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Arts

Johnny Ledgick: A Rock Opera has serious footing at Wildside

The quirky rock opera wows Montreal festival-goers with its profanity and power ballads

On Friday I got to see Johnny Legdick: A Rock Opera at the Centaur Theatre during its 18th annual Wildside Festival.

The verdict? You lot should give Johnny and his merry band of oddballs a leg up by catching the show as well.

The story goes that Johnny (played by Colin Macdonald) was a man born with a leg in lieu of genitalia, and was sold to the Suckadacocka circus as the latest addition to its freak roster. Johnny and fellow oddities Hannah Handvag (Arielle Palik) and Steve the Steed (Travis Martin) plan an escape to Diversus Homo, a land where they won’t suffer from the stigma of their eccentricities. Bananas, basset hounds, a bearded lady, a bad man and a bunch of puns intertwine throughout their journey to freedom.

Colin Macdonald impresses as Johnny Legdick, a well-endowed freak show headliner. The play runs until January 17.

If the crude sexual humour doesn’t entice you, the music most likely will. The seven-man band played a range of styles that included classic rock, blues, doom metal (personal favourite), and a power ballad. The variety eased the pacing transitions. The catchy music combined with the singing—particularly Johnny’s—was the best part of the show.

The plot is not exactly new—it is rife with fantasy tropes and nods to well-known works like The Lion King and The Rocky Horror Show. Nonetheless, Johnny Legdick is a breath of fresh air because it’s hilarious in its treatment of itself. It is lightheartedly self-reflexive and immature in tracking the perennial quest to belong and to find oneself. The immaturity is funny as well as a commentary on the childishness of how hard it has been and continues to be for some to feel accepted.

Johnny Legdick is a perfect fit for Wildside. Curated by Johanna Nutter, the festival is a self-described plunge into the adult world while keeping its roots in childhood. The Legdick team represents this splendidly in a combination of witty writing and dynamism.

One of my two only quips concerns the scene where Johnny, using his third leg, displays his lack of mini golf technique. I think it would have been funny if I could actually see it. I was seated a row or two ahead of the middle row, slightly off-centre and had to crane my neck to get a partial view of the action—a problem that could be easily fixed by placing Johnny three steps back.

The second quip concerns costume. I have no complaints regarding Johnny’s dangling pseudo-genitalia, but Hannah’s handvag had so much potential. For future runs, the team should consider filling her handvag with liquid so that when the inevitable union of their not-so-naughty bits occurs it will genuinely be an explosive affair. No, that’s not too immature for the Suckadacocka circus.

Johnny Legdick is currently on its third run. The piece is a collaboration between Playwright Hero, a Montreal theatre company, and The Jem, a local acoustic rock trio. The rock opera premiered at the MainLine Theatre last year and was revived during the Montreal Fringe Festival. Critically, it’s been well received and lauded for its hilarity.

Catch it at the Centaur Theatre on Jan. 15 and 17.

Categories
Arts

When a by-gone culture gets its revival

Café Cleopatra’s burlesque extravaganza brings back Vaudeville with the Candyass Cabaret

The corner of Ste. Catherine and St. Laurent on Friday night was a scene depicting a pseudo David and Goliath struggle.

Candyass Cabaret offers a revamped version of classic vaudeville performances. Photo by Hanna Joy Farooq.

On one side, Club Soda, with its bright white lights and bold, black letters promoted the closing night of the highly anticipated Montreal Burlesque Festival. Right across, Café Cleopatra, its trademark black sign hidden under construction and its secondary sign outlined by many a dead or missing light bulb, had a mock police officer and an associate distributing flyers that promoted the night’s offering: the Candyass Cabaret.

To the untrained eye, it looked like a case of poor timing. The patrons of the smaller show know otherwise.

“Other burlesque shows will only have one or two variety acts. When you come to Candyass, you don’t know what to expect,” said Marianne Trenka, one of the performers, otherwise known as Lady Hoops. Among the variety of acts that explored the theme of b-movies were burlesque, belly dancing, hula-hoop dance and singing. “I look for people who can bring the show a vaudeville flavour,” said Velma Candyass, the show’s producer.

In the spirit of Halloween, dismembered plastic limbs decorated the edge of the stage, skulls hung from the stage curtains embellished with spider webs, and the DJ dressed up as Freddy from A Nightmare on Elm Street. Candyass performed an act inspired by the prom scene in Carrie, the 1976 movie adaptation of Stephen King’s titular novel. Instead of pig’s blood and mass murder, Candyass opted for red confetti and a unique death, but not before using her telekinetic powers to strip her victim down to her underwear.

The Candyass Cabaret has been showcasing vaudeville, burlesque and drag inspired acts for almost three years as a completely independent production. “I’m ambivalent about government funding because I believe that you should be able to produce a show and have people want to come and pay money to see it, rather than needing it subsidized in order to run it,” said Candyass, who knows first-hand that it’s easier said than done. Unlike the stories bartenders tell of crowded venues week after week, people today have YouTube, T.V. and the Internet—they are no longer used to seeing live shows and spending money to support local artists, letting them explore their acts, said Candyass.

As the production has a role in preserving by-gone vaudeville entertainment, so does the venue in preserving a by-gone culture. Café Cleopatra is important for Candyass, who was involved in saving it from the city and developers, because it’s a testament to Montreal’s vibrant history. “Now, it’s not the same street life as that seen up to the 1960s, but [St. Laurent Street] is really the heart of Montreal, and there’s a lot of significance to keeping the flavour of the street.” In 1996, the street was granted historical status by the federal government.

For upcoming shows, Candyass said that there would be more experimental cabaret and challenging themes for the artists.

The Candyass Cabaret is scheduled every third Friday of the month.

For more information on Café Cleopatra shows, visit cleopatramontreal.com.   If you’re looking for more on the Candyass Cabaret check out candyasscabaret.com.

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Opinions

Confessions of a 20-something #17

On used condoms, bra stealing, and the real struggle to find a reliable (and sane) roommate

I still remember how relieved I felt when I found your ad on Kijiji: you said you were moving from Ottawa, and looking for a room close to school. There I was, alone, struggling to pay rent in a 3 1/2. It was meant to be. I moved into the living room when you arrived, accompanied by a friend you didn’t tell me was also going to be moving in with us.

After two weeks, the janitor called me to say it wasn’t his job to catch diseases picking up the used condoms that your friend was throwing off the balcony. OK, just a minor setback, right?

A few days later, your friend decided she had enough. She left, telling me I would see you for who you really were. I’m sorry to say it took five months for those words to come true, but when they did, it was time we went our separate ways.

Now I see you in all your glory, and I still don’t get you. You are so abnormal to me; you fascinate me. I just can’t stop thinking about you. I’m sorry you had to block me on Instagram and set your profile to private because you think I am obsessed with you.

The despicable truth is that, in a way, I am sorry. I wanted to apologize properly, so I wrote you a poem called “A public apology to my ex-roommate.” Forgive me if it’s a little rusty:

 I’m sorry I can’t stop agonizing over the pictures you posted on Instagram wearing my clothes while I was away in Africa.

I’m sorry I still burst with frustration when my girlfriends and I recall the unfulfilled lives of our new lipsticks that you used, without asking or telling, and squashed to uselessness.

I’m sorry I am mourning the loss of my earphones, my headphones and my lip gloss. Taking without asking is stealing, by the way.

I’m sorry I still wonder why you felt victimized after I accused you of losing my scissors and my Tupperware. I’m sorry I invaded your privacy by searching your room, and I’m sorry I found them in there.

I’m sorry I also found my bras and my panties in there too. Were you obsessed with me?

I’m sorry you’re still a kid. I’m sorry you’re fresh out of high school, in a new city, without mommy or daddy to clean your bathtub or to flush your poop down the toilet. Enter moi.

I’m sorry I cannot get over my disillusionment. I’m sorry that I used to think people who did wrong were subject to remorse, pangs of conscience.

I’m sorry I took the bait when you tweeted about me and aired our dirty laundry for all to see.

I’m sorry I let you get away with all of it and I’m sorry I believed your lies. I’m sorry I welcomed you and introduced you to my friends, making an effort to get to know you.

I’m sorry I shared everything I love with you: my friends, my family, my movies, my Sopranos.

I’m sorry I thought the better of you and that you will never own up to being wrong.

I’m sorry I met you. I can’t get over how ugly of a person you are and I’m sorry you don’t see it.

P.S. I’m sorry if you got a yeast infection. Next time, don’t use cotton underwear.

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Student Life

Exploring the raunchier side of Montreal

The three-day adult consumer show, Sexapalooza, premiered at Montreal’s Palais des congrès on Friday. Organizers were looking for a name that was sexy and fun. The definition of Sexapalooza, “a joyful, copious amount of sex” was the perfect fit, said Andrew James Lewis, floor manager of the event.

Photo by Hanna-Joy Farooq

The venue was kept dimly lit to promote an intimate vibe. Crowds gathered by the main stage to enjoy burlesque shows, erotic dancers and live bondage demonstrations. At the centre of it all were vendors eagerly showcasing their products.

In  the  seminar  room, consumers learned  about  lap  dances, Japanese bondage, sex toys, and BDSM through a variety of explanatory sessions. In the video room, consumers watched educational DVDs about the g-spot and female ejaculation, the art of oral sex, and advanced sexual gadgets provided by the  Alexander Institute—a company that produces sexuality videos for couples and singles.

The show aims to educate people on things about sex and sexuality that they normally   wouldn’t see.Through seminars, educational videos, live demonstrations and a sex museum, Sexapalooza creates an open, welcoming environment where people can truly learn, said Lewis.

“Most people find out about BDSM lifestyle through Google but it doesn’t really cover what practitioners think, whereas if they come to Sexapalooza they can go to “the dungeon,” an area where consumers can experience different sexual practices, and talk to somebody who has that lifestyle, hear what they’re saying, see what they think, and open their mind,” he added.

Sexapalooza stands out from a lot of other shows that emphasize sex more so than the relationships behind it, said Lewis.

“We tried to make it a more fun show—something that you can come to and laugh, rather than one where you come just to see everything that’s there.”

While many other shows are geared towards men, Sexapalooza is aimed at women. Although most of the paraphernalia for sale was for women, vendors also had toys for men. According to Lewis, most people are drawn to the show because they want to learn a specific thing that they saw on the website, or they’re looking for a product that they can’t find—that new, different toy.

“We have everything from paddles to bed sheets,” he said.

The organizers are constantly adding more to the show, from new banners and billboards to getting more vendors.

“If you look at some of our existing shows, like Ottawa, it’s a much larger show. This was our first year in Montreal, and it was less than we expected, but next year we plan on having it twice as big,” said Lewis.

http://www.sexapalooza.ca

Categories
Student Life

Marketers learn the perks of the motto “the customer is always right”

Anew study from the Business Development Bank of Canada (BDC) identifies customization as one of five trends shaping consumer behaviour.

In a world where you can order a latte with the exact amount of caffeine, sweetness and fat that you want, it seems that no matter what you are selling, customization is key. Press photo

“It’s a great way to differentiate yourself in a crowded market,” said Pierre Cléroux, chief economist for the BDC.

The study finds that consumers are looking for products catered specifically to their needs and desires, and new technology makes it all possible.

Customization—individually customized goods or services—is profitable for companies because customers feel appreciated when their individuality is promoted.

The trend will soon reach smartphones—making them as unique as the way you take your coffee.

In late October, Google-owned phone company, Motorola, unveiled Project Ara: a build-your-own-phone approach to smartphones.

Project Ara will enable users to buy a basic frame and customize every aspect inside of it, from adding a keyboard, to choosing the battery and camera size. This level of customization has yet to be seen in smartphones, but Google remains hopeful the move will increase its current 6.9 per cent smartphone market share.

While customization remains mostly uncharted territory in the realm of smartphones, it’s well established in the coffee world of handcrafted beverages.

Starbucks Coffee is a shining example of the success of customization. Customers are notoriously known by baristas for their long list of amendments to standard drinks. If the many recent store openings in the province of Quebec are any indication, letting customers have their way seems to be in their best interest.

However, customization can be like overeating, according to Leslie H. Moeller, vice-president of the Booz Allen strategy and technology consulting firm in Cleveland.

“It feels good when you’re doing it. Then you wake up one day and you’re 80 pounds overweight,” Moeller told management magazine strategy+business.

Marketing professor, Jerry Wind, from the Wharton School of the University of Pennsylvania, added,  “If customers have too much choice, they cannot make a decision; they freeze.”

While customization is mostly great for businesses, it can be a pitfall for consumers. Eli Pariser, author of The Filter Bubble, argues that despite the perks of customization, unintended negative consequences may arise.

In a TED talk, Pariser explained that the Internet is being subject to filtering, without users necessarily being consulted beforehand. Sites like Facebook, which are tailored to our individual online habits, filter our content accordingly. News and search results, on engines like Google, act the same way using various algorithms. As such, we risk not getting exposed to critical information, simply because other information is being filtered out by customization.

To demonstrate how extreme this idea of relevance could become, Pariser asked two friends, Scott and Daniel—both Caucasian and both from New York—to google “Egypt.” Daniel’s first page didn’t mention anything about the protests in Egypt, which was a major headline at the time, while Scott’s page did. Instead, Daniel’s results included links to travel agencies, the CIA Factbook of Egypt, and Egypt Daily News. These filters, according to Pariser, amount to a “filter bubble.” The danger, he argues, is that you don’t decide what gets in, and more importantly, you don’t see what’s left out.

While filtered content or “customized content” raises a number of privacy and information questions, the fact remains that most consumers want a product best suited for their needs and what better way to have that then by actively taking part in the production process—whether it’s your double non-fat extra foam macchiato or your new smartphone.

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Student Life

Top 10 ‘devilish’ foods

There is so much information on which foods we should be eating and which we should avoid. So here’s a list of some evil foods that aren’t just bad for your waistline, but bad overall.

Graphic Jenny Kwan

CRONUTS

Half croissant, half donut, the cronut was invented by Dominique Ansel of New York. Croissants and donuts are rife with trans fats which are linked to cancer and heart and brain diseases. Try the tasty treat if you dare at D Liche on St-Denis and La Cornetteria in Little Italy.

HOT CHOCOLATE

A 12 ounce cup of decadent hot chocolate — that is to say a mixture of melted cocoa and cream, as opposed to the well-known cocoa powder with milk formula — is upwards of a thousand, empty, useless calories. Try one on your cheat day at Suite 88.

MCDONALD’S OATMEAL

Disguised as a healthy option, this McDonald’s offering contains more sugar than a Snickers bar, and only 10 fewer calories than a McDonald’s cheeseburger. Oatmeal, normally a stand-alone ingredient, contains seven other ingredients in typical fast food fashion (one being “natural flavour”).

POUTINE

Most of us hold it to be true that fries, cheese, and gravy are a winning combination. But few of us know that fries contain acrylamide,  a carcinogenic substance formed when white potatoes are heated at high temperatures. Cheese, arguably the best part of the dish, is typically a great source of protein and calcium. However cheese can be just as unhealthy, especially if it’s the processed and packaged cheddar cheese curds that is typically melted over this Montreal classic.

 

PROCESSED MEATS

Processed meat is a source of saturated fat, which raises blood cholesterol, and is high in sodium. Researchers from the Harvard School of Public Health have found that eating processed meats such as bacon, sausage, or deli meats, was associated with a 42 per cent higher risk of heart disease and a 19 per cent higher risk of type 2 diabetes.

 

MARGARINE

Margarine proponents think it’s healthier than butter but there is no evidence supporting this. While margarine has less saturated fat than butter, it’s full of trans fats that raise levels of bad cholesterol. Did I mention that, without artificial colouring, it’s naturally grey? Use olive oil as a healthier alternative.

SODA

Soda doesn’t just rot your teeth but these bubbly drinks whether sugar free or sweetened have been linked to obesity, depression and diabetes.   Coke Zero may seem like a healthier option given the no sugar and no calories.  However most  no-calorie and no-sugar sodas contain aspartame that although approved by the FDA, has been argued to have negative health effects.

 

MICROWAVE POPCORN

Researchers at UCLA suggest that perfluorinated chemicals (known carcinogens found in the lining of popcorn bags) may be associated with female infertility. Microwaving causes the chemicals to migrate into the popcorn. Many manufacturers have decided to phase out PFOA by 2015. Until then, avoid this food.

FOODS HIGH IN SUGAR

The Harvard Medical School found that sugary snacks stimulate the same areas of the brain as hard drugs like cocaine and heroin. The finding supports the possibility of food addiction which increases the risks of weight gain and health issues.

POTATO CHIPS

Like fries, potato chips contain acrylamide. The Harvard School of Public Health ranked potato chips first in a list of foods that contributed to the most weight gain.

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Student Life

Misophonia: more than just a pet peeve

Misophonia, literally hatred of sound, is a term that was introduced in 2001 by American scientists Pawel J. and Margaret M. Jastreboff to describe abnormally strong negative reactions to everyday sounds that range from chewing and throat clearing, to lip smacking, pen clicking, and cell phone texting.

Photo from Flickr

“I keep a list of friends that I know I can’t sit next to when out for dinner,” said Alessia Di Cesare, a psychology graduate at Concordia University, who can’t stand the sound of people chewing with their mouth open.

Di Cesare believes she has a mild form of the little-known disorder.

According to Drs. Jastreboff, patients commonly report certain triggering factors related to misophonia and hyperacusis (an over-sensitivity to sound that is perceived as abnormally loud or physically painful). These triggers include chronic exposure to sound and impulse noise (abrupt, unwanted and often loud sounds like gunshots or fireworks); head injury and/or surgery; stress associated with an event such as a dental procedure; or sounds associated with new surroundings such as college cafeterias and new living spaces.

People with misophonia experience a range of negative reactions to sound.

“I find myself feeling anxious, irritable, aggressive and angry,” said Di Cesare.

The type of reaction depends on non-auditory factors, such as the persons’ previous attitudes towards the sound in question, their psychological profile, and the context in which the sound is presented.

Audiologist Marsha Johnson believes the condition tends to appear in the early teens and worsens with time. For Di Cesare, the symptoms began two years ago and have since worsened.

“When I hear people chewing with their mouth open, I walk away,” said Di Cesare.

In an interview published by the New York Times, Dr. Johnson stated that because the condition remains poorly studied and understood, people with misophonia are often diagnosed as sufferers of phobic and obsessive-compulsive disorders, or as being bipolar, manic, and anxious.

Diagnosis of misophonia is complex and involves an audiological test measuring what is known as the loudness discomfort level of the individual and a specific, detailed interview with the patient. In practice, hyperacusis and misophonia frequently occur together. In patients with significant hyperacusis, misophonia is automatically created because the discomfort of normal sounds automatically elicits negative reactions.

Aage R. Moller, a neuroscientist at the University of Texas at Dallas who specializes in the auditory nervous system, stated in the medical guidebook Textbook of Tinnitus that there is no known effective treatment for the condition. Dr. Moller believes the condition is probably not an auditory disorder but a “physiological abnormality” within the brain.

Because of the lack of treatment, Di Cesare has made lifestyle changes to keep her symptoms in check.

“Dinner with my family was a challenge until I made having the radio on a rule at the table…anything to muffle the sound of chewing,” she said.

The lack of research on the disorder has left many sufferers of misophonia turning to online forums and blogs to look for support. In the hope of sparking interest, Dr. Johnson has set-up a group called Selective Sound Sensitivity that provides support, information, and awareness about misophonia.

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