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Into the Spider-Verse: a new era of superheros

The new Spider-Man is more than just a comic book reboot

It might be easy to think that the time for superhero movies has passed. The seemingly endless sequels and franchises that have been taking over the industry in recent years have all started to look the same. No one needed another reboot.

Spider-Man: Into the Spider-Verse has restored and modernized the superhero comic genre with its evolved style of animation, engaging storyline and fresh characters. Both comic skeptics and die-hards can take something of value away from Sony and Marvel’s latest project. Phil Lord and Christopher Miller, also the creative directors of 21 Jump Street and The LEGO Movie, have produced something that any audience can enjoy and admire.

The story is based on the pre-existing Spider-Verse comic series, where all different versions of Spider-Man from parallel dimensions come together. The film, however, puts Miles Morales, a Black-Latino teen from Brooklyn at the forefront of the story. He’s joined by other members of the Spider-Verse, including the original Peter Parker, and Spider-Woman, and pig version Peter Parker to name a few. Together, they fight a new enemy unlike any they have faced before.

While the crossover plot idea isn’t exactly new, what ties the movie together is a dynamic, almost psychedelic comic book animation style. With vibrant colours and multi-layered depth and movement, the creators used every bit of space on the screen to push the boundaries of what animation can do. Every scene feels like being pulled inside the panels of a comic book.

Fitting to the animation style, the story is engaging and refreshing. Every turn in the narrative feels genuine, surprising, and natural. Every one of the characters is unique and charming. Smart and well-placed humour makes it easy to forget that it’s a G-rated movie.

The soundtrack, featuring artists such as Vince Staples, Lil Wayne, Duckwrth and Post Malone, is a fantastic addition to a movie that defies boundaries. It brings an energy and intensity that’s hard to find in a family film.

What’s even more interesting than the visuals or music, is the true heart of the story. Through the eyes of Miles Morales, we struggle through self-doubt and deal with the negative side of great expectations. We experience the reality of a kid carrying too much on his shoulders. In facing the impossible, we learn how to take a leap of faith.

As far as originality and creativity are concerned, Into the Spider-Verse has set the bar high for 2019 and has broken new ground on what we can expect from animation and the future of the film industry.

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Arts

Tom Hardy’s “Venom” lacks bite

Despite bad screenplay, Tom Hardy is the perfect Eddie Brock

Venom, the first spin-off in Sony’s Spider-Man universe without Spider-Man himself, was hindered by an inconsistent tone and slow pace, despite a stellar performance by Tom Hardy.Venom tells the story of journalist Eddie Brock, played by Academy Award-nominated actor Tom Hardy. Following a scandal, Brock attempts to revive his journalism career by moving to San Francisco, where his girlfriend, District Attorney Ann Weying, lives. He begins investigating the Life Foundation, led by Carlton Drake (played by Riz Ahmed), who is secretly and illegally testing the relationship between humans and the alien species, the Symbiote.

However, when Brock comes into contact with one of the symbiotes, he acquires incredible superpowers and struggles to prevent the twisted being from controlling his body and committing murderous acts. This is how he becomes the anti-hero known as Venom. Drake also eventually bonds with another symbiote named Riot. In the comics, Venom has a reputation for being an ultra-violent character who bites people’s heads off. One would think a movie about a character as violent as Venom would be R-rated, but it isn’t. With Disney now owning Marvel, all movies must be PG-13, leaving out a handful of violent action scenes.

For a movie called Venom, there sure isn’t a lot of actual venom.

The symbiote only takes over Brock’s body 50 minutes into the movie and it happens too fast for the audience to see everything. The first real fight scene with Venom has him crack open a gas grenade, hiding his figure. Another fight scene, this time with Riot, goes by too fast for the audience to keep up. An R-rating could have solved this problem by giving the audience longer action scenes with more violence, while also showing Venom’s true nature. Additionally, Riot looks exactly like Venom—he is grey instead of black—making it hard to tell them apart during the fight scenes.

Another area where Venom falls short is the screenplay. As previously mentioned, the script takes too long to introduce the character and includes many forced gags. Several awkward moments in the story feel as though the scenes are supposed to make the audience laugh and make fun of Brock. This turns the dark comic book character into a goofball, hindering the tone the character is known for in favour of comedy.

The script is inconsistent, going from dark to humourous in every other scene, further preventing character development and simultaneously making you feel like you’re watching two completely different films.

However, where the movie really shines is Tom Hardy’s performance as Brock. For one, the character is a risk-taker. He went against his boss’s orders to ask a question that could destroy the Life Foundation. He ultimately paid the price for it; the Venom symbiote takes over his body, messes up his mind, convincing him to do bad things. Tom Hardy is the perfect Eddie Brock, as he balances his portrayal of a brave, demonic, alcoholic, crazy man. He understands Venom.

Riz Ahmed also delivers an excellent performance as Carlton Drake. Drake is a sadistic madman masquerading as an ambitious businessman who seeks to end all of the world’s problems. Ahmed balances these tones with ease and when Drake is taken over by Riot, he takes on another personality without overacting.

Overall, despite the bad screenplay, this is the movie to see for anyone looking for a better adaptation of Topher Grace’s Spider-Man 3 Venom.

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Venom is currently playing in theatres.
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