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News

Results of the ASFA general elections

ASFA elections receive the highest voter turnout rates in the last decade

This past ASFA election saw the highest student engagement in the last decade, with a voter turnout rate of 14.8 per cent. Angelica Antonakopoulos, the academic coordinator for ASFA’s upcoming executive team, believes that the increased student engagement was fueled by transitioning into in-person instructions and the initiatives of those running.

“ASFA came out of the gate screaming right on social media,” said Antonakopoulos. “They also had a couple of really informative graphics, explaining what you were voting for. […] So I feel like that may have enticed students, because sometimes if you get ballots for something that you don’t understand, you kind of have a tendency to cast that aside.”

The results show that the executive team will be dominated by the new student slate Supportive Foundations. Supportive Foundations will be replacing the Radical Care student slate. Antonakopoulos said students can expect simplicity, transparency, and accountability from the new slate.

“If anyone has had a little bit of interaction with ASFA, as a structure, it’s complicated,”  said Antonakopoulos. “We’re really going to sit down now and try to find ways that we can educate freshmen and other students from the get go at the beginning of the academic year and try to explain to them, this is your member association, these executives are your direct representation.”

Supportive Foundations also hopes to reinstate the scientific academic journal, and to reopen the Loyola office to make the executive team more accessible to the student body. 

Antonakopoulos says students can expect a calmer year relative to the last ASFA slate Radical Care.

“We don’t feel the need to do a school-wide strike,” said Antonakopoulos.

“Radical Care really seemed to have a big focus on mental health. They kind of came in at a bit of a tumultuous time because they had to focus on the full heat transition into in-person school.”

Students also voted in favour of a fee levy increase for the Hive Free Lunch program. The fee levy will be used to implement a new breakfast program starting next semester.
Click here for a complete breakdown of the election results.

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News

Quebec’s 2023-2024 Budget from a students perspective

Economics analyst Moshe Lander shares his observations from the budget data

The new Quebec Budget for 2023-24, presented by Minister of Finance Eric Girard, lays out several supporting plans for taxation, the health-care system, youth, education, and business budgets. 

Educational spending has risen by six per cent this year, for a total of approximately $20 billion. In terms of higher education, the two biggest expenses are faculties and facilities. However, specific details as to where funding is going remains unclear at this time.

According to Moshe Lander, senior lecturer of economics at Concordia, “More money on education isn’t necessarily a good thing. It could be, but it depends. It’s merely a promise that this year we will spend this money on education, but stay tuned for the details.” 

In addition to increases in the educational budget, $888 million over five years has been allocated to business productivity and encouraging business innovation. This demonstrates the possibility that students entering the job market will find more employment opportunities when they graduate. People looking to start their own businesses would also receive more funding from the government.  

“The traditional industry that they might go into might not be as popular as when they graduated. Innovations might change the nature of those industries,” Lander said. 

Lander thinks the province’s aging population and voter turnout could influence budget spending. 

“Young people don’t get a lot of money from the government because they don’t vote,” said Lander. “But old people do.” 

As the highest-taxed province in Canada, Quebec’s government reduced taxes by one per cent in this year’s budget, which will result in $9.2 billion of lost revenue for the government.

Lander agrees with the government cutting, “It (tax cuts) is a good sign, it’s small, but it’s better than nothing,” he said. But at the same time, he is concerned about balancing the budget. 

“You’re going to dramatically cut spending and there’s a whole bunch of things that you have to stop spending more,” said Lander. 

This year’s budget will lay the foundation for the government’s initiatives over the next four years. Lander pointed out that it’s unclear whether we’re heading into a recession, or whether we’ll avoid one.

“With that type of uncertainty, they’ll kind of wait and see what happens to decide how much they need to spend, ”he said.

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Sports

Use physical activity to your advantage this end of semester

“Something is better than nothing,” experts say

It’s the final sprint, the home stretch, the end of the third period: it’s exam season, and it comes with an overwhelming amount of stress and an extremely compact schedule.

However, to navigate this stress, your greatest ally could very well be physical activity. Erin Goldstein, course instructor in the department of applied human sciences and education at Concordia, emphasized how exercise complements studying.

“When you exercise, your body releases endorphins,” Goldstein said. “We know that exercise helps you concentrate, helps with your memory, helps with your sleep.”

Starting an exercise routine in the middle of a time crunch can seem daunting, but you need less physical activity than you think to get the stress release. Dr. Simon Bacon, professor in the department of applied health, kinesiology and physiology, said that going from nothing to something brings the biggest benefits.

“Just the action of doing something, doing some physical activity is where you get the most benefit,” Bacon said. “Then, the more you can layer on top of that, the better off you’re going to be.”

“If you’re someone that’s currently doing nothing, even just doing a little bit to start is so beneficial for you,” added Goldstein.

Both Goldstein and Bacon are aware of the lack of time that the end of the semester brings. They proposed ways to fit physical activity into your current routine. 

Bacon strongly suggests breaking up your next study session with light physical activity.

“If you’ve been sitting at the computer for an hour, getting up and walking two minutes can actually impact a whole bunch of things physiologically that indirectly we’ve seen is related to stress,” he said. “Small things count.”

Along the same lines, he encouraged students who have classes on upper floors to climb a few flights of stairs on the way.

“Oftentimes, having small little tweaks is manageable and doesn’t create additional strain,” he said. “You don’t want to be adding to the stress in certain circumstances.”

Goldstein spoke on the upcoming spring weather, which will be ideal for short walks in-between study sessions. Otherwise, she mentioned the panoply of guided exercise routines that exist on YouTube. Most importantly, she emphasized the importance of remaining realistic.

“Starting smaller is always better because you’re more realistic and you’re more able to crush that goal,” she said. “You feel really good about it and motivated to go for more.”

Bacon added that students who are already fit and have a set exercise routine, when put under a stressful situation, have a lesser reaction.

“Regular physical activity ahead of time is going to give you some degree of protection in an acute stressful situation,” he explained.

Nonetheless, he said that you shouldn’t add to your current amounts of stress by worrying about keeping a strict exercise schedule.

“In a short-term situation [of stress], doing the thing that’s going to give you the greatest peace of mind is going to be predominant,” he said. “If it’s going to stress you out more to go to the gym than it is to sit down to do that studying, do the study.”

Goldstein also noted that, on top of physical activity, having a good sleep schedule and good nutrition is crucial. She recommends seven to nine hours of sleep and meal-prepping for the following week.

“Trying to stay away from processed foods, trying to eat whole grains, fruits and vegetables, lean proteins, plant proteins, those are going to be really beneficial to help with mood,” she explained.

Now, once you’ve aced your exams and reduced your stress using these tips, don’t forget to congratulate yourself and allow yourself to relax. Then, consider implementing physical activity into your regular routine. But remember, the key is to be realistic and progressive.

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News

Group hosts seminar about intersections between racialized communities and environmental justice

Racialized people fighting for a better system and developing a sustainable world

Brick by Brick, a non-profit organization for social change, hosted a seminar on racialized people and their engagement in environmental justice on March 30. Alexandra Pierre organized this event with the Concordia Office of Community Engagement. The seminar tackled the following question: How are racialized activists transforming environmental struggles?

Nadia Bunyan, the seminar’s moderator, highlighted that climate change is worsening because of the systems that were put in place. 

“If we don’t talk about how it [climate change] happened, how is it going to change?” she asked.

Bunyan explained her belief that racialized people are always the ones raising their hand in a room when it comes to environmental justice. In order to change the capitalist system, Bunyan asserted, privileged people need to take the time to speak up as well. 

“You have to be the one in the room, but for people who are not racialized, how does that work in the space when we are talking about allyship? It’s not necessarily something that we can answer on, because we are not the ones holding that strength,” she said. 

Duha Elmardi, another speaker, addressed the problem with the following statement: “Our interventions must be the ones that address and destroy the root causes: colonialism, capitalism, patriarchy and white supremacy.”

Andrea Claire McDonald, a speaker and Opwaaganasiniing First Nations representative, spoke about her deep connection to nature, especially with plants, which is very important in her community.

“I believe that when we build reciprocal relationships with the plants that surround us, we can gain accessible sustainable support for ourselves and for communities,” she said. “In my mind it is not a coincidence that many of the plants that thrive in our urban environment have very specific medicine for the challenges we face.”

During the conversation, access to nature was an important subject. A participant mentioned that if someone wants to have access to certain sites, they have to pay governments, or private entities. Such privatization makes resources inaccessible to Indigenous people — the people who initially settled in North America.

Lourdenie Jean, founder of the initiative L’Environnement, c’est intersectionnel (ECI), was another speaker at the event. 

“One of my main messages with the ECI is the verb repurpose,” she said.

“Social movements led by racialized communities are already environmentally intersectional.”

Based on the event’s subject, Jean stated this: “How mainstream environmental movements can become allies to the social grassroots movements and not how mainstream movements should be inclusive.”

The event speakers and moderator approached the subject of how individual initiatives, like recycling, are only the tip of the iceberg, whereas like Jean mentioned, it is harder to join community-led change.

In her speech, Bunyan addressed the following saying: “We have it so good in North America.”  She stressed the importance of recognizing the fact that people do not see all the microaggressions and trauma that happens in this country.

“It’s very easy for people to disappear, to fall below the poverty line and not have access to services, even though they exist. Whereas in smaller spaces, in a home, where you can have land and you can grow what you need, you can be connected to your community,” she said. “And it is very easy here [in Canada] to become disconnected to all of that.”

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Community

K-pop dance workshops help students with self-acceptance

Members of the Concordia K-pop Club gain the confidence to express themselves by dancing to their favourite K-pop choreographies

The crowd is excited, the stage is lit, and K-pop is blasting through the nightclub’s speakers. For first-year Concordia University student Lana Masselon, this memory makes her eyes sparkle with joy as she talks about K-pop events that she has attended around Montreal. 

Dancing to K-pop has given her the confidence to overcome her fear, go up on stage, and dance in front of a large audience. This is thanks to the Concordia K-pop Club, which holds several dance workshops throughout the fall and winter semesters. They invite members and non-members to learn choreographies from the community’s favourite K-pop groups and to be true to themselves through dance.

Masselon attends most of these dance workshops and sometimes even teaches them. She has a modern-jazz dance background but fell in love with K-pop when she learned choreography to the song ‘Kill This Love’ by Blackpink. This inspired her to take a K-pop dance class. 

However, since starting university, she has not had the time to keep up with weekly lessons. She said that the workshops sprinkled throughout the school year provide her the opportunity to get exercise and give her a sense of accomplishment. 

“If I’m active, I’m happy. I know I need to be active, and K-pop helps keep sports in my life,” Masselon said.

She said she has found her identity through being accepted by the K-pop community. It has allowed her to break free of society’s status quo. 

“Before K-pop, I felt like I didn’t have a style. I just followed what everyone else was doing, and I wasn’t really myself,” she said. 

As a taller person, Masselon hid behind clothes she hated, such as jeans, when she wanted to wear clothes like skirts and knee-high socks. One of her favourite K-pop idols, Kim Hongjoong from the group ATEEZ, inspired her to feel more comfortable in her skin. 

“I was uncomfortable and scared about what people would think of me,” Masselon said. “Hongjoong says you can wear anything, as long as you feel confident in it, so I don’t try to hide myself anymore.” 

She believes that dance brings the K-pop community together, allowing people to meet new friends and bond over common interests. 

Other club members feel the beneficial effects that the dance workshops have on their lives too. Concordia K-pop Club President Inas Fawzi strongly feels that the dance workshops have built her confidence more.

“After learning K-pop dances, I started liking my body. It gave me a love for my physical being. Before I was just floating, I wasn’t attached to it. Now I’m like, ‘Wow, I look cool,’” Fawzi said. 

Amanda Beronilla, the club’s vice president of communications, also teaches dance workshops. She says that dancing to K-pop is one of the main ways that she can express herself. 

“Ever since I was small, I have always loved dancing. I wanted to go into ballet, but I was never able to. With K-pop dance, it feels like I’m able to do something that I’ve always wanted to do,” Beronilla said.

The dance workshops are fun and inclusive. Unlike a K-pop dance crew with high standards, these dance workshops are very welcoming. There’s little pressure, and people are encouraged to come and join in, regardless of their dance skills.

Each two-hour dance workshop is held at Concordia University’s Sir George Williams Campus on the Hall Building’s seventh floor. 

You can follow the Concordia K-pop Club on Instagram to learn about upcoming events.

Categories
Arts Theatre

Théâtre du Nouveau Monde’s Abraham Lincoln va au théâtre makes a mockery of nuance

This 2010 play by Larry Tremblay is a combination of meta plot lines and comedy

The Théâtre du Nouveau Monde production debuted on March 14, and follows the story of two actors who went viral in a buddy cop series. They are hired by a cunning director who puts on a play about John Wilkes Booth, the infamous actor known for Abraham Lincoln’s assassination. 

The fictional director, renowned Marc Killman, expresses the idea that American entertainment has always revolved around violence and finding ways to control the people. 

As rehearsals roll on, the tortured genius gets lost in a plethora of nuances that he bears down upon his actors, eventually completely losing track of the play’s theme. 

Writer Larry Tremblay was inspired by what he calls “America’s schizophrenia,” or the political polarity in the United States: the extremely poor versus the extremely rich, Republican versus Democrat, North versus South. 

“If I had to redefine my play today, in the era of post-truth in which we dove in, I would only choose one pair of antonyms: truth versus lie,” states Tremblay in the playbill. “And, with great pleasure, I would call my play Donald Trump goes to the Capitol.”

The playwright heavily twisted the presentation of the original theme by bringing layers of meta-fiction and absurdity, sending the audience in different directions. Each line had the audience questioning the direction in which the story was going. At times, it was even tough for the characters themselves to understand Killman’s ideas. 

“It’s a show where the first time you read it you say to yourself, ‘Oh boy, what are we getting into?’ But that’s what’s the best part about theatre,” exclaimed Bruno Marcil, who played Marc Killman in TNM’s production of the play. 

“We broke our necks for two months trying to understand what we were going to play, how we were going to play, and how we are going to approach it, and sometimes there were ideas that at the beginning held up the whole time, suddenly we said, ‘No that’s not it.’” 

According to Marcil, the only script in his career that was tougher to understand was Les Hardings, a play inspired by the Lac-Mégantic disaster that follows three men, each named Thomas Harding, from around the world who are thrust into each other’s lives by the disaster.

Actor Didier Lucien, who makes a later appearance in the plot of Abraham Lincoln va au théâtre, explained that “[the] script is never portrayed the same from one day to the next. Yes we rehearse, but each character is completely different. Just when we thought we’ve understood it, we realize that we’re way out in left field, and we have to restart. We were like detectives for this script.”

According to Marcil, the team working on the play has fantastic chemistry, and it shows on stage. Luc Bourgeois and Mani Soleymanlou play protagonists Laurel and Hardy, and have been long-time friends.

“The four of us plus our director together were in stitches the whole time, but at the same time we can have fun and when it’s time to put our heads down we make things work.”

Director Catherine Vidal did a fabulous job turning this complex and dark subject into something understandable and intriguing for the audience. She was also able to bring humour and satire in at the perfect moments. 

“The atmosphere during rehearsals was absolutely joyous because of our designers, engineers, and actors. Together, we were able to get through this cathedral script,” said Vidal.

I was at the edge of my seat trying to guess how much further the play within the play would be twisted, and what the next turn would be. This play was captivating, and brought me to unexpected audible laughs. I highly recommend you see it before the closing day on April 8.

Categories
Arts

Concordia’s EPIC Used Book Fair returns for the first time since 2019

Concordia’s annual book fair aimed to beat their goal of raising $30,000 for student scholarships through volunteer events

Concordia’s annual EPIC Used Book Fair made its grand return with over 1000 books to sell. The event took place in the EV building atrium on March 28-29. The fair aims to raise funds for student scholarships and give a second life to used books. 

This year, the fair received 30 pallets, with each pallet containing over 20 boxes of books. The books were donated by faculty members, alumni, students and people from the community. Event coordinator Luke Quin said they were accepting donations year-round. 

The book fair’s purpose is to raise funds for students. It is a charity event where all proceeds go towards student scholarships.

“Some of us are also passionate about used books and giving a second home to used books, so that’s an added incentive to running this fair,” said Quin, who would rather see a book go home with a new friend than see it end up in a landfill.

Students and members of the public can find books of all types, from science and math textbooks to books on performing arts. 

Giordano Imola is a student in the performance creation program of Concordia’s theatre department who stumbled upon the book fair. “I came looking for plays […] and I found a bunch that I’m just looking forward to reading. I’m just deciding what to keep now,” said Imola.

The pricing was one of the main selling points of the book fair. Book prices began at $3 and went up to $10. In previous years, the book fair had made up to $30,000 dollars. This year they hoped to raise more. 

The fair was entirely volunteer-run. The Concordian spoke with volunteer Ginette Leduc, who said that by 2 p.m. on the first day, her cash register alone had made around 150 sales, and she estimated that her partners had made similar sales.

It was Leduc’s first time working the cash register, which she found quite stressful albeit enjoyable. “People understand, there’s big lineups sometimes, but it’s for a good cause so that’s OK,” she said.

The book fair has been running for 20 years. Before Quin took over in 2016, it was run by Susan Hawke and a small core group of volunteers. Since then, they’ve been able to recruit new volunteers, accept electronic payment and get more book donations. Quin says they’ve had some support from Concordia’s University Advancement community and fundraising program to promote the book fair on social media, and a ton of support from the services and sustainability sector of the university.

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News

Recap of the fourth annual Concordia Model UN

Delegates from all over the world visited Montreal for the CONMUN conference

The fourth edition of the Concordia Model United Nations (CONMUN) conference took place last week. The annual conference hosted by Concordia, was held this year at the hotel DoubleTree by Hilton. Representatives from delegations across the world  arrived in professional attire to compete in the event.

“Concordia has recently risen in the Model UN rankings, we’re fairly in the top 25 schools and our image is growing,” elaborated Rowen Tanguay, a Concordia staff member for Model UN. “More schools and better delegates are being attracted to our conference each year.” 

The aim of the conference is to simulate an United Nations conference as accurately as possible. During a simulation, delegates gather around tables to debate one another. The delegates raised a placard, on which the country or the person they represented was written. The Chair and the Vice Chair of the simulation will moderate the discussion. 

Danisha Decius, who is part of the Concordia secretary team for Model UN, explained that there are committees made up of general assemblies, specialized agencies, and crisis committees. 

CONMUN has been ranked as a Best Delegate conference since 2019.

“It is a great way to bring people not only from Canada, but also from the United States and abroad to see how great Concordia is and the city of Montreal,” said Liam Quraeshi, an assistant crisis director with Concordia’s Model UN team.

The main theme of this year’s conference was climate change, but conferences can focus on any subject that affects the international community, like artificial intelligence. 

Quraeshi said that in a typical CONMUN conference, 40 to 50 delegates represent countries or political actors. The countries selected tend to be the most influential like the U.S. and China. But sometimes, smaller countries like Côte d’Ivoire and Kenya are chosen depending on the debate theme of each conference.

Tanguay finds the Model UN environment fantastic. He thinks that the simulations are theatrical, but he loves them because he considers himself a theatrical person as well.

He is interested in politics. “Roleplaying as a political agent is a particularly appealing concept,” said Tanguay.

He appreciates how Model UN skills are applicable in everyday life. “I think it is a good program at the very least in terms of extracurricular activities,” he added. “It is a phenomenal activity for sharpening your social skills and forming lasting connections with incredible people.” 

Quraeshi said he particularly loves when the conference is held in Montreal because he prefers the experience here a lot more. 

“It is closer to where I live, I am very in touch with the city, in terms of best places to eat, the public transport, and just showing people around having a good time,”

he said.
Categories
Sports

Connor Church shines at the 2023 Canadian Wrestling Championships

The Concordia wrestler and marketing student talks about his recent success at the university and national levels

Concordia student and wrestler Connor Church dominated at the 2023 Canadian Wrestling Championships, and his performance was telling of the wrestler he is.

The nineteen-year-old participated with his club, the Montreal National Training Centre (NTC), and began the championships wrestling in the junior division, which encompasses ages 18 to 20. The entirety of the championships was held from March 9-12.

Church had four matches in the men’s 79 kg junior division that all ended in technical falls, which automatically ends a match once a 10-point difference occurs.

Not wanting to leave any chances for his opponents, he won all his matches within the first round.

Church also wrestled in the senior division to see how he would measure next year and to gain experience.

“I wanted to see what I would need to work on, but it ended up going really well,” he said.

Indeed, the senior competition went no different than the junior. He once again ended all his matches in a single round due to technical falls. However, he still noticed a “huge difference” in the level of competition between both divisions.

“The senior guys are a lot stronger, a lot more experienced,” he said. “There are a lot of smarter wrestlers, they were tougher matches, but I was still able to get the job done.”

His coach at both Concordia and the Montreal NTC, David Zilberman, was very glad with Church’s performance.

“I thought he dominated everybody,” Zilberman said. “He wrestled really well. There’s still a lot to work on, but in the long term he shows a lot of promise to be an elite competitor on the international scene.”

His junior division win was his second in a row. In both years, it earned him a spot on Team Canada for the U20 Pan-American Championships.

He won bronze at the Pan-American Championships last year, but his eyes are set on gold this year for when they will be held in Chile.

Church attributes a lot of his success at the Canadian championships to his club. Because he practiced with older and more experienced teammates, he was prepared for the age difference in the senior competition.

“I wrestle against some of the best wrestlers in Canada every day at our club,” he said. “It gives me confidence going into every match.”

Church started wrestling six years ago in Winnipeg, his hometown. Then, in August 2021, he reached out to the coaches at Concordia.

“I knew that, if I wanted to excel at wrestling, this is the place where I wanted to be in Canada,” he said.

He was invited by Zilberman to try out and shortly thereafter, he moved to Montreal and started training with Concordia, as well as competing with the Montreal NTC. Zilberman remembers him displaying a lot of physical talent.

“He was strong and explosive, but a little raw,” Zilberman said. “He’s definitely evolved into a more technical wrestler, but he’s still very strong and gifted and that helps him a lot.”

“He puts in a lot of hours of training and he’s learning the game really quickly,” Zilberman added. “He has a strong character and will to win and it’s really important.”

This year was Church’s first time competing with the Concordia team and, in his first U Sports Championships, Church won the gold medal in the men’s 76 kg.

“That win, going into nationals, really boosted my confidence,” Church said. “It helped my success in the national championships and built my momentum.”

Church has indeed been on a roll ever since his move to Montreal. His innate motivation has undeniably been central in his achievements.

“I’m always willing to wake up and go to practice,” he said, adding that he trains two to three times a day, six days a week. “It’s a pursuit of excellence [for me].”

Church’s love for wrestling is palpable and a big part of his success.

“Nothing is more important to me,” he said. “It’s all I think about all day. It’s an obsession, really.”

Church’s next big tournament will be the 2023 Canadian U23 Wrestling Championships held in Laval on May 27-28. On top of the U20 Pan-American Championships in July, he will also be headed to Poland in August for the U20 World Championships.

“I’ve been eyeing that down for a full year now and that’s been my goal to get that win,” he said.

Categories
Features

The Heart of Auschwitz: The beauty of human devotion

The story of a heart-shaped birthday card that’s become an eternal symbol of resilience among Jewish women Holocaust survivors

At eight years old, Sandy Fainer played pretend as Kathy Gregory, one of her favourite characters from the 1950s American sitcom, Leave it to Beaver. One day, after watching an episode involving Kathy’s suspicions of being adopted, Sandy snooped around her house for clues to crack a similar “mystery,” as she noticed having no photographs of her with extended family. Little did she know, she would discover a piece of history hidden in her mother’s underwear drawer — and it wasn’t adoption papers.

In the palm of her hands was a heart-shaped birthday card that her mother, Fania Fainer, received for her 20th birthday on Dec. 12, 1944, when she was imprisoned in Auschwitz-Birkenau, working at the Union Werke munitions factory.

The birthday card, known as The Heart of Auschwitz, has been displayed at the Montreal Holocaust Museum since 1988. A facsimile has also made its way to The Museum of Jewish Heritage in New York City.

The artifact’s story has been featured in various forms of media around the world: the documentary The Heart of Auschwitz by Carl Leblanc, and the award-winning novel Paper Hearts, written by Meg Wiviott. 

This was no ordinary gift.

“It was the only material object that she survived [the Holocaust] with,” said Sandy. “She didn’t think it was of any interest to anybody else. But to her, it was very precious.… She kept it with her most intimate things.”

As a child, Sandy remembered being admonished for fooling around with it. “Just get your little hands off that, it’s not a toy!” she recalled her mother exclaiming. 

But for Sandy, the heart-shaped birthday card’s preservation is the most astonishing part of its journey — a “miracle,” as she put it. It’s a representation of women Holocaust victims’ solidarity and her mother’s reminder of hopefulness when she felt anguished. 

Before World War II, Fania was living in Białystok, Poland. On Sept. 1, 1939, her life changed drastically, as the Nazi regime occupied her town. 

She became a target for her ethnic identity, being labeled as the “Jew” with a yellow star badge; a dehumanizing Nazi tactic used to segregate, stigmatize, and potentially deport the Jewish population of Europe to death camps. 

One day, Fania went out in public without wearing her badge and was identified by a boy. She was  arrested by a group of German soldiers and stripped from her family for life. 

She was initially sent to the Stutthof forced labor camp, but was later deported to Auschwitz-Birkenau, where she worked in the Union Werke munitions factory.

During her time at the factory, she befriended other young women workers, such as Zlatka Pitluk.

According to the Montreal Holocaust Museum, Pitluk was born in Pruzhany, Poland in 1924. In January of 1943, the 19 year old found herself imprisoned in Auschwitz, and later transferred to work in the munitions factory. 

When Fania’s birthday came around, Pitluk planned to make her a card and a cake out of material and food found in the factory, along with the help of 19 other women workers.

The women stole materials at night for Pitluk and kept it protected— a life-threatening act of resistance they took to honour Fania’s special day, despite many not even knowing her.

The card was signed with various hopeful wishes in Polish, Hebrew, German and French.

“Freedom, freedom, freedom, wishing on the day of your birthday,” is one of many heartwarming messages written on the card and was signed by a girl named Mania.

“Zlatka risked her life to make this tiny, amazing object. Everything from the paper to the fabric, to the stitching, to the bread that she didn’t eat so she can mix it with water to make glue to stick it together …all of that was illegal,” said Sarah Fogg, a staff member at the Montreal Holocaust Museum. 

She stole orange rope to embroider the letter ‘F’ for Fania and cut a piece of her purple blouse that she wore illegally under her uniform, to fabricate the covers of the booklet.

This was yet another heroic sacrifice Pitluk made.

One day, during an inspection at the factory, she was caught and confronted for wearing the blouse under her uniform by a kapo, a woman prostitute monitoring the work line.

The teen was brutally beaten nearly to death and fell unconscious. She was woken up after being drenched with a pail of water by the prisoner functionary. 

Fogg said that Pitluk wore the purple blouse due to her allergy to the uniform’s fabric.

When Pitluk walked back to the factory line gasping for air, the women workers were crying in devastation after almost losing their dearest friend. 

“I don’t know where I got the courage because I risked my life with every single word,” said Pitluk, sobbing hysterically recalling this horrifying memory in her testimony with the Montreal Holocaust Museum in 1998. 

Pitluk’s sacrificial efforts were never forgotten and acted as a symbol of hope for Fania.

Sandy said her mother kept the booklet safely hidden for months at the camp, until she was liberated.

During a Death March, “she remembers that she kept it under her arm, in her armpit,” said Sandy.

“There were hundreds of miles and war transports and everything but, she absolutely kept it… that to me, is the most extraordinary part of the story.”

The Heart of Auschwitz has been viewed by thousands of visitors and holds a special place at the museum. Many have shared their admiration for the way it speaks to the human spirit.

“It was her friend’s birthday and she wanted to give her a gift. And I think that’s so powerful, when you think about the suffering and the persecution and the death and loss they were experiencing. Her gesture is one of such solidarity in humanity. I mean, there’s something so simple in that,” said Fogg.

Fogg referred to the countless unique stories that are attached to the card; the women who signed it, who protected it, and who made it. “This object is larger than all of us,” she added.

“You can’t take the human being out of that, you know? I mean, you can kill them physically but, spiritually, it’s harder,” said Sandy. 

And Sandy can’t thank her inner Kathy Gregory enough. 

Categories
Ar(t)chives Music Quickspins

QUICKSPINS: 10,000 gecs – 100 gecs

100 gecs returns with an album that’s pure fun

It doesn’t take long to see why 10,000 gecs, the newest project from experimental pop visionaries Dylan Brady and Laura Les, is one of the most thrilling releases of the year. The duo’s 2019 debut album 1000 gecs was a landmark in helping to define the relatively new genre known as hyperpop, with singles such as “money machine” making waves over social media. Coming four years later, it’s safe to say there’s been anticipation for a new record, and luckily this album does not disappoint.

Within the span of a single minute, the opener “Dumbest Girl Alive” begins with the signature THX Deep Note theme, transitions into an overblown guitar solo, and follows that up with a beat reminiscent of Travis Scott’s “Sicko Mode.” It is wonderfully bizarre and sets up a 10-track run that only gets stranger as it progresses. The album triumphs as an exercise in throwing so many ideas at the wall that the wall crumbles down.

If there’s one constant running through the entire twenty-seven minute record, it’s silly fun. 10,000 gecs feels like an album extracted from a late night Discord call — a bit too much caffeine in everyone’s system, each person trying to one up the other with jokes. It’s an experience that you laugh with, not at.

Take the song “757,” for example. Its intensely processed vocals emit such high energy that at a certain point they just start muttering gibberish and it still works. Later, the song takes a turn, and the lines “I smoke the trees when I’m in Colorado / Interior gas station McDonalds” play over a methodical, distorted snare and kick drum combo. Do these lyrics make sense? Not particularly. Does it go hard? Very much so.

Going from track to track is akin to playing musical roulette. From a violent encounter sparked by two friends with an equally violent instrumental (“Billie Knows Jamie”), to a ska song recounting the painful aftermath of a trip to the dentist (“I Got My Tooth Removed”), to relaxed verses explaining one’s questionable life choices (“The Most Wanted Person In The United States”), 10,000 gecs runs the gamut of genres and topics. 

The philosophy of short-but-impactful material is applied to most of the songs on the album, as they all fall within the two-to-three minute range. This is not an issue on its own, but it’s hard not to want a few extra tracks to flesh out the record a little more. Singles “Hollywood Baby,” “mememeandDoritos & Fritos are clear standouts, and the album would’ve benefitted with one more banger along those lines (though it is telling how good a project is when the only issue is that you want more).

10,000 gecs is the kind of album that gets you excited about music. There is so much bursting at the seams in this collection of tunes. It overflows with creativity and is a testament to the power of friendship, comradery, and cranking the volume up to eleven. It also happens to have a song titled “Frog On The Floor.”

Trial Track: “Hollywood Baby”

8/10

Categories
News

Dropouts from Co-op internships speak out

Concordia students share their experiences with the Co-op program

When Emma Amar was accepted into Concordia University’s software engineering program in April 2020, she was invited to apply to the Co-op program during an orientation session. She hoped to get experience in the field before graduating, alongside an accreditation to her diploma. 

But in January 2022, she called it quits.

“I decided to leave Co-op because I couldn’t stay and take a leave of absence,” she said. In 2020, the Co-op institute required software engineering students to take five classes for their fall, winter and summer semesters. Currently, their sequence requires fewer courses over an academic year.

“If you step out of sequence, then your Co-op gets messed up. So it’s very rigorous every semester. So most of my peers take five [classes] every semester.”

In order to complete the Co-op program, students must dedicate two semesters to learn about the Co-op program and to secure an internship via their institute. Then, they must successfully complete three internships, spread over three semesters.

“I was very excited to work because I’m not a person that enjoys [studying],” she said. “I have anxiety and have a lot of things that make it very difficult for me to be a student and a participant in a class setting.”

Amar’s internship workload felt like she was taking an extra class. “I have to attend all these workshops. I have to be a member of the Co-op institute, but I’m busy juggling five classes,” she said.

Juggling between being a full-time student one semester and working full-time the next, all while dealing with mental health issues made Amar realize she needed a break.

Despite the added stress she encountered with the process, she says she improved her technical skills through the experience. “Two years past that internship, I’m still using all the skills that I got from my job in my classes, in my group projects,” she said. “I’m able to sit down and actually be able to interact with my peers and actually be able to contribute.”

Alex*, who wished to remain anonymous, is another student whose Co-op experience was similar to Amar’s. They decided to apply for Co-op in March 2021; as a journalism student, they were eager to find internship opportunities in their field, but quickly realized that the program only offered opportunities to work in public relations and communications. 

“Sometimes I would have to go to a press conference. Well, I guess you do that in journalism, but this was not me asking questions. This was me networking for the company,” they said.

Alex thought their internship would teach them journalism skills, like following tight schedules, writing and publishing content. Yet they felt like their days were coordinated by random tasks their manager gave them.

Alex expressed feeling burnt out after that summer, having worked 50 hours every week,  including their summer job. 

“The university could do so much more to set us up for success with internships, and yet they don’t,” they said. “I sincerely hope that Concordia, the journalism department and the Co-op department figure out a way to have paid journalism jobs. Right now, it’s all communications, marketing or PR. And to me, that’s completely useless and irrelevant to my field of study,” Alex added.

“I still feel like I’ve never really recovered from that. It made me realize I want to do journalism,” they said. “The thing about Co-op is that you can’t quit halfway through because it looks like you failed on your transcript,” Alex said. “[I] was realizing that the Co-op program in journalism is kind of a scam.” 

After completing their first internship in summer 2022, Alex told their program coordinator they were no longer interested in being part of the Co-op program. 

Amar and Alex will not graduate as Co-op students, but as C.Edge students. 

C.Edge is another internship institute at Concordia for students who are transitioning to the workfield. Only one internship is required to complete the C.Edge program.

“It’s not going to show that I’m a Co-op student, but because I did successfully complete one internship, I’m a C.Edge student,” Amar said. “I have no idea what that entails.”

*a fictive name

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