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Second National Truth and Reconciliation Day, little progress

Leading Indigenous activists speak on the meaning of National Day for Truth and Reconciliation, remain patient in their progress towards healing

Want to tune into this event? Here is what that day sounded like.

https://theconcordian.com/wp-content/uploads/2022/10/TruthandRecon2022-The-Concordian-CedricGallant.mp3
Audio by Cedric Gallant

The march begins with a greeting, a must for any Indigenous ceremony. “We give thanks to our mother the Earth,” says Kahnawà:ke elder Steve McComber, “so that we can continue to grow, and have a good life.” 

“As we gather here on this day,” he says, “we are here to commemorate and to make people all over the world aware of the things that have gone on. When I listened to the Prime Minister talk about truth and reconciliation, I thought this was nice, it is a beginning. But without really knowing the truth, how can we really reconcile?” 

The crowd listening to Steve McComber’s speech to start off the event. CEDRIC GALLANT/The Concordian

Inflamed and armed with her arguments, Nakuset, the director of Montreal’s Native Women’s Shelter, says not much has been done since the first rendition of the National Day for Truth and Reconciliation. “Last year, when I did the first march, I said I wanted people to hand out subpoenas. No subpoenas were given.” 

“Somebody decided to dig that grave, someone decided to put a child in there, someone decided that they were not going to tell the families,” she follows. A whole group of government and church officials were involved, yet it was all hidden, and no one was blamed. 

“If we actually hear the truth and change the history, that will bring some kind of comfort to the people, because there is no accountability,” Nakuset says.

With Premier François Legault elected for four more years, systemic racism will continue to be questioned by the governing body. “He is someone that says there is no systemic racism,” she says, “yet we live it every single day with every single institution, and we fight it every day.”

“When Legault says stuff like that,” Nakuset says, “it diminishes our importance.” 

That same week, the second anniversary of Joyce Echaquan’s tragic death was commemorated at Place du Canada. Nakuset says that Legault “is creating generational trauma to the children.” She adds that “At the hospitals, when you mistreat people like what happened to Joyce, that’s generational trauma, because her kids may never want to go to a hospital.” 

She then emulates shaking someone by the shoulder, saying that “Today we need to shake people up!” 

Nakuset looking towards the crowd, with her words written on the green paper, ready to be told. CEDRIC GALLANT/The Concordian

Off to the side, away from the crowd is Kanehsatà:ke activist Ellen Gabriel, sat on a bench, planning the speech she would deliver later during the march. 

“You know, I was surprised that, when we first heard these stories, we didn’t riot,” she says. What is important now is to let these stories slowly come out. “I think it’s important to let Indigenous people lead, when it comes to telling these stories. To listen, to be comfortable in the uncomfortableness, as it will be difficult for both sides,” she says.

“What we need is for reconciliation to be initiated by the other side. It is usually the party that has harmed that should begin the process of reparations and restitutions.” 

For Indigenous people, “We see genocide ongoing,” Gabriel says. “The denial of Premier Legault to say there is no systemic racism, that creates an atmosphere that perpetuates genocide.” 

“We want reconciliation to be ongoing, and to be on a daily basis.” She says that the National Day for Truth and Reconciliation should be more than just a holiday, but also “a national day of remembrance.”

Protesters gathered at the Sir George-Étienne Cartier monument near Mount-Royal. CEDRIC GALLANT/The Concordian

A few things should be put in place at the government level to ensure that reconciliation is moving forward. “I think there should be an independent group that monitors the government,” she says. “The government is supposed to have an annual report on their reconciliation progress, and as far as I am concerned, they really have not done anything.” 

“Human rights are interrelated and interdependent,” she says, “if one is being violated, you cannot enjoy the rest of the human rights.”

“Indigenous Affairs minister Ian Lafreniere or Premier Legault often say that it’s a success, it’s not a success,” she says. “I have been doing this for 32 years, it’s really frustrating seeing the government continue its propaganda, saying look we have done it! Well no, you have not done it, because you continue to do it.” 

She calls upon us, Quebecers and Canadians. “You have an obligation, not just a moral obligation but also a legal one, to make sure that reconciliation begins.” 

“The government cannot claim it doesn’t know, “she says, “Canadians and Quebecers cannot claim they do not know, if you’re not doing anything to be part of the change then you are part of the problem.”

Resilience Montreal’s Community and Intervention Coordinator Maggie Chittspattio at the forefront of the crowd. She would translate Nakuset’s words in French and Naskapi. CEDRIC GALLANT/The Concordian

Inuk singer-songwriter Elisapie stood to the microphone, and performed a small excerpt from a song by her uncle Irsutuk Kakayuk, lead singer of the band Sugluk. For her, art is also part of the process, as it’s part of the stories being told. “Art has always been there, we have always had our ceremonies, our dances, and our stories,” she says. 

“I think, nowadays, we are just expanding our realities, exploring how we want to tell them.” What matters most is to listen to Indigenous peoples, and understand the trauma they have faced for generations, without infringing on their will to share. 

In her speech she quotes her friend, Innu doctor Stanley Vollant, who was standing in the crowd, looking at her with admiration. She says “We might be sick now, we might have great pain, but with time, maybe in a few generations, we will be healed. But for now, to move towards healing, we need to be heard, and to be given space.” 

Elisapie starting her speech with an a cappella performance of her uncle Irsutuk Kakayuk’s song. CEDRIC GALLANT/The Concordian

@GallantCedric on Twitter

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Community Student Life

Powwow: A home away from home

Concordia University hosted its first ever powwow on Friday, September 16 at Loyola Campus. This event was held to commemorate the Otsenhákta Student Centre’s 30th anniversary. 

https://theconcordian.com/wp-content/uploads/2022/09/Morning-Star-Fayard-Pow-Wow-Interview-1.mp3
Audio by Cedric Gallant/The Concordian

Powwows are cultural exchanges that are used as part of healing ceremonies, and to celebrate Indigenous dance, music, food and art.

Concordia was bursting with energy, Friday, September 16th, all thanks to one person.

Morning Star Fayard, a third-year student at Concordia University, put together the powwow.

“It was late April, early May that we started to plan this event. My part in organizing this event was contacting people who can participate at this event,” Fayard recalled. “I had to reach out to all the dancers, performers, and all the vendors. I had to reach out to the departments at Concordia to help us with advertising, as well as setting up all tents and chairs.”

Fayard explained that she was also very content with the reception of the event. 

“Usually at a powwow people can get shy, especially the students. When the event was going on, the MC was really welcoming and everyone just kind of joined in, especially at the inter-tribal dancing,” Fayard said.

During the opening ceremony of the powwow, two drum groups were playing Indigenous music. 

Eric Cotté, a member of the Red Tail Spirit group, was among the drummer players present. 

“It’s a big honor to be a part of Concordia’s first ever powwow,” Cotté said, visibly emotional. “It’s a big thing we’re doing here and we’re going to do it right in the best way we can.”

In Canada, the 1876 Indian Act obstructed the celebration of powwows by restricting Indigenous peoples’ right to conduct cultural and spiritual ceremonies and wear traditional outfits. 

Keeping the history of powwows in mind, all the participants at the event were extremely proud to be there. Among the performers was Nina Segalowitz, a Concordia University alumnus and throat singer.

“I’m very proud to be representing throat singing with my daughter Sierra. I love the fact that there is a gathering and that we are now a part of a community. I think this is how we make bridges between the communities,” Segalowitz said.

While the performances of various dancers and singers were ongoing, there were also many Indigenous vendors selling handmade goods. 

The Concordian spoke with Cory Hunlin, one of the vendors present at the powwow and owner of the shop This Claw. “I make traditional / contemporary earrings and I am constantly changing my earrings. Three years ago, I implemented rabbit fur and I made signature earrings out of that,” they explained. 

Fayard, being the creative mind behind the whole event, explained that if she was asked to organize the powwow again she’d do it in a heartbeat.

“I thought it was just an amazing experience for all the people that I’ve met and the people that have participated. The performers and vendors just have so much knowledge to share,” Fayard said.

The whole function of the powwow would not have flowed as smoothly without the help of its volunteers present on site. Alyssa Isaac, an Indigenous fourth-year student at Concordia, explained what being a part of this event meant for her.

“It’s great that we are finally starting this, it’s like a little part of home is here on campus,” Isaac said.

A real sense of community was felt at the powwow and that was the goal at the end of the day.

“Powwow for me is celebrating who we are as Indigenous people and opening our community up. Welcoming anybody, you don’t have to be Indigenous to dance in some of our dances,” Segalowitz said.

Categories
News

Poli SAVVY: Could Quebec be the host of the next biggest pipeline protest?

While all the attention has been on British Columbia and the widely unwanted project that would create an energy corridor over unceded Wet’suwet’en territory, opposition from Innu communities are mounting in Quebec.

Indeed, it seems like the Quebec government is not taking the nation-wide protests as a warning sign, but instead is planning to go ahead with another controversial natural gas project. The TransCanada pipeline expansion, which would stretch over 780 kilometres from Ontario to Saguenay-Lac-Saint-Jean, is set to undergo environmental review next month. The Bureau d’audiences publiques sur l’environnement (BAPE) will be in charge of holding public hearings and studying the construction plans.

Spoiler alert: the pipeline project would cross over ancestral territories.

In 2015, Énergie Saguenay (GNL Quebec), the company responsible for the project, signed an agreement with three Innu First Nations councils from Mashteuiatsh, Essipit and Pessamit. Yet, the agreement was settled without considering Hereditary Chiefs and ancestral rights. Déjà Vu, anyone?

While the pipeline is being sold as a climate crisis solution—hear me laugh—by its supporters, an open letter signed by over 150 scientists and environmentalists shows that the project would lead towards the augmentation of greenhouse emissions and poses a serious threat to biodiversity.

Some of you might think, the review process could put a halt on the project, right? In fact, the BAPE will produce an environmental report with recommendations but ultimately, the Quebec government will have the final say. As Premier François Legault has been demonstrating with his way of pushing controversial bills, he has no scruples when it comes to what he wants. And, unsurprisingly, Legault has repeatedly displayed his support towards the project, against all logic.

Will his government show the same irrationality when it comes to listening to Indigenous communities defending their lands?

The upcoming scenario is alarmingly too predictable.

 

Graphic by @sundaeghost

Categories
News

Be an Indigenous accomplice, not an ally

Understanding the best practices of Indigenous solidarity, the impacts it can have, and the role the media plays.

The Concordia Centre for Gender Advocacy hosted a workshop on Nov. 6, focusing on better ways to be an Indigenous ally, which involve breaking the rules of Canada’s colonial system and respecting Indigenous leadership, as Indigenous people are the ones most affected by colonization.

The workshop was called Indigenous Solidarity Best Practices, and it was presented by Iako’tsi:rareh Amanda Lickers. She is Seneca, an Indigenous nation that is historically part of the Iroquois League.

“The most radical allyship would be giving back the land,” said Lickers. “Move from being sympathetic to doing something. Be useful, interrupt the colonial narrative and push back against colonial social norms.”

Lickers believes one of the ways to support Indigenous people is to donate a yearly amount of money – small or large – to Indigenous organizations and communities. She frames it as a kind of rent, as non-Indigenous people are able to live and create families in Canada because of Indigenous displacement.

She used the phrase, ‘accomplices, not allies,’ which is the name of an online zine that focuses on removing the ally complex, which refers to people that wish to ‘save’ marginalized people, or use them to advance their own goals. The zine calls for people to be accomplices instead of allies, to actively disobey colonial structures in support of marginalized groups.

Lickers says the best way for people to understand how colonization affects day-to-day life is education. People need to be active in learning about how colonization came to be and to use sources that are corroborated by Indigenous groups.

“Media can shape public opinion, it can shape popular education,” said Lickers, explaining the important role traditional media plays in influencing public belief; that media prioritizes certain voices over others, and it selects what parts to tell. There are few stories of thriving Indigenous people.

“If it bleeds it leads,” said Lickers, explaining that violence attracts readers, and mainstream media picks stories that fall into their editorial narrative. “There are certain types of reporting that glamorize poverty and violence, but it doesn’t discuss the everyday racism that Indigenous people face.”

Marisela Amador is a non-Indigenous alumnus from the Concordia journalism program. Now Amador works at the Eastern Door, a newspaper that reports on the Kahnawake Indigenous community, on the south shore of Montreal.

Amador agrees with Lickers’ view that mainstream media exploits Indigenous issues.

“White media comes here and it sensationalizes everything, and it shows a perspective that is not accurate,” said Amador. “Once the media have gotten what they need, that’s it, they leave.”

Amador explained that the Kahnawake community does not feel like ‘white’ media is an ally and that it is a common thing for people in Kahnawake to feel alienated.

“It’s not that people here don’t want to talk,” said Amador. “It’s just that nothing good comes from it.”

Amador feels like the strict deadlines and word counts mean important background information on Indigenous issues is left out in mainstream media, leading people to be misinformed.

She wishes that there would be more time and room to fit information when she’s reporting, but because of tight deadlines, Amador just has to do her best.

Amador believes the best way to have more Indigenous content in mainstream media is to have more Indigenous reporters.

Samantha Stevens is a non-Indigenous Concordia student doing her masters on the ‘white saviour trope’ in newspaper coverage on Indigenous issues. She noticed in her research that mainstream media has improved from blatant racism, but this has now been replaced with a more subtle form of racism.

These forms of racism include how media usually portrays Indigenous people as poor, and Stevens noticed that when Indigenous people are jobless, it is common for the media to refer to them as being on welfare.

“Quotes are a huge problem. The same person is quoted all the time,” said Stevens, explaining that this enforces stereotypes that all Indigenous people have the same issues, and leaves out other voices in the community.

She believes most journalists don’t even notice what they are doing, as it is so ingrained in Canadian culture. According to Stevens, the only way to see more accurate reporting is for non-Indigenous writers to make space for Indigenous people to tell their own reality and stories.

Lickers believes that non-Indigenous reporters need to support Indigenous voices in the media, to facilitate and collaborate in a way that gives visibility to Indigenous reporters.

“Honestly, I think we are going to have to change the style of news if we want more Indigenous representation,” Lickers said.

 

Graphic by @sundaeghost

Categories
Student Life

A new chapter for documentary films

Envisioning inclusion and documenting the imagined future of marginalized groups

At first glance, ‘Documentary Futurism’ might seem like an oxymoron—if the future has yet to happen, how can it be documented in the tradition of nonfiction storytelling? In their newest project, Cinema Politica seeks to answer that question the way they know best; through the creation and sharing of radical, independent documentaries.

“We came up with this idea of documentary futurism through being inspired by all of the Indigenous film programming we’ve been doing, in collaboration with Indigenous filmmakers and curators,” said Ezra Winton, co-founder and director of programming of the Cinema Politica film network.

“It’s bringing together documentary conventions and ideas of speculation and the imagination, even the fantastical.” Winton noted that, while nonfiction and speculation has been brought together in other forms, the combination has largely gone untouched in the documentary world.

Enhior:hén:ne [Tomorrow], directed by Roxann Whitebean. Enhior’hén:ne explores Mohawk children’s predictions about the state of mother earth 200 years into the future.
“The idea of being forward-looking with documentary has partially come out of 15 years of programming documentaries where the vast majority have focused on the past and the present, and the future part is always just the last 10 minutes,” said Winton. “We’re more interested in the whole thing being more forward-looking and that means not just envisioning inclusion, but ideas about social justice.”

After receiving the Canada Council for the Arts (CCA) New Chapter grant, the project itself started to shift from an imagined future to a reality.

“We called [the CCA] right away to ask, is this just to celebrate, or can this be critical?” recalled Winton. “And they told us they’re calling it the New Chapter for a reason. That they’re more interested in critical perspectives and less about national chauvinism.”

Project coordinator James Goddard came on board not long after, bringing with him knowledge of afrofuturism and experience working in the interdisciplinary speculative arts.

Enhior:hén:ne [Tomorrow], directed by Roxann Whitebean.
Goddard points to the work of Indigenous futurism and afrofuturism, the latter having garnered much attention since the recent release of Black Panther, as the driving force behind the new genre. “[People] are interested in the ways in which marginal groups tell stories about the future,” he said.

“The importance of that, especially for Indigenous groups in Canada, is that there have been literal legislative maneuvers right up until the 90s that the government was doing to erase Indigenous people, to eradicate the possibility of a future. So when Indigenous people tell stories about their presence in the future, it’s an important form of resistance. And that’s true of almost every marginalized community that has experienced a history of erasure.”

Cinema Politica put out a call for film proposals in September 2017. They received over 70 applications, which were then passed on to a panel of jurors for deliberation.

“It was doubly experimental because we removed ourselves from the selection process too,” added Goddard. “Had we played more of a role in the actual selection process, more of our pre-existing ideas about what we wanted from the project would have bled into that.”

We might have been heroes / Nous aurions pu être des héros, directed by Andrés Salas-Parra. In a world with nothing left to mine, communication has become the main resource for humanity to exist. The challenge? To stay connected.

Among the jurors is Nalo Hopkinson, a prolific author of six novels, including Brown Girl in the Ring, which Goddard described as a “landmark text for speculative fiction and afrofuturism.” Joining her is Skawennati, a media artist whose work addresses the past and present from an Indigenous perspective, and award-winning filmmaker Danis Goulet, who produced, wrote and directed the film Wakening, a source of inspiration for the project.

The jury deliberated based on their collective interpretation of the project goals, finally arriving at the 15 films commissioned to inaugurate the new genre. “There’s a lot of variation in the themes they deal with. Obviously a lot of the films deal with environmental collapse, one film in particular focuses on exploring sexuality and gender variants, there’s a film that looks at corporate culture, and a number of the Indigenous films engage with the idea of what happens after the settlers leave,” said Goddard.

“We really encouraged the artists to interpret it as they wanted to, politically, aesthetically, everything. We just basically set the canvas, and even then the edges of the canvas can still unfurl,” said Winton. “My expectations were just that this was going to be interesting and hopefully, probably, amazing. And my expectations were met.”

In the tradition of Cinema Politica, Winton hopes the films will not only start conversations about the alternate realities they present, but serve as a catalyst for grassroots social movements unafraid to look towards an imagined, brighter future. “We’re always tackling present, day-to-day issues, and that’s important, but also imagining a post-capitalist, post-colonial, post-gender binary, post-whatever it is, it’s exciting and it can be politically transformative.”

Featured film still from Lost Alien, directed by Tobias c. van Veen.

Categories
Opinions

Editorial: Concordia students need to fight for what they believe in

You probably thought we were going to run an editorial denouncing the results of the U.S. presidential elections. To be frank, though, we are exhausted and sick of talking about it. The dirty campaign feels like it lasted a decade and, at The Concordian, we thought it’d be best to focus on another issue.   

On Thursday afternoon, our news team reported on a demonstration staged by a group of students and faculty in the mezzanine of the Hall building. Their intent was to protest the expanding of the Dakota Access Pipeline (also referred to as DAPL). The group consisted of individuals from a First Peoples elective class, as well as the Indigenous Student Association at Concordia.

If you haven’t heard about DAPL, then you need to get your head out of the sand and head right over to Google search. The situation is currently unfolding in North Dakota, where protesters are trying prevent the construction of a giant oil pipeline that would go straight through several indigenous territories and severely impact the environment in the regions.

This is why you probably saw a ton of people on social media checking in at Standing Rock, a Hunkpapa Lakota and Yanktonai Dakota reservation located in both North Dakota and South Dakota in the United States. The pipeline runs through this indigenous reservation and threatens the region’s only water supply. Protesters from around North America have gathered at Standing Rock, where they continue to challenge authorities as they wage a defiant fight to protect their rights and lands.

Local police units were using Facebook as a means of tracking and arresting protesters. This triggered a social media movement across the world, where individuals checked in to Standing Rock in an attempt to thwart the authorities.

While we applaud social media users for their efforts, checking in to a location with the click of a button is simply not enough. More needs to be done to send a strong message that a major pipeline which can cause severe environmental repercussions is unacceptable and inhumane.

This is why The Concordian fully supports the efforts made by the First Peoples elective class and the Indigenous Student Association during their protest on Thursday at Concordia. We encourage the rest of the student body to emerge from their hibernating states of disillusionment and mobilize towards the cause.

We also applaud the efforts of the Concordia Student Union and Divest Concordia to push for the university’s divestment from fossil fuel investments. If we are to stop pipelines from being built in the future, we need to move towards sustainable energies that won’t pollute our planet.

We know this week has been shocking and tough to say the least. But we cannot give up fighting for our rights, and the rights of others around the world. Even if you aren’t fully behind stopping DAPL or don’t really understand the situation, we encourage you to educate yourself and get behind a cause you believe in.

In the words of author Stephen King, “get busy living or get busy dying.

Categories
Opinions

The industrious demise of the Canadian landscape

The tar sands are a toxic wasteland that shall poison our nation

“In short, it is an enterprise of epic proportions, akin to the building of the pyramids or China’s Great Wall. Only bigger,” said former prime minister Stephen Harper back in 2006, as he vividly discussed the development of the tar sands.

Photo by Kris Krug.

It’s now almost a decade later, and the surrounding forest is disappearing, as the process of industrialization has spread like a deadly virus. The animals are diseased and the river has been exposed to toxic pollutants. The air now carries a pungent odor, as noxious fumes fill the atmosphere and plumes of vapor block out the sun.

The thirst for oil has undoubtedly transformed the landscape of northern Alberta. As a Canadian, I strongly oppose the development of the tar sands and I’m quite frankly ashamed we have allowed these nefarious operations to continue onwards.

You may be wondering ‘What the hell are these so called tar sands?,’ sometimes referred to as ‘oil sands.’ According to the Canadian Association of Petroleum Producers, Alberta has some of the largest deposits of bitumen, a type of crude oil that is trapped within the sandy soil. Bitumen is a gooey substance that shares a similar texture to molasses, and requires various chemical processes to separate the oil from the sand—hence the name tar sands.

Photo by Julia Kilpatrick.

According to an article published by The Globe and Mail in 2014, the size of the tar sands is 140,000 square kilometers, and only 4,750 square kilometers are mineable. The development can now be seen from space, as parts of the boreal forest have been decimated due to operations in the region, as mentioned in the same article. Most of the extracted oil is consumed domestically, with 1.5 million barrels consumed per day, while the rest of the oil heads mainly to the U.S., according to the same article.

This data highlights our grotesque addiction to oil.  

The development has heavily impacted the indigenous communities living around the Athabasca River. An article published by the Vancouver Observer revealed that Health Canada warned several communities living downstream of the tar sands that there were toxins present in the animals. Testing revealed that fish contained abnormally high levels of mercury, meanwhile wild game contained high levels of arsenic. This inevitably led several communities to stop eating wild game, forcibly altering their traditional way of life. The same article also mentioned how many community members have developed rare forms of cancer, leading many in the community to speculate there exists a link between the tar sands and these diseases.

Immediately after the article was released, the then Health Minister Rona Ambrose refused to comment on the matter. In my opinion, this demonstrates the level of devotion the Conservatives had towards the development of the tar sands. Throughout Harper’s dark reign over our country, he notoriously endorsed the Keystone pipeline proposal that would see millions of litres of crude oil transferred across the border.

We have yet to see the true consequences of the tar sands here in Canada, although for reference we can look towards the incident regarding the Kalamazoo River. In 2010, a Canadian pipeline carrying diluted bitumen spilled into the tributaries of the Kalamazoo River in Michigan. Over the course of 17 hours, roughly 3.3 million litres of crude spilled from the pipeline, before the company Enbridge shut off the flow, according to the CBC.

Photo by David Dodge.

The diluted bitumen behaves very differently from refined oil, and sinks in water, making cleanup efforts extremely difficult, according to the same report. The entire spill costs almost US$1.27 billion according to EcoWatch, meaning that it was the most expensive inland oil spill in U.S. history.

With the new Liberal government coming into power, it is unclear which path they shall take in addressing this very contentious issue. Catherine McKenna, the Minister of Environment and Climate Change, was in Paris for the climate talks, but hasn’t publicly addressed the government’s policy towards the tar sands.

Can we not learn from these horrible mistakes? Can we not see the tar sands spell disaster in capital letters written bold? The region has become a toxic blemish on our beautiful landscape, altering the ecosystem and indigenous communities’ way of life. Our nation may be filled with desirable resources, ready to be exploited, but at what cost?

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