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Student Life

Memories of the SGW Affair

Re-examining the socio-political climate of 1960s Montreal

In light of the 50th anniversary of the 1969 Sir George Williams Affair, Protests and Pedagogy, a two-day conference commemorating the largest student occupation in Canadian history, took place at De Sève Cinema in the LB building on Feb. 8 and 9.

The series of panels saw speakers, academics and activists from across the country join together to share information and memories of the events on Feb. 11, 1969. Resituating the occupation within the broader socio-political context of racial tensions in the 1950s and 60s in Montreal, as well as globally, underpinned each discussion.

Michael O. West, professor of sociology, Africana studies and history at Binghamton University, kicked off the conference by giving some much-needed historical context to the occupation. On April 28, 1968, eight students approached the Dean of Students with the initial complaint regarding their biology professor. “1968 was a year of protests and rebellion worldwide,” said West. “The Sir George Williams Affair was deeply rooted in the revolution of 1968.” Twenty-two days before the students came forth with their initial complaint “was the assassination, on April 4, 1968, of the King of Love,” said West. “Martin Luther King.”

Following West, H. Nigel Thomas, an author of various novels, poems and scholarly texts, chaired the second panel discussion between four individuals who were all involved, in one way or another, with the events surrounding Feb. 11.

Clarence Bayne, a then-professor at Sir George Williams University; Philippe Fils-Aimé, one of the Hall building occupants as well as one of the 97 people arrested that day; Brenda Dash, a Montrealer who vocally supported the students and was also arrested; and Nancy Warner, then a student-supporter from McGill who was outside the Hall building on Feb. 11. Every panelist had unique, insightful details of the intentionally misrepresented protest-turned-riot, all to convey one theme: it’s time the truth got a fair hearing.

The 9th floor computer centre after Feb. 11, 1969. Archive photo courtesy of Concordia University.

“Many people saw a face of Montreal that they had never seen before. The sheer hostility, the racism, the things that were said to people,” said Warner. “The degree to which what we thought were the rules of due-process, of the people being treated like they had some kind of civil liberties, were dashed.”

Some major news outlet headlines from Feb. 11 and onwards read: “Police Stay Cool in Chaos” and “Riot Squad Impressive” (The Gazette, Feb. 12, 1969) in which police are praised for appearing “relaxed and in good humour,” as well as “Student Moderates Alienated—Extremists go it Alone,” (The Star, Feb. 12, 1969) which stated that black students wanted to “burn down the university.”

“Much has been said about the destructive danuma of February 11,” said West. “A favourite description became and remains: riot. It being assumed that the rioters and protesters were one and the same.”

To this day, the administration and major news outlets present the mysterious fire as a point of contestation from the riots that day, despite the fact that students were arrested and charged with arson, among other offences, in the ensuing trials.

“I am going to also make a few comments on the question of this fire at the computer centre. I will tell you things that I have never said or mentioned before,” said Fils-Aimé. “As we were in jail, I had the chance to talk with Rosie [Roosevelt Douglas] and I said ‘Rosie, did you start this fucking fire, man?’ and he said ‘Phillippe, I must tell you, I didn’t have to.’” Fils-Aimé went on to explain how Rosie speculated that an individual whom they knew to be a devoted anarchist was the arsonist.

Details of the brutal events that took place once the riot squad stormed into the Hall building have not been downplayed—they have been left out of the history books altogether. “It is true that a riot occurred at the computer centre,” said West. “Except the riot only began with the arrival of the Montreal police riot squad.”

“The black occupiers were singled-out for especially brutal retribution. Black women, as could be expected, got the worst of it,” said West. “Subjected to bigoted bile as well as sexual violence. [Black men’s] bodies were ground in broken glass, they were kicked in the groin and genitalia.”

The students who made the initial complaint were taking a biology course, many of whom had dreams of attending medical school and ascending to the professional realm of society. “In sum, the police riot was also an attack on black sexuality and black reproduction,” said West.

West explained that, in regards to holding the police and the university accountable for the riots, “that has occurred to no one; that is, no one in a position of authority.” Fils-Aimé left attendees with a metaphor: when history is written by the lions, you’ll never hear the side of the antelopes. “In the process, truth became another victim,” said West. “It’s time, officially, that truth got a hearing at Concordia University. It’s time.”

Feature photo by Alex Hutchins

Categories
Student Life

Exploring the “Computer Riots” 50 years later

Exploring the Computer Riots 50 years later

Fifty years ago today, on Jan. 29 1969, the Sir George Williams Affair began—also known as the Concordia Computer Riots. According to CBC, about 200 students occupied the ninth floor computer centre in the Hall building and engaged in a peaceful sit-in protest for 14 days. The occupation was organized following the administration’s mishandling of racism complaints lodged by a group of six students against their biology professor, Perry Anderson, who they accused of unjust grading. Negotiations between the administration and the students fell through on Feb. 11. The peaceful protest turned violent after the administration handed the case over to the police, which resulted in 97 arrests, a mysterious fire and $2 million worth of property damage.

Blackout: the Concordia Computer Riots, organized by production company Tableau D’Hôte Theatre, is a play that explores the events that led to the student occupation and questions how race relations have changed in Quebec over the last 50 years. Blackout will essentially explore and interrogate the historical events of the Sir George Williams Affair through fictional characters.

About a year ago, Mathieu Murphy-Perron, the creative director and owner of Tableau D’Hôte Theatre, gathered a team of uniquely talented artists, poets and writers to start researching the history of the protests for Blackout. “We were trying to identify with these students who experienced injustice and, when they spoke out against it, realized the root of the problem was much bigger,” said Tamara Brown, a Concordia graduate as well as assistant director and part of the writing unit for Blackout. “We realized that the moments we read about were all too painfully familiar.”

Brown said that while they were exploring archived media coverage of the peaceful protests-turned-riots, the team also tried to look at what wasn’t covered. “When you do research on the event, you find images of the destruction and the $2 million of damage,” said Lydia Dubuisson, part of the writing unit for Blackout. “You don’t read about the events that led up to the riot.” Students were blamed for the mysterious fire that started after police got involved. However, according to the CBC, some believe police set the fire as a means to sidebar the protest.

Blackout invites viewers to question how different the events that unfolded in 1969 are in comparison to current events. “[The students] didn’t have support from the population, or from the media, or from society,” said Dubuisson. “Today, when people of colour express their same frustration, the response is the same.” The intersection of theatre, politics and education is unique to this performance in relation to its context and relevance within our current political state of polarization. “There is a terrifying racist rhetoric circulating now that makes people afraid,” said Brown. “We’re so polarized and it makes people afraid to stand up against injustice.”

In 2014, former Arts and Science Federation of Associations (ASFA) Executive Mei Ling, a pseudonym, filed a complaint against the administration after experiencing sexual and racial discrimination from two ASFA executives. Despite Mei Ling winning the case in 2015 and ASFA supposedly reforming its harassment policies to be more survivor-centric, the Centre for Research-Action on Race Relations (CRARR) filed a sexual harassment complaint in 2018 against then ASFA president, on behalf of Harris Turpin.

“I observe how much things have changed, but also how they have not changed,” said Dubuisson. “I hope students take pride in knowing that it’s part of your job to fight your administration.” Brown, Dubuisson and Kym Dominique-Ferguson, part of the writing unit and one of the lead performers, all touched on the importance of re-examining history in order to fully understand where we are currently. “It’s time to start looking at the folks that have experienced oppression and look at the groups—white people—who benefitted from this,” said Dominique-Ferguson. “We need to look at that, acknowledge that, respect it and respect the individuals that are still affected by this.”

“I find what these students did to be so remarkable,” said Brown. “Everything we do matters, and the administration tried to tell [the students] otherwise, but they knew better.” Despite the 97 arrests and property damage, the protests led Concordia to revise its policies and procedures, which resulted in the creation of the Ombuds Office, according to CBC. According to Concordia University’s website, “the Ombuds Office’s role is to assist in the informal resolution of concerns and complaints related to the application of university policies, rules and procedures.” It is allegedly independent of all the administrative structures of the university, and impartial.

“We’re trying to frame extremely difficult events with a lens of hope, and I think that will inspire people to not be afraid,” said Brown. “They weren’t afraid, and we can learn from what they did.”

Blackout will show every evening from Jan. 30 to Feb. 10 in the DB Clarke Theatre from 8 p.m. to 10 p.m.     

Feature photo courtesy of Concordia University Archives

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