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Interview Music

Shonk plays Across The Room 

Artist Gabrielle Shonk wearing her heart on her sleeve 

It has been three weeks since Quebec City native Gabrielle Shonk released her sophomore album Across The Room, and six years since she debuted her self-titled album. 

 Across The Room features 11 tracks, spanning a total of 40 minutes, and oh what a wonderful 40 minutes they are. Every song on the LP starts with an emotion, each one different from the other.

She started off playing the piano at a young age but quickly switched to guitar as the keys didn’t stick. Since then she released her 10-track debut which gained her a lot of traction with CBC and Stingray. Shonk has grown into her songwriting style after her last album and it shows in her R&B tinges and her ability to emit feelings of hiraeth through songs like “How We Used To Be” and “5AM.” 

Shonk had the opportunity to play her new album while opening for the Barr Brothers at Théâtre Gilles Vigneault last month.

The Concordian spoke with Gabrielle Shonk about her album.

TC: What’s the meaning of the album’s title, Across The Room?

GS: Finding the title came pretty late in the album process, it was probably at the end of the summer of 2022 when I had all of the songs recorded. I actually had a talk with my manager and he said to go through some of the lyrics and pull out some of your favourites, something might pop out. It is the first lyric of the first track  “How We Used To Be.” I basically finished writing all of these songs during the pandemic, being confined in my home office, so it was the image of me sitting in an enclosed space with all these songs and emotions. That’s kind of what had me choose that title.    

TC: Take me through your songwriting process, what comes first?

GS: For me it will be either melody or chord progression. So, like melody and chords underneath it almost simultaneously. Sometimes lyrics will come quickly to back it up as well. I am more of a musician than a writer so the lyrics take more time to come up with.  

TC: What was your favourite song to write, and what was the hardest? 

GS: I think my favourite changed every day. I love all the songs equally. Each of the songs has its own universe, its own thing. I couldn’t really pick one in particular. But the lyrics I am most proud of are the ones from “Let’s Shine Into The Night.” In terms of challenging, for the music it would have to be “Out Of The Blue” and for the lyrics it was “People Pleaser.”

TC: You said in your promo for the album that you had written the last song of the album “Quand le calme reviendra” while on a retreat to Gaspésie. What was it like and did you write other songs during your stay?

GS: Not ones that are on this album, so yeah I co-wrote a lot of stuff with my artist friends that were there with me. Everyone had songs and at the end of the day, we would each show each other what we had worked on in the group sessions. I have started songs that are a work-in-progress that I haven’t gotten back to that might be on the next album! Maybe?

TC: Have you ever thought of collaborating with anyone? I was thinking you and rapper “Noname” would make a cool track together.

GS: Yes I love her, I remember seeing her live at Field Trip a few years ago. I’d be super open. I’ve done it before too. My first hip hop track collaboration was with an artist from Montreal called Naya Ali. We did a SOCAN writing camp a few years back and basically, you get paired with a bunch of different artists from different genres. It puts you out of your comfort zone and it was extremely fulfilling. I worked with her on a song of hers that she released called “Time.”

TC: What was your favourite moment of your show with The Barr BrothersGS: I really liked going to the merch table at the end. It was really memorable because I got to meet new faces and interact with people who saw the show, especially from the fans of The Barr Brothers who discovered me through my opening act. That was really nice.

TC: What’s next for Gabrielle Shonk?

GS: Playing this album live for as many people and as many places as possible, that’s what I’m aiming for this next year, alongside writing new songs! I’m opening for an artist called Charlie Winston in Canada and the U.S. during April and May, and I will announce my fall tour soon.

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Music

SNDCHECK – summer starts early with euphoric techno party

Montreal-based event planners’ first event of the year was a massive success

After months of waiting, Montreal techno fans were out and about for SNDCHECK Montreal’s 11th event and their first of the year at speakeasy Newspeak. SND0011 was a huge success with people pouring in through the nightclub doors late until the evening. 

SNDCHECK is a Montreal-based events company that hosts get-togethers and parties with various DJs and artists from around town. Their slogan, “aventures musicales nomades,” resonates with fans who often buy tickets before they even know where or when the next event will be. 

They cultivate a space where partygoers can feel safe and unjudged. Nobody cares what you look like or what you’re wearing. Nobody can randomly take photos of you. Everyone is just there to dance and have a good time. 

Cédric Comte is a 21-year-old student at HEC Montreal and a co-founder of the company. He’s in charge of the group’s marketing. 

“At SNDCHECK we organize musical adventures that are nomadic, which is to say every event takes place at a new spot. We want to change the events scene in Montreal,” he said. 

During the pandemic, Comte and a few of his friends went two years without going out. During that period, they felt that the world was changing. Comte said the bars and clubs in the city just didn’t do it for them.

“I can’t even remember the amount of times we were being stopped at lines for clubs and being forced to buy bottles. The whole vibe was off. We wanted to create a space catered to client experience and a world where people really get to experience the full party scene.” 

Since 2021, SNDCHECK has held 11 events. Some take place outdoors at places like Mount Royal while others happen inside, like the time they hosted an event at Théâtre Paradoxe, an old church building. What started off as a group of twenty-ish friends quickly became two hundred, and by the end of last summer, SNDCHECK had over a thousand people dancing at Parc Jean-Drapeau. 

One unique quality to SNDCHECK is their “disconnect to reconnect policy.” When walking into the event, every person is required to put a sticker on their phone cameras, and only a small number of staff are allowed to take photos. This, according to Comte, is essential to the SNDCHECK identity and goals as a group. 

“We want people there just for the music. Not to take photos to flex on Instagram or other media. We want people to be there for the energy and joy.” 

When I was at SND0011, it did feel weird to not have my camera available. My first instinct was to reach for my phone and take a few photos. I noticed a lot of people also had the same thought. One girl opened her snapchat to take a picture of the crowd swaying to the DJ only to realize she couldn’t. 

That night’s DJs were the pair Mvngo/Seb Todd, Ludo Lacoste, and Ghetto Birds. SNDCHECK doesn’t reveal who will be performing until you actually arrive at the event, but usually focuses on house and techno. 

According to Comte, that night they had around 350 available spots but it felt like 500. It was amazing to see everybody dancing and chatting. There were no phones to distract anyone but I still couldn’t see more than 2 metres in front of me.

The venue was decorated beautifully. Comte and his team usually arrive a few hours before each show to prepare. This time, they set up old 2000’s TVs and installed projectors behind the artists and in the lounge area. For a place that does not allow photos, it was remarkably beautiful.

The next event will be held April 6, somewhere in the Montreal area. Follow their Instagram to get the full details when they’re revealed. 

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Sports

Areej Burgonio: A leader by example

The Stingers women’s basketball guard discusses stepping up as a leader this basketball season

There is a world of difference between the rookie Areej Burgonio was in 2018 and the veteran star she became this past season.

Going into the 2022-23 season, Stingers guard Burgonio was one of two senior players in a young team. It was also the first time in her four-year career with the Stingers that she had to take on a leadership role. 

“I had such great strong role models, and I was put in the position where I have to be that strong role model now,” said Burgonio.

It was a challenging adjustment at first for the Stingers playmaker who was previously known to keep more to herself.

“Being patient, being able to lead on and off the court, mentoring my rookies until they can be better basketball players while also keeping in mind that I have to perform as a point guard, it was tough,” she said. “But I’m glad I had that opportunity.”

Burgonio started playing basketball when she was 12 years old. Before coming to Concordia, she played for Crestwood Preparatory School, a Toronto high school with a well-established basketball program.

She went on to compete in a tournament in New York with her team from Crestwood, where she met Stingers head coach Tenicha Gittens for the first time.

“Out of all the places, coach [Gittens] was there,” recalled Burgonio. “At first, given the location, I didn’t expect her to introduce herself from a Montreal university. Not going to lie, I [had] never heard of Concordia up until I met her.”

Head coach Tenicha Gittens and Burgonio on Senior Day. Evan Buhler/ Concordia Athletics

For Gittens, it was Burgonio’s attitude on the court that stood out to her.

“She [was] one of the smallest players on the court, but there was just something about her grit,” said Gittens. “I love the way she didn’t back down.”

Burgonio stands at five-feet tall, but Gittens didn’t think that mattered.

“She was one of the biggest players in terms of heart, aggressiveness and competitiveness,” she added. “That’s something I knew we needed on our team.”

The two stayed in contact, and when Burgonio eventually enrolled in sociology at Concordia,  she was invited to join the women’s basketball team after being scouted by the coaching staff while playing in Toronto.

As a 17-year-old rookie, Burgonio was surrounded by a very mature and strong team.

“I had to grow up fast,” Burgonio said. “When you’re surrounded by so many people like Caroline Task and Myriam Leclerc, you conform to their standards, which is excellence and nothing less.”

That year, Myriam Leclerc was a rookie guard like Burgonio, and Caroline Task was a third-year guard.

Burgonio went on to be named to the RSEQ All-Rookie team. Four years later, she was named to the RSEQ’s First Team All-Star and finished the season as the second-best scorer in the RSEQ.

Burgonio’s teammates pointed out that, throughout her career, the star player matured into a better and smarter athlete with extensive knowledge of plays and a great vision of the court. She also became more outspoken, especially this season.

“She had to be one of our top scorers, had to be one of our leaders defensively and be one of our facilitators as well,” said Gittens. “There is no player that I’ve coached at Concordia that has had more responsibility put on their shoulders and has stepped up to it.”

Serena Tchida, the team’s captain and a third-year forward, said that Burgonio abruptly went from being the sixth player to playing 40 minutes per game.

“This year, we didn’t have anyone on top of us to rely on so we had to take on leadership ourselves,” said Tchida. “She really embraced her role, especially when I injured myself and I wasn’t there to help her anymore.”

For the rookies of the team, having a veteran like Burgonio made all the difference.

“She wants to set an example for us,” said rookie forward Fabiola Lamour. “She takes the time to explain plays and she makes sure everyone is on the same page.”

Lamour recalled Burgonio often saying “my money’s on us,” her way of showing her team she believed in them. She also noted that Burgonio had made her feel welcomed on the team from the get-go.

Although Burgonio is a senior, she still has one year of eligibility left with the Stingers. She noted that, given she is only 22, she isn’t ready to walk away just yet.

“I do have goals, for example, going on the national team from the Philippines and playing professionally,” she said. “But at the same time I know that this chapter isn’t fully over if I still have that one year.”

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Sports

The double life of Tommy Morrisson

Concordia student and undefeated flyweight Tommy “Rambo” Morrisson hopes to arrive in the UFC sooner rather than later, all while pursuing his education

Born and raised in Montreal, Tommy “Rambo” Morrisson is slowly becoming a household name within Quebec’s MMA world.

He started off his career as a 9-1 amateur fighter before graduating to Samourai MMA, a Quebec-based promotion, and now holds a 3-0 professional record after his decisive win over Edwin Daniel Martinez Correa on March 11. With another notch on his belt, he’s now looking at returning for Samourai MMA 6 at the end of May in Sherbrooke.

The most interesting aspect of the 23-year-old’s life isn’t only the fact that he’s a highly touted prospect, but he’s also a part-time student at Concordia University, pursuing a degree in computer engineering.

Balancing two completely different career paths can be difficult, but not for Morrisson.

“I think the key is to balance everything well and be disciplined,” he said. “You have [to] cut time in other areas. For example, I don’t really go out. I see my friends sometimes, but when I’m in camp I don’t see them all that much. I train two, three times a day, six to seven days a week so I only take three classes per semester which makes it all possible for me.”

Even with the ultimate goal of fighting in the UFC, Morrisson will continue his studies until he gets his degree.

Photo courtesy of Daniel Evgrafov

“I don’t want to stop doing both, even if a big opportunity comes up I still want to get my degree,” he said. “I want to finish my bachelor’s degree, but my goal is to be a professional fighter in the UFC or any of the big leagues.”

Juggling the hectic life of a student along with being a professional athlete is difficult, but Morrisson knew this was his path long before his first amateur fight in 2017.

“I started approximately 10 years ago by doing judo, then jiu jitsu, wrestling, boxing and then I put it all together and started doing MMA at Tristar,” he said. “I really like working out of Tristar because the guys have a lot of experience, but I tend to train at other gyms as well to gain even more knowledge all around Montreal. I also train with kickboxing strawweight world champion Jonathan Di Bella.”

Morrisson’s dedication to his craft has led him to be one of the highest-ranked flyweights in all of Canada. His experience with every martial art has turned him into a very well-rounded fighter and “a specialist in everything,” as he put it.

“I always train multiple disciplines, I’m comfortable fighting in any style and I know I can get the fight wherever I want.”

Even though being an undergraduate student has its disadvantages, Morrisson hasn’t let them stop him from remaining undefeated with another dominant win versus Martinez Correa at Samourai MMA 5. Morrisson’s relentless pressure, technical kickboxing, and perfectly executed takedowns led him to his third straight professional victory, but it wasn’t without a bit of adversity.

“I was surprised by how tough he was,” said Morrisson. “He got out of two submissions. I thought he would try to wrestle me a little bit more.”

By getting his hand raised again, Morrisson proved that it’s all credited to his hard work, vigorous training, and commitment. He’s always looking to further the pursuit of his goals.

“I’d love to fight [UFC flyweight champion] Brandon Moreno one day,” Morrisson said boldly. “I look up to him and if he’s still there when I get to the UFC, I’d love to get a chance to fight him. I look up to Khabib Nurmagomedov as well for his hard work, discipline, and humbleness. I think in my everyday life I try my best to recreate everything he’s done.”

Those are definitely some big shoes to fill, but Morrisson only has one goal in mind:

“I want to be remembered as the best.”

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Features

Where’s my (fee levy) money? 

Following the vote in favor of increasing Concordia Student Services fee levy, a new oversight body will be established to manage the funds.

In the recent Concordia Student Union (CSU) general elections, students voted 54.9 per cent in favor of an increase to the Concordia Student Services (CSS) fee levy. This is the first time Concordia Student Services have requested a fee levy increase since 2009. The $0.85 per credit increase brings the total fee levy from $10.26 per credit to $11.11 per credit, an overall 8.3 per cent increase. The vote was decided on a 9.1 per cent student voter turnout. 

Following the fee levy increase, the CSU and Concordia Student Services are set to create a mandating and oversight body to create greater transparency over the use of student funds.

A number of different units make up CSS, including the Student Success Centre, Campus Wellness and Support Services (which include counseling and psychological services) and the Dean of Students Office. In their application for an increased fee levy, CSS cited a net decrease in enrolment at Concordia due to the decline in 18-24 year olds living in Quebec. Currently, CSS has a surplus budget due to higher levels of enrolment previously. Without the fee levy, they expect to operate with a $2,316,991 deficit by the 2024-2025 academic year.

CSS helps students access many services at no direct cost, including but not limited to doctors, counseling, career advice and tutoring. In the 2021-2022 academic year, counseling and psychological services provided 9,654 student appointments, including triage and counseling. A deficit would see CSS needing to cut services.

“There are so many services offered in student services. It’s such a wide variety and I think each one is really important in its own way,” said Catherine Starr-Prenovost, a fifth-year psychology student at Concordia who currently works as a welcome crew mentor with the Student Success Centre, and as a homeroom facilitator as part of the Dean of Students Office.

“I can’t think of any student service that doesn’t have a huge impact on students’ lives.”

While student services are impactful, the nature of how their funding is allocated can be quite vague. 

​​”Students don’t have a way where they can govern this money, $9 million every year from their fees. They don’t have a way of knowing how it gets allocated. They can’t oversee it as there isn’t even a budget publicly available on their website,” said Fawaz Halloum, the CSU’s general coordinator.

The total revenue for CSS this year was $10,672,927 with student fees fronting 90 per cent of their funding, not including the surplus. Other student-run fee levy groups are required to hold Annual General Meetings, where board members can discuss budgets. They keep auditor’s reports and other financials ready at any time. This is not currently the case for Concordia Student Services. 

“There’s a trend that students do not want to keep paying into university services where they have absolutely no control over their money or to oversee or hold them accountable,” said Halloum.

Following CSS’ initial application for funding, Halloum suggested that an oversight body be created.

“I told them that students would want to see a board, a council of sorts, where students will sit along with the service directors. They will fight the budgets, make decisions and bring in student concerns directly and have a bit of a forum between the shareholders and the executives, which is long overdue,” said Halloum.

Halloum believes that with more oversight, the quality of work done by CSS could be improved.

“If you just start breaking it down one by one, you can find a slew of things that you can improve on pre-existing services, maybe even add certain facilities or services,” he said.

In most units of student services, a majority of the budget is directed towards salaries and benefits. According to their 2021-22 yearly report, CSS employs 118 professional employees across their units, with 322 students employees. During that year, student jobs accounted for $1,253,000 of the annual operating and non-operating budgets. This represents 10.44 per cent of CSS’ total revenue in that year, despite the fact that student employees make up 73.18 per cent of the CSS’ total workforce.

According to Laura Mitchell, Concordia’s executive director of student experience, the new funding from students won’t necessarily mean new services. “It’s to keep everything going that we have at present,” she said. “So this wouldn’t be money that would bolster one particular area. It would be spread across everything that we currently do.”

According to their application, CSS predicts a five per cent increase in costs to maintain their services every year. The extra money will help combat this increase and maintain salaries for professional and student employees amid rising cost of living expenses. 

​​”It’s all equally important, like our student jobs are really important to us,” said Mitchell. “We love working with students and we love supporting them. So obviously, we would love to be able to give a fair and generous salary to our student employees as much as we possibly can,” she added.

Student employees like Starr-Prenovost have spoken highly of their experience with CSS. “It’s been an amazing experience,” she said. “I feel like I’m treated really well and very fairly.”

A new oversight body has the potential to improve transparency to students, so they can better understand how their funds are being allocated. 

“Both sides were very enthusiastic about this idea,” Mitchell said.

Currently, CSS does have a committee called Concordia Council on Student Life that is a parity committee made up of students and staff. Mitchell says the new advisory body could resemble it. 

“We need to set up those consistent meetings and have these discussions and I think that will be great. I think it’d be really illuminating for both sides. To learn more about each other, because obviously these collaborations are really important for us too.” 

Now that the fee levy increase has been approved, a memorandum of understanding will be presented to the CSU’s council in one year to create a body staffed and operating in the following academic year.

“We don’t want to go in alone, we want to be in partnership as much as possible,” said Mitchell.

Despite the risk of deficit and increasing costs, students are the only ones currently being asked to increase their contributions to student services. The university’s contribution to CSS makes up just 4.11 per cent, which would diminish with an increased fee levy. It’s not as though the university does not have money to support these services. According to Concordia’s annual financial reports, a number of executives saw salary increases this year with President Graham Carr receiving a 9.56 per cent pay raise.

But Mitchell said they are having discussions with the university to see what that contribution looks like. “I think that’s another very important component,” she said.

Starr-Prenovost also thinks it’s important for everyone, including the university, to contribute to maintaining these services and that the efforts of people like Mitchell see results.

“I do hope to see that it comes to an increase in funding from [the university] as well. Anybody that could offer funding to the Student Success Center in student services, I think it would be a great investment,” she said.

“I really do think that the services are so important. Essentially, I think that it should be a priority  for everybody to increase funding for student services in general.”

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News

Protesters gather against injustice

The International Day Against Police Brutality protest highlighted concerns about police accountability and mistreatment of detainees

On March 10, the Center for Research-Action on Race Relations hosted an event in Montreal’s Little Burgundy neighbourhood to gather victims of crime, city officials, and community groups to discuss crime prevention. The event began with organizers acknowledging the pain and suffering felt by attendees in the room and hoping that they could start a conversation on how to overcome violence in the area. 

On March 15, the International Day Against Police Brutality, over 100 demonstrators marched through the streets of NDG to protest police brutality. The protest aimed to highlight brutality throughout the justice system, not just among police officers. Demonstrators demanded accountability for the individuals responsible for upholding systemic racism.

The demonstration was organized by the Collectif opposé à la brutalité policière (COBP), who founded International Day Against Police Brutality in 1997.

The protest also highlighted the case of Nicous D’Andre Spring, a 21-year-old Black man who died during an altercation with police while illegally detained at Bordeaux prison. Quebec’s chief coroner has ordered a public inquiry into Spring’s death, and provincial police opened a criminal investigation into the incident, which resulted in the suspension of a correctional officer and a supervisor.  

Alain Babineau, director of The Red Coalition, a group in Montreal that advocates for social justice issues, shared his perspective on the progress made in addressing racial profiling and police brutality. “Protests are good, but there has to be some type of objective behind it. They raise awareness, but it has to be sustained. Otherwise, the powers that be, the politicians, go along with the popular [sentiment]. If they see there is merit in supporting your claim or what it is that you’re pushing forward, then they’ll go along with it.” 

Babineau stressed the importance of treating people with respect and dignity, rather than just focusing on reconciliation efforts. 

Earlier this year, the Quebec Police Ethics Committee ruled that two Montreal police officers, Dominique Gagné and Mathieu Paré, knowingly omitted key information about David Tshiteya Kalubi’s medical condition before his death in their custody in 2017. The officers failed to document Kalubi’s sickle cell anemia on the inmate control sheet, a condition he took medication for. The committee found the officers’ omission amounted to negligent and careless behaviour. 

However, the Quebec Crown Prosecutor’s Office decided not to charge anyone in connection with Kalubi’s death. The case has raised questions about police accountability and the treatment of Black individuals in police custody. 

Quebec’s Crown Prosecutor’s Office has announced that the police officers who shot and killed Jean René Junior Olivier in Repentigny in August 2021 will not face criminal charges. The Crown’s decision was based on an analysis of evidence, including video footage from one of the paramedics at the scene. The incident sparked outrage in Repentigny’s Black community against racial profiling by law enforcement. 

The march served as a reminder that the fight against police brutality is ongoing and that it is the responsibility of everyone to demand justice and accountability from “les brutes en uniformes,” as one masked organizer called police. The COBP and other organizations have been fighting for decades to end racial profiling and violence by law enforcement, and they vow to continue until significant changes are made. 

Babineau highlighted the need for sustained activism to bring about real change.

“Apologies are apologies are apologies,” he said. “If it sort of atoned for evil that you did, great. It’s not a licence for the things you’re about to do.”

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Music Quickspins

QUICKSPINS: Endless Summer Vacation – Miley Cyrus

 Miley Cyrus has gifted her fans with a pop-themed album

Some artists are afraid to try something new, but that doesn’t seem to faze singer and performer Miley Cyrus. After her last album Plastic Hearts in 2020, which was a commercial success, Cyrus unveiled Endless Summer Vacation on March 10.

Her lead single, “Flowers, attracted old and new fans worldwide due to its catchiness and inescapable tunes. After its release, everyone anticipated her new album that was set to follow two months later. 

The third track, “Rose Colored Lenses, is full of fun lyrics with an easy-going instrumental in the background. With verses like “We can stay like this forever, lost in wonderland with our heads above the clouds, falling stupid like we’re kids,” it’s easy to drift to memories of being carefree. With this song, Miley alludes to enjoying the moment while ignoring any red flags, which anyone listening can relate to. 

According to Rolling Stone, Miley Cyrus has said that she organized the songs in an order with an AM and PM vibe, and you can’t help but embrace how different the songs are. The AM side represents the morning of a new day and the potential for any opportunities, like the second track on the album, “Jaded.” In this song, Cyrus reflects on a previous failed relationship and how it’s impacted both of them. The song is filled with harmonies and a quicker tempo that gives it a nostalgic feel for the listeners. 

The PM side is influenced by rest, recovery and partying, like the song “River,” which has a retro beat similar to pop icons Britany Spears or Whitney Houston. This song makes you want to dance all night long.  

The next song is a memorable pop track called “Violet Chemistry, and it sounds like it could’ve been a bonus track on her 2014 album Bangerz. With a beat change halfway through the song, it could be another party anthem like “We Can’t Stop.

The album fits well within the pop stratosphere, but there are a few slower songs that change the tempo and overall listening experience. The fourth and fifth tracks “Thousand Miles” and“You” both have mellow beats that make you relax and reminisce about friendships and relationships. 

Cyrus concludes the album with a ballad called “Wonder Woman,” where she sings over the piano about the resilience of the women in her family. Although memorable, it doesn’t fit with the PM party tracks on the album. I would’ve liked to see her end the album with the previous track called “Island, where she contemplates feeling stranded while also in paradise. It felt like the perfect send-off to her fans. 

This is a fun album for Miley with many enjoyable songs, and her ever-changing sound keeps her fans guessing what comes next. The most unique aspect of this album is that it feels like it’s narrating a collection of memories from the past few years. 

If you look back on Plastic Hearts, the music was rock-filled and edgy as opposed to Endless Summer Vacations, where it’s fun-filled and pop-themed. She’s a versatile artist who never likes to repeat the same thing, and everyone can agree that her range is unmatched. 

Trial Track: “Rose Colored Lenses’”

Score: 7/10

Categories
Features Sports

Réjean Houle and his hockey legacy

Former Montreal Canadiens player Réjean Houle remembers his playing time and what the future holds

The Montreal Canadiens professional hockey team brought fame to some of the greatest names in hockey history and has been around since 1909. Réjean Houle saw his time shine in the 1970s and as a general manager in 1995 until 2000.

Houle is a former right wing of the Montreal Canadiens from 1969 to 1983. He was born in Rouyn-Noranda, located in the Abitibi-Témiscamingue region of Quebec. He started his hockey career playing with the Thetford Mines Junior team from 1966 to 1967, before moving to the Montreal Junior Canadiens the following year. He was the first overall draft pick in the National Hockey League (NHL) for the Montreal Canadiens in 1969. During his active career, he helped bring five of the ten Stanley Cups home to Montreal. After his retirement, he returned to the team as General Manager and later as the President of the Canadiens Alumni Association. 

Houle remembers growing up watching hockey with his father, dreaming of one day becoming what he was seeing on the television screen. 

“I always dreamed of playing for the Canadiens. I was able to achieve my goal several years later by putting in the necessary effort, I made it,” said Houle.

Archive Image courtesy of the club de hockey Montreal

While he admits he was not one of the big names of the team at the time, he is proud to have been surrounded by some of the greats such as Jean Béliveau, Guy Lafleur, and Bob Gainey. 

“I was on the third line. I was working to help the team win, but I had a specific role. I didn’t score ‘Guy Lafleur’ goals,” said Houle.

Playing as a right wing, he contributed to the lineup by making the necessary passes to earn a victory, which makes his role just as important as center. 

“There is an expression, ‘you have to know which chair is yours,’ so a player must know what he can give to the team. That doesn’t mean he’s not as recognized as Guy Lafleur, but inside the team, he plays an important role,” said Houle. 

Photo by Charlotte Megelas

As a former General Manager, he saw how the game changed on the ice. In hockey changes are minimal since coaches have kept similar strategies on managing the game, according to Houle. He says the players now have more range on the ice. 

“Before, you couldn’t get too far to the side of the red line because it was offside, whereas now you can get from the red line to the opponent’s other blue line, so the play is much faster, the puck circulates much more now than before,” said Houle.

Houle not only made passes to help the team win, he also scored 161 goals himself. In recent years, he noticed that the new style of hockey sticks give more feel and power to the puck.

“The ‘one timers’ at the time, didn’t exist. The sticks are different, they are lighter, they have a kind of spring in the stick so it speeds up the game. The puck comes at 100 miles an hour,” said Houle.

He remembers his time with the team as an honour. No matter how much time has passed in his career, he and his former teammates still stay in touch and remain connected as one big family. 

“We keep this link there always. For us it’s very important because the years go by, but you have to remember the good times. Then in the most difficult moments, we stick together and we get through it,” said Houle.

He commemorated his teammate and friend Guy Lafleur, who passed away in 2022. To the fans, Lafleur was “Le Démon Blond,” but for Houle, “He was a star.”

After building that strong connection with the sport, Houle did not see himself leaving hockey overall. Houle played hockey for 14 years, and when the time came for him to retire, he knew his life would change once he left the team. 

“The most important change is when you retire because you didn’t feel like it, I didn’t feel like retiring,” said Houle. 

Since Houle was in the same era as Guy Lafleur, Serge Savard, Yvan Cournoyer, Ken Dryden, and Jean Béliveau, he had the honor of winning five Stanley Cups. He remembers the feeling of winning those cups as a privilege in his career.

“When you’ve tasted it once, you always want to win it, then when you play with good players, your chances are always there of winning it, so that’s kind of the period that I lived in. I was lucky. Timing is everything sometimes in life,” said Houle.

To Houle, hockey is more than just a sport. He has grown to appreciate it more as a spectator after he retired and seeing how many people come together and watch it. 

“There is great satisfaction because the Canadiens is a team that is very involved in the community. People don’t realize that, but it’s very important because it unites a community,” said Houle.

When the Montreal Canadiens arrive, whether you’re French, English, Asian, Lebanese or Canadian, the team will always be a symbol to Montreal, according to Houle.

Houle had a huge support system of his teammates, who became his friends as the seasons went by. He continues to love their support and thanks them for helping him become the player he always knew he could be. 

“To have the opportunity to play with members of the hall of fame, great players in the organization, it helps you when you’re younger to become better yourself because you are well surrounded,” said Houle.

“The most you can do is improve yourself when you have people around and helping you out, that’s what it was in my case. I was lucky that way.” 

Houle owes everything to hockey, from helping raise his own family to focusing on his life after his professional career. He is still active with the Canadiens as the President of the Alumni Association, and he attends every home game surrounded by other former players and their families. Houle remembers hockey as a big part of his life, from when he was watching it on television with his father, to building a legacy with the team. Truly a full circle moment for a Rouyn-Noranda kid with a dream.

Categories
Community

Winter cycling in Montreal

A portrait of three winter cyclists who share the little-known facets of this underrated means of transportation in Montreal.


We all pass by them once in a while in the busy streets of Montreal. It does not matter whether we’re driving a car or getting off the bus — seeing them face the snow, the wind, and the cold always leaves us quite stunned. What can motivate these cyclists to pedal in sub-zero temperatures?

The Concordian spoke to cyclists Juan Pablo Lugo, Cynthia Venessa, and Mike Muchnik, detailing the experiences of these three daring cyclists.

Portrait of Juan Pablo Lugo. Photo by David J-B/THE CONCORDIAN

It was seeing his newly arrived friends from France start to practice winter cycling that pushed Lugo to start too. His first impression? It’s not that bad. There might be only a two-week span of time where it’s a bit harder.

“Most of the winter, it’s really practicable,” Lugo said.

He spoke about the surprising easiness of winter cycling. The cars go slower, biking paths are plowed, and physical effort keeps you warm. Provided you dress accordingly, it doesn’t seem to be that difficult to practice.

Portrait of Mike Muchnik. Photo by David J-B/THE CONCORDIAN

Muchnik is a winter cycling veteran. When he began to brave the cold more than a decade ago, biking paths were not as common in the then-car-dominated Montreal. Winter cycling was very marginal and the handful of daredevil cyclists of the time recognized each other in the busy streets of the city chatted at red lights and called themselves by their first names. 

Today, Montreal markets itself as a bike-friendly city and now has a lengthy network of biking paths that are still being developed. But this mindset change did not appear magically. Instead, it gradually took place — thanks to many motivated cyclists like Muchnik.

Having no choice but to cross the Jacques-Cartier bridge to go to work, Muchnik faced the absurd closing of its biking path during winter. The stubborn administration of the time even went as far as contradicting its own studies which proved the bridge safe for cyclists.

But that didn’t stop him and a dozen other cyclists from crossing the bridge anyway in a show of civil disobedience, facing the only danger of a ticket. Then in 2017, with the help of the Coalition Mobilité Active Montréal and a few other cyclists, Muchnik founded the Association des piétons et cyclistes du pont Jacques-Cartier to pressure the administration into opening the cycling path.

After many public sorties, protests, debates, and discussions with representatives, the cycling path of the Jacques-Cartier bridge is now accessible during winter, although not all day. This policy change was a victory and concrete proof that environmental civilian mobilization can work. Behind physical progress for greener cities and more accessible active transports such as the Réseau Express Vélo are dozens of passionate and committed cyclists. 

Portrait of Cynthia Venessa. Photo by David J-B/THE CONCORDIAN

Venessa is also a fervent adherent to winter cycling. To get started, she recommends gradually pushing back the moment when you would have normally put aside your bicycle. What motivates her? The feeling of freedom and autonomy from being able to cycle whenever, wherever without having to rely on public transit.

Another facet of winter cycling that surprised me was the unexpected enthusiasm of the cyclists spoken to. Cycling in the winter looks fun. It’s healthy, faster, ecological, and very active.

This example of community organization also reveals the fabulous community of winter cyclists in the city. The Facebook page Vélo d’hiver – Montréal gathers 16 thousand followers and is very prolific in its content. The topics of equipment, cycling paths, and different challenges the cyclists encounter on a daily basis are discussed in a friendly and positive atmosphere.

Winter cycling is not only possible and accessible, but it can also be fun and easy.

Categories
Arts

Canopy: A community project foreseeing a greener society

Concordia’s Greenhouse hosts a project inspired by a utopian concept, to be presented April 22

After making your way up to the 13th floor of the Hall Building and passing through an inviting doorway, you might suddenly notice the smell of fresh soil as hoses on a “mist” setting crowd your sinuses. An overwhelming presence of life makes itself known; a sort of hidden life, perhaps. 

You’ve stumbled upon Canopy; The Hidden Life of Humans: a project that unites science with arts and crafts in pursuit of the idea that we, as humans, may one day be able to move civilization above the ground into canopies. 

Maddy Schmidt, who recently graduated from Concordia with a major in design, conceived the idea in August of last year while walking through Montreal and spotting a planter erupting with vines and other vegetation. 

At the same time, Schmidt was listening to a Radiolab podcast about copepods: small crustaceans found in various aquatic habitats, and even in above-ground ecosystems among trees. In their episode Forests On Forests, Radiolab states that about 50 per cent of all terrestrial beings live in trees.

“I saw this crazy web of vines, and they were all linking onto each other. It looks like they’re holding each other. I saw them linking onto the fence,” said Schmidt. “I saw them linking onto other plants. And I was like, there’s this completely interconnected world, it was so mind-blowing.”

The Canopy co-creator immediately called her longtime friend, first-year photography major Liliane Junod, out of inspiration. The “partners in vine” brainstormed ideas for a project honouring the concept of humans living from the top down, rather than the ground up.

The idea of the project is to hang all sorts of house plants, such as pothos, also known as devil’s ivy, around the Hall Building’s greenhouse. They would be linked together with grapevines and hung on trellising made from recycled materials. 

The Canopy team is gathering material from Facebook groups that are designated for sharing recycled materials, such as Creative Re-use: Ø Waste, or CRØW.

Canopy will be hosting a workshop in collaboration with Concordia Precious Plastic Project (CP3) and Concordia University’s Centre for Creative Reuse (CUCCR), on April 4 from 9 a.m. to 11 a.m.. Anyone is welcome to attend. 

CP3’s portion of the workshop will entail drawing lantern designs and learning how to transform them into illustrator outlines, which will then be cut into recycled plastic sheets with laser-cutters. 

The second part of the workshop, led by CUCCR, will focus on making arts and crafts with recycled materials, and techniques such as sculpting, drawing, painting, and printing will be taught by Concordia’s fine arts students.

“The end result of this project is going to be an exhibition where we create this magical canopy space in the greenhouse, and we’re going to include our artists from the community,” said Junod. “We’re excited to have not just people in fine arts, for whom art is their entire life, but also anybody. So we want to put forth the message that everyone can create for this.”

One of the Canopy team’s keywords is optimism, and their goal is to keep the community lighthearted when thinking about the environment.

“We really want this project to be as uplifting as possible,” says Schmidt. “Of course, we’re addressing tons of systemic issues, methodologies, but we’re exposing them through something much more artistic and colourful.”

The Canopy team is calling on any students from the Fine Arts, Arts and Science and JMSB faculties who are willing to lend a hand between now and the day of exhibit on April 22. 

You can visit the project’s Linktree @canopythloh for more information.

Categories
Community

15 things to do this April

Spring is in the air, and you can feel the city slowly coming back to life. Here are some things you can do to help you wake up from hibernation.

1. MFF Night Market  

What: A nighttime market featuring Montreal artists and live performances 

When: April 5 and 19 from 6 to 10 p.m. 

Where: Le Frigo Vert

2. Comedy Carnival  

What: Nights filled with songs, laughs and food. Sounds like a good time!

When: Every Thursday from 10 to 11:30 p.m. until May 3

Where: 2015 Rue Crescent, third floor

3. Conférence-Débat Upop Montreal 

What: If a classroom setting just isn’t for you, try joining in on one of these events to learn about life on Earth 

When: April 5, 19 and 26 from 7:00 to 9:30 p.m.

Where: La Brassée, 2522 Rue Beaubien Est

4. Shiny Disco Ball Dance Party 

What: Have you ever felt like you were born in the wrong era? Well, for one night you can party like it’s the 1970s at the Shiny Disco Ball. 

When: April 8 at 8 p.m. 

Where: Plaza Centre-Ville 777 Boulevard Robert-Bourassa

5. Blue Metropolis Literary Festival 

What: This year is the 25th anniversary of the Blue Metropolis Literary Festival, and they’re hosting virtual and in-person events revolving around literature and writing workshops. 

When: April 12 to 30

Where: Events are all virtual until the April 27, where the in-person festival takes place at Hotel 10 Sherbrooke St. W

6. Le Grande Braderie de Mode 

What: Also known as the Big Fashion sale, this semi-annual clothing sale features some of Quebec’s most prominent names in the fashion world. 

When: April 13 – 16 

Where: Marché Bonsecours  

7. Trek Boucherville Roulez et Réparez 

What: A chance to try out different bicycles while learning to upkeep and repair them at the same time. 

When: April 15 from 3:00 to 5:00 p.m.

Where: Trek Bicycle Montréal Griffintown, 291 Rue de la Montagne, Montréal, Canada

8. ToyCon Montreal   

What: A convention that displays the latest action figures, collectables and comics. Head over in your favourite cosplay and see what you can find. 

When: April 15 – 16 10 a.m. to 4 p.m.

Where: Marriott Montreal Airport Courtyard 7000 Place Robert-Joncas

9. Festival Vues d’Afrique 

What: A festival that consists of themed days focusing on different cultures. It features films, art exhibits, food and round table discussions on a variety of topics. 

When: April 20 – 30

Where: 100 R. Sherbrooke E Bureau 3100,

10. Montreal Green Tech Festival 

What: A weekend that showcases the newest technological advances in green technology, as well a special showcase event on electric vehicles. 

When: April 21 – 23

Where: Olympic Stadium

11. Plural Contemporary Art Fair 

What: This event shows off some of the best contemporary art from across the country with a mix of virtual and in-person events.

When: April 21 – 23

Where: Grand Quay of the Port of Montreal 

12. Terra Concert  

What: A one-hour concert that focuses on the environment as a tribute to earth day

When: April 22 from 7:30 to 8:30 p.m.

Where:  Notre-Dame-de-Bon-Secours Chapel 400 Rue Saint Paul Est

13. Vegapalooza 

What: Celebrate springtime at Vegapalooza, where you can try vegan foods and buy vegan products.  

When: April 29 – 30

Where: Maison du développement durable 50 Rue Sainte-Catherine Ouest

14. SAT Cabane a Sucre Experience 

What: An immersive and unique sugar shack experience that was a collaborative project put together by different Quebecois artists. 

When:  March 30 – April 29 

Where: 1201 Saint Laurent Blvd

15. The Belgo Building 

What: The Belgo building features 27 free galleries and installations open to the public.

When: The building is open every day from 6 a.m. to 9 p.m. but each installation has their own opening hours

Where: 372 Saint-Catherine St. W

Bonus: WWF’s Climb for Nature 

What: If you’re feeling adventurous and looking for a challenge, you can partake in the WWF’s climb for nature. 

When: April 15 – 16

Where: Metro Toronto Convention Centre Hall C, North Building.

Categories
Arts Theatre

The radical importance of gigues in Quebecois culture

Pas Perdus | Documentaires Scéniques presented this year at the Théâtre du Nouveau Monde

The Théâtre du Nouveau Monde presented Pas Perdus from Feb. 24 to a crowded room filled with an excited public. 

The design and direction of the play was helmed by Émile Proulx-Cloutier and written by Anaïs Barbeau-Lavalette, who also acted as a silent narrator. 

The performance was prefaced with a short reading of the Ukrainian play A Dictionary of Emotions in a Time of War to commemorate the anniversary of Russia’s invasion of Ukraine. Theatres across Montreal read excerpts to signify their solidarity with Ukrainians. The crowd was extremely moved. 

The play centers around eight characters, who seem to at first live categorically different lives, but are in fact united by their passion for dance. They are introduced within their life stories, and how dancing gigue orients their existence. 

The Quebecois gigue was inspired by Irish stepdancing upon their immigration to Canada in the late 19th century. It is a lively dance that consists of steps, the last one being more emphasized.

It is danced alone or in front of an audience, usually in a room, each dancer revealing their steps. Most Quebec gigues dances are on a two by four tempo, while some places like Outaouais dance on three by four tempo. Gigue is a staple of Quebecois culture. 

Pas Perdus was conducted in a unique fashion, as characters did not speak, while a voiceover resonated between them, composed of excerpts from a podcast series Barbeau-Lavalette had created, centering the voices of the dancers. 

The actors were merely dialoguing through the movement of their bodies. This silence plays a symbolic role in the demonstration of dance as a language, and of spoken words as only parallel to the meaning of dance. They are introduced within their life stories, and how dancing gigues orients their existence. 

Each character is introduced separately, completing their daily tasks while the voiceover explains their lives. The first character, Réal, is from a rural town and spends his time knotting a pair of snowshoes and explains how dancing is a part of who he is, while others like Odile are presented in the workspace as the voiceover explains their life path, and what brought them to dance. 

This play questions the meaning gigue has in Quebecois culture, the shame that surrounds the dance, and the risk of forgetting it as time passes. 

The play layers on the tone of humour despite difficult times.

Barbeau-Lavalette discusses themes of shame around Quebecois culture, and how it directly produces erasure. One character talks about “collecting steps,” as she meets people within the gigues community, learns their unique steps, and is thus able to carry them with her. This prevents the steps from being erased, even when the person dancing gigue dies. 

Pas Perdus is a demonstration of the adaptation of Quebec culture to modern times, noting the importance of not constraining our history to the past. Although there are fewer people dancing gigue, culture cannot be forgotten. This play is an homage to preserving culture and steering it away from erasure. 

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