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Arts

The “urban armpit” and the poverty nested within

Facing the social and economic problems of a poverty-stricken India

Like many developing worlds, Mumbai is a city that straddles two realities. In our 21st century, it is quickly rising as a global superpower. Yet its reputation as a corrupted and poverty-stricken city continues to pollute its worth.

Behind the Beautiful Forevers is a telling tale of life, death and hope in the slums that continue to plague India.

Katherine Boo — a Pulitzer Prize winning journalist praised for her reporting of disadvantaged communities — divulges the conditions that hold this great nation back. She describes how tensions over religion, caste, sex, power and economic envy are rampant.

Boo immersed herself in the culture of Annawadi — a makeshift settlement on the marshy lands of Mumbai’s airport — for three years to illustrate the plight of slum dwellers in one of the world’s greatest unequal cities. In her book, she documents the lives of several Annawadians and describes how each tries to overcome their ruinous livelihoods as India begins to prosper. In an attempt to elevate themselves out of poverty and into the middle-class, some Annawadians turn to corruption, the very practice that churns the wealth of the political elite.

Behind the Beautiful Forevers illustrates a real life account of global change and social inequality in the New India.

Behind the Beautiful Forevers is a non-fiction narrative that reads like fiction. Boo pays incredible attention to detail. Her use of imagery illustrates the severity of the situation. She describes Annawadi as an “urban armpit” tainted with filth and malodor, where 3000 people have packed into 335 lopsided huts. Her writing is compelling. It is utterly shocking once you are reminded the events which unfold are all true.

Boo includes a nice range of voices in her book, each story as unforgettable as the next. The two characters which stand out the most were Abdul Husain and Asha Waghekar, a perfect depiction of good versus evil. While at their core the two crave the same ambitions, their definition of a-means-to-an-end differs greatly.

Abdul is a reserved but enterprising teenager who finds “a fortune beyond counting” in the recyclable garbage that flows into Annawadi. He has made an honest life for his family by sorting through garbage, but jealousy is widespread in a decrepit slum. The Husains, being part of the Muslim minority, face a great deal of ethnic hatred due to their more advanced superior status. This hatred eventually leads to Abdul’s incarceration, when he is falsely accused of taunting a woman to suicide.

With Abdul’s story, Boo demonstrates the grotesque infringement on human rights that exists in these impoverished villages. ‘Innocent until proven guilty’ is not a belief many Mumbai officials operate by. Abdul is repeatedly beaten until he is forced to confess to a crime he did not commit and his mother is enticed to pay up if she wishes for the release of her son. Abdul is quoted saying, “The Indian criminal justice system was a market like garbage. Innocence and guilt could be bought and sold like a kilo of polyurethane bags.”

Asha though, is a strong-minded woman with a keen eye for financial opportunity, no matter how unethical. Driven by deep scars from a childhood of even graver poverty, Asha longs to be perceived as the most resourceful person in her slum and thus, strives to become a slumlord. She represents the embodiment of corruption, running scam businesses and holding the people of Annawadi indebted to her. Despite her many spiteful efforts, there is one irrevocable obstacle that continues to hold her back. Asha is a woman. She thus must prey on the support of powerful men to help elevate her status.

With Asha’s story, Boo exemplifies this rift in equality between men and women. Traditional values often undermine gender equality, especially in these small, poor villages where women are expected to leave the strategic decision-making up to men.

Behind the Beautiful Forevers highlights this competitive system of making more and more money in an age where India has seen an increase in capital. This system of lies, threats and ultimatums traps the people of Annawadi in old, unprosperous ways. With government intervention virtually non-existent, those with power will continue to benefit by exploiting the status of the poor.

Boo’s book is not for the faint of heart. Her goal is to illustrate the cruel reality of social inequality and she does so with precise, stomach-churning detail. Her book raises a critical question: How do you fix a feeble nation if the government is better at nourishing corruption than human capability?

Behind the Beautiful Forevers is available for sale at Chapters Indigo and at http://amazon.ca.

 

 

Categories
Arts

One woman’s attempt to light up her world

The subject of the documentary, Rafea: Solar Mama, is a Bedouin woman’s quest to reinvent herself as a contemporary woman. Directed by Mona Eldaief and Jehane Noujaim,(The Control Room), this film takes a look at how traditional values often undermine human rights, especially in impoverished villages.

Press photo

The film is part of the global documentary project ‘Why Poverty?’ which uses film to get people talking about the global issue of poverty.

Audiences get a glimpse into the life of Rafea Anad—a Bedouin woman who lives in one of Jordan’s poorest desert communities.

Anad’s daily life is a struggle. She lives in a tent with her four daughters and without modern conveniences.

Her husband is an unemployed polygamist who spends most of his time with his first wife. Anad is 32 years old and has only five years of primary school training.

“A girl is not allowed to continue school past the age of ten. It is considered shameful,” she says.

Anad has a desire to learn and become an innovator, but she has seen this desire extinguished over and over again by the traditions of her culture.

However, things change when Anad is offered the chance to transform her village into being sustainable and self-sufficient when she is asked to attend the Barefoot College in India. Barefoot College’s program trains middle-aged women from poverty stricken areas to become solar engineers, in the hope that they will become agents of change for their communities. Anad thus embarks on a journey that could revolutionize the role of women in her village but her husband’s oppressive nature poses a constant obstacle.

The filmmakers found the perfect hero in Anad. Her beguiling personality is what helps shape the documentary into the telling story that it is. Despite the unfair circumstances she has had to endure her entire life, Anad refuses to have her spirit shattered.

“I know you think I’m a joke and full of hot air but I will prove you wrong,” she says to her mother.

Audiences witness a transformation in Anad’s character. At the beginning of the documentary, she is a victim of her chauvinistic husband’s threats but the experience in India sparks a change within her. She returns to Jordan with a newfound sense of confidence that she can better the situation in her village. Her admirable perseverance is what makes her the undisputed star of the documentary.

Eldaief and Noujaim do a great job of exemplifying the rift in equality between men and women of traditional, remote communities.

Rafea: Solar Mama puts forth shocking words spoken by the Bedouin women that might seem out-dated to our ears.

“It’s a better life for a woman to stay at home with her kids,” says Anad’s mother.

Every scene captured is powerful. One of the most inspirational moments bears witness to the solidarity between the women from different corners of the world, attending Barefoot College. This scene empowers Anad’s mission. It proves that there are many women who share in the same plight, ready to break barriers and defy all odds for a better future.

Rafea: Solar Mama is an inspiring documentary that provides an interesting look into a world so alien from our own Western milieu.

Rafea: Solar Mama will have its Quebec premiere screening as part of Cinema Politica on Friday, Nov. 22, at 7 p.m. at J.A. de Sève Cinema — 1400 de Maisonneuve W.

Other works by director Jehane Noujaim include The Square.  Read the review here (please link to The Square article).

OR: You can hyperlink The Square article to Jehane Noujaim’s name in the article (highlighted in dark green).

Categories
News

A taste of the stock market on familiar grounds

Students from universities across Canada and the U.S. are getting ready to embody their inner stockbroker as the John Molson Stock Exchange (JMSX) returns Nov. 16.

Press photo.

The event, hosted by a student-run group at Concordia’s John Molson School of Business—the Finance and Investment Students’ Association (FISA)—is in its fourth year of running.

Well versed in the world of finance, the members of FISA have put together a mock stock exchange where 200 students gather to compete for a monetary prize. While the JMSX caters primarily to business students, the event’s organizer, Jennifer Paragios, said that people of all disciplines are welcome.

“We hold an orientation session at the beginning of the event to bring people up to speed,” Paragios explained. “It serves as a crash course for those who might not know much about trading.”

What makes this event unique from other similar ones hosted at different universities is that students compete in an open outcry market. It reflects the real hustle and bustle environment of a traditional stock market pit.

“At other universities, participants trade through computers. Here, they’re actively interacting with other traders on the floor,” said Martin Tzakov, a FISA member in charge of technology for the event.

Tzakov expressed that having an open outcry makes it more entertaining because you get to feed off of people’s emotions and energy.

Much ingenuity went into creating the event. JMSX is equipped with an elaborate software program designed by Tzakov himself.

“We are the only school to have a student design the software for this kind of event. We don’t outsource our work,” he said.

Participants are expected to bid on commodities as the program displays hypothetical, breaking-news stories meant to foreshadow in which direction the economy is heading. The economic situation will have a direct correlation to the value of the commodity. Contestants scramble to weed out the buyers from the sellers based on whether they think the market is struggling or flourishing.

The JMSX participants will have the opportunity to bid their way towards generous prizes. The association grants a total of $5,000 in cash rewards to the three teams that have made the most profit.

Amidst all the competition, there is still room for some light-hearted fun.

“We even give out a prize to the group that has the best team name,” Paragios added.

First-time participants might be intimidated by the frenzied environment in the beginning, but Paragios and Tzakov reassure that such feelings are normal and are quickly replaced by a burning desire to come out on top.

“The hardest thing is not about understanding the concepts, it’s about having the confidence to have your voice heard above everyone else’s. Don’t be shy, just give it all you got and have fun with it,” Tzakov advised.

The John Molson Stock Exchange was founded four years ago by two students who were trailblazers in their field of study, Wynnyn Chan and Julien Zheng. What started off as a promising contribution to their school’s business community has now turned into one of John Molson’s biggest events.

This year, tickets sold out two weeks prior to the end of registration. JMSX is also garnering a significant amount of attention from students abroad, with one-third of participants coming from outside of the province.

 Check out the event on Facebook.

http://fisaonline.ca/john-molson-stock-exchange/

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