Categories
Student Life

From stationary to soap:

Shoppers crowded into St. Michel Church Hall in the Plateau this weekend to browse the large selection of handmade merchandise being sold at the Puces POP Marketplace.
A division of the POP Montreal Festival, the Marketplace gives up-and-coming artists such as fashion designers, jewellers, toy makers, knitters, bakers and countless others, the chance to sell their goodies. Everything from handcrafted bags and pine-cone earrings, to cupcakes and soaps could be found at the many booths set up along the walls and in the centre of the hall.
Lee Meszaros, 25 has been hand sewing and painting merit badges with slogans such as “dirt bag” and “sweet as pie” for over a year, and decided to participate in the Marketplace to broaden her clientele.
“Its great, it’s really busy and people are really nice,” said Meszaros. The artist is quick to point out that creating merit badges is her career, and not just a hobby, so an opportunity like this is fantastic. Her badges are in the $24-$40 price range.
Another first-time vendor was Nicole Armour, 36 who was looking to use the Marketplace to get the word out about her hand-bound books. Armour does all the binding and sewing by hand using standard book cloth and high quality paper. Her books cost between $25 to $35, and she makes notebooks, sketchbooks, songbooks, and books specifically for guitar melodies. Although she has been binding for a while, she just started selling her work, and said although “there is lots of interest, books are hard to sell.”
The event even drew people from outside the province. David Lacalamita, 22 and his friend Millie Roy, also 22, came from Toronto to check out the festival. Both said it’s genuine and grassroots, unlike similar festivals held in Toronto.
All in all, vendors seemed to be having a good time meeting fellow artists and presenting their work to interested shoppers.

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News

Getting to know Rawi Hage

Speaking at Concordia, award-wining author and alumnus Rawi Hage was honoured, particularly by the Lebanese in the audience, for his work about the 1970s Lebanese civil war.
Hage, appearing comfortable and casual with his arm slung over the back of his chair, answered questions and accepted praise about his life and writing.
Fellow members of the Lebanese community expressed their congratulations and deep thanks, showing the profound impact his work has had on them as well as on their shared cultural history.
Hage was grateful for their compliments, joking that the only other Lebanese to congratulate him before that night was his mother.
The author spent part of the evening describing the experience of writing his first novel, De Niro’s Game. The book focuses on civil-war-ravaged Lebanon, something Hage experienced first-hand.
“I don’t recall the state of mind I was in. It was all so fast, a blur,” he said. “It must have been some kind of emotional reaction or blockage. But since writing the book, I think less about the civil war, so it must have done something good.”
Cockroach is his latest work, and is set in Montreal where he now lives.
Hage earned his B.A, not in creative writing, but in photography at Concordia.
He was pointed in explaining his disassociation from the creative writing program. “I don’t come from creative writing,” he said when asked why he does not use quotation marks. “I don’t think quotes are necessary. It’s not experimental. It’s just laziness.” When host Peter Webb mentioned that creative writing students were in the audience, Hage dropped his head and said, “Oh no.” Laughter erupted when he then put on his glasses to scan the audience, saying in an almost sinister tone, “Oh yes, I can see them.”
Hage is presently at work on his next novel, the details of which he did not reveal.

Categories
Arts

Fly on the wall

If you’ve ever wanted to be a fly on the wall in someone else’s home and discover all their dark secrets, then Nervous Hunter’s new play, Domestik is a voyeuristic must-see. That is, if you’re willing to stand up for two hours. The performance consists of four unrelated episodes enacted simultaneously in different rooms of a small apartment.
Instead of sitting the audience down in front of a stage, director Sophie Gee chooses to let them wander and walk in and out of pieces whenever they choose. The performances in each room play in loop, so the audience has a chance to see every segment.
The only direction the audience is given is not to open any closed doors. The role of the audience is essentially that of a voyeur, spying on the characters and eavesdropping on their intimate conversations. From its evocative set design, to the excellent casting, and the role of the audience, Domestik certainly stands out from traditional theatre.
Sabrina Miller’s production design was impeccable, every detail was well thought out. The apartment is adorned with FedEx envelopes addressed to 7240 Clark randomly thrown around, also art magazines, old books, board games, and a piano. There are big mirrors in every room, suggesting the split personalities, secrets, and complicated relationships that are present in Domestik. The house is filled with objects that represent the characters in some way, such as a diary laying open on a desk .
The first character the audience is literally greeted by is a passionate new wave fan, Wes (Christopher Charles Cavener). He provides most of the comic relief in an otherwise serious play. For instance, Wes’ only friend is a talking mouse. Wes is trying to audition members for his band, Uberzone, and invites members of the audience to try out for a spot. This marks the only time when the audience is directly involved and allowed to participate with an actor.
Another character in the house Lavet (Jacqueline van de Geer), a lonely woman whose only passion in life is making pies. She listens to what sounds like a communist manifesto on the radio and talks to herself while she cooks. “Your hands are your best tools,” says the radio receiver. Geer is ingenious in her self-absorption. Her character is the one who remains unresolved, unknown, and mysterious, for the entire play.
In another room are Stephen (Carlo Mestroni) and Lauraine (Shannon Topinka), whose quickly blossoming romance ends as suddenly as it begins. Emotionally charged, Mestroni and Topinka deliver pure romance and heartbreak all in a 20 minute emotional rollercoaster.
There is also a love triangle occurring in the house between Ina (Karine Lefebvre), Malcolm (Chimwemwe Miller), and Geneva (Leigh Ann Taylor). These three characters take the audience through the house. From a bit of chicanery between Lefebvre and Miller in the hallway, to a sleepwalking Ina almost attacking Geneva with a knife, the audience is left tiptoeing after characters as they move from one room to another. This episode keeps the audience in utter awe.
Domestik is a unique theatrical performance which involves the audience as much as the actors. Although the audience follows and watches in silence throughout the piece, it is difficult not to feel like part of the action. It is a guilty pleasure to see all the emotional outbursts of the characters, read their intimate journals and sit on their couch. Each story begins on a positive note and ends in bitterness, but is thoroughly entertaining nonetheles. Wear comfortable shoes, it is worth the stand.

Domestik plays at Eastern Bloc, 7240 Clark Oct. 1-4, 8-11
Doors: 8 p.m.
Tickets: $15/$12 students

Categories
Sports

Lady Stingers bring home first win

The Concordia women’s soccer team won their first game of the season shutting out the Université du Québec

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Student Life

Watch out boys, she’ll chew you up:

Four half-naked hunks are drilling a hole outside a high school, when one of them stops and says: “It’s 2:30.”
“School’s out,” adds another construction worker. Two attractive female students in uniform walk out giggling and shaking their hair, but the workers don’t so much as glance at them. Then the teacher appears. Slowly, she removes her jacket and glasses and unties her hair. The four young men are in complete awe. One even wipes his forehead with his sandwich. Turning to them, she smiles and says: “boys, boys, it’s easy to date a woman like me.” The website cougarlife.com flashes before our eyes and the commercial is over.
The “teacher” is 38 year-old Claudia Opdenkelder, founder of the advertised online dating site specifically designed for older women, “cougars” looking to date younger men, or “cubs” as they’re known on the site. Winning a radio cougar contest in 2005 was the catalyst that drove Opdenkelder to launch the Toronto based site this past Valentine’s Day. She credits her website’s instant success to the fact it’s unlike the other, more escort-oriented cougar sites, and it simplifies the dating process by being age specific. But could it also be because more middle-aged women are starting to have relationships with young lads?
Certainly women dating younger men is not a new phenomenon: Mrs. Robinson, anyone? However, these relationships have been gaining a lot of media attention recently, bringing cougars into the mainstream and suggesting they’re on the rise. We can thank star-studded celebrity couples such as cougar idol, Demi Moore, and her handsome other half, Ashton Kutcher, as well as Susan Sarandon and Tim Robbins and lately Madonna, with her 22-year-old arm candy, Jesus Luz. Furthermore, 2009 marked the first ever Cougar Convention in Palo Alto, California, where Gloria Navarro was bestowed with the title of Miss Cougar America.
Books like Hot Cougar Sex: Steamy Encounters with Younger Men, are readily available on Amazon.com, not to mention internet dating sites and a new International Cougar Cruise offered by Carnival Cruise Lines. Most recently we can thank ABC’s new show, Cougar Town, featuring a cleavage-bearing Courteney Cox running about in search of fresh meat.
But before any attempts can be made to understand the reasons behind this upsurge in all things cougar-related, we have to know what exactly a cougar is. The term itself is said to have originated in the locker-room of a Canadian boys high school hockey team in the ’90s. It later gained popularity with “The Cougar Den” talk-show sketches on Saturday Night Live. While the show portrays cougars as desperate old ladies with fake breasts and orange tans, Opdenkelder says this couldn’t be further from the truth.
“A cougar is a woman who’s 35 and over, who is successful, strong, independent, who has her own thing going on. She doesn’t need a man to take care of her and she knows what she wants and how to get it,” said Opdenkelder.
Nevertheless, the Netherlands-born entrepreneur admits the term sometimes carries a negative stigma.
“The old school way of thinking is it’s an older woman in her forties scouring the bars, hunting for young prey, but that’s just something some guys made up a long time ago,” said Opdenkelder.
Chantal Maillé, Associate Professor of Women’s Studies at Concordia University’s Simone de Beauvoir Institute, says calling women cougars is not necessarily derogatory.
“I’m not sure the term is so negative. Part of it might be, but at the same time there’s an association the animal has with power and beauty,” said Maillé. “It’s just a new image to portray women who have power, and who are sexually aggressive.”
According to Maillé, the sheer fact the label is getting so much attention shows dating younger men is becoming more common. If it was peripheral, it wouldn’t have received this much attention she said.
Now that we have an idea about why people are talking about cougars, we can try to answer the burning question: why are more women dating younger men? And no, “Demi Moore made it cool” is not the correct answer.
“The reason they date younger men is because they have that zest for life that they do. This youthful spirit and go get ’em kind of attitude,” said Opdenkelder. “There’s no drama and there’s no ego problems.”
Conversely, the men like to date older women because they’re fed up with the drama, game playing and immaturity often associated with dating someone their own age or younger, explains Opdenkelder.
She should know; she’s currently dating a man 14 years her junior, and says she’s always done so. Opdenkelder says it’s not something she actively seeks out to do – it just happens to match her lifestyle.
Maillé attributes the increase in these relationships to changes in women’s lives over the past few decades, and to women developing interests that differ from men their age or older.
“Now, older women, are still active in the labour force, you can see them at the gym, at bars and restaurants; whereas 40 years ago, if you were an older woman and you were single, you were staying home,” said Maillé. “They complain that men are not aging as well as they are. They don’t want to go out, they loose interest in life, but many women feel they are still full of energy.”
Maillé says we can expect to see this relationship pattern rise, as growing numbers of women continue to move up in the workplace. The reason being men over 40 are often intimidated by powerful women, whereas younger men typically aren’t.
“Often they’ve been raised by mothers who were working and who challenged these traditional values. Now, we have this younger generation of men who are much more open-minded than their fathers’ generation,” said Maillé.
Perhaps older men are at the helm of ABC, because the network refused to air Opdenkelder’s commercial in New York and Los Angeles, claiming they felt uncomfortable promoting older women dating younger men. This came as a shock to Opdenkelder since not only is the premise of ABC’s show, Cougar Town, exactly that, but she says the ad was created as a joint venture with the studio. The fiasco even reached Perez Hilton, prompting the celebrity blogger to accuse ABC of having a double standard. Competing networks have since picked up the commercial, and it’s airing in most cities where ABC is broadcast.
While older men may still be adjusting to this dating dynamic, how do young guys actually feel? After all, what’s a cougar without her cub?
To find out, I asked a 25-year-old McGill Management graduate who I spotted deep in conversation with a pack of cougars at a trendy Westmount eatery last week. He agreed to speak with me on the condition his name not be used. This cub told me he hasn’t personally been intimate with an older woman (although he’d like to), but that many of his friends have.
“All my friends who have slept with older women say it’s insane. They’ve told me these women can do things they didn’t think women could do. They have years of sexual experience on you,” he said.
He says the bragging rights increase if the older woman has children and is cheating on her husband with you. The mom connection is part of the fantasy he explains. Does Stifler’s mom in American Pie ring a bell?
“In locker-rooms when you’re sixteen you talk about MILFs (Moms I’d like to fuck) but then you’re 20, and suddenly these MILFs you dream about, would love to feel young again and want to sleep with you,” he said.
To conclude, a word of advice from our insider cub:
“Cougars always want you to guess how old they are, but there’s no right answer because you know they’re old. Don’t be scared, just remember to guess a number younger than their real age, but not too low so they don’t think you’re joking.”

Categories
News

CFS-Q petition circulates at concordia

President of Canadian Federation of Students-Quebec, Gregory Johannson, was seen talking to students in line waiting to pay their tuition last week.
The students were also approached and offered to sign a petition to leave the CFS, Canada’s largest student lobby group that represents students at over 80 universities across the country.
Johannson said he did not want to either confirm or deny that he was involved in getting students to sign any petition last week.
Concordia is one of 12 Canadian universities whose students began petitions calling for referendums to question their student unions’ membership with the CFS.
The Concordia Student Union and the Graduate Student Association are both members.
Petitions at each of the universities involved need signatures from 10 per cent of its student body in order to trigger a referendum at that school.
At Concordia, that translates to a little over 3,000 signatures.

Categories
Arts

Benvenuto a casa

It has been almost a decade since Steve Galluccio put his theatre career on hiatus to focus on television and movies. This week, he returns to the Centaur Theatre to present his latest creation, In Piazza San Domenico.
His new play, directed by Roy Surette, is set in the mid-century’s Italy. The comedy, which revolves around love and misunderstandings, was written by Galluccio with the image of Sophia Loren in mind as the lead.
“Cinematographically, it’s an era that was very interesting to me,” Galluccio said. “Italy was very interesting to me in the 1950s so I thought, ‘why don’t I pretend like I’m writing [the play] for Sophia Loren, and set it in the 1950s in Naples,’ which is where my people are from.”
In Piazza San Domenico marks the return of Galluccio to theatre after having spent the last couple of years working on various projects, such as the CBC/Radio-Canada TV series, Ciao Bella, and the movies Surviving my Mother and Funkytown, which finished filming in August.
The catalyst that propelled Galluccio’s professional life was the unprecedented critical success and popularity of his Montreal-based play, Mambo Italiano, first performed in 2000. Presented both in English and French – the latter a translation by playwright Michel Tremblay – the play succeeded to connect with audiences by portraying the coming-out of a young man to his Italian family with humour and sensibility.
Three years later, he was quoted by the Montreal Gazette saying “he was through with the stage,” deciding to concentrate on cinema. He has now clarified this statement, saying he was only expressing how he felt at the time. “I tend to always make these statements,” he said. “At the moment, it was one of those things when [you feel], ‘this is what I want to do for the rest of my life’ and then all of a sudden you say, ‘well, maybe not.”
This new production diverges slightly from the original style Galluccio fans are used to. “In my previous work, I have always played around with the notions of comedy and drama,” he said. “With Mambo, it was very funny but there was a moment in the play where it became very serious . . . In this play it is pure comedy, through and through.”
The production of In Piazza San Domenico starts Oct. 6. The French production, translated once more by Michel Tremblay, will be presented in summer 2010. Afterwards, Galluccio intends to add the roles of producer and distributor to his resume. He is also looking forward to working on other upcoming projects, including two that are still in development, with producer Denise Robert.
Nonetheless, he insists that, for the immediate future, his priority is to take a well-deserved break. “I have just had two projects back to back,” he said, “and although that is fantastic, it is quite tiresome . . . Now I just need to sit back and rest a bit and see.”

In Piazza San Domenico plays at the Centaur Theatre from Oct. 6 to Nov. 1.

Categories
Sports

Return of the Mack

The Concordia Stingers football team has a tough road ahead. As of last week, their record sat at a lowly 0-4. For many, four losses in as many games is a reflection of a bunch of underachieving athletes. The same can’t be said of the Stingers. In this case, 0-4 is a reflection of the countless setbacks the team has come face to face with since before the season even began. This year has been highlighted by an unanticipated transition that has forced both newcomers and veterans to adapt to a new style of play.
The Stingers are now facing tremendous pressure as they push for a spot in the playoffs after making the Dunsmore Cup final last year. Although it’s up to everyone on the team to make that leap, any hardcore or casual fan of football knows that the player facing the most pressure is the starting quarterback. QB Rob Mackay is definitely feeling the heat. After returning this year from a two-season absence due to a knee injury, Mackay is aware that a team’s record often unjustly rests on his shoulders. “It’s tough being a quarterback, because as soon as something goes wrong, people seem to want to get you out of there. I’m not afraid of the pressure, but it’s definitely something I’m aware of”.
Despite the added pressure that comes with being the anchor of a team, football remains a passion for Mackay day in and day out.
Hailing from Fort Dover in Ontario, the 22 year-old’s love for the game began in the 6th grade. Mirroring his father and two older brothers, he shuffled positions and eventually moved into the one he would carry into his college years. But for Mackay, football was more than just a sport. It was a vehicle that brought him closer than ever to his family. “Football was one of those sports that I could always play with my brothers. The sport is part of my family. It’s something we’ve always discussed and being the youngest they’re always on me about how I play, so it gets very personal”.
Although given the opportunity to play baseball at UBC, Mackay felt Concordia offered him the best of both the athletic and academic worlds. “I felt I was offered a better opportunity here. I had my recruiting trip here and I just fell in love with the university and the people.”
Mackay joined the Stingers in 2006, and just a year later suffered an injury that would end his season and pave the way for future rookie of the year and team MVP Liam Mahoney. Early in the 2007 Homecoming game, Mackay seriously injured his knee playing against Montreal, arguably Concordia’s biggest rival. All in all, the injury, which required surgery, was tough on Rob. Forced to sit out the rest of the season as well as the entire 2008, Mackay got a first-hand look at what it’s like to be an athlete watching from the outside. He looked on as his team amassed an impressive record only to fall short of disappointing the unstoppable Rouge et Or last November.
“Not playing, you almost feel like you’re not a part of the team. Game days are especially tough. Sitting in the press box, when your team is winning, it’s great, but when they’re struggling, all you want to do is get out there and help them.” Despite the injury and Mahoney’s stellar play, Mackay was reassured by his relationship with his teammates and coach. Thanks to the mutual respect he and Gerry McGrath share, Mackay knew that when the time came and he was ready, he would be back in the pocket setting up plays.
“The plan was always in place that when I came back, Liam would move to receiver. Coach telling me that kept my mind at ease.”
Mackay managed a comeback in due time, knowing that rushing back would only further the severity of his injury. He took the steps necessary for a full recovery. With the help of winter camp and his teammates, Mackay returned this season. Although shaky against Laval – but then again who isn’t – the QB has managed to impress despite the less than stellar record his team holds. Emotions naturally dampen after a defeat and Mackay admits that, although a loss should rest on the whole team’s shoulders, he can’t help but feel guilty because he holds the most difficult job in sports.
“There are things that some players can get away with, but if I make a bad throw or a poor read, it shows. There’s a lot of pressure to execute and when you don’t, you feel like you’ve let the whole team down.” Mackay knows that despite what anyone says, perfection is humanly impossible; that goes without saying in sports. Thankfully, the Stingers haven’t let their emotions create tension in the locker room; the entire team has become a family. Mackay takes comfort in this and that could translate into a succesful push for a playoff spot during the remainder of the season. Rob is even looking ahead to his final season in a Stingers uniform, when he believes Concordia can win the Vanier Cup.
“We have the tools, we just need our players to gain experience. This year, we have to learn to execute and stop making stupid mistakes. Next year, our young guys will come back and we’ll be a completely different team.”
As for his own future in football, Mackay is still undecided when it comes to playing professionally. Although he is currently studying Human Relations and has plans to enter its graduate program, the CFL isn’t out of the question. However, the rules and limits associated with drafting quarterbacks in the league may put a stamp on Rob’s decision.
“If I think I could have a long career in football, I’d like it to be an option, but I don’t think it is right now,” he said.
No matter what the future looks like for Mackay, all he’s concentrating on right now is giving the Stingers a chance to win after coming so close time and time again. And there is no doubt in anyone’s mind that Mackay is up to the task.

Categories
Student Life

Fashion at POP Montreal

Six emerging designers. Six diverse collections. Six industry judges. Only one winner. The event was the Puces POP Fashion Show and Emerging Designers Award, part of a series of events organized by POP Montreal. The date was Sept. 30 and the venue, Espace Reunion. Judges had the task of selecting the designer with the best Fall/Winter ’09 collection. The prize was $1,000, along with a $500 gift certificate to Le Ch

Categories
News

Harel should have seen it coming

The Vision Montreal mayoral candidate and former PQ minister, Louise Harel, was already unpopular with Montreal anglophones when she kicked off her campaign in August, by waving a broom and promising to sweep corruption out of city hall.
Terry Mosher, the well-known editorial cartoonist for the Montreal Gazette, saw the connection immediately. Throughout September, Mosher, better known under his pen name of Aislin, started drawing her as a witch – complete with green skin, a black pointy hat and, of course, her magic broom.
“I’d been looking for an angle on Louise Harel, because Tremblay seemed to be in trouble,” Mosher said. “So it looked like one of the most interesting campaigns in recent years. Harel, I knew she had problems with the English, so I knew I would get a visceral reaction if I drew her as a witch.”
It did draw a visceral reaction. Even Harel, in her interview with CJAD radio in Montreal, acknowledged it as a sign of the difficulty she’s had winning over English voters. Letters began pouring into the Gazette in response to Mosher’s depiction. Some readers expressed their delight at the editorial cartoons, but others accused Mosher of misogyny.
“It’s an old kind of approach from the male side,” said Beryl Watson, of Westmount, who wrote a letter to the newspaper criticizing the artist. “If a woman does anything, she’s called a witch, or something that’s spelled a lot like witch. [Mosher]’s supposed to be a top notch cartoonist with a fine sense of wit. I just feel he could use his brain better than that.”
Mosher denied any suggestion of prejudice, and said the entire point of his cartoons is to get people discussing an issue.
“There’s a couple of entitled women in Westmount who are saying, ‘how can I do this to women?’ But I do it to men as well. Come on, it’s a cartoon. This is satire and it’s cartooning. It has served its purpose. Rather than it being a dreary election campaign, suddenly personalities are evolving and people are talking about it.”
Mosher’s version of Harel has also drawn fire from an unlikely source: real life witches and Wiccans who accused him of misrepresentation.
“Some of his art carries a meaningful, if sarcastic, message,” said T. Scarlet Jory, a teacher at the Crescent Moon School of Magic and Paganism. “And sometimes it is like listening to some child trying to speak a language they don’t know at all and coming across speaking complete gibberish. This image is very much gibberish symbols to me. Aislin should do some research into the symbols and social meanings of them for the current era before using them.”
However, in the what may be a sign her image with Anglophones is in trouble, not even all witches sided with Harel.
“Doesn’t bother me at all. I think if you’re going to go with evil stereotypes, I would have drawn her in a white sheet,” said Carrie Rice-Leroux, of the West Island Pagans Association.

Categories
Opinions

Cigarette lawsuits are hypocritical

Quebec’s provincial government announced it will be filing a lawsuit against tobacco companies in a bid to recuperate the health care costs associated with cigarette use. The province plans to sue a consortium of tobacco companies, including Montreal’s Imperial Tobacco. Quebec’s announcement comes less than one week after the Ontario government filed a similar suit seeking $50 billion. These lawsuits are biased and hypocritical.
The trend of suing tobacco companies for health care costs started in the United States in the mid-90s when all 50 states came together to seek damages from American tobacco companies. The states and the tobacco companies eventually came to a settlement in which the states would receive $246 billion US over 25 years.
In Canada, the first province to try to take on Big Tobacco to task was British Columbia. In 1998, B.C. passed the Tobacco Damages and Health Care Costs Recovery Act, which allowed the government to seek damages from tobacco companies. Nova Scotia became the second province to launch a suit. Ontario and Quebec are the third and fourth.
Even though the provinces already collect billions of dollars a year in ‘sin’ taxes, they are now unilaterally changing the rules of the game to get their hands on more money. Not only will the cost of these lawsuits will be borne by smokers rather than the tobacco companies themselves, but taxpayers will have to foot the bill for what could very likely be a long and expensive trial.
The government is constantly attacking the rights of cigarette makers, vendors and smokers, while they operate near-monopolies in other realms of vice like gambling and spirits. Sure, cigarettes cause lung cancer and a handful of other ailments, but liquor and gambling destroy lives and tear families apart. People don’t lose their houses because they spent too much money at the tobacconist, nobody beats a spouse because they smoked too many cigarettes the night before. It seems strange that the government would attack such a passive hobby while simultaneously encouraging two others that are far more destructive.
Moreover, if we’re going to talk about health costs that need to be recuperated, tobacco is hardly the only villain. The government isn’t suing fast food companies, despite the fact that their fare is creating an obesity epidemic. The government isn’t suing car companies, whose products pollute the very air we breath. Cigarettes and smokers have become nothing more than easy targets for politicians who want to look like they’re doing something; politicians who want to seem like they care about society.
The free choices of adults should not be subjected to someone else’s moral code. Besides, the federal and provincial governments already collect billions in tax revenues from cigarette sales as it is. The government, provincial or otherwise, needs to focus on governing, not dictating the choices of citizens.

Breakdown of the costs of a carton

$20.42 Provincial tax
$20.00 Federal tax
$5.70 Cost of production
$1.70 GST
$22.48 Profit

Categories
Sports

Kelly-Anne Drummond cup finally comes home

After five long years of watching McGill carry home the title, the Concordia women’s rugby team finally brought home the cup named for a fallen Stinger.
The cup is in memory of Kelly-Anne Drummond, who played for Concordia’s rugby club and was murdered by her boyfriend on October 4, 2004.
On Tuesday night at Loyola Field, it wasn’t the game that mattered, or the title, or the bragging rights. What mattered was remembering Kelly-Anne and to support her family and families like hers that have been affected by domestic abuse.
“Kelly-Anne was a really happy girl, she loved rugby, she loved going to Concordia,” said her mother Doreen Haddad, “I had 24 wonderful years with her.”
“She was really dependable and super funny,” recalled Melanie Tranchemontange with tears brimming up, ” she was really where you needed her to be on the field and as a friend.” Tranchemontange was the last player to compete with Drummond in a Stinger uniform. Unfortunately, Tranchemontange graduated last year and therefore never got to raise the cup.
The event is more than just a game, it is also an opportunity to raise money and awareness to battle domestic abuse. This year almost $1,200 was raised for WomenAWARE, a Montreal-based group that helps families and victims with legal aid and support.
Every year since Drummond’s passing, the cup has been fought for by cross-town rivals McGill and Concordia. Every year the Stingers have watched the Martlets take home the cup– except this year.
The Stingers were able to break the streak with tries from Cortney Keeble, Lea Leahy and Jackie Tittley to take home the victory 24-7. Jessica Wong was the lone scorer for the Martlets. It was a cohesive effort by the Stingers as the coaching staff decided to start players that don’t normally get the opportunity to open the game.
“They fought for it and they capitalized on our mistakes and they deserved it,” conceded McGill captain Melany Waring. The Martlets have been honoured to be part of this event and as Waring puts it, the score doesn’t matter but that, “today it just meant loving the game.”
Haddad agrees and knows that somewhere, Kelly-Anne is cheering along with the crowd. “They (the Stingers) deserved it and maybe Kelly-Anne had something to do with it, she would be absolutely proud right now.”

For more information on WomenAWARE please visit www.womenaware.ca

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