song review – The Concordian

Tabéa’s Picks:

Mount Kimbie – The Sunset Violent

Composed of Kai Campos, Dominic Maker, Andrea Balency-Beérn and Marc Pell, the glorious British band Mount Kimbie released their sixth album on April 5. This new project runs for 37 minutes and is a magnetic, cohesive, immersive and atmospheric body of work. The alternative, electronic and groovy flare of Mount Kimbie’s sound flows seamlessly over each song and its production quality across all nine tracks is stellar. The contrast of hearing different members singing the same song, for instance on “Fishbrain” with Andrea’s singing and Kai’s vocals, adds a lovely depth to the album. Moreover, being able to hear King Krule’s involvement in two separate songs is a delightful surprise for all listeners.

Trial Track: “Empty and Silent” (feat. King Krule)

Vegyn – The Road to Hell Is Paved with Good Intentions

Joe Thornalley, better known as Vegyn in the music industry and to electronic music lovers, dropped his sixth album on April 5. The London-based producer put together a beautifully 45-minute curated endeavour through 13 tracks. I love how some songs are solely instrumental and let Vegyn’s beat-making shine while others feature vocals from the likes of Léa Sen and John Glacier that only push the energy and meanings of the songs further. Some tracks play with the willful duality of lower and higher tempos and heavily charged production, while others are more minimalistic with ambient sounds.

Trial Track: “Trust” (feat. Matt Maltese)

Mayfly – Killed My Innocence

Montreal-based duo Mayfly, composed of singer-songwriters Charlie and Emma, shared their latest project with the world on March 29. Labelled under Indie Pop, this EP includes five tracks and delivers moody, airy and pungent production style. The growth and decrease of the cadence and elements in the track “See Through” captivated my attention and encouraged total immersion from the very beginning, all the way till the end. The calculated but experimental and cohesive project of these fellow Montrealers is definitely to be added to your music library!

Trial Track: “See Through”

Stefano’s Picks:

Tyla – TYLA

Following the breakout success of “Water,” Tyla returns with her self-titled debut album, a full offering of tuneful Afrobeats tracks. The album is filled with infectious instrumentals and alluring vocals from the South African starlet, many of which are Amapiano tracks with the same foundation as “Water.” The Skillibeng and Gunna-assisted “Jump” is exceptionally catchy, with its heavy Amapiano bass stabs combined with traditional Afrobeats percussion. From the high notes on the bridge to the understated chorus, the song succeeds as a bouncy, tropical, summery cut. Tyla is poised for success, and her debut album fully displays her capability to make catchy hits characterized by angelic, harmonious singing.

Trial Track: “Jump” (feat. Gunna & Skillibeng)

MIKE & Tony Seltzer – Pinball

Pinball sees underground rapper MIKE taking a stylistic leap away from his usual, abstract hip-hop style, instead opting for a mainstream sound by teaming up with producer Tony Seltzer. The project is an upbeat, fun listen that combines trap, drill, West Coast and Detroit hip-hop production with melodies that are lighthearted and ethereal. “On God” is a moodier cut that boasts a feature from Earl Sweatshirt who provides an addictive hook with his deadpan, hypnotic delivery. Tony Shhnow and MIKE perfectly match his energy, and the trio offer an addictive, atmospheric cut that is short, sweet and guaranteed to get repeat listens.

Trial Track: “On God” (feat. Earl Sweatshirt & Tony Shhnow)

Bryson Tiller – Bryson Tiller

Bryson Tiller’s self-titled effort is his fourth studio album, his first since A N N I V E R S A R Y in 2020. The project is brighter and more rhythmic than some of his signature, moodier projects, dabbling in a series of genres. The album combines R&B balladry with melodic takes on drill rap and Jersey club, plus ventures into Afrobeats. Per usual, his singing performances are intact and balanced with his brand of melodic rapping. “No Thank You” is a personal favourite, with a light, dreamy, bouncy hip-hop instrumental that Tiller sings and glides over effortlessly.

Trial Track: “No Thank You”

Tabéa’s Picks:

Mitski – The Land Is Inhospitable and So Are We

Trial Track: “My Love Mine All Mine”

Released on Sept. 15, Mitski’s seventh studio album features a song that has captured every listener’s heart. This breathtaking track highlights Mitski’s vulnerability and introspection on what she truly possesses in life. Love is the one cohesive element that she feels will always be a part of herself. From self-love to mundane love and the care she has felt thus far, the poignant artist expresses that this love (“mine all mine”) will never be taken from her—as opposed to materialistic items. The lovely and captivating chorus only enhances Mitski’s affirmation of herself and the listener, making the message incredibly emotional. For anyone seeking to feel more grounded and grateful, Mitski’s “My Love Mine All Mine” is the way.

Cleo Sol – Heaven

Trial Track: “Self”

Smooth like butter, Cleo Sol is back with her third album “Heaven,” released on Sept. 15. From collaborating with rapper Little Simz to being part of the mysterious collective Sault, the British singer has outdone herself with this intimate and warm project perfectly for Fall. While the groovy basslines and piano all across the project are impressive, one must not let it overshadowCleo Sol’s mellow and controlled vocals. The opening track encapsulates self-affirmation—how she’ll never lose herself now and finally show up in the world as her true self without shifting in any ingenuine way. “Self” is gentle and rhythmic with its jazz-based composition making it an ideal listen for any music lover.

Stefano’s Picks:

Lancey Foux – BACK2DATRAP

Trial Track: “ADHD”

Lancey Foux’s latest project BACK2DATRAP is a unique brand of hip-hop helmed entirely by his frequent collaborator, producer Back2Bally. “ADHD” is the perfect sampler of the mixtape’s sound: powerful bass, catchy melody, and all sorts of percussions rattling in and out while Lancey offers a consistent and charismatic vocal performance. The track is short and sweet, offering a catchy chorus twice plus a verse, all within less than two minutes. Bally’s production and Lancey’s style make for an energetic combo that dominates the entire tracklist without overstaying its welcome (the 12-song project only has a 30-minute runtime). The UK artist continues to prove that he operates in his own lane, with BACK2DATRAP being the latest example.

Doja Cat – Scarlet

Trial Track: “Agora Hills”

Doja Cat’s fourth studio album Scarlet arrived after a controversial rollout where she deliberately attempted to alienate her fanbase, only to notch a number-one hit weeks later. The album is rap-centric, primarily characterized by lyrical boom-bap tracks and melodic rap cuts. However, “Agora Hills”—a dreamy R&B cut—is a clear standout that finds Doja Cat singing softly over a mellow hip-hop beat. Over a twinkly melody and bouncy beat, she serves up a soft, angelic chorus that ranks among the best in her catalogue. It is a smooth, starry track that perfectly serves its narrative of being smitten. The dialogue bits between the verses and chorus are the cherry on top in terms of adding to the song’s pacing and character.

The Music Editors of The Concordian share their most-listened releases from March & April.

The Music Editors of The Concordian share their top picks from this month’s releases.