Categories
Arts

Courtesy is a waste of time

It’s always refreshing when a piece of theatre takes a new twist on a classic form. Sometimes called a comedy of manners – without the manners – Yasmina Reza’s God of Carnage does just that.
In addition to the play’s success on Broadway, it has also been very well received at London’s West End in the past. This week, the Centaur Theatre presents the Montreal debut of the Tony Award‐winning play.
The play begins with a meeting that has been set between two couples to discuss a playground brawl that occurred between their two young sons. The four sophisticated urban professionals, Annette, Michael, Alan and Veronica, struggle to put their best foot forward, but despite their efforts, the evening devolves all too quickly. The conversation goes from bad to worse as alcohol begins to flow, insecurities are exposed, and more than just feelings are hurt.
This wildly entertaining comedy exposes how even the most civilized people can resort to childishness when other types of polite interaction fail.
“I think they start off with really great intentions. The fact that it turns into such chaos is part of the beauty of it,” said Roy Surette, the artistic director. “Comedy is always based on conflict.”
God of Carnage is absolutely bursting with it. As the characters begin to discuss more serious issues, different allegiances form, leading to a number of hilarious circumstances. “You really get taken on a roller coaster ride through the course of the evening,” he said.
Surette was quickly attracted to the play’s script. “[It’s] the rigour of the writing. I just love
the richness of the characters and complexity of the argument,” he said. In essence, he feels the play is about “marriage, children and the challenges of determining your values in contemporary
society.”
The play provides an interesting commentary on human behaviour which seems to fascinate audiences. “It’s kind of like watching a train wreck, you can’t not look,” said Surette.
Originally written in French, it was translated by Christopher Hampton. Despite the translation, he said “[the play] really does maintain a great use of language.” The production team spent much of their limited time analyzing the text and interpreting it. Surette feels that for this show especially, “the actors have to really be playing the subtext, [because it’s] as important as the text itself.”
Surette calls Ellen David, Marcel Jeannin, Mark Camacho and Janine Theriault “a dream cast.” During casting, he was looking for actors who had an aptitude for searching beneath the surface of the text, and projecting deeper meanings. Three out of four leads have kids of their own, and he encouraged them to bring their own anecdotes and experiences to the table.
The set, which was designed by Michael Eagan, was intended to be fairly stylized but still elegant. Surette is confident that audiences will be surprised by how much action actually takes place in what appears to be a demure sitting room. There are more surprises in store too, in the form of elaborate stage effects which will simulate the notorious on-stage vomiting scene.
Surette feels that God of Carnage has been so popular because people are really able to relate to it. “It is one of those pieces that has made a big impact around the world,” he said. 

God of Carnage opens Nov. 8, at 8 p.m. and runs until Dec. 4. Student tickets are $25.50 and rush tickets are $20 if booked one hour before showtime the day of. For a full schedule of shows, visit www.centaurtheatre.com/43_godofcarnage.html.

Categories
Music

Mixtape: Nineties vs. Now – Party Anthems

In the past decade, there has been one thing that has remained constant in my life: there’s nothing I enjoy more than a solid party track. Whether I was a bumbling teenager, busy funnelling water back into the bottles of my friends’ parents’ liquor cabinet to replace the vodka and rum we drank while they were on vacation, a completely lush bar star in my undergraduate years at my STFXU’s bar “The Golden X Inn,” or raving at an underground after-hours club in the almost-continuously-winter-locked city of Edmonton, I was quite literally unable to deny the forces of party anthems from taking over my seemingly possessed body. These are the songs that inspire girls to throw their hands up in the air, scream and dance with so much gusto you’d swear they were auditioning for So You Think You Can Dance. So put on these tracks, grab your favourite alcoholic beverage, and put your inhibitions to the side―there’s no room for them where this mix is about to take you!

Listen to the mixtape here: 8tracks.com/the_concordian/90s_vs_now

SIDE A: The 90s

1. “Pump Up the Jam” – Technotronic – Pump Up The Jam: The Album (1989 – close enough)
2. “Gonna Make You Sweat” – C+C Music Factory – Gonna Make You Sweat (1990)
3. “Baby Got Back” – Sir Mix-A-Lot – Mack Daddy (1992)
4. “Mr. Vain” – Culture Beat – Single (1993)
5. “Rhythm of the Night” – Corona – The Rhythm of the Night (1993)
6. “Whatta Man” – Salt-N-Pepa – Very Necessary (1993)
7. “U.N.I.T.Y.” – Queen Latifah – Black Reign (1994)
8. “Pony” – Ginuwine – Ginuwine… The Bachelor (1996)
9. “Lollipop (Candyman)” – Aqua – Aquarium (1997)
10. “Jumpin’ Jumpin’” – Destiny’s Child – The Writing On the Wall (1999)

SIDE B: Now

11. “Work It” – Missy Elliott – Under Construction (2002)
12. “Satisfaction” – Benny Benassi – Hypnotica (2003)
13. “Let’s Get it Started” – Black Eyed Peas – Elephunk (2003)
14. “Hey Ya!” – Outkast – Speakerboxxx/The Love Below (2003)
15. “Dance Like This” – Wyclef Jean ft. Claudette – Dirty Dancing: Havana Nights (2004)
16. “Promiscuous Girl” – Nelly Furtado ft. Timbaland – Loose (2006)
17. “Gimme More” – Britney Spears – Blackout (2007)
18. “Single Ladies (Put a Ring On It)” – Beyoncé – I Am…Sasha Fierce (2008)
19. “Just Dance” – Lady Gaga ft. Colby Odonis – The Fame (2008)
20. “I Gotta Feeling” – Black Eyed Peas – The E.N.D. (2009)

Categories
Arts

It’s all about the swap

In between some of the best bands both south and north of the border, punk festival A Varning from Montreal found the time to celebrate its fifth year with an off-stage event. The DIY festival, started right here in Montreal by local punk enthusiasts, held a record swap last Saturday afternoon at local punk haven Katacombes, which saw fans leaving their pre-loved records and coming home with new gems. Those who were there for the swapping also got an eyeful of Yvan Arsenault’s art and photography, which will be on display until January of next year.
Categories
Arts

That’s just the truth about lying

Paul Hopkins, who plays Sandor Turai, shows it’s never a dull moment when you’re emotionally distraught in an Italian castle.

The notion of reality has been questioned by everyone, through nearly every medium in history. From Descartes’ musings back when he was kicking it in the 17th century, to the more contemporary example of reality television (was that line scripted or was it alcohol-fuelled spontaneity?), questioning our surroundings is the gift that keeps on giving.
Throw in questions and quivers about love and trust, and you have a whole different creature. Namely, you have The Play’s the Thing, a play that’s as much of a theatrical mind trip as you will get on the stage.
Penned by Ferenc Molnár, the play tells the story of Albert Adam, a talented composer whose playwright friends take him to an Italian castle. Once there, the young composer is distraught when he hears his fiancée having sex with another man. Not to be set back by an emotional wreck of a collaborator, the playwrights convince Adam that what he heard is a scene from a play being rehearsed. And thus, the play-within-a-play – and general madness – ensues.
It’s a situation driven by what director Blair Williams says motivates most characters – self-interest, of course.
“I certainly think Molnár believes that self-interest is inherent, but at the same time, when we examine our self-interest we can extract ourselves from it a little bit. I think that’s what he’s asking us to do as well,” he said. “It’s romance through comedy and he has us laugh at that, which is very important.”
The scenario being recounted is not only compelling by itself, but by its relatable quality as well. It’s astounding to contemplate that a situation deemed scandalous and provoking 80 something years ago does not seem dated at all in modern times.
“It certainly is applicable now, absolutely, when we’re still dealing with questions of fidelity and questions of loyalty, questions of trust,” said Williams. “These are human conditions that will exist forever. As long as there is romance, there will be broken hearts.”
The play is unconventional in that it not only explores different realms on the stage, but off the stage as well, by breaking the infamous fourth wall. This is something Molnár sets up in the script.
“I enjoy the metaphysics of his writing and in this play he explores the nature of the theatre itself and the relationship between the actor and the audience, and the playwright and the audience,” said Williams.
“I had Paul Hopkins, who plays playwright Sandor Turai, really explore the connection with the audience,” he added. “I encouraged him to make eye contact with people in the audience and really explore that dynamic.”
Audiences will also feel an added level of connection through the actors’ voices. Williams noted that, diverging from other renditions of this play, this production sees the actors forgoing the British accents and keeping their own.
The stage set-up, which Williams describes as an “old-fashioned theatrical set that makes no attempt to look like a real room,” contributes to the atmosphere they were trying to create as well.
“We set the play fairly in the ’20s, so it’s a very art deco feel that is silver screen influenced. Everything we did in the room is black and white and shades of grey, including the costumes and the furniture and the walls, and everything. Outside, the backdrop is colour,” he shared. “It just provides an interesting dynamic.”
Albeit the play is serious in its message (Williams pinned it down to being that “we believe what we want to believe, and we should examine our truths carefully”), at the end of the day the show is a comedy, and that’s what Williams hopes audiences walk away with.
“Most importantly, that they have a laugh. It is a very funny play. Laughter is the best way to learn anything.”

The Play’s the Thing runs until Nov. 20 at the Segal Centre (5170 Côte-Ste-Catherine). Student tickets are $22. For more information, visit www.segalcentre.org.

Categories
News

Concordia Senate passes academic plan

Concordia’s five-year academic plan was passed in a secret ballot held during a divisive senate meeting last Friday afternoon.
Despite being rejected unanimously in a symbolic motion by the CSU council last week, the revised 2011-2016 academic plan was adopted in a vote of 26 to 19.
Tension ran high as the students who sit on senate wanted to delay the plan until next year. CSU president Lex Gill voiced her concerns about rushing the multi-million dollar plan being put into motion without the endorsement of the students.
“It would be a tragedy to see a document with so much good it in to be passed without any student support,” she said. “What’s the rush? What’s the difference between an academic plan passed now and one passed in January?”
Graduate student senator Holly Nazar also expressed her concerns, saying she didn’t feel the working group for the academic plan took the revisions students made into account. “The vote shows students are not entirely happy with the plan,” Nazar said.
Provost David Graham presented the academic plan to the student union council on Oct. 26. He said at senate that he was “aghast” to learn council unanimously rejected the plan immediately after his departure and questioned whether the CSU had arranged the outcome of the vote before the meeting.
Hasan Cheikhzen, CSU VP academic, was responsible for inviting the provost to the council meeting and denied that the CSU “did not act in good faith.” Cheikhzen explained that no decisions were made prior to the provost’s presentation.
The provost later apologized for his emotional response, explaining that last year he had expressed the wish that the current student union be on board as part of the working group who formed the academic plan.
A few senators did feel the plan should be implemented but were worried by the lack of consensus from the students. Arts and science senator Rosemary Reilly said she was “not comfortable voting for a plan students are seemingly against.”
However, Noel Burke, dean of the School for Extended Learning, expressed his excitement for the plan and emphasized that “delaying the date only delays the plan.”
Graham agreed, stating “deferral is not an option at this point.”
The plan intends to expand Concordia’s research and graduate studies, provide additional library funding, develop new evaluations and restructure academic programs, among other measures. In an effort to make Concordia more competitive, the plan is looking to attract more grants, students and professors. The ultimate goal of the plan is for Concordia to be recognized as one of the top five comprehensive universities in Canada by 2016.
Senate also passed a motion recommending that the winter term begin no earlier than Jan. 4, 2012. However, because Senate does not actually have the responsibility of establishing the academic calendar, the start date for the winter 2012 semester will remain Jan. 3. President Frederick Lowy said that the concerns expressed would be taken into consideration when establishing the start dates of future winter semesters.
Correction: A previous version of this article contained inaccurate information regarding the start date of the winter 2012 semester.
Categories
Sports

Second period gale gets Stinger win over Queen’s

Concordia improved its record to 5-1 at home over the weekend with a 6-1 win against the Queen’s Golden Gaels on Saturday afternoon. Concordia has yet to win away from home, though, posting a 0-4 record outside the friendly confines of Ed Meagher Arena.

Samuel Morneau (7) scored in the Stingers 6-1 win over Queen's. Photo by Navneet Pall

Saturday’s game was a quick turnaround for the Stingers who had played Friday night at home against Ryerson, picking up a 3-1 win.

Concordia looked a bit sluggish in the first period, getting outshot by Queen’s 11-7, yet the Stingers still managed to get into the first intermission with a 1-0 lead, thanks to a goal by George Lovatsis.

The Stingers awoke in the second period, though, and buried Queen’s.

“It’s hard to play back-to-back [night and day games],” said Stingers coach Kevin Figsby. “We came out a little slow in the first period, but dominated the last 40 to 45 minutes.”

Just 46 seconds into the period, captain Eric Begin stretched the lead to two. With Queen’s goalie Steele De Fazio scrambling around searching for the puck, Alexandre Monahan circled behind the Gaels’ net and passed out to Begin who buried a low slap-shot into the open net.

The crushing dagger came later in the period when Queen’s was trailing 3-0, but were operating on the powerplay.

Stingers defenceman Etienne St. Germain gained control of the puck in his own end and sent a beautiful saucer pass over the head of a Queen’s defenceman, springing Charles-Antoine Messier on a partial breakaway.

Messier, fending off a back-checker, was able to deke De Fazio onto his stomach and bury a shot into the top of the net. Messier finished the game with two goals and an assist. He now has nine points in 10 games this season.

Concordia would add another goal in the second period, en route to the 6-1 thrashing.

“The key is to work hard,” said Messier. “We were trying to focus defensively, but still gave up a lot of shots. Fortunately our goalie played well and we won.”

Peter Karvouniaris got a rare start in net, in place of Nicholas Champion who was out with the flu. Karvouniaris faced 40 shots and made some spectacular saves in the win. “It feels good a couple days before to know you’re going to play,” said Karvouniaris. “It was good for me to get mentally prepared, and any opportunity you get you try to do the best you can.”

Concordia allowed 40 shots in a game for the fifth time this season (and have twice allowed 39), and has given up the most shots in the country.

Coach Figsby, though, says the numbers can be misleading and it isn’t something he’s concerned with. “Sometimes when you’re playing on the road the home team [score keepers] will pad their [shot count],” he said. “I think a couple times our shot total has been reversed with the other teams. Once that gets on a website there’s nothing you can do about it. We’ve won four of our last five games, so if that means giving up a few more shots I’ll take it.”

The Stingers’ next game is Nov. 11 at 7 p.m. on the road against Nippissing.

 

Categories
Student Life

Do you know the cupcake man?

Try a Tiny bite of heaven

Why does a man who makes a comfortable living doing public relations for Merrill Lynch and helping start-up businesses succeed leave it behind to work more than 60 hours a week at a cupcake shop?
Owning it, for one, and being his own boss, for another.
Robert Plante’s cupcake shop Simplement D Liche opened on Montreal’s bustling St-Denis Street in June, but the project has been a dream for Plante and his partner, Ken Lee, for close to a decade. Lee works a 9 to 5 job marketing pharmaceuticals, and is more than happy to don a Johnny Cupcakes T-shirt evenings and throughout the weekend.
“We were just baking at home, for friends and family, and at one point I remember we couldn’t keep up with demand,” says Plante. “People kept telling us, ‘Oh, you guys just have to open a shop!’ We would get orders from people we didn’t know and we had to ask, ‘How did you hear about us?'”
Plante and Lee had some money saved and were going to buy a cottage. Plante became disenchanted with his career and wanted to do something that would not require him to help rich people and companies become richer. He wanted to use his expertise to help himself.
Plante and Lee started looking around for the shop they had always pictured for themselves. When, after months of searching, they could not find exactly what they had in mind, they decided to return to a ground-level store on St-Denis that Danielle Tetrault introduced them to.
“I had shown the place five or 10 times, and no one could really see what could be done with the space,” remembers Tetrault, who lives above the shop and was the contact person for anyone interested in leasing the space. “Then these guys came in and had patience and a vision.” Tetrault knew that Plante and Lee wanted to open a cupcake shop, and the idea of living a few steps above one made her very excited.
The two men worked with the space they had, which was not much. After more than three months of renovations and thousands of dollars and hours of manual work, the old textile shop with cracked walls, mouldy hardwood flooring and no charm was turned into a sleek and modern cupcake shop adorned with a white marble communal table, glass counters and displays and a full kitchen.
The shop looked ready, but as they found out on opening day June 25, Plante and Lee were not prepared for their first retail experience.
“We were opening at noon,” recalls Lee, “and people were waiting outside. Whenever someone ordered a cappuccino, I would have to call Robert over to make it.”
Plante and Lee’s foray into the baking business was fuelled by their own frustrations about Montreal being almost completely devoid of great cupcake shops. The city’s bakeries are traditionally more French, so bread and croissant shops greatly outnumber those that specialize in cupcakes and desserts. Plante believes that cupcakes are a trend that have taken off ferociously in other North American cities, but Québécois families are only slowly starting to get introduced to them.
“People walk in and ask us ‘Well, aren’t these just like muffins?’” recounts Plante. “For starters, muffins are made with cereal. It’s a breakfast food. Cupcakes are a dessert.”
Plante and Lee, who just celebrated their fifth wedding anniversary, take great pride in assuring every customer who walks in that all their products are chemical-free and that they use only natural ingredients. Just don’t expect them to divulge their recipes, or what any of those natural ingredients are.
“Some other guys use Crisco for their frosting, but it really leaves a weird sort of film at the top of your mouth,” explains Plante. “People accuse us sometimes of using squid ink in our triple chocolate cupcake because it’s so dark. They just can’t believe that we don’t. We had to work with our suppliers to make sure we were getting the highest quality ingredients. I was sent chocolate flavoured chips once. I sent them back.”
Plante and Lee occasionally post a secret word to their Facebook and Twitter pages that allow customers to get a free cupcake on a certain day. The passwords are usually names of obscure towns in Quebec, like Shawinigan, Massawippi or Maskinongé, complicated names that Plante admits brings him a great joy to hear customers attempt to pronounce.
Simplement D Liche carries a rotation of 50 varieties of cupcakes, including dulce de leche, red velvet, raspberry chocolate, and carrot, a Plante family recipe. Simplement D Liche also carries special seasonal flavours. In October, they carried apple and have just introduced a pumpkin variety for the fall.
The triple chocolate and peanut butter cupcakes are especially scrumptious: moist, impeccably decorated and perfectly sweet, these desserts will introduce your mouth to a whole ‘nother level of flavour and freshness.
“We test out all the recipes and we are responsible for quality control,” jokes Plante, rubbing his stomach. Plante and Lee’s years of finding, tweaking and perfecting recipes are getting their cupcakes a lot of love online, with food bloggers from New York and tourists from Boston and Toronto writing that they are some of the best they have ever had.
Plante encourages amateur bakers to experiment with cupcake recipes and to be prepared to mess up. A lot. Plante and Lee think their cupcakes put a modern spin on what is a very old tradition that is regaining its popularity.
Just don’t call these desserts muffins.

Simplement D Liche is located at 3964A St-Denis. The shop is closed on Mondays and open from 10 a.m. to 9 p.m. Tue-Fri, 12 p.m. to 9 p.m. on Saturday, and 12 p.m. to 5 p.m. on Sunday. For more information, visit www.dliche.ca.

Categories
Student Life

‘Heel’ your fabulous feet

Every woman loves a man that heightens her, supports her, and makes her look good. If we’re lucky, their names are usually Christian Louboutin, Stuart Wietzman, Giuseppe Zanotti, or Manolo Blahnik, Jeffrey Campbell, Steve Madden, and even a little Aldo now and then. But men are notoriously known for breaking women’s hearts, and for the sake of this argument, even the best manage to do some damage. But it’s not our hearts that are hurting here; these men leave our feet aching, our ankles sore, and our backs broken. Not to mention leaving our wallets a little barren too.

Do you really know what you’re doing to your poor feet every time you wear your favourite heels? Christian Louboutin, famed shoemaker to countless celebrities and fashion fiends was once quoted saying, “So putting your foot in a heel, you are putting yourself in a possibly orgasmic situation.” Well, not exactly, unless you’re the masochistic type that enjoys pain. It seems that stepping into high heels is similar to foot binding, according to a report from the University of Maryland Medical Center that said “[…]many fashionable high heels are designed to constrict the foot by up to an inch.” Ouch.

And can you believe heels four inches or more put seven times your body weight in pressure all on your tiny little feet? Well, I can. I’ve ended up barefoot around the city one too many times. Let’s count: prom, New Year’s Eve, my brother’s engagement party, my 18th birthday, my 21st birthday. The list goes on. When I wear heels, I end the night feeling as though my feet have literally been beaten and bleeding, painfully tender to the touch. Getting out of bed the next morning is no fun either, with every step a reminder of the stupid (but so, so pretty) heels I regretfully wore the night before. But I’ve learned from my experiences, and although the ache on my poor feet will probably never stop me from wearing heels, I now make sure to bring a pair of my trusty, pain-relieving flats everywhere I go (which might relieve my feet, but seriously pains my outfit).

Nevertheless, life isn’t that easy for us girls, and opting for ballet flats doesn’t solve the problem. Flats can just as easily cause back pain and bunions, amongst other problems, because they offer absolutely no support. Don’t cringe, but the best shoes to wear are those with a low heel, around one to two inches tall. Wedges are a fitting, and still very fashionable option, if you’re looking to add height, but try to opt for a round toe instead of a pointy one. If you absolutely need to break out the killer five-inch heel, look for some with a hidden platform on the base of your foot that will reduce the pressure without compromising style. The University of Maryland Medical Center report suggests to, “[…]look for [high-heeled] shoes with wide toe room, reinforced heels that are relatively wide, and cushioned insoles.”

Christina Hanna, a Concordia psychology student, says that she has an intense love/hate relationship with heels. “I’m drawn to their beauty and the way they look on my feet when I try them on,” she said. But sometimes they can be a dilemma. Hanna says she mainly wears heels when she knows she’ll be sitting, opting for the security of knowing she’s not standing all night.

“How many times do us girls get all sexy and glamorous in an outfit and heels for a party and right after we get there we’re in so much pain we want to take our shoes off and throw them in a lake? And yet the next time you still wear them again and fall into the same trap!”

 

It’s an endless cycle, so if you simply can’t get enough of wearing heels and the infinite pain that your feet endure, there are more extreme measures you can take. The Globe and Mail reported about a celebrity doctor based in New York who  administers injections to the bonier parts of the foot that are subjected to most of the pressure, which stimulates collagen in the area, creating cushions to alleviate pain. Although some of us clearly have the pain threshold for the procedure, not all of us have the $500 budget for the injections.

We all know by now that women can’t resist the bad boys—ones that look so good, but hurt so bad. The same goes for sparkly stilettos that we know are going to break our banks and fracture our tiny toe bones. A good shoe is almost every girl’s weakness, even if we know just how painful they can be. And although sometimes we all need a little indulgence, we should try and avoid slipping into Cinderella’s glass slipper every chance we get. But if you’re wearing some killer heels à la Lady Gaga, there’s almost no avoiding that dreaded end of the night feet-throbbing-can’t-handle-one-more-step feeling. After all, when we choose to wear heels, we’re accepting that sometimes beauty really is pain.

The price of having fabulous high heels:

 

  • Blisters, corns, or calluses can develop when high heels throw weight into the ball of your foot.
  • Lower back pain can result when your spine bends backwards to compensate the forward push of your body when you walk in heels.
  • Pain in the ball of your foot, a condition called metatarsalgia, can stem from high heels.
  • Ankle sprains are more likely because your foot position in heels and the often-narrow heel width can make ankles unstable.
  • Achilles tendonitis is a risk. Frequent wearing of heels shortens and tightens calf muscles. This can lead to painful inflammation of the Achilles tendon at the back of your heel.
  • Benign tumours of nerves, called neuromas, can grow between toes. Symptoms may include sharp pain and tingling or numbness of the toes.
  • “Pump bump,” or Haglund’s deformity, has been linked to women who often wear high heels. This painful bump on the back of the heel bone occurs when the bone rubs against the shoe or a narrow, pointed shoe makes toes curl up.
Categories
Music

Quickspins + Retro Review

Surfer Blood – Tarot Classics [EP] (Kanine; 2011) 

After the major success of their debut album, Astro Coast, Surfer Blood treats fans to a four-track EP, with two additional remixes. There is an undercurrent of angst present in these songs, very reminiscent of ‘90s lo-fi college rock, showcasing a departure from the light, surf-rock of their debut towards something in the vein of The Pixies meets The Smiths. You can file Tarot Classics under “C” for cash grab (and crap!), as a final attempt by Brooklyn-based indie label Kanine Records to make a profit off the band’s leftover tracks following their signing with Warner Bros. Records, a bold and potentially fatal move, as the word “sellout” comes to mind. In keeping with the fortune telling theme of the title, I foresee a bumpy road ahead for the dudes of Surfer Blood, but with so much money backing their project, it’s unlikely they will be seeing The Tower card.

Trial track: “Voyager Reprise”

Rating: 5.0/10

– Paul Traunero

Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds (Sour Smash; 2011)

Following his departure from Oasis in 2009, Noel Gallagher’s debut solo album is blissful, passionate and engaging, to say the least. The 10-track self-titled album flows well, with a harmonious balance between the instrumentals and Gallagher’s vocals. Noel Gallagher’s High Flying Birds begins with a rocking track “Everybody’s On The Run” that blends a desperate melody with Noel’s rock roots. The single “The Death Of You And Me” is gentle, but fun, taking a page from the books of iconic bands like The Beatles. The songwriting doesn’t disappoint either; it falls between catchy and simple, but at the same time touches listeners in a similar way that Oasis once did. Even without Liam Gallagher’s heart-shattering voice, big brother Noel proves that he can produce something that is by all means beautiful in a raw and honest way.

Trial track: “AKA…What A Life!”

Rating: 8.0/10

– Kalina Laframboise

This Is Hell – Black Mass (Rise Records; 2011)

Imagine one of the really crazy things you have done in your life: bombing downhill on a skateboard made of plywood and lawnmower wheels, pulling off your first back flip on a motorcycle held together by Elmer’s school glue, or any other asinine thing that puts an ear to ear grin on your face and a burning in your groin. This Is Hell’s newest album, Black Mass, is the soundtrack to that event, giving you ten tracks of metal-core the likes of which you have never heard. Metal-core has been around for a long time, but This Is Hell brings a fresh sound to it, combining hardcore punk with a late ‘80s speed metal sound. The concept may sound tired, but it’s such a fresh take on the genre, and something that it desperately needed. Listen to this album next time you engage in 300 m.p.h. chicken races in wicker shopping carts, because that’s when it will shine.

Trial track: “Salt The Earth”

Rating: 10/10

– Mat Barrot

Slayer – Reign In Blood (Def Jam Recordings; 1986)

From the iconic cover depicting an anthropomorphic goat reigning in Hell, to the lyrics describing Josef Mengele’s human experiments on camp inmates, even children, in the Nazi concentration camp Auschwitz-Birkenau, Reign in Blood is one of thrash metal’s all-time greatest albums. I play it when I’m having a hard time falling asleep; it’s so permeated with hate and anger that when I listen to it, the wall of noise cancels out everything else that I’m worried about and leaves me in a comfortable zen-like state. Dave Lombardo’s speed and aggression on drums is a huge reason why Reign in Blood put Slayer on the mainstream metal map. Sharing the same nickname that was given to Mengele, “Angel of Death,” although controversial in its lyrical content, truly exemplifies Slayer’s game plan: fast, lean and filthy. Jeff Hanneman and Kerry King’s intricate guitar riffs and Lombardo’s killer double-bass ensure that you’ll be pumped and ready to maul any intruder, should one make the mistake of infiltrating your home.

Trial track: “Angel of Death”

– Myles Dolphin

Categories
News

Testy emails exchanged over nullification of CEO’s appointment

Discontent over the judicial board’s decision to nullify chief electoral officer Bram Goldstein’s appointment spilled over into a back-and-forth email exchange on Sunday and Monday.
Tomer Shavit, a CSU councillor last year and defendant for last year’s council at the JB hearing that took place on Nov. 1, initially sent out an email whose subject line read “Regarding cancelling the council meeting” to express his disappointment over the potential cancellation of the council meeting set to take place on Nov. 9.
President Lex Gill had previously sent out an internal email to councillors to ask them whether they would have any concerns about cancelling Wednesday’s meeting. By Sunday evening, Gill had decided against cancelling the meeting and sent out notice of the meeting by email.
Shavit’s mass email garnered several replies, both positive and negative, from council members, as well as from Gill.
“The CSU Council, executive, board members and senators do not have publicly available email addresses so that you can send rude, abusive, or irrelevant commentary,” Gill wrote in reply.
Gill noted that other methods would be better suited to express his views. She added, “To whatever councillor continues to forward internal emails to outside actors, please note that a number of representatives have now expressed significant concern to me regarding this, and I recommend that you reflect on your duties and responsibilities as a director of this corporation.”
In an interview, Gill specified that she “[doesn’t] really have a problem with any member seeing those emails — no one really cares — the problem is that person is doing it anonymously, and if they were acting in good faith then they wouldn’t do it anonymously.”
Shavit explained in an email his reasoning behind using the mailing list as a means to express his discontent. “The use of the listserv started because Morgan [Pudwell, CSU VP advocacy and outreach] used it to send ‘confidential’ emails to council regarding the firing of the CEO,” Shavit wrote in an email to The Concordian.
When asked how he had knowledge of the contents of the emails, Shavit wrote, “I became privy to these emails because I have my sources.”

 

Categories
Music

Music in the News

The Dracula kind or the Twilight kind? 

Pete Townshend, guitarist for classic rock band The Who, has called iTunes a “digital vampire” for “bleeding” artists of their profits. The comment came during the inaugural John Peel Lecture for BBC 6 Music. Townshend said that the digital retailer had a duty to provide certain services that record labels and music publishers traditionally provided to artists, such as creative nurturing and editorial guidance. “Is there really any good reason why, just because iTunes exists in the wild west Internet land of Facebook and Twitter, it can’t provide some aspect of these services to the artists whose work it bleeds like a digital vampire, like a digital Northern Rock, for its enormous commission?” Townshend didn’t spare illegal downloaders either, saying that if anyone “pretends that something I have created should be available to them free…I wonder what has gone wrong with human morality and social justice.”

Where da mop at?

Rapper DMX was so touched by a Waffle House worker’s fandom that he decided to help him out. The rap star took the employee’s mop and began cleaning up after learning the man was a fan of his. “I was in a good mood and felt that I would do that for him since it was 4 a.m. and [the employee] had been working all night. The minute you get too big to mop a floor or wipe a counter, that’s the exact minute you have fucked up.”

It’ll be like a barrel full of…some type of hominid

Legendary pop band The Monkees will be getting the Broadway treatment next year with a stage musical reminiscent of the ‘60s television series that shot the band to stardom. Though the original band members will not be appearing in the show, many of their hits will, including “I’m A Believer,” “Hey, Hey We’re The Monkees,” and “Daydream Believer.” The show will consist of a cast of 20 in what the show’s producers say is a “madcap Austin Powers-style plot.” Monkee Business will premiere at Manchester Opera House next March. The actual Monkees had been on a reunion tour earlier this year but were forced to end the comeback early due to “business” issues and “internal matters.”

He’s found his way to Planet Home

Shock rock band GWAR lost a comrade in arms last Thursday when lead guitarist Cory Smoot, a.k.a. Flattus Maximus, was found dead in the band’s tour bus. GWAR was on their way to play a show in Edmonton when frontman Dave Brockie found Smoot motionless in his bunk in the band’s tour bus. In a statement released Friday on the band’s website, Brockie expressed his grief to fans, saying, “We have lost a brother, a husband, a son, and one of the most talented musicians that ever slung an ax.” The statement revealed that the band intends to finish the tour as they believe Smoot “would want us to go on and would be pissed if we didn’t.[…] Though it’s hard to believe, I think we all would feel a lot worse if we stopped. For better or worse we have to see this through.” As a sign of respect, Flattus Maximus, the character Smoot played, will be retired and “will never return to this mudball planet again.”

Categories
News

Students vote to strike on Nov. 10

Students filled the Hall building auditorium, raising their hands to vote in favour of striking on Nov. 10.

Graduate students and arts and science undergraduates voted in favour of an academic strike mandate for Nov. 10, the day of the province-wide protest against tuition hikes, at a special general meeting held last Thursday.
Out of the 570 students present at the SGM, six undergraduate and two graduate students voted against the mandate and one student abstained, according to ASFA’s records.
“This is our opportunity as Concordia students and as an English school in Montreal to show that we have a school spirit strong enough to stand together united with one message,” said Concordia Student Union VP external and projects Chad Walcott. “That message is ‘no’ to this tuition increase.”
ASFA VP external and sustainability Paul Jerajian called the meeting’s outcome “a major step for ASFA.”
The CSU organized the SGM along with ASFA and the Graduate Students’ Association.
There were no faculty or administrative representatives at the meeting and the strike mandate as it currently stands does not exclude the possibility of academic consequences for strikers. According to Jerajian, a motion which states the meeting’s result still needs to be approved by the faculty in order to have a clear academic amnesty. Walcott said that the CSU is sending the SGM result to the administration to inform them of the ASFA strike mandate. Meanwhile, Provost David Graham sent out a recommendation to faculties and departments to be lenient on Nov. 10 in matters of attendance and late assignments, Walcott said.
“A strike mandate from ASFA’s membership means that 18,000 students have democratically decided not to go to school and to support the action on Nov. 10,” said CSU president Lex Gill. “If the university tries to go against the motion and punish students for not going to class on that day they are putting themselves in a very bad position.”
ASFA and the GSA needed to meet quorum—a minimum of 371 undergraduate students and 60 graduate students, respectively—in order to obtain a legal vote. When quorum was met an hour after the meeting started, students voted to skip the information presentation on tuition hikes and to vote for a strike mandate straightaway. They also skipped the open microphone session in the process, a decision which left some students unable to voice their opinions.
“We are both against the mandate and we wanted to speak before the vote,” said Erik Scanlon, and Philip Ryan-Gyroux, two economics students. “They never actually opened the microphone for people who disagree with the mandate. This is unacceptable in a so-called democratic process.”
If the Nov. 10 protest does not meet the expected results, students could meet again to vote for an unlimited general strike, where students would strike continuously until demands are met or until students decide to stop striking. 

A march to join the 2 p.m. general rally at Place Émilie-Gamelin near Berri-UQAM metro station will leave the Reggie’s terrace at 1:10 p.m., and will pass by McGill University. The CSU is organizing a pre-gathering downtown from 11 a.m. onwards on the terrace. The student union has also arranged for buses to pick up students from the Loyola campus at 12:30 p.m. and bring them to Reggie’s to join the rest of the delegation

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