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Arts and Culture

An interview with Heather O’Neill

The celebrated novelist sat down with our Editor-in-Chief to discuss her published works and an upcoming novel. 

Montreal is ripe with celebrated authors, like Leonard Cohen, Mordecai Richler, and Heather O’Neill. On a sunny Tuesday morning in March, following a win on the Canada Reads game show, O’Neill met up with The Concordian to discuss her literary journey. 

The Concordian: Thank you again for sitting down with me. Let’s start by learning a little more about you.

Heather O’Neill: I was born here in Montreal and then my parents got a divorce. My mother took me to the American South, which is where she is originally from and I lived there with her for a while. After some years, she decided she didn’t want to be a mother anymore and sent me back to Montreal to live with my father.

TC: I’m so sorry to hear that. Through all that, when did you discover your passion for writing?

H.O.: I remember it started when I was in elementary school. I remember back when I was eight or nine, I got a journal for my birthday. I started journaling and I loved doing that. It was my favorite part of the day, getting back to my journal and describing my day. It was like the journal was the only person on my side. Afterward, in grade five, I had a teacher who was very excited about my writing. I remember she gave me this little folder and she told me to keep everything because she told me I’d be a great writer.

TC: I love that. Going into your young adult life, what was the first major inspiration for your first novel?

H.O.: Funny enough, I was in a workshop at Concordia. I wrote a short story with the characters that ended up in Lullabies for Little Criminals, Baby and Jules. I noticed that story in particular got a lot of attention and seemed to capture the attention of the readers. So I sent it to a magazine and it got published. After it got nominated for the Journey Prize, I told myself, “Okay, I have something here.”

TC: How do you feel now that your written works are now being studied in courses, like an English class that I took at Concordia?

H.O.: It’s funny because it’s just starting to hit me now, that sort of appraisal. As an artist, you don’t have a sense of the outside world. Now, turning 50 this year, I think I am slowly starting to see that impact. I have so many young women writers who have come up to me and told me that they have read my books.

TC: Which of your books do you find people come and talk to you about the most? 

H.O.: It’s hard to say, but Lullabies for Little Criminals has been around for the longest. I would say The Lonely Hearts Hotel has really struck a chord in people. 

TC: What would your advice be to young writers who are just starting out?

H.O.: I don’t know what exactly my advice would be because a novel is such a strange beast. I think people just get gripped by it and you can’t stop the writing until you finish it. It’s a lot like Narnia, you get into a novel and you don’t know how much time you’ll spend on it. When you finally finish that novel it could’ve been over a span of 10 years or even six months. The madness is real for sure.

TC: What does your writing process look like?

H.O.: I write in a very rough way, where I already have the idea of the novel in my head. It always changes as I go along. When I start the novel, I write the different scenes from different parts of the book to kind of get a feel of how it’s going to look. After that, I piece everything together into a legible book. Then I send it off to my editor and it goes back and forth four to five times.

TC: Do you currently have anything in the works?

H.O.: I have one coming out in September. This novel is my first that is not set in Montreal. It’s set in this little imaginary country and in this country, they base their entire identity on the arts. They have this incredible arts culture, but then they get occupied by another country. It’s sort of how occupying forces first destroy the artists.
Fans have been eagerly awaiting O’Neill’s next novel since her last release in 2022, When We Lost Our Heads. For updates on O’Neill’s newest creation, have a look at her Instagram account, which she shares with her daughter, @oneillreads.

Categories
News

The legal Battle to represent Concordia’s Teaching and Research Assistants

Two unions spent the summer working behind the scenes to be Concordia TAs’ and RAs’ official union

While many Concordians were taking some well-deserved time away from school this summer, two unions were fighting to be the official representatives of Concordia’s Research Assistants (RAs) and Teaching Assistants (TAs).

Despite collecting the membership of a majority of TAs and RAs at the end of their campaign, the Concordia Research and Education Workers Union (CREW) failed to get accredited this summer. The Teaching and Research Assistants at Concordia Union (TRAC) remains the official union, but TAs and RAs will have to vote this fall to choose the group that will represent them. 

CREW was created last March when all members of TRAC’s former executive team resigned to form a new union that was meant to be more independent. In their letter of resignation, the team spoke out against TRAC’s parent union, the Public Service Alliance of Canada (PSAC). According to them, PSAC was hindering the fight for better pay and better work conditions for TAs and RAs at Concordia. 

“The university takes full advantage of these dynamics [between TRAC and PSAC],” CREW wrote in the letter, “exploiting PSAC’s poor results and lack of consultation, not to mention its lack of a participatory union culture […] to push around our members and chip away at our working conditions.”

Bree Stuart, who was president of TRAC until May 2022 and is now their interim administrative assistant, disagreed with the arguments CREW was making in the letter. To her, PSAC had always been present in a supportive role whenever TRAC needed them.

She was also shocked that the executive team would resign while they were bargaining for a new collective agreement.

“That, to me, is just super disingenuous, that you can start bargaining in a union that you’re trying to destroy,” Stuart said.

The campaign for memberships

Before CREW could become the accredited union representing Concordia’s TAs and RAs, they had to campaign against TRAC. Both unions had until April 3, 2023 to collect as many membership cards as possible from the TAs and RAs.

“You could think of it as a referendum, in a way,” explained Stephanie Eccles, campaign coordinator and organizer at CREW. “So folks had to give their allegiance to TRAC or their allegiance to CREW.”

The deadline of April 3 had been chosen by both CREW and TRAC because union raids—the process of challenging an existing union—can only legally happen 60 days before the end of a union’s collective agreement. 

The accreditation 

On April 3, at midnight, CREW filed their membership cards with the Quebec Labor Board (TAT). At the time, they reported having 1,700 members out of Concordia’s 2,100 TAs and RAs, a number confirmed by TAT documentation.

“We were feeling very good about going into the court date on May 30,” recalled Eccles. “And then, on May 26—and this is how we found ourselves in our current situation—PSAC refiled a petition to certify the TAs and RAs at Concordia.”

On that day, PSAC sent the court a new list of their members, one in which they had a majority of memberships for TAs and RAs under contract on May 26. 

The reason they were able to refile despite being past the 60-day deadline was that PSAC had never filed TRAC’s Collective Agreement with TAT. In other words, in the eyes of TAT, TRAC’s Collective Agreement had expired on May 31, 2021.

“We just did a side agreement with the university,” said Eccles. “And so, what that means is that for the last few years, our union has been open to raids by other unions. It has not upheld the legal protections necessary.” 

The Collective Agreement had still been signed by the union and the university. According to Stuart, “even if it hadn’t been filed with the TAT, it was a signed, legally binding contract between Concordia and TRAC.”

As things stand now, CREW had a majority of signatures on April 3, and TRAC had a majority on May 26. There will be a secret email ballot in the fall to act as a tie-breaker and determine which union will be accredited. TAs and RAs should receive more information about who is eligible to vote in the next few weeks.

In the meantime, TRAC is still the official union and collects 1.84 per cent of TAs’ and RAs’ salaries, according to Eccles.

Where we currently stand

Two weeks ago, on August 22, TRAC elected their new executive team during an online General Assembly that student media was barred from attending. The quorum for the meeting was 30. TRAC claims that this quorum was met, at least during the votes at the beginning, but Eccles claims the election was done without meeting quorum.

Xiang Chen Zhu is TRAC’s newly elected mobilization officer. He initially supported CREW, but after the accreditation issues this summer, he started thinking that their campaign was taking time and attention away from bargaining and supporting TAs and RAs. “CREW has basically promised us everything will be transitioned smoothly,” he said, “and you will get a wage similar to the McGill students, which is around $33 [per hour].”

Marcus Granada, an organizer with CREW, disagrees with the idea that his union made false claims during their campaign last semester. He said that while CREW cannot make promises about wages or conditions, they can promise to fight for TAs and RAs. “Part of the campaign is being as transparent and honest as possible,” he said, “and not selling them a dream.”

What to expect in the coming months

Both unions are now turning their focus to the secret ballot this fall and the campaign that will precede it. The date for the vote is not yet set. 

“Of course, CREW is feeling very confident because, when we filed on April 3, we had over 1,700 of the 2,100 cards available,” said Eccles. “We had a strong majority.”

Granada highlighted the importance of mobilizing TAs and RAs to show up for the vote. “If the voter turnout is under 50 per cent of the TAs and RAs, then PSAC automatically wins,” he explained. “So we need to get the votes and we need to get a lot of people to vote as well.” 

On TRAC’s end, Zhu said they are ready to move on to bargaining. “Whoever wins the ballot, they should focus their time and effort on something that students really care about right now,” he said.

On her end, Bree Stuart believes that the secret ballot will give people a chance to express their true opinions about the union.“I just feel like it’s more ethical because people can take the time to sit down, educate themselves, and really make their own decision on what they want, who they feel is more apt at taking their bargaining demands into their own hands,” she said.

Categories
Concert Reviews Interview Music

Erin Marcellina and Hank’s Dream at Quai des Brumes

The musician debuts their newest EP “Book of Open Tuning” in concert 

Erin Marcellina and the band Hank’s Dream came together last Friday, Jan. 27, to create an unforgettable experience for their fans at the bar Quai des Brumes located in the Plateau Mont-Royal.

Unlike most performers who stay backstage before their shows, Erin and the band were at the front of house. They were greeting guests and introducing themselves to their dedicated fans, who consisted primarily of supportive family and friends. If they were nervous, there was no indication of it. The group couldn’t have looked more in their element.

“I was super nervous before the show. Everything was racing. But the moment I started performing, it was so much easier,” said Marcellina.

Marcellina kicked off their performance with the important piece “I Should’ve Told Him” on their newest EP. Inspired by one of their close friend’s suppressed memories of being sexually assaulted, the acoustic guitar paired with Marcellina’s soft vocals made for a tear-jerking performance and the perfect way to start the show.

This was followed by a noteworthy rendition of Bruce Springsteen’s hit “I’m On Fire,” which created a feeling of nostalgia for the older demographic and revisited personal memories for Marcellina’s father since they listened to this song religiously during a family trip in Ireland.

“I’ve been playing this cover my whole life.  It’s a childhood song and very nostalgic to me. It was easy for me to place it in the set because I know I’m going to play it well,” Marcellina said.

They broke up their performance by entertaining fans with the song “Mommy” that has yet to be released. They expressed to the audience how the song stemmed from them being recently rejected.

Marcellina also sang a spectacular cover of “Suddenly I See” by KT Tunstall, which animated the crowd as they began to dance in groups on the compact dance floor.

“I chose this one because I had recently watched The Devil Wears Prada and this song was on the soundtrack,” said Marcellina.

Marcellina concluded their set by playing “Your Drug,” the last song on their latest EP, along with a special feature by Hank’s Dream who played accompanying instruments. The combination of Marcellina and the band created a unique take on one of their most popular pieces and demonstrated an undeniable connection between the band and themself.

“Hank’s Dream is made up of such talented musicians and they’re such nice guys,” Marcellina said. They added that this was their first experience performing one of their songs with a full band. “It felt like everything fit really well,” they said. 

As soon as Hank’s Dream walked on stage, the crowd gravitated towards the front rows to watch them perform some songs from their self-titled debut.

They delighted their fans with an exceptional performance of Miley Cyrus’ hit “Party in the U.S.A” which caused the audience to break out into song, almost making it hard to hear the band at all.

This was Marcellina’s third concert and second time at Quai des Brumes. By the end of this show, they had definitely left their mark that evening. 

With the hope of performing once again with Hank’s Dream and a single on its way, Marcellina is truly making a name for themself.

Photo by Alexandra Blackie

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