Originally from South Africa, Jacqui Du Toit came to Canada to be a Zulu dancer as part of the Amakhosi Circus. But hours of long training and strong determination all came tumbling down when Du Toit tore a ligament during practice—an injury that left her unable to dance again.
Alyson Grant’s poetic play features Jacqueline, a wounded combat officer who after being wounded in a mission in Afghanistan, returns home, haunted by the violent events she witnessed there.
William Shakespeare’s historical dramas aren’t known for their humour, but perhaps they should be. What’s funny about a man so evil he kills half his extended family to gain power? Nothing. But nonetheless it’s a bloody barrel of laughs.
The standing ovation seemed to go on forever. It felt as though all of Place des Arts was on its feet, genuinely thrilled and grateful to the immensely talented actors and production team who had made the evening a truly magical experience.
Making my way to the elegant and historic Rialto Theater, I had no idea what to expect from Christian Cagigal’s Now and At the Hour, which made the experience that much more intriguing. I first heard about the production at the launch party for Beyond The Mountain Productions, last July. Now And At The Hour is Cagigal’s latest show, which is in the process of being turned into a documentary film. It was described as combining storytelling, magic and mentalism; not knowing exactly what to expect, I had a feeling I was in for a treat.