Angel Olsen’s All Mirrors is a grand orchestral pop expedition into passion and loss. Just two years since the release of her last album, Phases, and three years since the major critical success of My Woman, Olsen has pivoted from her trusted folk-rock roots to a more bombastic, ambitious route on this newest project.
Danny Brown, hip hop’s resident weirdo, had huge expectations for the follow-up to his acclaimed 2016 drug-fest of an album, Atrocity Exhibition. The album was grand in scope, featuring a nominee for this decade’s best posse-cut that saw Kendrick Lamar, Earl Sweatshirt, and Ab-Soul trade bars with the idiosyncratic Detroit rapper.
Following the release of their debut self-titled album, Injury Reserve, the group saw increased popularity and acclaim as their latest effort was lauded by fans and critics alike.