Turkey, the U.S and France once again, just to name a few. Anxiety and fear has spread like the plague, and several right-wing political parties have gained a lot of popularity in Europe and America.

Look no further than our southern neighbours who’ve just elected a man who has publicly made xenophobic, Islamophobic and anti-immigration comments towards American citizens.

People are scared to leave their houses, to travel and to enjoy their lives as they did before. A 2015 poll commissioned by the New York Times/CBS News revealed 79 per cent of participants believed a terror attack would be imminent. These aforementioned figures are higher than post-9/11 statistics, according to the International Business Times.

We’re not immune over here in Canada either, as the RCMP has foiled multiple terror plots within the last year. This includes Aaron Driver, a 23-year-old from Strathroy-Caradoc, Ont., who was in the final stages of planning a bomb attack before he was discovered by the authorities, according to the National Post.

ISIS even declared “our wolves will come to you,” in a chilling propaganda photo circulated widely on the Internet, which pictured downtown Toronto burning in the background.

By submitting to fear, we are succumbing to these terrorists who seek to disrupt and embed terror into our lives. Yes, tragedy may strike at any second, but now is the time to remain defiant in order to protect our autonomy and our rights.

This also means we cannot buy into extreme right-wing politics that seek to marginalize, isolate and eradicate minorities and those on the fringes of society. The upcoming year will no doubt be challenging for the western world to say the least, as several European nations are set to hold elections, with each country having a right-wing political party vying for power.

Photo of another vigil held in Montreal. Photo courtesy of Andrej Ivanov.

There’s no doubt ISIS is spreading fear amongst the general population. Citizens want to feel protected and see their liberal governments as incapable of dealing with this threat. Therefore they react by supporting right wing political parties, who pander and extort their fears, whilst also promising immediate action against the threat.

The same parallels can be seen right after WWII, when socialist parties suddenly appeared in several countries around the world. Socialist ideology pandered to their darkest anxieties, and the people were tired of the old system, which brought war and devastation to their front doorstep.

Let Paris be a reminder to all that our freedom is constantly being challenged, from both outside and within. We may be battling ISIS, but we must also gather the courage and strength to tackle another ferocious foe: fear.   

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Arts

World Press Photo exhibition opens in Montreal

Displaying the best photos of the year, the World Press Photo exhibit returns for its 11th edition

Open since August 31, the World Press Photo exhibition captures the most remarkable major events of 2015. The 11th edition of the exhibition displays photos of events such as the November Paris terrorist attacks and the devastating earthquake in Nepal.

The exhibition of award-winning photos is showcased across 100 cities in 45 countries reaching a global audience of four million people each year, according to the World Press Photo website.

“The Montreal edition is one of the most popular amongst the hundred presented around the world,” said Matthieu Rytz, president of the Montreal event, during the media opening on August 30. “Our privileged relationship with our visitors speaks volumes about the Montreal community’s curiosity and level of involvement in the evolution of our societies.”

The image Hope for a New Life won the 2016 World Press Photo of the Year. The black and white photo of a Syrian man passing a baby through the sharp razor wire frontier between Serbia and Hungary was taken by Australian photographer Warren Richardson.“The jury chose this image for its simplicity, power and symbolism,” said Francis Kohn, Agence France-Presse (AFP) Photography Director and Jury President. “[AFP] believe[s] it contains almost all the components that define the refugee situation. At once somber and timeless, it defines reality classically, in the most noble terms. This photo speaks to us of anguish, vulnerability and hope.”

Like all images, it tells a story. It was taken at night, the only time the group of refugees could attempt the dangerous crossing into the next country—this is the story behind the blurriness of the photo, Kohn explained.“He couldn’t use the flash,” said Kohn. “He did what any professional would do. Indeed, technique is also adapting to the circumstances.” Kohn said the photograph was never sold or published. The full story of the man or the baby is not known, however, Kohn said Warren Richardson was still in contact with the group and had been informed that they had made it safely to Germany.

The World Press Photo exhibit features photos of protests in Paris. Photo by Corentin Fohlen.

A picture that truly stopped me in my tracks was the image of a young girl, gripping the cold metal bars of a fence in a Serbian refugee camp, her face covered by a thin film of floating plastic, staring into space. Another child in the background stares unapologetically at the camera, at us, and then, we are confronted with the truth behind the gaze of both children. This photograph was taken by freelance Slovenian photojournalist Matic Zorman and won the first prize single in the people category. It made me think of a child playing and making the best of her situation. Over the course of their dangerous journey towards an uncertain future, they have seen, felt and experienced everlasting traumas. I was captured by this image, struggling to define it between comedy and tragedy. The story behind the image left me hoping for the family’s safe passage to a better home, but fearing that as news coverage of the refugee crisis decreased, so do the chances of a better life for these children.

The eight categories of the World Press Photo exhibition are spot news, general news, contemporary issues, daily life, nature, people, sports and long-term projects. Depending on the category, entries could be single shots or multi-image projects.

On the upper level of the venue four complementary exhibits reveal diverse stories, some of which have unique ties to our city.  I am not from outer space tells the stories of newly-arrived Syrian families in Montreal, while In Search of Billions Lost, Oxfam-Québec addresses the issue of tax havens. Viewers can witness daily work of foreign correspondents, detailed by the ICI RDI – Quoi qu’il arrive. The Festival du Nouveau Cinéma’s Cartes blanches series supports six to eight film directors in the free expression of a topic of their choice.

Founded in 1955, World Press Photo is a non-profit organization with headquarters in Amsterdam. According to their website, the foundation is committed to developing and encouraging the highest standards in photojournalism and documentaries worldwide.

The World Press Photo exhibit will be showcased at Marché Bonsecours until Oct. 2, 2016. For more information visit their website.

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